@@bobbystereo936Yeah, I bought that at 8 years old a year after. Something about the extra measure the left out that even sounds cooler even though it sounds out of left field because..... We're all used to it not being there
@@SST4SSG Yeah! It has that extra middle section but the intro is also longer to. I think 6 beats instead of 4 every1 is use to. Only the version on the Beatles Reel music has that intro.
How can something remain so fresh and barrier breaking, while sounding ahead of its time 60 years on? That is the genius and relevance of The Beatles to this very moment.,
and yet..even in recent McCartney interviews...he himself still ..doesnt ..seem to see what he helped create ..as being as esoteric and future - forward thinking as it really was!!!
I generally am rather fond of the Giles Martin remixes. But I felt he was somehow asleep at the wheel for this one as released on the Blue Album in 2023, especially the end starting around 3:15, which completely lost the “fairy dust” and mystery of the original. And Holy Smokes. You not only give the sound of the band a drive and muscle here I’ve never heard in this song, while never losing the spirit, you’ve made the fadeout clear and true yet integral to the vibe of the original. I’ve probably studied this song, especially the end, more than any other audio that exists. I’m guessing I’ve heard it 1000 times at least. And what you’ve done here is wonderful. Thank you.
Thank you for this nice comment! That was the goal. It's not exactly as I wanted it but it was the best I could do with my limited resources. Hopefully someday the professionals will do this properly. Thanks for listening!
Meanwhile home-brew remixers have taken the clean, crisp, wide stereo mix of "Walrus" and using spectral demix algorithms have moved the drums and bass to the middle. Every time the official remixers go back to the multi-tracks and try to reinvent the original versions it always sounds off in one way or another. The vintage EQs get ignored, the compression is off, and literally every element gets it's own dedicated reverb. In the end you get a wonky disjointed mix that doesn't gel or swing. Even in 2015 when they tried to exactly reproduce the original mixes for the "1" CD the mixes lacked any sparkle/excitement and sounded muted as if they shaved off all the high end to make them sound "vintage" (who knows).
There is re-mixing and there is re-writibg. Giles went way too far down the re-writing route on the Blue re-mix. I don't care who your dad was, son, you pack that lark in.
I am 67 and love the original mix, but DAMM. Super job. I am sure this is how it sounded in the control room at Abbey Road. Great job on the video also.
One of the compositions that puts The Beatles above everything else that was done in terms of popular music. A true masterpiece, daring, avant-garde, that even today sounds as fresh and modern as it did almost sixty years ago thanks to its complex and surreal lyrics, its unusual and hypnotic melody and the brilliant arrangements by George Martin, which elevate the song to unsuspected levels. Let's not forget that this song was mixed on four channels, almost sixty years ago... Thanks for sharing your talent britt200!
Excellent! Bringing back the entire King Lear dialog from the original recording is essential after hearing Giles Martin’s remix. That’s the lightening in the bottle.
I will say this about Giles' remix - at the end, I was taken aback (negatively), but after hearing it a few times, I thought "eh, it's only the one version - Kamala Harris isn't saying we have to toss the other mixes away". 🤣
This mix really allows The Beatles to shine with greater clarity and power. This is especially true of Ringo's creative, inventive drumming. But that clarity is also apparent throughout the entire recording and, as an enormous Beatles super fan, it is greatly appreciated.
@@TTM9691 , the two terms are not mutually exclusive! You want a "blend" of voices, instruments, and other elements, that allows the listener to hear all elements clearly. The mix may determine, among other things, how prominently each element is emphasized or de-emphasized. But the sounds of all elements should be clear rather than muddy. This clarity helps the listener feel enveloped in the sounds so as to allow the listener to feel like the singers and musicians are right there beside the listener rather than at a substantial distance from the source of the sound. And that sensation of the artist being right beside the listener is precisely where "clarity" does its magic.
Many thanks for this! Your added description of what you achieved is always interesting to read - even though some of the technique goes over my head! The song sounds much better now, so I'm glad you overcame your reluctance to tackle it!
My pleasure, thank you for listening and commenting! I'm glad you find the descriptions interesting. Not knowing how to approach it contributed to my reluctance.
Long-time listener is right. The originals are the best, and we've been hearing them for 60 years. Hearing them better is one thing. Changing them? Nope.
I have to admit, when I first heard GIles' new remix, I thought it was interesting and added something. But after several listens, I found it quite irritating that he chose to take some of the liberties he took to perhaps "modernize" the track. Britt....you've modernized it without taking away any of the essence the Beatles had in mind when they recorded and produced the song, including all of the randomness, especially at the end, where they mixed in the radio broadcast of Shakespeare. George Martin and the Beatles would be so proud of this mix. The video also drips of psychedelia!! Thank you!! Just brilliant! Dig, DmGrk
Fabulous visual treatment, great mashup with the original video. The Song is otherwordly every single day and forever. Congratulations from Madrid City Spain ☮️
“Elementary penguin singing Hare Krishna / Man, you should have seen them kicking Edgar Allan Poe” - how can you not love it? Great visuals! “A serviceable villain, as duteous to the vices of thy mistress as badness would require” - I can still remember the shock of recognition in the early ‘80s while watching a production of “King Lear” and hearing those words that I’d been hearing since 1967 but in a completely different context.
@@britt2001bThere's always room for improvement and change so said the Beatles. Go for it britt2001b. Even though l agree it's perfect as is l believe you definitely have something to bring to the table. Good luck, patiently waiting. 🌎☮️⚫ 🍏 Apple Records 🍏
@@SilverHammer1969 I think I've found a way to make the Giles remix more interesting. For me, part of the fun and excitement of the original mix was the movement of the vocals across the stereo stage. Giles did away with that in his 2015 remix. I'm replicating that movement combined with the improved sonics from his mix and so far, so good. I seem to be having some success in placing the instrumentation back to their original positions also. I think some would say "why do this?" "just listen to the original." But this would bring back the fun of the original with the addition of improved sonics. By improved sonics, I mean that Giles apparently extracted earlier generation takes from the multiple bounces The Beatles created from only having a 4-track recorder at that time. Thanks for the inspiration!
@@britt2001b Your welcome and thanks for taking the time responding. Again love your work and ambitious sonic interest. I too love audio and seek to always push the envelope. The thing that l always would have liked to see is having the bass and drums brought up to center in the mix (much more) and double track stereo the piano. The U.S. stereo releases on vinyl were atrocious during the 1960's, 70's and 80's as l'm sure you're aware of. That said l am interested to hear the new "A Day in the Life" 2024 remix you're currently working on. I have no doubt that it will be to the liking of myself and others as well. Godspeed @britt2001b ! 🌎☮️❤️ 🍏 Apple Records 🍏
Excellent mix. I'm glad you honored the original and left the switch from stereo to mono at 2:05 after the radio squelch, as in the original stereo. In this monumental song with its strange chord structures, sound effects, and surrealistic lyrics, the radio squelch in the middle (the sound of an old dial tune radio switching channels) transports the listener to a different dimension -- the dimension of mono sound. It just adds an almost subconscious layer of surrealism to the whole recording. I've heard remixes that make the entire song in stereo and even suppress the radio noise, and it diminishes the feeling of the song. I don't know if that change from stereo to mono was an intentional act or accidental (probably the latter, based on what I've read) but it perfectly fits with the song. There is no other song like I am the Walrus, another Beatles unique masterpiece. Your mix does it justice.
Thank you so much and I'm very honored by your comment. It was actually a change from true stereo to fake stereo at that point and it was intentional. The fake stereo was created from the mono version because they flew in a live radio broadcast of 'King Lear' while mixing the mono. When it came time to mix the stereo version they couldn't re-create the 'King Lear' passage so to keep the stereo version sounding the same as the released mono version they just used the mono and faked the stereo. I agree with you, it definitely thrusts the song into a different dimension and it fits the surrealistic feel of the song quite well. These were the fun days of recording where rules were broken quite often to further creativity. The Beatles and their producers were masters at this! Now days, the creativity just lies in a push of a button, no fun! I'm glad you enjoyed this and thanks so much for listening!
oh wow! My ultimate psychedelic mind transforming beatles song. How can anyone not be changed by just listening to the lyrics... Congratulations on a great great remix.
There's nothing wrong with George Martin's mix -- it's CLASSIC! Sick of George Martin's enormously influential production being papered over to sell an umpteenth redux!
Fantastická práce, úžasný remix!!👏👏❤✌️ Moc se mi to líbilo, Johnův hlas zní nádherně čistě, osobně mám Im the Walrus z Magical Mystery Tour nejraději,za mě fenomenální píseň ❤❤
As a very young French teenager beginning to learn English I remember wondering, what does this walrus word mean ? I had no dictionary at the time (I was 14) Then what does sitting on a cornflake waiting for the van to come means ? And what about that semolina pilchard climbing up the Eiffel Tower? The deed was done and I was struck for the rest of my life. I am 71 today, and still intend to remain struck for a lot of years! John still rules OK! :^)
Honor is the word. A bit of barrel or micro dot. Then you get into "everybody, everybody, everybody" And that hint of message underneath at the ending. Beautiful.
All I can say is WOW!!! This might be your best one yet!!! You REALLY captured the true essence of PSYCHADELIA with this video!! Just STUNNING and SPECTACULAR and MAGNIFICENT !!! A splendid time is guaranteed for all!!!😊
Thank you! I'm glad you enjoyed this re-visit to psychedelia. Here's a bit of trivia about the video, at the end where the father stands to the words of "what, is he dead?", the father is actually Leo McKern who starred with The Beatles in 'Help!'
Everybody Smoke Pot! Good advice I followed. My favorite Beatle song and my first encounter with whole tone movement and the Flat 5 interval as a kid learning to play music.
The mix and the video elements are excellent and the fact that the Shakespearian passages at the end of the song are prominent is the chef's kiss to me. They ARE an integral part of the song.
John’s psychedelic masterpiece now sounds better than ever.
Thanks, Brit Bob!
Thank you, I'm glad you think so! I appreciate your comment and thanks for listening!
I much prefer the 1980 version on the Beatles Rarities album.
@@bobbystereo936Yeah, I bought that at 8 years old a year after. Something about the extra measure the left out that even sounds cooler even though it sounds out of left field because..... We're all used to it not being there
@@SST4SSG Yeah! It has that extra middle section but the intro is also longer to. I think 6 beats instead of 4 every1 is use to. Only the version on the Beatles Reel music has that intro.
How can something remain so fresh and barrier breaking, while sounding ahead of its time 60 years on? That is the genius and relevance of The Beatles to this very moment.,
true.Unbelievable
Enough said!
They will never be surpassed !! Ran W
Man you said it !!!
and yet..even in recent McCartney interviews...he himself still ..doesnt ..seem to see what he helped create ..as being as esoteric and future - forward thinking as it really was!!!
This song never gets old. It's like a fine wine and just gets better with age.
The best band in the World..........The Beatles.....
Yeah, yeah, yeah!!!!!!!!
I generally am rather fond of the Giles Martin remixes. But I felt he was somehow asleep at the wheel for this one as released on the Blue Album in 2023, especially the end starting around 3:15, which completely lost the “fairy dust” and mystery of the original.
And Holy Smokes. You not only give the sound of the band a drive and muscle here I’ve never heard in this song, while never losing the spirit, you’ve made the fadeout clear and true yet integral to the vibe of the original. I’ve probably studied this song, especially the end, more than any other audio that exists. I’m guessing I’ve heard it 1000 times at least. And what you’ve done here is wonderful. Thank you.
Thank you for this nice comment! That was the goal. It's not exactly as I wanted it but it was the best I could do with my limited resources. Hopefully someday the professionals will do this properly. Thanks for listening!
Meanwhile home-brew remixers have taken the clean, crisp, wide stereo mix of "Walrus" and using spectral demix algorithms have moved the drums and bass to the middle. Every time the official remixers go back to the multi-tracks and try to reinvent the original versions it always sounds off in one way or another. The vintage EQs get ignored, the compression is off, and literally every element gets it's own dedicated reverb. In the end you get a wonky disjointed mix that doesn't gel or swing. Even in 2015 when they tried to exactly reproduce the original mixes for the "1" CD the mixes lacked any sparkle/excitement and sounded muted as if they shaved off all the high end to make them sound "vintage" (who knows).
@@britt2001b I am waiting for your rendition of GLASS ONION.....BRAVO....you have brought my past into the present!
Exactly.
There is re-mixing and there is re-writibg. Giles went way too far down the re-writing route on the Blue re-mix. I don't care who your dad was, son, you pack that lark in.
I am 67 and love the original mix, but DAMM.
Super job.
I am sure this is how it sounded in the control room at Abbey Road.
Great job on the video also.
Thank you! I'm glad you enjoyed this and thanks for the praise of the video!
LOL. It sounds TERRIBLE. It doesn't sound ANYTHING like it would have sounded in the control room, or anywhere else! Get some ears, David.
This compliments the original..I dare say its the best mix I've heard of the track.
@@lionheartroar3104 I love how the vocal DOESN'T sit with the track, lol. get some ears. This isn't a remix, this is someone playing with software.
Your a moron you need your ears cleaning out@TTM9691
Fantastic! Great to be able hear Martin’s wonderful orchestra arrangement higher in the mix. 👍🏻
Glad you like it. You can thank his son Giles for this as I used his remix as a source of my remix. Thanks for listening!
George Martin! Geoff Emerick!!
Those drums are amazing, I had no idea the kick was that enormous, you've rearranged the stereo image to perfection. Beautiful.
Thanks, glad you liked this!
Who composes anything as great as this today? And it was a B- side.
Absolutely true!
Nadie absolutamente nadie hoy todo es una 💩
No, it was on Magical Mystery Tour.
@@robertirvine6307it technically was also issued as a single with hello goodbye
@@mrturtleturtle7878 Indeed. B-side to 'Hello, Goodbye' released 24 November 1967. It was also included on the MMT LP and EP.
EMI should be calling you!
Yeah but you don't say what 😮
@@stepheng8779EMI should be callingBritt to remix the next Beatles project. 😆
Much better than the remaster I heard last year.
It would be a call from beyond the grave.
Sure¡ I HAVE TO record 5 records, music COMPOSED BY RAFA PARRA AZOR STRAIGHT MAN BORN IN MURCIASPAINEUROPE
No matter what mix, form or technology, just pure genius.
Great to hear the proper fade out on this remix! 👌🏼
The Giles Martin remix outro was an abomination!
I’ll never get tired of this song.
One of the compositions that puts The Beatles above everything else that was done in terms of popular music. A true masterpiece, daring, avant-garde, that even today sounds as fresh and modern as it did almost sixty years ago thanks to its complex and surreal lyrics, its unusual and hypnotic melody and the brilliant arrangements by George Martin, which elevate the song to unsuspected levels. Let's not forget that this song was mixed on four channels, almost sixty years ago... Thanks for sharing your talent britt200!
I agree on every your word
You're welcome. Thank you for the comment and thanks for listening!
Still my favorite band to this day !
Me too!
Absolute brilliant song, the beat is so mesmerising ❤
Thank You For Granting My Request.
As I Expected Your Remix Was Great 👍👍👍
You're welcome, my pleasure! Thank you for the request and thanks for listening!
Fab....takes me back.
I was a young man back in the 1960s...❤
Stunning. So pleased you did this! Thank you.
Thank you! Pleased you're listening!
Nicely cleaned up. Lennon's vocals with the strings were cool.
Another excellent mix. Thanks and keep them coming.
Thank you!
Une de mes chansons préférées des Beatles !! Thanks 🖤
La mienne aussi. Merci d'écouter !
Моя тоже ❤. Same here
Happy Birthday John!!!
Excellent imagining of this most psychedelic of Beatles songs.
Thank you!
Every once in a while I forget how good they were. Thanks for the reminder
You're welcome and it's my pleasure. Don't ever forget! It won't be long until no one alive will know what it was like living through their reign.
No los he olvidado nunca☺️
Excellent! Bringing back the entire King Lear dialog from the original recording is essential after hearing Giles Martin’s remix. That’s the lightening in the bottle.
Thank you! That was such a memorable piece to the imagery of the song, I don't know why it was dampened by Giles. Thanks for listening!
I will say this about Giles' remix - at the end, I was taken aback (negatively), but after hearing it a few times, I thought "eh, it's only the one version - Kamala Harris isn't saying we have to toss the other mixes away". 🤣
This is so good! Excellent sir!
Thank you so much!
I was 9 years old when I heard this, been a fan since and it started my own musical journey.
This may be my all-time favourite of their songs. Melody, arrangement, everything.
Beatifull sound beautiful vision!
Glad you think so. Thanks!
Just love this!!
Wyborna jakość wspaniałego utworu.
Dzięki! Cieszę się, że słuchasz.
I genuinely love this song. I don’t know what about it but it’s so fucking good.
One of my 3 favorite Beatles songs. Perfect! And the video very imaginative. Thanks again!
Thank you!
This mix really allows The Beatles to shine with greater clarity and power. This is especially true of Ringo's creative, inventive drumming. But that clarity is also apparent throughout the entire recording and, as an enormous Beatles super fan, it is greatly appreciated.
Thank you. I appreciate your kind comment and thanks so much for listening!
You don't want clarity, you want blend. That's why it's called a "mix".
@@TTM9691 , the two terms are not mutually exclusive! You want a "blend" of voices, instruments, and other elements, that allows the listener to hear all elements clearly.
The mix may determine, among other things, how prominently each element is emphasized or de-emphasized. But the sounds of all elements should be clear rather than muddy. This clarity helps the listener feel enveloped in the sounds so as to allow the listener to feel like the singers and musicians are right there beside the listener rather than at a substantial distance from the source of the sound. And that sensation of the artist being right beside the listener is precisely where "clarity" does its magic.
Apple: Aquí tienes el talento humano que necesitas para continuar el legado del material Beatle. FELICIDADES britt2001b! Gran edición!
¡Gracias por este bonito comentario! ¡Estoy muy contento de que estés escuchando!
Many thanks for this! Your added description of what you achieved is always interesting to read - even though some of the technique goes over my head! The song sounds much better now, so I'm glad you overcame your reluctance to tackle it!
My pleasure, thank you for listening and commenting! I'm glad you find the descriptions interesting. Not knowing how to approach it contributed to my reluctance.
Long-time listener is right. The originals are the best, and we've been hearing them for 60 years. Hearing them better is one thing. Changing them? Nope.
it isnt that big of a change sounds great
You've been listening to the original Mono mixes ?
I have to admit, when I first heard GIles' new remix, I thought it was interesting and added something. But after several listens, I found it quite irritating that he chose to take some of the liberties he took to perhaps "modernize" the track. Britt....you've modernized it without taking away any of the essence the Beatles had in mind when they recorded and produced the song, including all of the randomness, especially at the end, where they mixed in the radio broadcast of Shakespeare. George Martin and the Beatles would be so proud of this mix. The video also drips of psychedelia!! Thank you!! Just brilliant! Dig, DmGrk
Thank you so much for this kind comment! I'm really glad you enjoyed the new mix. Thanks for listening!
I'm in that camp, as well. It was interesting but I find myself listening to previous remixes. Even the mono is more pleasant to listen to
Magnifica ...!!!
Very well done, and the video element is awesome! Thank you for this
Thank you for listening and watching!
Fabulous visual treatment, great mashup with the original video. The Song is otherwordly every single day and forever. Congratulations from Madrid City Spain ☮️
Thank you very much! I'm glad you enjoyed this and thanks so much for listening!
Brilliant. This is the stereo mix I've been waiting for. Never heard this sound so good.
Thank you!
Smh.. absolutely BRILLIANT mate👍🏻💯🎸 😮 gave me the chills..😅 haven't heard this in a little while..the Beatles my favourite band. Cheers.👊🏻
Thank you very much! Glad you enjoyed it and thanks for listening!
“Elementary penguin singing Hare Krishna / Man, you should have seen them kicking Edgar Allan Poe” - how can you not love it? Great visuals! “A serviceable villain, as duteous to the vices of thy mistress as badness would require” - I can still remember the shock of recognition in the early ‘80s while watching a production of “King Lear” and hearing those words that I’d been hearing since 1967 but in a completely different context.
Acid was good stuff
Sounds brand new. Love it.
Superb graphics ! Thank you ! ( and another Beatles classic )
My pleasure, thank you! I'm glad you enjoyed the imagery.
great work again,we await the big one, ADITL.
Thanks! I wouldn't know what to do with 'A Day In The Life' it's such a perfect recording.
@@britt2001b Good point maybe best left alone.
@@britt2001bThere's always room for improvement and change so said the Beatles. Go for it britt2001b. Even though l agree it's perfect as is l believe you definitely have something to bring to the table. Good luck, patiently waiting.
🌎☮️⚫
🍏 Apple Records 🍏
@@SilverHammer1969 I think I've found a way to make the Giles remix more interesting. For me, part of the fun and excitement of the original mix was the movement of the vocals across the stereo stage. Giles did away with that in his 2015 remix. I'm replicating that movement combined with the improved sonics from his mix and so far, so good. I seem to be having some success in placing the instrumentation back to their original positions also. I think some would say "why do this?" "just listen to the original." But this would bring back the fun of the original with the addition of improved sonics. By improved sonics, I mean that Giles apparently extracted earlier generation takes from the multiple bounces The Beatles created from only having a 4-track recorder at that time. Thanks for the inspiration!
@@britt2001b Your welcome and thanks for taking the time responding. Again love your work and ambitious sonic interest. I too love audio and seek to always push the envelope. The thing that l always would have liked to see is having the bass and drums brought up to center in the mix (much more) and double track stereo the piano. The U.S. stereo releases on vinyl were atrocious during the 1960's, 70's and 80's as l'm sure you're aware of. That said l am interested to hear the new "A Day in the Life" 2024 remix you're currently working on. I have no doubt that it will be to the liking of myself and others as well. Godspeed @britt2001b !
🌎☮️❤️
🍏 Apple Records 🍏
Excellent mix. I'm glad you honored the original and left the switch from stereo to mono at 2:05 after the radio squelch, as in the original stereo. In this monumental song with its strange chord structures, sound effects, and surrealistic lyrics, the radio squelch in the middle (the sound of an old dial tune radio switching channels) transports the listener to a different dimension -- the dimension of mono sound. It just adds an almost subconscious layer of surrealism to the whole recording. I've heard remixes that make the entire song in stereo and even suppress the radio noise, and it diminishes the feeling of the song. I don't know if that change from stereo to mono was an intentional act or accidental (probably the latter, based on what I've read) but it perfectly fits with the song. There is no other song like I am the Walrus, another Beatles unique masterpiece. Your mix does it justice.
Thank you so much and I'm very honored by your comment. It was actually a change from true stereo to fake stereo at that point and it was intentional. The fake stereo was created from the mono version because they flew in a live radio broadcast of 'King Lear' while mixing the mono. When it came time to mix the stereo version they couldn't re-create the 'King Lear' passage so to keep the stereo version sounding the same as the released mono version they just used the mono and faked the stereo. I agree with you, it definitely thrusts the song into a different dimension and it fits the surrealistic feel of the song quite well. These were the fun days of recording where rules were broken quite often to further creativity. The Beatles and their producers were masters at this! Now days, the creativity just lies in a push of a button, no fun! I'm glad you enjoyed this and thanks so much for listening!
I've loved this song since I first heard it. Thank you for this great new perspective.
My pleasure, thank you for listening!
Fantastic! Beautiful and brilliant.♥️🎶
oh wow! My ultimate psychedelic mind transforming beatles song. How can anyone not be changed by just listening to the lyrics... Congratulations on a great great remix.
Thank you.
Excelente!
Sound's like john lennons voice is boosted.Great remix.
Thank you! It is a bit.
LOL. Yeah, that's what "I Am The Walrus" needed: John's voice to be boosted. 🤣
Excellent job taking the MMT video, and redoing that as well.
Thanks!
There's nothing wrong with George Martin's mix -- it's CLASSIC! Sick of George Martin's enormously influential production being papered over to sell an umpteenth redux!
The only problem with it is that the last part is in fake stereo.
His stereo mixes suck .
I like the video! It´s a work of someone who loves The Beatles! Well done!
I do! Thank you!
Magnificent work! Thank you britt2001b!
My pleasure, thank you!
Best version of this song, ever. Thanks. 👏👍😀
Thank you, I'm glad you think so! Thanks for listening.
What great sound, good job 🤙
Thank you.
How talented!
These videos are fantastic! Amazing how the music and videos fit together! I wonder how Paul and Ringo feel about these great new videos?
Thank you, I'm glad you think so!
YOUR VIDEO,S ARE BREATHETAKING !!!!!!!!!!!!!!! ❤💯
Thank you! I'm very happy that you enjoy them! Thanks for the comment and thanks for listening!
Drums sound incredible
looking foward for your version of Hey Bulldog, keep up the great work!
Thanks!
Incredible - Thanks!
My pleasure, thanks! Glad you're listening!
Excellent thanks!
My pleasure, thank you!
WoW !!!
Still my all-time favorite Beatles song. Nice work!
Thanks!
Same here, been hearing this since Christmas 1967, it will be in me forever.
superb! and the vid is cool too! Cool Britannia, well done mate
Thanks! So glad you enjoyed the mix and video!
Keep up the fab work. Excellent 💙
Thank you, glad you're listening!
Fantastická práce, úžasný remix!!👏👏❤✌️ Moc se mi to líbilo, Johnův hlas zní nádherně čistě, osobně mám Im the Walrus z Magical Mystery Tour nejraději,za mě fenomenální píseň ❤❤
Děkuji! John měl úžasný hlas. Moc si vážím toho, že jste poslouchal(a)!
I also requested this from you Thank you very much for this what a great great tune sounds fantastic Thank you
Thank you, i appreciate your request. I've had many! It took me a while to find a viable approach. Thanks for your comment and thanks for listening!
Entertaining and well edited
Simply amazing!
Edgar Allen Poe with the cameo just brought a huge smile to my face!
BRILLIANT!
Thanks!
*XCELLENT to the max vid!
Thank you! Glad you watched.
Love it, well done
Thank you! Glad you liked it!
This one is outstanding. May be your best one yet. Vocals right up front, everything sounds crisp.
Thank you, I'm glad you think so! Glad you're listening!
Well done!!
Greetings from the Netherlands 🇳🇱.
Thanks! So glad you're listening!
As a very young French teenager beginning to learn English I remember wondering, what does this walrus word mean ? I had no dictionary at the time (I was 14) Then what does sitting on a cornflake waiting for the van to come means ? And what about that semolina pilchard climbing up the Eiffel Tower? The deed was done and I was struck for the rest of my life. I am 71 today, and still intend to remain struck for a lot of years! John still rules OK! :^)
👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼
I don't think it has meaning and that's a John trick that people would try. It's just words/sounds that he liked together. As in his books.😊
Honor is the word. A bit of barrel or micro dot. Then you get into "everybody, everybody, everybody"
And that hint of message underneath at the ending.
Beautiful.
Brilliant work.
Glad you're listening. Thank you!
Great !!!!!!
Really great job - you achieved what you set out to. SO much better than the recent demix. “Sit you down father, rest you!”
Thank you! The quote is good advice. I think I will.
All I can say is WOW!!! This might be your best one yet!!! You REALLY captured the true essence of PSYCHADELIA with this video!! Just STUNNING and SPECTACULAR and MAGNIFICENT !!! A splendid time is guaranteed for all!!!😊
Thank you! I'm glad you enjoyed this re-visit to psychedelia. Here's a bit of trivia about the video, at the end where the father stands to the words of "what, is he dead?", the father is actually Leo McKern who starred with The Beatles in 'Help!'
That was fun!!!!
Good job Britt ! Thanks
Thanks, glad you're listening!
Love this video.Good job whomever put this together. 👍👍👍🇬🇧🇬🇧🇬🇧🇬🇧
Thank you, I enjoyed working on this. A song that's so abundant with images makes it much easier! Thanks for watching!
Good job......
Thanks!
Il suono e la voce sono fantastici. Complimenti, lavoro stupendo ❤❤
Grazie! Sono molto felice che tu stia ascoltando!
Sempre bravissimo!!!
Enjoyed it totally. Nice redo of the video.
Glad you enjoyed it! Thanks for listening and watching!
Favourite trac❤
Everybody Smoke Pot! Good advice I followed. My favorite Beatle song and my first encounter with whole tone movement and the Flat 5 interval as a kid learning to play music.
The mix and the video elements are excellent and the fact that the Shakespearian passages at the end of the song are prominent is the chef's kiss to me. They ARE an integral part of the song.
I agree. Thanks for commenting and thank you for listening!
Awesome 😎👍🏼👍🏼👍🏼👍🏼
Keep them coming 😬
Martin's mix remains the best.
Nicely done
Thank you!
Awesome !!!!❤