DK Jayaraman - shrI krSNam bhaja mAnasa - tODi - dIkshitar
ฝัง
- เผยแพร่เมื่อ 24 ส.ค. 2018
- pallavi
shrI krSNam bhaja mAnasa satatam shritajana paripAlam gOpAlam bAlam
anupallavi
pAkashAsanAdi vinuta caraNam shOka mOha bhaya haraNam bhava taraNam
caraNam
shanka cakra gadA padma vanamAlam vENugAna lOlam krpAlavAlam
kankaNa kEyUra makuTa maNDita kamanIya kanakamaya cElam
pankajAsanAdi dEvamahitam shrI guruguha vihitam ramA sahitam
pankajadaLa nayanam vaTa shayanam guru pavanapurAdhIsham lOkEsham - เพลง
26:43 Excellent traditional rendering of Thodi Ragam and the Keerthanam by the great Vocalist D.K Jayaraman Sir and the Accompaniments are equally excellent. A very well knit melodious Thodi package preserved for the generations to come 🙏
Just splendid... marvellous..
Mano dharmam out pouring.... unparalleled....😊😊😊DKJ mama my favourite...
Superb by DKJ mama ! Sri krishnam bhaja Ragam Thodi Adi Talam Muthuswami Dikshitar Krithi
This Kriti is in the second Vibhakti
"Sri Krishnam bhaja manasa' - a composition on the deity of Guruvayur, Probably the Only Krithi he has composed on Guruvayoor Sri Krishna ! “"I am responsible for the welfare of those who think of me to the exclusion of all else and who remain devoted to me all the time" - Bhagavat Gita “This as I understand is one among the four Krithis he has composed on the Lords at Kerala ! “hariharaputram “ (vasanta, khaNDa Ekam) on Sabaraimalai Ayyapan, “shrI k.rSNam bhaja” (tODi, Adi) on Krishna of Guruvayoor and “pannaga shayana padmanAbha” ( madhyamAvati, Adi) on Padmanabha of Trivandrum. The song “rakta gaNapatiM (mOhanam, Adi) on Pazhavangai Pillayar of Trivandrum !
pallavi
shrI krSNam bhaja mAnasa satatam shritajana paripAlam gOpAlam bAlam
Oh mind, sing the glory of Sri Krishna always heartily. He is Gopala the protector of devotees.
anupallavi
pAkashAsanAdi vinuta caraNam shOka mOha bhaya haraNam bhava taraNam
Devendra and other Devatas worship his feet. He dispels sorrow, fear and fascination. He is bestower of salvation,
charanam
shanka cakra gadA padma vanamAlam vENugAna lOlam krpAlavAlam
kankaNa kEyUra makuTa maNDita kamanIya kanakamaya cElam
pankajAsanAdi dEvamahitam shrI guruguha vihitam ramA sahitam
pankajadaLa nayanam vaTa shayanam guru pavanapurAdhIsham lOkEsham
He wields conch, discus and mace. He is adorned with Tulasi and flower garlands. Venugopala is merciful. He wears brace-lets, shoulder ornaments and crown. His golden yellow garment is beautiful. Lotus-seated Brahma and other Devatas praise his glory. Sri Guru Guha worships him. Lakshmi is his consort. His eyes are beautiful like lotus petals. He reclines serenely on banyan leaf. He is the presiding Lord at Guruvayuru. He is the Lord of the universe.
The profound Thodi ragam of Carnatic music has its Hindustani equivalent in Bhairavi. Both are parent scale ragas in as much as they take a musical scale conceived (like Western scale) with seven syllabic notes in an order of ascent.
While Thodi, actually named as Hanumathodi is the eighth melakarta of the 72 in number and occupies the second place in the Netra (2nd) chakrabelongs to the second netra chakra, Bhairavi is slotted in the fifth of the ten thaats. Todi (Janathodi/Nattakokilam Pann) and Bhairavi are both ancient ragas; the latter is dated at 1,500 years! According to Ustad Bade Ghulam Ali Khan, Bhairavi has its origins in the folk tunes of Iran. The term derives its meaning from one of the eight manifestations of Devi that emanated from the burial ground. In the Hindustani parlance it is a female raag. Both Todi and Bhairavi, with their majestic contours evoke karuna and bhakti.
Thank you for such a high quality rendition by the master
Loved it
ஆஹா 🙏🙏
Amazing! Does anyone know who the accompanists are? Particularly mridangam? What a great thani!
Violin sounds like smt T Rukmini
Palghat Mani Iyer - Mridangam
22:10 Master’s signature piece. None other than Mani Iyer
Amazing accompaniments...
10:00 srikrishnam kriti