I love it. This is jazz and Wynton really put a nice touch on this classic. His ideas are so hip. To not mess up on a solo you really have to be able to think quite fast. But he is known for that and with his impressive knowledge on jazz theory, too, he can pull anything off however he wants!!
Pros rarely "mess up" on solos. They know their way around the horn so well, they can just go into "neutral" and run some well-practiced patterns until they come up with a motif (something to say), then modify it, extend it, comment on it, and so on. To put it another way, we all improvise when we speak, and we do it seamlessly because we know our language well. But for a beginning improviser, it's like trying to talk in a new language.
there's something to learn from every solo he ever took, but i think one of the best lessons here is how he thoughtfully incorporates the main motif of the head into the content of his solo, rather than just blowing the changes, as less disciplined players tend to do.
!Joan Chamorro, usted otra vez! No me di cuenta de que usted subió este video. Escuchaba esto todo el tiempo cuando tenía que practicar esta canción en mi escuela hace muchos años. Lo busqué al azar nuevamente hoy después de haber pasado la última semana viendo sus videos más nuevos. !Supongo que el mundo del jazz es un pañuelo! ?Cómo obtuvo este video?
esta es la diferencia entre el jazz , junto a la musica clasica , y los demas generos como el rock y el pop. La misma diferencia entre la secundara y la universidad...
Love the way he pulls the shape of the melody by really messing with the note lengths - but he is always in the pocket. What a player!
Listen to the way Joao Gilberto sang. You´ll probably like that, too.
Mr Marsalis - thank you for beautiful music whenever I click on you! 🙏😇
Ce jazz et marsalys c'est que du bonheur
I love it. This is jazz and Wynton really put a nice touch on this classic. His ideas are so hip. To not mess up on a solo you really have to be able to think quite fast. But he is known for that and with his impressive knowledge on jazz theory, too, he can pull anything off however he wants!!
Pros rarely "mess up" on solos. They know their way around the horn so well, they can just go into "neutral" and run some well-practiced patterns until they come up with a motif (something to say), then modify it, extend it, comment on it, and so on.
To put it another way, we all improvise when we speak, and we do it seamlessly because we know our language well. But for a beginning improviser, it's like trying to talk in a new language.
genial maestro marsalis, simplemente la música en su máximo esplendor, artista de alma y vida!
Neoclassic jazz!!
Like this!! They're playing this with that "big four" feel; which is synonymous with New Orleans tradition.
there's something to learn from every solo he ever took, but i think one of the best lessons here is how he thoughtfully incorporates the main motif of the head into the content of his solo, rather than just blowing the changes, as less disciplined players tend to do.
Gracias por este video , es siempre grande!!🙏
!Joan Chamorro, usted otra vez! No me di cuenta de que usted subió este video. Escuchaba esto todo el tiempo cuando tenía que practicar esta canción en mi escuela hace muchos años. Lo busqué al azar nuevamente hoy después de haber pasado la última semana viendo sus videos más nuevos. !Supongo que el mundo del jazz es un pañuelo! ?Cómo obtuvo este video?
hace muchos años.. la verdad es que no recuerdo como lo conseguí... sorry..... gracias por ver y comentar nuestros videos :-D
Parece q o trompete tá falando
Que bueno es...!!!
Dí qué si!!
Hay que ir todos a Vitoria a verle el 18 de Julio
Sempre muito inspirado e inspirador!!!
this aint all of me... i can only listen to the sound of silence!
lineup please?? : )
esta es la diferencia entre el jazz , junto a la musica clasica , y los demas generos como el rock y el pop. La misma diferencia entre la secundara y la universidad...
If you're not getting any sound, switch it to 240p (in the bottom right corner)
there are no mistakes in solos, well at least for improv.
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