Listening to Amarok by Mike Oldfield again!

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  • เผยแพร่เมื่อ 27 ต.ค. 2024

ความคิดเห็น • 9

  • @tamtirami
    @tamtirami 9 วันที่ผ่านมา +1

    I agree with you. Ommadawn is the greatest in the long run, but for quite a long time Amarok was the greatest one for me. It's an extremely exciting and varied record with a fragmented neurotic/insane/angsty/paranoid/angry spark running through it. But it is also a record that is so full of life, honesty, joy, beauty, realization and relief. So, it expresses a very, very strange mix of feelings, like some crazy one-hour summary of a lifetime. In my humble opinion this record is one of the best and most fruitfully creative redemptions in Mike Oldfield's career. I still love it, and sometimes I wish that I could listen to it again for the first time. Maybe I should try to give it a spin now?
    Well done with all the work and passion that went into the beautiful transcript! 👍

  • @FaithBrook-k2h
    @FaithBrook-k2h 13 วันที่ผ่านมา +1

    I discovered that after a mere here three listens from BEGIN(N)ING unto END~DING, afterwards, I was hooked 4 good, hook line + sinker!!!

  • @juliekeys1880
    @juliekeys1880 14 วันที่ผ่านมา +2

    Wow that must have been hard work. Wonderful effort Ryan. 👍

  • @lacranin2296
    @lacranin2296 14 วันที่ผ่านมา +2

    Indeed, a monumental effort to transcribe. 👍🏻
    I agree - the crescendo at the end of Amarok is awesome.

  • @dianearkley2657
    @dianearkley2657 14 วันที่ผ่านมา +2

    A lot of work went into that, as you say many pages. Well done to you Ryan

  • @alisonwilson6833
    @alisonwilson6833 14 วันที่ผ่านมา

    A labour of love to be proud of. 👌🏼

    • @ryantalksmusic-r4t
      @ryantalksmusic-r4t  14 วันที่ผ่านมา +1

      Do listen to the last 2 minutes I would love to o ow what you think.

    • @alisonwilson6833
      @alisonwilson6833 12 วันที่ผ่านมา

      ​@@ryantalksmusic-r4t Challenge accepted!

  • @yronfaclin
    @yronfaclin 13 วันที่ผ่านมา

    I hope you haven't lost too much hearing from all that listening.