Very gracious, and with a good and idiomatic writing for the piano, very useful as an introduction to some typical structures of various Romantic studies of the great Chopin and Liszt... Bravo Luis, beautiful and expressive performance, thanks!
@alessandropelizzoli6613 interesting enough, It's not a common feature in Alkan works neither. The only exception is first piece from first Recueil des Chants.
@@LuisKolodinused with another musical purpose ( independance of the 5th finger, and flexibility of the hand, with also the capability to create an harmonious sonority...) but there are also in Chopin, without the divisions between the hands, but also with large extentions ( Op 25 n 1)
Very gracious, and with a good and idiomatic writing for the piano, very useful as an introduction to some typical structures of various Romantic studies of the great Chopin and Liszt... Bravo Luis, beautiful and expressive performance, thanks!
Yeah! I'd say mainly Liszt, for the crossing hands arpeggios.
@@LuisKolodina Little touch of "Un Sospiro"
@alessandropelizzoli6613 exactly! But I can't remember large and fast apeggios in Chopin's works, while they are less rare in Liszt's.
@alessandropelizzoli6613 interesting enough, It's not a common feature in Alkan works neither. The only exception is first piece from first Recueil des Chants.
@@LuisKolodinused with another musical purpose ( independance of the 5th finger, and flexibility of the hand, with also the capability to create an harmonious sonority...) but there are also in Chopin, without the divisions between the hands, but also with large extentions ( Op 25 n 1)