One of the finest symphonies of the 20th Century. The second movt. ( Largo) is the most beautiful slow movt. of all his symphonies. Great performance and audio quality. Thanks for this upload.
The theme at 24:55 is just out of this world. I'm 75 yrs old and this brings tears to my eyes. This is the finest slow movt. of all his symphonies ( IMPO of course).
I would just love to see and hear the emphasis on the great plucked strings at 7:14, Sanderling-like. It adds such poignant tragic depth...What a great symphony. Kudos, Sergei Prokofiev. You hear the emphasis on the plucked strings at 7.30 in the Sanderling recording: its emphasis heightens the tragic..
Wunderschöne Aufführung dieser etwas parodischen doch perfekt komponierten Sinfonie mit gut phrasierten und perfekt vereinigten Tönen aller Instrumente. Der geniale Maestro dirigiert das perfekt trainierte Orchester im lebhaften Tempo und mit angenehmer Dynamik. Echt bewundernswert!
That pause just before the end surprised me, but the final movement (and this performance) splendidly demonstrate Prokofiev's tuneful savagery: The moment you think you can hum the tune you think you hear you're instantly catapulted into the rest of what the composer has in mind for you. You cannot NOT listen to the entirety of the work, and if you're introduced by way of his Fifth Symphony then jump right into this one.
Yes, that pause! It surprised me as well. And I think Søndergård made me think about the end of this wonderful symphony a little differently. The gravity shifted a bit :)
@@tescherman3048 The score shows a Grand Pause between the Andante tenero section and the concluding Vivace. ;) ... This conductor chooses to take the Grand Pause at an Andante and many others have taken it as a Vivace G.P. ;)
There are pauses and there are longer pauses. This one did surprise me but it sort of grows on you and makes the dramatic contrast more powerful. This has to be one of the greatest symphonies of the 20th century. Prokofiev was the master of composing " a good tune ". Pure genius.
What an extraordinary, exemplary, true performance of Prokofiev’s masterwork, this most heart-wrenching of his symphonies that belies all simplistic interpretations of his music as mechanistic, “machinistic”.. The principal melody of the Largo always moves me to tears when suddenly a veiled quotation from Wagner’s Funeral March for Siegfried appears - valetudinary.. What greatness for the Russian composer to refer to this “music of the enemy”, what a lesson.. Soon enough Prokofiev would be crushed by the Stalinist machine .. Twenty years later, Shostakovich may have thought of this passage when quoting Wagner’s Fate motive and chord in his 15th Symphony. Human evil and envy may distort beauty as much as it wants, the Divine will never cease Its playing.
actually, the quote is from Parsifal. And if it's really meant to be 'valetudinary' (what an odd word to choose) then that would make sense. I'll take your word for it that this is a gesture to the 'music of the enemy'. This is the first time I've heard this piece. Everyone seems to think it's a masterpiece so I'm being open-minded. After the first listening it seems like typical Prokofiev mediocrity.
Wonderful performance. Fine acoustics in the Liederhalle. A shame we don't have a 192kbs resolution to do it justice. Surely 226 is even possible on TH-cam?
The symphony was written immediately after the war, in 1945. And the 7th symphony - in 5 years, when life in the Soviet country has more or less improved. I remember those years.
@@ArtyFactual_Intelligence Yes, indeed, many tyrants have died in Europe during the entire existence of music. They depleted the population and gene pool of Europe, perverted its psychology and values, as evidenced especially by recent decades. I express my condolences to the Europeans! But I'm not sure that music can be listened to from this point of view.
@@БорисШалагінов But Prokofiev's Seventh is so much more happy than the Sixth, that people must inevitably see Prokofiev's works and those of Shostakovich) as depicting in some part the time they were written, and the socio-economic status of the composers. And it is well known that DSCH only felt able to release his 10th after Stalin died and release his 4th after Khrushchev's 'thaw'
I heard this for the first time just a few months ago, with Noseda and the National Symphony. It's not an easy piece to get to know, but it's very compelling. Much as I love the 5th, this is better. The last movement is extraordinary - I'd be interested in seeing it transcribed for band, too. This is a terrific performance. Much better than Gergiev and the Maryinsky.
00:03 - I. Allegro Moderato
15:06 - II. Largo
28:56 - III. Vivace
Erreur à corriger dans le repérage de Klassik / SWR Kultur
@@pascalbergerault4405 thank you very much!
One of the finest symphonies of the 20th Century. The second movt. ( Largo) is the most beautiful slow movt. of all his symphonies. Great performance and audio quality. Thanks for this upload.
Thank you for your comment. We are pleased that it has found your taste!
An excellent performance! Bravo! This is one of the greatest symphonies of the 20th century.
Agreed.
Agreed.
Agreed
Agreed
Deeper sounding woodblock than usual. I like the way Prokofiev and Shostakovich employ the lesser-used percussion instruments.
Woodblock can be a biting lash or a gentle knock to the attention. So marvelously useful.
Phenomenal work,top performance...Beautiful violin solo in the beginning!!!!!!!!!!!!!!!!!!!!!!!
The theme at 24:55 is just out of this world. I'm 75 yrs old and this brings tears to my eyes. This is the finest slow movt. of all his symphonies ( IMPO of course).
@BritinIsrael Thank you for this lovely comment! We are very happy that you like the music so much! ♥️
A masterful Interpretation of a deep understanding of despair and hope.
Love the silvered brass look. This work is excellent with all the original touches that so distinguishes Prokofiev from so many .
I would just love to see and hear the emphasis on the great plucked strings at 7:14, Sanderling-like. It adds such poignant tragic depth...What a great symphony. Kudos, Sergei Prokofiev. You hear the emphasis on the plucked strings at 7.30 in the Sanderling recording: its emphasis heightens the tragic..
Wunderschöne Aufführung dieser etwas parodischen doch perfekt komponierten Sinfonie mit gut phrasierten und perfekt vereinigten Tönen aller Instrumente. Der geniale Maestro dirigiert das perfekt trainierte Orchester im lebhaften Tempo und mit angenehmer Dynamik. Echt bewundernswert!
Oh, magnificent! What a treat to stumble across this on a Saturday when I had leisure to savor it.
Good performance. Conductor is excellent, very clear and articulate gestures.
Thank you for your comment!
A masterful reading of a masterpiece.
I. Allegro Moderato-0.03
II. Largo-15.38
III. Vivace-30.32
If you use a colon instead of a period, those times will be clickable.
Much appreciate your posting of each movement with timings .
Erreur dans le minutage, à corriger comme suit :
0:02 - 1ᵉʳ mouvement : Allegro moderato
15:06 - 2ᵉ mouvement : Largo
28:56 - 3ᵉ mouvement : Vivace
That pause just before the end surprised me, but the final movement (and this performance) splendidly demonstrate Prokofiev's tuneful savagery: The moment you think you can hum the tune you think you hear you're instantly catapulted into the rest of what the composer has in mind for you. You cannot NOT listen to the entirety of the work, and if you're introduced by way of his Fifth Symphony then jump right into this one.
Yes, that pause! It surprised me as well. And I think Søndergård made me think about the end of this wonderful symphony a little differently. The gravity shifted a bit :)
@@tescherman3048 The score shows a Grand Pause between the Andante tenero section and the concluding Vivace.
;) ... This conductor chooses to take the Grand Pause at an Andante and many others have taken it as a Vivace G.P.
;)
There are pauses and there are longer pauses. This one did surprise me but it sort of grows on you and makes the dramatic contrast more powerful. This has to be one of the greatest symphonies of the 20th century. Prokofiev was the master of composing " a good tune ". Pure genius.
0:02 - 1ᵉʳ mouvement : Allegro moderato
15:06 - 2ᵉ mouvement : Largo
28:56 - 3ᵉ mouvement : Vivace
27:57 with the muted trumpet is beautiful; like a nostalgic memory
Thank you for that marvelous performance and great visuals. ( I had never known there was a piccolo involved from my two recordings! )
This is as great a performance as the Kurt Sanderling Rotterdam performance in the 90's. Bravo.
I appreciate Benjamin Franklin pitching in. 30:10
What an extraordinary, exemplary, true performance of Prokofiev’s masterwork, this most heart-wrenching of his symphonies that belies all simplistic interpretations of his music as mechanistic, “machinistic”.. The principal melody of the Largo always moves me to tears when suddenly a veiled quotation from Wagner’s Funeral March for Siegfried appears - valetudinary.. What greatness for the Russian composer to refer to this “music of the enemy”, what a lesson.. Soon enough Prokofiev would be crushed by the Stalinist machine .. Twenty years later, Shostakovich may have thought of this passage when quoting Wagner’s Fate motive and chord in his 15th Symphony. Human evil and envy may distort beauty as much as it wants, the Divine will never cease Its playing.
Thank you very, very much for your thoughts. We are delighted that you were so moved by the concert recording!
actually, the quote is from Parsifal. And if it's really meant to be 'valetudinary' (what an odd word to choose) then that would make sense. I'll take your word for it that this is a gesture to the 'music of the enemy'. This is the first time I've heard this piece. Everyone seems to think it's a masterpiece so I'm being open-minded. After the first listening it seems like typical Prokofiev mediocrity.
Wonderful performance. Fine acoustics in the Liederhalle.
A shame we don't have a 192kbs resolution to do it justice. Surely 226 is even possible on TH-cam?
so much anticipation of his 7th here
The symphony was written immediately after the war, in 1945. And the 7th symphony - in 5 years, when life in the Soviet country has more or less improved. I remember those years.
@@БорисШалагінов It got a lot better the day after this composer died, since 'somebody else' died on the same day.
@@ArtyFactual_Intelligence Yes, indeed, many tyrants have died in Europe during the entire existence of music. They depleted the population and gene pool of Europe, perverted its psychology and values, as evidenced especially by recent decades. I express my condolences to the Europeans! But I'm not sure that music can be listened to from this point of view.
@@БорисШалагінов But Prokofiev's Seventh is so much more happy than the Sixth, that people must inevitably see Prokofiev's works and those of Shostakovich) as depicting in some part the time they were written, and the socio-economic status of the composers. And it is well known that DSCH only felt able to release his 10th after Stalin died and release his 4th after Khrushchev's 'thaw'
I heard this for the first time just a few months ago, with Noseda and the National Symphony. It's not an easy piece to get to know, but it's very compelling. Much as I love the 5th, this is better. The last movement is extraordinary - I'd be interested in seeing it transcribed for band, too. This is a terrific performance. Much better than Gergiev and the Maryinsky.
Thank you so much! ☺
Life!!!
10:48 really reminds me of Tchaikovsky’s Manfred
which section of it? I'm struggling to recognize
I think he refers to Horn section pedal in the third movement
Will a recording of this performance be issued on video or CD?
Would be nice; to optimise the sound.
nice
Largo = 2020 soundtrack
Did you heard Mahler symphony no 1 last movement
Gute Aufführung. Aber mit Ausnahme der Symphonien 1 und 5 werden es diese Werke nicht in´s Standard ist Repertoire schaffen...
Umso schöner, dass wir jetzt eine gute Aufnahme haben 🙃
Just horrible. I pity the orchestra.