thank you for another great lesson! i feel like i had a pretty good idea of how this circle worked when it comes to key signatures, finding secondary dominants, recognizing ii-V-Is in lead sheets, or practicing exercises around the circle of fourths, but i had never thought of it or heard it in terms of harmonic distance between keys and chords. That is definitely very interesting! I now understand a bit better why the E major chord in iggy pop's "the passenger" feels so alien and also very cool. im going to try to experiment with this
Happy Holidays! Amazing video, finally I got to understand how are these connected. However, can someone explain to me, what is it good for to know this? How do I use it?
Bonjour vous prononcez les notes en français. Avez vous fait vos études musicales en France ? Merci en tout cas pour vos vidéos toujours très intéressantes
I really would love to know how you learned solmisation im curious you seem to have learned it with a fixed Do ? Your C is always Do and you move all the Keys along this ?
Not sure if I understand the sound difference, if you switch from C major to E Major then of course that is big change. But in isolation these keys sound the same I would say (unless you are bless with perfect pitch).
All keys are structurally the same if you play in equal temperament (not in meantone temperament or well-temperament). The only difference is the starting frequency. There is no actual difference in the sound, other than how high the average pitch is.
Why do you keep talking about the “sound of C major” in D or B or other keys? How about just “the sound of the Major Scale”? or just “the major scale” in a key? There’s no need to keep referring to the key of C major in relation to any other key. Potentially very confusing for students trying to understand what you are teaching…
Happy Holidays!!! sending much love your way!
Sorry Pal but I can only seem to find a D# in the Bflat scale
Learning the circles of 4ths and 5ths changed my playing
I now understand these two circles! Thanks!
🔥🔥🔥
Your English has improved. At least to my ear!) Thanks for musical lessons ☺️
Thanks man!! 🤘
thank you for another great lesson! i feel like i had a pretty good idea of how this circle worked when it comes to key signatures, finding secondary dominants, recognizing ii-V-Is in lead sheets, or practicing exercises around the circle of fourths, but i had never thought of it or heard it in terms of harmonic distance between keys and chords. That is definitely very interesting! I now understand a bit better why the E major chord in iggy pop's "the passenger" feels so alien and also very cool. im going to try to experiment with this
Very good teacher...
Thank you! 😃
Please, make some videos about modulations from one key to another with examples. Happy Hollidays
Happy Holidays! Amazing video, finally I got to understand how are these connected. However, can someone explain to me, what is it good for to know this? How do I use it?
Happy holidays man ! ❤️🙏🎸
Thanks Matheus!
Bonjour vous prononcez les notes en français. Avez vous fait vos études musicales en France ? Merci en tout cas pour vos vidéos toujours très intéressantes
Which Solfège System are you using?
I really would love to know how you learned solmisation im curious you seem to have learned it with a fixed Do ? Your C is always Do and you move all the Keys along this ?
I have a question that could be a theme for your video, bro!
How to get loving scales! Ah?
I noticed you say do re mi, but anchored in c. Why is that?
Not sure if I understand the sound difference, if you switch from C major to E Major then of course that is big change. But in isolation these keys sound the same I would say (unless you are bless with perfect pitch).
All keys are structurally the same if you play in equal temperament (not in meantone temperament or well-temperament). The only difference is the starting frequency. There is no actual difference in the sound, other than how high the average pitch is.
@RotemSivanGuitar What is your opinion on polyphia's music?
if u think in lydian, then every fourth adds that flat.
Why do you keep talking about the “sound of C major” in D or B or other keys? How about just “the sound of the Major Scale”? or just “the major scale” in a key? There’s no need to keep referring to the key of C major in relation to any other key. Potentially very confusing for students trying to understand what you are teaching…
yoyo! AM I EARLY OR WHAT?!
NOTIFICATION GANG
Welcome to the hang!
@@RotemSivanGuitar brewing up some coffee now, and then I'll get to sitting down with my guitar and watching!
you are rushing through it