Copying midi cc data at circa 12 minutes is a revelation! 4 years I've been using logic and 4 years I've been wanting to find a way to do that! Blimey, thank you for saving hours of work from here on.
Most helpful video I've seen yet for orchestral programming! Just because you said it, when selecting multiple regions in the piano roll you can right click anywhere and select "region colors" to be able to tell which parts your working with. Literally just figured that out the other day, cheers!
The most useful videos I have watched regarding Orchestral programming. I have long searched for a series of videos that could ease me in the world of orchestral programming and your videos are exactly what I was looking for. As I commented in part 1: Comprehensive and comprehensible. I really love your way of teaching. (First time I came across your teaching being in your FaderPro's Logic Pro course). Also, I just found out about your Orchestral Sample Programming course in Teachable and I was excited. Unfortunately enough though, I missed the launching discount and I will probably have to wait for the next chance of a lower price. Thanks Jono!
Thank you so much. Those are extremely kind words and I’m very happy to find out the content is helping you. The code ‘GiveMe20’ will get you 20% off ‘Orchestral Programming 01’ until midnight on 31st July at checkout.
Thanks so much. So glad it's helpful to you. Do remember to check out Orchestral Programming 01 on Teachable if this topic is of particular interest to you and you want to take your knowledge deeper: jono-buchanan-music-s-school.teachable.com
Thanks for a really useful video. The explanation about midi delay and long and short samples was particularly helpful. Not seen many videos talk about that! Looking forward to the next one! 😄
This is great - very good and informative. But as someone who is soon changing from PC to Mac and plan to get Logic Pro, I miss to see how you edit several tracks at once. This is something I do a lot in other DAWs (esp. Studio One) - making changes to the harmony while looking at 3-4 string tracks open in piano roll at once.
Thanks for your question. Absolutely, if you highlight several Tracks at once and double-click, Logic will let you look at (and edit) several tracks worth of MIDI at the same time.
Jono, after you’ve exhausted these feature dives, how about production tips for creatives? Topics like, how to finish your songs, workflow efficiency etc
Hi. Absolutely, I hope that there are already plenty of creative production tips on the channel and more are certainly planned. Finishing songs is a tough topic to cover, as the musical interests of viewers are broad and often, how to finish tracks equates to different things in different contexts. But if there are specific techniques you'd like me to look at, please do fire them over and I'll be happy to add them to the list.
Jono, these tutorials are invaluable,even for a professional like myself,to continually strive to hone my all the skills I need to be a better programmer.Thank you
I was looking forward to the 2nd instalment and I wasn't disappointed. Thanks Jono, that last bass note was awesome :). The music theory is really helpful, did you use a couple of 7ths in there ?
An idea for another video: Panning and Reverb for orchestra - not using the reverb that comes with the plugin but as a bus send, and how to accommodate the differences in room position (different verbs for different parts of the orchestra?).
Hey there, most of the new Lib. Like BBCSO already recorded the instr. In there original position in the orchestra. And by Default ( also in BBCSO) offer a prof. Mix of all the mics. Here by Mr. Jackson . Start there and write great music. The Rest will come. Also keep in. Mind, all the mics are recorded, and it will become very fast very ram and CPU demanding...
Hi Matt. Happy to look at this. As has been said, some libraries (though not all) record instruments ‘in situ’, so that their positions on the stage are as they should be. But I’m very happy to look at the concepts you suggest as sometimes there’s more to do and your suggestions about reverbs are well worth exploring. Many thanks.
This is an off-topic comment/question: I am hearing the violins on the right and the celli on the left. That would be the aural perspective of the players, I guess, but not the conductor and audience. Just wondering if that is on purpose or perhaps I have something mis-aligned. Thank you for dispensing all of these Logic Pro tips.
Hi Bruce. Good spot - somehow it seems as though the left/right audio feeds have got swapped over. Definitely not done on purpose, so apologies for that.
Thanks for these great tips. I expierienced, that this way of working is very time consuming and heavy on resources. Have you any expierience working with vienna ensemble pro7 and divisimate you whould like to chare? These are great tools to work faster.. Thanks
Hi. Good question. You're right, Vienna Ensemble and Kontakt-rich instrument racks do (and certainly did) make sense from a resourcing perspective. I think that as Templates have taken shape, an assortment of tools has sprung up to ensure that projects don't need to be as resource-heavy as they once did. For instance, you can build a Template in Logic with every instrument switched off by default, meaning that rather than having to load every instrument at boot up, Logic will open quickly and only load instruments as they become needed (as a track takes shape). So whilst building that Template will certainly take some time, once it's done, it's possible to get to the composing stage quickly. This is a topic I'l continue to look at on this channel.
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Copying midi cc data at circa 12 minutes is a revelation! 4 years I've been using logic and 4 years I've been wanting to find a way to do that! Blimey, thank you for saving hours of work from here on.
You’re most welcome! Glad it was helpful.
My teachability index has just skyrocketed to the moon! Brilliant!
Ha! You're welcome. : )
Absolutely a brilliant presentation, full of knowledge, expertise and extremely useful "nuggets" of technique! Thank you again, JB!
You're most welcome. I'm glad it was helpful!
Hi Jono. Seems like every video you make has me dropping my jaw on what can be done in Logic! I love it
Gianni♥
Thanks so much, Gianni!
All your content is amazing! Thank you for sharing you in depth knowledge with us mere mortals :)
Ha! You’re welcome. 😇
I see now how the violins and violas complete the chords and give that “depth”! This is very useful to me.
Thanks.
Gianni❤
You're welcome!
Most helpful video I've seen yet for orchestral programming! Just because you said it, when selecting multiple regions in the piano roll you can right click anywhere and select "region colors" to be able to tell which parts your working with. Literally just figured that out the other day, cheers!
Thanks so much Mack, both for the kind words and the great tip. Much appreciated.
The most useful videos I have watched regarding Orchestral programming. I have long searched for a series of videos that could ease me in the world of orchestral programming and your videos are exactly what I was looking for. As I commented in part 1: Comprehensive and comprehensible.
I really love your way of teaching. (First time I came across your teaching being in your FaderPro's Logic Pro course).
Also, I just found out about your Orchestral Sample Programming course in Teachable and I was excited.
Unfortunately enough though, I missed the launching discount and I will probably have to wait for the next chance of a lower price.
Thanks Jono!
Thank you so much. Those are extremely kind words and I’m very happy to find out the content is helping you. The code ‘GiveMe20’ will get you 20% off ‘Orchestral Programming 01’ until midnight on 31st July at checkout.
@@jonobuchananmusic This is great. Thank you very much. I really appreciate it.
This series is really priceless. Thank you so much.
Thanks so much. So glad it's helpful to you. Do remember to check out Orchestral Programming 01 on Teachable if this topic is of particular interest to you and you want to take your knowledge deeper: jono-buchanan-music-s-school.teachable.com
@@jonobuchananmusic I surely will. Thank you!
The best tutorial on string orchestration using a DAW. Thank you
That’s extremely kind. Thank you so much.
Another excellent video Jono. Thank you. It is so good to see that all episodes are tying together. Cheers, Hendrik
Many thanks Hendrik!
I just love your teaching style and am a big fan! Thank you!
Thank you so much. Glad the videos are helpful.
I was waiting for this video!!! Thank you Jono
You’re welcome. Thanks!
Jono, you are on another level. 🙏🎹
🙏 Huge thanks.
Crikey, that was intense! It’s taught me a great deal though, thank you 👍
Thanks Peter!
Jono you did it again ! FANTASTIC. thank you, thank you, thank you. 🤍🤍🤍
You're most welcome!
Fanatically ace Jono, as ever, very cool funny moments also.......!! Nice things to you......Music forever......
Nice things to you too! Thank you.
Great tip on the negative delay. Just ran into this the other day, and couldn't quite figure out what was going on.
Great, so glad to hear it was helpful.
Thanks for a really useful video. The explanation about midi delay and long and short samples was particularly helpful. Not seen many videos talk about that! Looking forward to the next one! 😄
Thanks so much and delighted to hear it was helpful.
This is great - very good and informative. But as someone who is soon changing from PC to Mac and plan to get Logic Pro, I miss to see how you edit several tracks at once. This is something I do a lot in other DAWs (esp. Studio One) - making changes to the harmony while looking at 3-4 string tracks open in piano roll at once.
Thanks for your question. Absolutely, if you highlight several Tracks at once and double-click, Logic will let you look at (and edit) several tracks worth of MIDI at the same time.
The double-click thing loading the same instrument is the case in 10.7.9, too, Jono.
Aha, great! Thanks for letting me know.
Jono, after you’ve exhausted these feature dives, how about production tips for creatives? Topics like, how to finish your songs, workflow efficiency etc
Hi. Absolutely, I hope that there are already plenty of creative production tips on the channel and more are certainly planned. Finishing songs is a tough topic to cover, as the musical interests of viewers are broad and often, how to finish tracks equates to different things in different contexts. But if there are specific techniques you'd like me to look at, please do fire them over and I'll be happy to add them to the list.
Jono, these tutorials are invaluable,even for a professional like myself,to continually strive to hone my all the skills I need to be a better programmer.Thank you
I was looking forward to the 2nd instalment and I wasn't disappointed. Thanks Jono, that last bass note was awesome :). The music theory is really helpful, did you use a couple of 7ths in there ?
Thanks John. Well spotted!
Waiting for this
The wait is over! ; )
@@jonobuchananmusic Thanks for your help and encouragement.
An idea for another video: Panning and Reverb for orchestra - not using the reverb that comes with the plugin but as a bus send, and how to accommodate the differences in room position (different verbs for different parts of the orchestra?).
Hey there, most of the new Lib. Like BBCSO already recorded the instr. In there original position in the orchestra. And by Default ( also in BBCSO) offer a prof. Mix of all the mics. Here by Mr. Jackson . Start there and write great music. The Rest will come. Also keep in. Mind, all the mics are recorded, and it will become very fast very ram and CPU demanding...
Hi Matt. Happy to look at this. As has been said, some libraries (though not all) record instruments ‘in situ’, so that their positions on the stage are as they should be. But I’m very happy to look at the concepts you suggest as sometimes there’s more to do and your suggestions about reverbs are well worth exploring. Many thanks.
@@duded2521 thanks dude. Already know that and have been composing for a while.
The challenge comes when using different libraries.
Cheers!
This is an off-topic comment/question: I am hearing the violins on the right and the celli on the left. That would be the aural perspective of the players, I guess, but not the conductor and audience. Just wondering if that is on purpose or perhaps I have something mis-aligned. Thank you for dispensing all of these Logic Pro tips.
Hi Bruce. Good spot - somehow it seems as though the left/right audio feeds have got swapped over. Definitely not done on purpose, so apologies for that.
Thanks for these great tips. I expierienced, that this way of working is very time consuming and heavy on resources. Have you any expierience working with vienna ensemble pro7 and divisimate you whould like to chare? These are great tools to work faster.. Thanks
Hi. Good question. You're right, Vienna Ensemble and Kontakt-rich instrument racks do (and certainly did) make sense from a resourcing perspective. I think that as Templates have taken shape, an assortment of tools has sprung up to ensure that projects don't need to be as resource-heavy as they once did. For instance, you can build a Template in Logic with every instrument switched off by default, meaning that rather than having to load every instrument at boot up, Logic will open quickly and only load instruments as they become needed (as a track takes shape). So whilst building that Template will certainly take some time, once it's done, it's possible to get to the composing stage quickly. This is a topic I'l continue to look at on this channel.
супер! спасибо огромное за оркестрал! больше оркестрала пожалуйста!
Thank you! Announcements regarding more on this topic to come soon.
I always assumed that ‘Celli’ was the plural of ‘Cello’. Didn’t know it was just a ‘posh’ cello term 😅
I wanna be posh
Ha! Celli is indeed the plural of cellos but it’s definitely posh. 😉
😊
🙏