Thank you for another brilliant explanation of a shade raag. I’m no expert in voice training, but the effortless way in which you move from explanation to performance of the various shades is a marvel to watch and listen! Thank you Manjiriji 🙏🏼
Wonderful combination created by great past musicians which can be learned under gurus strict supervision of talim manjireetai is not taking any pressure of grammar or different rags combination that is great achievement as a artist
So good, thank you, I could not get some words, and would be grateful for corrections. सो जान रे मेहरबान महमान मेहर करो ख्वाजा गरीबनवाज़ अल्लाह ताला इलाही [unclear] अहमद पिया
@@akakirde9452 Sorry, not clear what you posted on rec.music.indian.classical or how to find it - if it was the bandish lyric I asked about, do please post it here.
@Sundeep Dougal Please look up Raag Baradi in rmic, I do not think youtube is allowing me to post my link to it I have responded to the comment multiple times, but for whatever reason youtube isn't making it show up. Hoping this shows up. My lyrics as per Limaybuwa's version are: So jaan (sujan?) re, Mehrbaan Mehman Mehr Karo Nijamuddin Khwaja Garibanwaaj Allah Taala Ilaahi Aur Rab Tum Mehman AhmedPiya So There are three versions in Jhaptal - by Limayebuwa, Dr. Vasanti Tembe and Pt. Sudheer Pote - Dr. Vasanti Tembe uses different lyrics There there is Manjiritai Asnare's version, this version, in teentaal where your lyrics look correct
@@akakirde9452 Ah, ok, perhaps I did not find it earlier as I may have looked for Barari and not Baradi. In any case, found the thread and your comment also helps clarify. Your transcription seems to be very near to what I could transcribe from this video. Unfortunately, I could not find the bandish in Swarganga or in Magriel and Perron, nor in Sageet ke Jawaharaat. It is also not there in Agra and Jaipur Vishisht Bandishen, nor in the Kramik Pustikas. Will listen to the Anandrao Limaye version, and the others you mention. Since, as your comment indicates, Anandrao Limaye sings Ahmed Piya towards the end, the bandish is clearly by Alladiya Khan himself, none else. Since Madhusudan Kanetkar learnt from Bhurji Khan and Anandrao Limaye from Govindrao Shaligram, it stands to reason that they would have learnt the same bandish. I have long wished that we had authoritative texts of the various bandishes sung by the greats. I hope Manjiriji will do something about this. We need to request all the direct disciples for the texts in as many cases as possible. In this regard, please see this Facebook group I have just started with this intent. facebook.com/groups/5670166793039083 Please feel free to join. We need to collaborate, share, authenticate and document as much as we can.
Respect u are doing great job🎉🎉🎉🎉
Thanks a lot manjariji for explaining the subtle shades of the raag 🙏 What a beautiful bandish!
What an excellent series of Jod and Chhaya Raags. A delight for any music lovers. Thank you Manjariji.
Manjri tai🙏🙏🙏🙏🙏
Amazing as you peel out the phrases of the raaga...Truly enjoyed Raag Gauri
अप्रतिम
सुंदर राग बरारी....👌💐
Marvellous
Thank you for another brilliant explanation of a shade raag. I’m no expert in voice training, but the effortless way in which you move from explanation to performance of the various shades is a marvel to watch and listen! Thank you Manjiriji 🙏🏼
Wah. Thank you for sharing Tai 🙏🏻🙏🏻
As usual very well sung. A complex combination though. Thanks for the efforts being taken.
Wonderful combination created by great past musicians which can be learned under gurus strict supervision of talim manjireetai is not taking any pressure of grammar or different rags combination that is great achievement as a artist
Wow tai❤️❤️🙏
Mam please share details like vadi samvadi aroha etc
Thank you Tai🙏😊
Where is Bhavya kumar Saini?
I'm here🙏
@@bhavyakumarsaini1639 😂🙏🏼
@@thekiminthenorth504😅😂
So good, thank you, I could not get some words, and would be grateful for corrections.
सो जान रे मेहरबान महमान
मेहर करो ख्वाजा गरीबनवाज़
अल्लाह ताला इलाही [unclear] अहमद पिया
I posted something on rmic about this awhile back
@@akakirde9452 Sorry, not clear what you posted on rec.music.indian.classical or how to find it - if it was the bandish lyric I asked about, do please post it here.
@Sundeep Dougal Please look up Raag Baradi in rmic, I do not think youtube is allowing me to post my link to it
I have responded to the comment multiple times, but for whatever reason youtube isn't making it show up. Hoping this shows up.
My lyrics as per Limaybuwa's version are:
So jaan (sujan?) re, Mehrbaan Mehman Mehr Karo Nijamuddin Khwaja Garibanwaaj
Allah Taala Ilaahi Aur Rab Tum Mehman AhmedPiya So
There are three versions in Jhaptal - by Limayebuwa, Dr. Vasanti Tembe and Pt. Sudheer Pote - Dr. Vasanti Tembe uses different lyrics
There there is Manjiritai Asnare's version, this version, in teentaal where your lyrics look correct
@@akakirde9452 Ah, ok, perhaps I did not find it earlier as I may have looked for Barari and not Baradi. In any case, found the thread and your comment also helps clarify. Your transcription seems to be very near to what I could transcribe from this video.
Unfortunately, I could not find the bandish in Swarganga or in Magriel and Perron, nor in Sageet ke Jawaharaat. It is also not there in Agra and Jaipur Vishisht Bandishen, nor in the Kramik Pustikas.
Will listen to the Anandrao Limaye version, and the others you mention.
Since, as your comment indicates, Anandrao Limaye sings Ahmed Piya towards the end, the bandish is clearly by Alladiya Khan himself, none else. Since Madhusudan Kanetkar learnt from Bhurji Khan and Anandrao Limaye from Govindrao Shaligram, it stands to reason that they would have learnt the same bandish.
I have long wished that we had authoritative texts of the various bandishes sung by the greats. I hope Manjiriji will do something about this. We need to request all the direct disciples for the texts in as many cases as possible.
In this regard, please see this Facebook group I have just started with this intent.
facebook.com/groups/5670166793039083
Please feel free to join. We need to collaborate, share, authenticate and document as much as we can.