Been watching the suspenseful old 1950's detective show "Peter Gunn" w Henry Mancini's theme. Lots of cool jazz shows up in it at "Mother's" tavern. Thank you.
Yes the 11th! I only recently realized how important it is for voicing the ii chord in Great American Songbook standards and in Monk tunes ... My voicings became much more authentic when I realized this.
Fantastic tutorial, Jeremy. Immediately useful. Come to Wuppertal and ride the Schweberbahn( the swinging suspension train/bus). Btw, the historic Stadthalle is concert hall with perfect acoustics. WE NEED YOU,Maestro!!! ⭐🌹✨🔥🌹⭐
Thank you, Jeremy. I was particularly fascinated by point 5. My musical/spiritual existence had been held in suspense until I received this key into the JazzMysterySchool InnerSanctum.🌞⭐🌹⭐🌞
Jeremy, your lessons are superb and I learn something new each time. Thank you for sharing your knowledge and expertise. I have a special request: a deep dive into Bud Powell's rendition of Thelonious Monk's "Round Midnight" which is my favorite jazz composition. Once again, thank you.
Another great video with more than the title suggests. I was in suspense wondering what are the 5 things (and then pleasantly surprised to learn there are 6 things.)
Olá sou daqui do Brasil e estou ansioso em comprar seus livros. Sua maneira de ensinar é fantastica e sei que terei uma super evoluçao no piano jazz. Parabens e obrigado
No hablo portugués, pero puedo comprender lo mayoría por mi conocimiento de español. Gracias por la nota y espero que disfrutes tu jornada en piano jazz.
Great lesson Jeremy, you hit the nail on the head here. I've been working on Dreamy by Erroll Garner, the first chord is a major 7th & the melody sits on the 4th for 3 beats on this beautiful ballard. How would you voice this? Maybe omit the 3rd? Also since getting into jazz 55 years ago I've been fascinated by the idea of why a major 7th interval is less dissonant than a minor 9th - same notes! Could be a topic for another lesson. THANK YOU!
I would think of it as another chord - probably a sus chord, a diminished seventh chord draped above the root, or a dominant seventh chord above the root. Or just listen to whatever Errol does! 😉
Great video! I want to add :sometimes in a 2-5-1 progression the suspended note on the dominant (fifth scale degree) is not even resolved to the third. So for example in the example of the 2-5-1 in Bb major (as shown in the video) there will be a Bb in the C minor 7 and in the F7 only to be resolved when the major chord arrives.
I was kept in suspense at the end of the video wondering if you would ever find the review sheet! When you did I resolved to mention it in my comment :)
Been watching the suspenseful old 1950's detective show "Peter Gunn" w Henry Mancini's theme. Lots of cool jazz shows up in it at "Mother's" tavern. Thank you.
Mancini was a master! Thanks for watching, Patrick!
Yes the 11th! I only recently realized how important it is for voicing the ii chord in Great American Songbook standards and in Monk tunes ... My voicings became much more authentic when I realized this.
That would be the iv/ii, so to speak? Or the IV/I, that you’re referring to?
@@kierenmoore3236 I'm referring to voicing a ii-v-I progression in C like this (from bottom note up) : D -C-F-G; G-B-F-G; C-B-E-G
Great! Enjoy! It's one of my top 11 favorite chord tones. 😂
Fantastic tutorial, Jeremy. Immediately useful. Come to Wuppertal and ride the Schweberbahn( the swinging suspension train/bus). Btw, the historic Stadthalle is concert hall with perfect acoustics. WE NEED YOU,Maestro!!! ⭐🌹✨🔥🌹⭐
Thanks for the usual concise and thorough treatment of the topic in a fun way. Love your teaching. The suspense was not killing me for a change.
Oh wow! That's a relief!
i love the sound of the 11th on major chords. although its dissonant theres lots of resolutions that are so satisfying.
that's why i love them. You can spice up so many basic chords with it, but with less tension than 7s and altered tones.
Great! You've got to be able to space it/voice it well, but if you can use it effectively, more power to you!
Thank you, Jeremy. I was particularly fascinated by point 5. My musical/spiritual existence had been held in suspense until I received this key into the JazzMysterySchool InnerSanctum.🌞⭐🌹⭐🌞
Wow, the JazzmysterySchool InnerSanctum! I hope to get invited some day!
9:50-9:57 this way of voicing that chord sounds so emo and i love it
Super moody, right? Thanks for checking it out!
My birthday is on the 11th of February too!!! :))) Great lesson Jeremy, thank you so much!
Wow, you and my mom are birthday mates!
Jeremy, your lessons are superb and I learn something new each time. Thank you for sharing your knowledge and expertise. I have a special request: a deep dive into Bud Powell's rendition of Thelonious Monk's "Round Midnight" which is my favorite jazz composition. Once again, thank you.
Thanks, Valinor! No guarantees, but I'll keep it in mind (P.S. Do you know anything about the group house named "Valinor" in Berkeley?)
@@JeremySiskind No sir, I'm not familiar with that. I got the name Valinor from LOTR.
Phew glad you resolved that suspenseful moment! Another very useful video thank you! 👍
Haha, thank you, Janet! Thanks for watching!
Another great video with more than the title suggests. I was in suspense wondering what are the 5 things (and then pleasantly surprised to learn there are 6 things.)
I like to under promise and overachieve. 🤷♂️
Nice to hear the 4th to 3rd used as a counterpoint on the left hand.
Absolutely! This is one of my "go to" devices!
Olá sou daqui do Brasil e estou ansioso em comprar seus livros. Sua maneira de ensinar é fantastica e sei que terei uma super evoluçao no piano jazz. Parabens e obrigado
No hablo portugués, pero puedo comprender lo mayoría por mi conocimiento de español. Gracias por la nota y espero que disfrutes tu jornada en piano jazz.
Great lesson Jeremy, you hit the nail on the head here. I've been working on Dreamy by Erroll Garner, the first chord is a major 7th & the melody sits on the 4th for 3 beats on this beautiful ballard. How would you voice this? Maybe omit the 3rd?
Also since getting into jazz 55 years ago I've been fascinated by the idea of why a major 7th interval is less dissonant than a minor 9th - same notes!
Could be a topic for another lesson.
THANK YOU!
I would think of it as another chord - probably a sus chord, a diminished seventh chord draped above the root, or a dominant seventh chord above the root. Or just listen to whatever Errol does! 😉
Great video! I want to add :sometimes in a 2-5-1 progression the suspended note on the dominant (fifth scale degree) is not even resolved to the third. So for example in the example of the 2-5-1 in Bb major (as shown in the video) there will be a Bb in the C minor 7 and in the F7 only to be resolved when the major chord arrives.
Fair point - essentially creating a "sus" chord.
Great video!
You can use an 11th on a Dom chord, VII #11, C 7 add F#
Yep #11's (b5s) are always fair game on dominant chords.
would you ever use sus4 and #9 together?
Sounds interesting. 🤔🌞
it sounds like a minor 11th chord
Yeah I think sus b9 is more useful. Jeremy has a video about it
Yep - i agree here, the #9 would basically sound like the minor third in that case.
That's so nice! I am...but it's a pleasant surprise.
I was kept in suspense at the end of the video wondering if you would ever find the review sheet! When you did I resolved to mention it in my comment :)
Review sheet? Is that a thing?
@@JeremySiskind 14:49 LOL😄
Sparkling lesson today ; )
Why thank you! I aim to sparkle!
Suspence. ❤
Thanks so much for watching, Tenacious!
A+ - love it! Subbed ❤
Thanks so much! I hope you enjoy the channel!
Thanks for not keeping me in suspense!
Lol, well played!
14:12
Thanks for listening, mark!
If a chord is 'sus' the kids would say to avoid it
Exactly - at least it doesn't have riz?
@@JeremySiskind for reals 👊
Great! Is there anyway to download Alone Together with your additions?
Hi Meserret! Sorry, it's lost to time! 😢
On the edge of my seat…
Haha, I bet the suspense is killing you!
Sus!
Thanks for watching, Samuel!