Absolutely without doubts the most useful video about the vocal technique ever posted on the internet. Thank you for sharing it with the rest of us :)!!!
Hmmm. I got Mathilde Marchesi's bel canto book for Christmas from my mother and father in law. Lesson #1? Balanced onset "avoiding all jerkiness as well as effort. " I tend to have straight tone for a split second, followed by vibrato. I guess that is why I am going to have to practice!
I discovered it when I sat and played piano. It's a natural lean when you focus in the "right" spot. You do a diaphragm breath then appoggio. Diaphragm breathing is only one part of singing this is the missing piece of the puzzle. This is why so many singers push cause they can't find this. It's a lean, not a push.
Isivaa Sanaru, What you say is correct. Vocal pedogogy has become highly political in regards to terms and Ideas. Even the word onset is a reaction against the term attack because progressives "feel" that it had negative connotations. Resultingly certain issues are avoided today within this topic. Many factors effect the attack/onset of the sound. Approximation/ cord closure are one of this factors which can be viewed as muscular coordinations within the larynx that have nothing to do with " appoggio". There is a relationship between the appoggio and the adduction but this is just a relationship.
does anyone know of any good teachers that offer private lessons (outside a university program)? would greatly appreciate your replies. online or at least regional, western...
Good job! Most of things are true about appoggio here but somethings are still incomplete in appoggio term! You are teaching your student in Arturo Melocchi's way of singing which starts from F! And Melocchi's students had same problem with appoggio which is about lower notes below F they were sounding great with full connection with chiaroscuro but when they wanted to go back to lower notes specially below F their voices were so chesty and weak ! The best examplele which i give you is lower D in Nessun dorma! All of them sing low D not like higher one D4 for tenors i mean ... and of course one more thing about Melocchi 's way is about lowered larynx which is necessary but not with yawn muscles rather with great support as Marylin Horn said "if diphragm works perfectely ,larynx goes down effortlessy...nevertheless you are a good teacher
where did you learn Melocchi way if i may ask sir? i would like to know more about proper appoggio because i do it wrongly, i lower larynx with yawn muscles like you said.
And of coures if you hear to your student which is of course so good, you can see how her low notes which she starts with are weak and with less power as other not are
Great teacher with great ambitious student to take your mantle john Manyali from Kenya 🇰🇪
beautiful quality in this student's voice
I am glad I found you Dr Park ..your way of teaching is unique and it's been helping me so much ..looking forward to my session with you ..thanks :-)
Absolutely without doubts the most useful video about the vocal technique ever posted on the internet. Thank you for sharing it with the rest of us :)!!!
I love this engagement technique!
It’s the best and fastest way to learn. We’re a bad judge and trainer for our voice.
20:11 "This is fun" 😊
What a great video for demonstrating the breadth of skills here!
I have added this to my program called "vocal gym", thank, love it!
I'm finally ready to use this video and focus more on onsets !
Hmmm. I got Mathilde Marchesi's bel canto book for Christmas from my mother and father in law. Lesson #1? Balanced onset "avoiding all jerkiness as well as effort. " I tend to have straight tone for a split second, followed by vibrato. I guess that is why I am going to have to practice!
Wow thanks so much for this , please have more of appoggio training videos . angela from mumbai
Great exercise!!! I will practice this every single day, it would be great if you could make a 15 practice onset warm-up for us?!! Greetings Cedric
I discovered it when I sat and played piano. It's a natural lean when you focus in the "right" spot. You do a diaphragm breath then appoggio. Diaphragm breathing is only one part of singing this is the missing piece of the puzzle. This is why so many singers push cause they can't find this. It's a lean, not a push.
I just don't understand the "lean" part, like how do you lean?
Hey, wouldn't a "clean closure" encourage glottal onsets? It sounded to me like some of those where glottals. Would be thankful for clarification :-)
Isivaa Sanaru, What you say is correct. Vocal pedogogy has become highly political in regards to terms and Ideas. Even the word onset is a reaction against the term attack because progressives "feel" that it had negative connotations. Resultingly certain issues are avoided today within this topic. Many factors effect the attack/onset of the sound. Approximation/ cord closure are one of this factors which can be viewed as muscular coordinations within the larynx that have nothing to do with " appoggio". There is a relationship between the appoggio and the adduction but this is just a relationship.
my last teacher taught me it was "all a feeling" and led with that...
Great video! I have shared it on my page! where do you teach?
does anyone know of any good teachers that offer private lessons (outside a university program)? would greatly appreciate your replies. online or at least regional, western...
This is so helpful. Thank you!
Is there a university or conservatory that teach appoggio and old Bel Canto technique?
Excelente
Great teaching!!
Good job! Most of things are true about appoggio here but somethings are still incomplete in appoggio term! You are teaching your student in Arturo Melocchi's way of singing which starts from F! And Melocchi's students had same problem with appoggio which is about lower notes below F they were sounding great with full connection with chiaroscuro but when they wanted to go back to lower notes specially below F their voices were so chesty and weak ! The best examplele which i give you is lower D in Nessun dorma! All of them sing low D not like higher one D4 for tenors i mean ... and of course one more thing about Melocchi 's way is about lowered larynx which is necessary but not with yawn muscles rather with great support as Marylin Horn said "if diphragm works perfectely ,larynx goes down effortlessy...nevertheless you are a good teacher
Thanks a lot dame Park it is nice of you about me of course i shoul say again i am so proud of you as a good and educative enough person about singing
where did you learn Melocchi way if i may ask sir? i would like to know more about proper appoggio because i do it wrongly, i lower larynx with yawn muscles like you said.
Can you do a video on the vocal compression I am so confused
oh and someone that knows appoggio too or can teach from perspective of the sensation and feeling of appoggio
hi I have a song on youtube call wont he do it I wonting to know if iam singing with air flow in this song
does this technique be taught at universities or conservatories or we can just learn Appoggio from private teacher?
And of coures if you hear to your student which is of course so good, you can see how her low notes which she starts with are weak and with less power as other not are
why use vibrato on everything??? honest question, not troll.
Good lesson..
8:32: Imagining you have a C at the back of the mouth. Is that the idea?