One of my favorite musical theatre ballads of all time. Pure magic! Fantastic performance! She even sings "ist verschwunden" and not "ost vaschwondon" like many others.
The combination of Damrau's Königin der Nacht and Kühmeier's Pamina will never be surpassed. Rene Pape's Sarastro is the cherry on top. Everyone else in this cast is excellent, but those names are among the all-time greats for these roles.
The best of the best performance I have heard. In Italian language it is easier because the German “ Liebe “ is truely difficult to sing, even for German singers.
Beautiful! I could not get enough listening to this wonderful aria in various interpretations. My favorite is Lucia Popp , posted by leoperarm. Also for fun check the two impossible G♯ above high C in Popoli di Tessaglia!, K.316, for soprano, sang by Edda Moser. The notes are at 6.36 and 6.47.
Einfach wunderbar. Es ist wohl die allerschwierigste Arie, wohl auch wegen der deutschen Sprache. Die italienische Version zeigt eine wesentlich leichtere und doch gleicherweise beeindruckende Darstellung. Elisabeth Schwarzkopf hat einmal ein Training mit sehr vielen Korrekturen vorgeführt.
I heard Battle in a 3,000 seat auditorium during her "I'm not so bad" tour after the Met dust-up. I was in the middle of the house and she sounded fine.
Thats because she just has a very quiet voice. My teacher said she saw her(Kathleen Battle) do a recital and she was sitting in the 4th or 5th row from the stage and could barely hear her. She just has a tiny voice. I'm not saying she is a bad singer at all, so dont get me wrong. She is wonderful
Wonderfully performed, truly. Ended beautifully, and the orchestration choices by the conductor are truly beautiful. One beef- I hate when sopranos (being one) do the "now I'm going to sing" face, and just stop acting. But, she has a wonderful voice, and it's wonderfully acted when she gets into it.
Is there anyway by chance that you can upload the part where Pamina is about to do Suicide but the Three Boys stop her? I've been trying to find that part for awhile but all I found was the one by Kathleen Battle.
C vrai qu'elle est exceptionnelle. Mais j'ai un faible pour les interprètes qui réussissent et/ou préfèrent attaquer l'octave à la fin de l'air 4:05 tout en douceur, et pianissimo, je trouve que c le plus beau moment de l'air si on le fait ainsi. Si on l'attaque trop fort, ça devient un passage comme un autre. Malheureusement pour moi elle attaque trop fort, avec un léger glissendo et un "roulement" dont de je ne suis pas fan.
@kralle7611 Für die Schauspielerei, darf man sich in Salzburg prinzipiell bei den Regisseuren bedanken! Wer glaubt dass ein Opernsänger hier auch nur einen Funken Freiheit in der Gestaltung hätte, irrt: und das gewaltig!
PAMINA Um lamento na ária de Pamina, da ópera A Flauta Mágica, de Mozart. O enlevo de amor febril acabou Para sempre, assim Pamina declarou, em pauta, Na conversa com o amado Tamino em que rolou Uma lágrima denotando algo em não ir em frente. Assim como essa civilização, está indo embora, Adotou descanso após a morte, ideia recorrente Para acabar com os sofrimentos, em boa hora, É enfraquecida pela realidade que já desponta. A semeadura é colhida do mesmo sentimento. Covid-19 impõe a mudança: a norma exposta Para confinar pessoas em casas, momento bom Na reflexão sobre doar amor com o argumento Que revela o nosso ser profundo, isto é o dom. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - PAMINA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
when she starts singing, I feel like im gonna cry. It was really beautiful and one of the best I've seen.
One of my favorite musical theatre ballads of all time. Pure magic! Fantastic performance! She even sings "ist verschwunden" and not "ost vaschwondon" like many others.
Perfectly sung. The voice of an angel.
I'm a minute into this and I already can tell that this will be transcendent. Her voice and interpretation is moving.
Superb performance, I can feel pamina's broken heart. 😍😍😍😍
Endlich klare i-Vokale!!!!!Vielen Dank!!!!!!!!!!Schön gesungen!Bravo!
Remarkable clarity and power.
DIE PAMINA! Wunderwunderschön.
Danke fürs Posten.
She´s amazing... Simply, the best mozartian singer these days!
Magnifica interprete.
Oh yes, she is great!!! Thank you for posting this, Paddy.
This aria breaks my heart...I m studing it now...and LOVE IT!!!!
kühmeier...eine stimme die an den himmel rührt....
Das ist mit das schönste Lied aus der Zauberflöte!!!
wow! best iv heard!! schön!!
Fabulous! The best of the best!
Divina!!!! Muy muy bien. Una maravilla.
The combination of Damrau's Königin der Nacht and Kühmeier's Pamina will never be surpassed. Rene Pape's Sarastro is the cherry on top. Everyone else in this cast is excellent, but those names are among the all-time greats for these roles.
Enoch Chi Lok Tse Paul Groves portrayed the Tamino, if you're still wondering :)
I saw her in London, in 2009. Oh my God, what a voice. Sorry, Dorothea Röschmann, I like you a lot, but Genia Kühmeier is my favourite Pamina!
beautifulbeautifulbeautiful!!!
The best of the best performance I have heard. In Italian language it is easier because the German “ Liebe “ is truely difficult to sing, even for German singers.
So far, THE Pamina of the 21st century, and perhaps the only genuine angelic-lyric voice currently out there. And she's fun to watch, also!
Perfect voice for this piece! Amazing; not clunky or shrill in the least.
Wunderschön!
Simply amazing !
Beautiful! I could not get enough listening to this wonderful aria in various interpretations. My favorite is Lucia Popp , posted by leoperarm. Also for fun check the two impossible G♯ above high C in Popoli di Tessaglia!, K.316, for soprano, sang by Edda Moser. The notes are at 6.36 and 6.47.
great voice...beautiful performance!!!
tHI SWAS THE BEST CLIP OF THIS ARIA i HAVE SEEN SO FAR
O wie schön!
De otro mundo, escuchar esta obra de transporta a un mundo de gloria y de paz!
The best Pasmina nowadays!!!
Einfach wunderbar. Es ist wohl die allerschwierigste Arie, wohl auch wegen der deutschen Sprache. Die italienische Version zeigt eine wesentlich leichtere und doch gleicherweise beeindruckende Darstellung.
Elisabeth Schwarzkopf hat einmal ein Training mit sehr vielen Korrekturen vorgeführt.
I heard Battle in a 3,000 seat auditorium during her "I'm not so bad" tour after the Met dust-up. I was in the middle of the house and she sounded fine.
GLORIOSO
Really great!
c est magnifique
Thats because she just has a very quiet voice. My teacher said she saw her(Kathleen Battle) do a recital and she was sitting in the 4th or 5th row from the stage and could barely hear her. She just has a tiny voice. I'm not saying she is a bad singer at all, so dont get me wrong. She is wonderful
brava!
Wonderfully performed, truly. Ended beautifully, and the orchestration choices by the conductor are truly beautiful. One beef- I hate when sopranos (being one) do the "now I'm going to sing" face, and just stop acting.
But, she has a wonderful voice, and it's wonderfully acted when she gets into it.
i was replying to someone else's comment about Kathleen Battle singing this aria. But for whatever reason my comment didn't attach itself to theirs :P
I am not so convinced by her acting, but when I closed my eyes, her voice almost made me crie!!!
schön
Genious! Does somebody now who the conductor is? (I suppose our beloved Niki Harnoncourt) And the orchestra?
Wiener Philharmoniker , Riccardo Muti
LOvely.
She acts the drama of the song and sounds good and has power. Kathleen Battle does something funny with her mouth.
does anyone have lyrics
Is there anyway by chance that you can upload the part where Pamina is about to do Suicide but the Three Boys stop her? I've been trying to find that part for awhile but all I found was the one by Kathleen Battle.
C vrai qu'elle est exceptionnelle. Mais j'ai un faible pour les interprètes qui réussissent et/ou préfèrent attaquer l'octave à la fin de l'air 4:05 tout en douceur, et pianissimo, je trouve que c le plus beau moment de l'air si on le fait ainsi. Si on l'attaque trop fort, ça devient un passage comme un autre. Malheureusement pour moi elle attaque trop fort, avec un léger glissendo et un "roulement" dont de je ne suis pas fan.
@kralle7611
Für die Schauspielerei, darf man sich in Salzburg prinzipiell bei den Regisseuren bedanken! Wer glaubt dass ein Opernsänger hier auch nur einen Funken Freiheit in der Gestaltung hätte, irrt: und das gewaltig!
sie fühlt's
How you can be stud ing it if you are fembale?
hallo daniel maibach und 9c
God DAYUM.
PAMINA
Um lamento na ária de Pamina, da ópera A Flauta
Mágica, de Mozart. O enlevo de amor febril acabou
Para sempre, assim Pamina declarou, em pauta,
Na conversa com o amado Tamino em que rolou
Uma lágrima denotando algo em não ir em frente.
Assim como essa civilização, está indo embora,
Adotou descanso após a morte, ideia recorrente
Para acabar com os sofrimentos, em boa hora,
É enfraquecida pela realidade que já desponta.
A semeadura é colhida do mesmo sentimento.
Covid-19 impõe a mudança: a norma exposta
Para confinar pessoas em casas, momento bom
Na reflexão sobre doar amor com o argumento
Que revela o nosso ser profundo, isto é o dom. (*)
(*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - PAMINA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
Good start and end but unfortunately a bit flat here and there. Nice voice but prefer the version by Sophie Karthäuser by far.
Haha das is die Mutter von dem Freund meines Bruders