Wow -- that's a great honor! Thank you Marcelo for this homage! This is a Masterpiece, and I have never heard a cello sounding lke this... Eva Böcker is amazing and her performance is almost "melodic" in the sense that the contours of the the piece's designs sing, beautifully. I can hear some "rhythmic" echoes from my Percussion Study 1, if I am not mistaken... Thanks for these 'subsurface citation(s)...' BTW: I remember you had borrowed my cello to check all the details of this amazing piece... I am glad you used it not only to learn what was possible and "prescribed" within the cello's techniques and limitations, but went beyond and discovered what wasn't predictable by the performative capabilities of the instrument itself. -- Brilliant !, to say the least. Unfortunately, music does not have a Nobel Prize for its achievements. It all goes by the brevity of a superfluous, biased, like or dislike on the part of listeners... You would be certainly a strong candidate for uniqueness in the field... Anyway, this piece invites us to listen to sound and forget about merely hearing an expected, boring, output. Far from being perfect though, it is exactly through "imperfection" and "incompleteness" that this piece builds the invisible morphology of motion -- and emotion. That's the way I grasp it. It is not a generalization. -- Marvelous...! -- Thanks, Arthur Kampela
Wow -- that's a great honor! Thank you Marcelo for this homage! This is a Masterpiece, and I have never heard a cello sounding lke this... Eva Böcker is amazing and her performance is almost "melodic" in the sense that the contours of the the piece's designs sing, beautifully. I can hear some "rhythmic" echoes from my Percussion Study 1, if I am not mistaken... Thanks for these 'subsurface citation(s)...' BTW: I remember you had borrowed my cello to check all the details of this amazing piece... I am glad you used it not only to learn what was possible and "prescribed" within the cello's techniques and limitations, but went beyond and discovered what wasn't predictable by the performative capabilities of the instrument itself. -- Brilliant !, to say the least. Unfortunately, music does not have a Nobel Prize for its achievements. It all goes by the brevity of a superfluous, biased, like or dislike on the part of listeners... You would be certainly a strong candidate for uniqueness in the field... Anyway, this piece invites us to listen to sound and forget about merely hearing an expected, boring, output. Far from being perfect though, it is exactly through "imperfection" and "incompleteness" that this piece builds the invisible morphology of motion -- and emotion. That's the way I grasp it. It is not a generalization. -- Marvelous...! -- Thanks, Arthur Kampela
viaje al centro de la tierra... tremenda
Gracias Laura. Abrazo