Printmaking: It always ends in tears. Because after a good print you can't help to continue, so your last print of the day will always be a bad one. Blessed be the printmakers with a long press and a short memory!
Ya I'm gonna have to disagree. Especially by the end those prints looks incredible. Were they perfect? No. It was your first go at this, thats to be expected. But they looked stunning none the less. I thought the design looked great. May be worth making metal plates though if you want to make a lot of prints or you'll keep having solvent issues. Though I realize there's a massive price different in that. You've made so many beautiful engraved things, I'm surprised you haven't slapped some ink on them and shoved them in the press already.
Thanks! I actually bought some copper plates to engrave, but they are far harder to engrave. I'm not that skilled yet with push engraving. I'm looking into intaglio printmaking which involves etching, but we'll see where I go from here.
@@urituchmanpigeon I higly recommend some printing tecniques such as "acquaforte" or "acquatinta" as we call them in Italy they are pretty cool and being pretty durable plates you can make plenty of prints out of one. Not sure if the cool press you made is suitable for them tho
As someone who took a *lot* of printmaking classes when I was in art school, I would call this series of prints an unmitigated success. I would be *ecstatic* to produce something that good in my first couple of weeks (or even my last couple of weeks) of printmaking. A+ and high fives all around.
Wonderful to watch you "failing forward". You are such a formidable talent yet so humble and keen to improve your skills. Well done Uri. You remain a massive inspiration.
I remember linoleum lessons fondly :D Just make sure that you don't have more than half of the plate marked as "remove" or you'll be there for hours, since there's no easy way of removing large sections.
Persevere my friend, print-making is a years long journey, but it is always satisfying when you pull a very nice print from the plates. I have used clear acrylic for the plates with good results, but more as intaglio plates. Combined with Akua Intaglio inks, they don’t seem to eat out the acrylic. But then, I only make editions of 10-15 prints.
Really enjoyed watching you learn and grow in your print process. Thanks for letting us see these steps. Keep it up and I look forward to the next video of your beautiful art creations.
Is there anything you can't do! ? Amazing 🤩 it isn't just the practical aspect, your skill, attention to detail and finish it's your whimsical subject matter. A true creative talent. They give me a pythonesc feeling. Your humour and character is rare and inspirational, thank you!
A great video. Not every project needs to be finished and polished in one video. Learning takes time and practice. Watching you learn, experiment and rethink ideas gives your viewers a feel for the process. Not everyone has the confidence to take on big new ideas like this, so seeing someone they look to for inspiration learning new skills, might give them the confidence to make a start on a bigger project or a new skill they thought was beyond them. I'm liking the progress so far and the video is entertaining. Keep up the enthusiasm and wonderful art.
These are awesome! I love the small flaws and foibles, that’s what handmade is all about! I would LOVE to own one of those prints! Beautiful work man!! Love your asthetic style!
I think they came out great buddy. Don't be so hard on yourself. I'm a perfectionist as well so I definitely understand how you feel but I think it looks awesome. I really look forward to your videos. They are always entertaining, thoughtful, we learn something new and you make us laugh and smile. That's what its all about my friend. Can't wait to see what you make next.
I love Uri’s work so much, they always remind me of the beauty and value of patience and craftsmanship. He clearly pushes himself so much and its so inspiring to watch
Some things to try that might help: try a water based ink and don’t wet your paper. I’ve only ever wet paper when making intaglio prints, although I did use oil based inks. If you do want to continue wetting the paper, don’t wipe it dry. Lay it on some newsprint/butcher paper and put it between two sheets of glass for about 10 minutes. The moisture will be more even across the paper and you won’t risk raising the surface. When rolling out your ink onto your slab, listen to it. You want a nice “hiss”. If it makes a sticky “splat” kind of a sound, that’s too much ink. Finally, embrace the imperfections! It’s rare to get a relief print 100% perfect, especially with a wooden press instead of a metal one. It’s easier with an intaglio print, but then you need a totally different kind of press. Honestly, your earlier prints (before the block started to disintegrate) were beautiful.
I think the prints look great too. You could try looking into wood engravings also as you've got the tools/set up for it already. Like a woodcut but carving into the end grain of a wood block instead of the side, you're able to catch a lot more detail than woodcut and it will last for more prints than the plastic. The best woods for it are maple, lemonwood, holly and boxwood as they have very even fine grain. You can print in the press but also by hand with a burnisher on very thin japanese paper.
I used to do this in Graphic Arts class. Linoleum was good but basswood is the prefered medium. If you carve something out by accident you can always glue it back in, easier with today's accelerants for CA glue. Your work is always incredible, Uri.
BTW MC Escher always used wood. I could be wrong but what I see that I don't like about your set up is that screw down press. I've never seen that used for anything but crushing apples in juice. We used the roller types in GA class & actually the prints were not good for a large number of prints as they do degrade easily. What we used to do is convert that print into a film negative then using a very powerful arc lamp that got converted into a metal lithography plate which was good for about 250 prints per side. 2 sides, 500 total. I had a blast in that class.
You, sir, are a artist miles beyond my caliber. Everything I've seen you make on this channel has been beautiful and awe-inspiring, so don't worry if things don't go the way you planned, for that is the way of true art!!!
As always your explorations are grounded by humility. I’ve had a hand in the process and I’d say for your first go? It was a resounding success. It was great fun watching it happen. Just don’t be so hard on yourself.
as someone who takes care of a printmaking studio,, seeing him plop that stack of prints down makes me miss my studio so much. I'm so glad to see Uri try it out!! It's a great start and I cant wait to see your future printmaking endeavors!!
They look awesome man, but I also super appreciate your dedication to the craft and desire to improve too. But yeah they look awesome, especially the table thing the hand is on looks lit
Sounds like ur over critical about ur work. Which is not necessarily bad cuz the world sees ur work in awe! When u look at ur work, u def see it can be improved, and that is what makes a skilled maker in my eyes. Great work as always. I thoroughly enjoy ur videos!
For someone who isn’t trained in this field you truly produce amazing work. There’s always room for improvement no matter how many years you’ve been doing something.
URI, you are amazing love your videos, what is funny is my wife is from Germany over near Hamburg..my in-laws all still live there..but you remind me of my brother in law...you two look alike sound alike and have such similar personalities it amazes me...
In this fast paced age of mass production and machine manufacturing, you're like an oasis that's uncompromised. I thoroughly enjoy the content you create. Your immense talent, sense of humour and extremely endearing character, keeps drawing me back to your channel. There's a very "next door person" quality about you. It feels as if you live in my neighborhood - and I'm from New Delhi, India! Keep up the great work. Would like to see you make something in the shape of HG Wells time machine - say a pencil sharpener..
Brass will hold up much better, when you're ready for it, Uri. Great work! I was just telling my wife about you. You are an amazing artist and creator, mein Herr!
Hey! Your drawing abilities are great! Hands are such a hard thing to get right and it looks amazing! I dont have much experience with prints but yours look great!
Okay, I don't know much about Western print making, But I do make wooden Japanese style woods block making. I can say with any meterial, Key your blocks, on the edge of the meterial put a small notch in it(corner and edge). If you go with wood, I can give you more advice, go with a small poored medium softness wood. Maybe Mahogany(?) Also if you go with wood you won't need to worry about wierd solvents.
![เบิ้ล ปทุมราช - อ้ายกินดอง น้องลาบงัว ft. สแน็ก อัจฉรีย์ [OFFICIAL MV]](http://i.ytimg.com/vi/-OK--KaSPcI/mqdefault.jpg)
What you see as flaws, the rest of the world sees as amazing talent. Your blessed with a very special talent. I love watching your work!
It's not talent, it's hard work and dedication.
@@thieskuchenbecker6301 Everyone is capable of hard work and dedication. It''s only those with talent that use these tools.
@@thieskuchenbecker6301 Pretty sure it's talent. However, work and dedication are required to improve it.
It's what an old friend of mine described as the Craftsman's curse
As the saying goes "you are your own worst critic."
Printmaking: It always ends in tears. Because after a good print you can't help to continue, so your last print of the day will always be a bad one. Blessed be the printmakers with a long press and a short memory!
5:11 Loved the mumbling part. Uri, you are the best :D
Ya I'm gonna have to disagree. Especially by the end those prints looks incredible. Were they perfect? No. It was your first go at this, thats to be expected. But they looked stunning none the less. I thought the design looked great. May be worth making metal plates though if you want to make a lot of prints or you'll keep having solvent issues. Though I realize there's a massive price different in that. You've made so many beautiful engraved things, I'm surprised you haven't slapped some ink on them and shoved them in the press already.
Thanks! I actually bought some copper plates to engrave, but they are far harder to engrave. I'm not that skilled yet with push engraving. I'm looking into intaglio printmaking which involves etching, but we'll see where I go from here.
Didn't expect to see you here
@@narcissisticneet He actually said he watched Uri in one of his biohack streams.
@@urituchmanpigeon you can drypoint engrave acrylic (and I assume other plastics) for intaglio printmaking
@@urituchmanpigeon I higly recommend some printing tecniques such as "acquaforte" or "acquatinta" as we call them in Italy they are pretty cool and being pretty durable plates you can make plenty of prints out of one.
Not sure if the cool press you made is suitable for them tho
As someone who took a *lot* of printmaking classes when I was in art school, I would call this series of prints an unmitigated success. I would be *ecstatic* to produce something that good in my first couple of weeks (or even my last couple of weeks) of printmaking. A+ and high fives all around.
Agreed! I majored in printmaking and the early prints were great.
Wonderful to watch you "failing forward". You are such a formidable talent yet so humble and keen to improve your skills. Well done Uri. You remain a massive inspiration.
I remember in an after school art class when I was around 10 we were carving linoleum prints. It was a bloodbath...
I remember linoleum lessons fondly :D
Just make sure that you don't have more than half of the plate marked as "remove" or you'll be there for hours, since there's no easy way of removing large sections.
Sharp tools are an absolute must. Good quality tools can be honed to be razor sharp. Once a tool can pass truth Lino like butter you’re there.
Me too. I carved the logo of Quake 3 Arena back in the days. I think I was 16 when we did linoleum carving in school.
This one reminded me of the line..
"Where tireless striving stretches its arms towards perfection.."
-R. N. Tagore
It's really refreshing to watch some art after doing programming. Keep up the good stuff 👍🏻
Persevere my friend, print-making is a years long journey, but it is always satisfying when you pull a very nice print from the plates. I have used clear acrylic for the plates with good results, but more as intaglio plates. Combined with Akua Intaglio inks, they don’t seem to eat out the acrylic. But then, I only make editions of 10-15 prints.
Really enjoyed watching you learn and grow in your print process. Thanks for letting us see these steps. Keep it up and I look forward to the next video of your beautiful art creations.
Is there anything you can't do! ? Amazing 🤩 it isn't just the practical aspect, your skill, attention to detail and finish it's your whimsical subject matter. A true creative talent. They give me a pythonesc feeling. Your humour and character is rare and inspirational, thank you!
You can do it! I'm so grateful that you'd share your process and your frustration. You remind me that we can keep going!
A great video. Not every project needs to be finished and polished in one video. Learning takes time and practice. Watching you learn, experiment and rethink ideas gives your viewers a feel for the process. Not everyone has the confidence to take on big new ideas like this, so seeing someone they look to for inspiration learning new skills, might give them the confidence to make a start on a bigger project or a new skill they thought was beyond them.
I'm liking the progress so far and the video is entertaining. Keep up the enthusiasm and wonderful art.
Dude, those are genuinely beautiful! They might not be 100% perfect, but I'd definitely call that a win!
Ein Handwerker der in Perfektion lebt was er liebt. Danke sehr für die immer wieder verblüffenden wie insbirierenden Beiträge 👍👍👍🌟🍀
These are awesome! I love the small flaws and foibles, that’s what handmade is all about! I would LOVE to own one of those prints! Beautiful work man!! Love your asthetic style!
I think they came out great buddy. Don't be so hard on yourself. I'm a perfectionist as well so I definitely understand how you feel but I think it looks awesome. I really look forward to your videos. They are always entertaining, thoughtful, we learn something new and you make us laugh and smile. That's what its all about my friend. Can't wait to see what you make next.
I greatly admire your dedication. It’s hard work but it’s a beautiful place to be.
It is always such a joy to watch your videos!
Thanks for showing the process ! I would have been happy for a piece half as good as they turned out ! Crazy amount of detail !
You're a wonderful person. Thanks for showing us what you do, and who you are!
Third time’s the charm holds true. As well as “where the hell is my 10mm socket”?
Man, people get tired of that meme, but that's because they haven't had to actually deal with constantly losing their 10mm sockets.
watching all the winding process is so helpful, thank you!
Your patience is unbelievable, looking forward to seeing the next video of this.
It’s very relaxing watching you engrave, I know you’re learning but you look like you have been doing it for years!
I think they turned out great. We always love to see the process.
Looks terrific, love your work.
That print is absolutely gorgeous!
Love the videos, Uri! I admire your dedication :)
Uri you should be proud!! It was a great first attempt and it looks amazing!
Perfect or not doesn't matter, I like your videos because I learn so much from the process. Thanks for sharing this one too.
Love your work Uri please keep it going.
I love Uri’s work so much, they always remind me of the beauty and value of patience and craftsmanship. He clearly pushes himself so much and its so inspiring to watch
Another great Clip URI
Keep doing what you love 👍👍👍👍
Uri your talents seem endless, great job
Some things to try that might help: try a water based ink and don’t wet your paper. I’ve only ever wet paper when making intaglio prints, although I did use oil based inks.
If you do want to continue wetting the paper, don’t wipe it dry. Lay it on some newsprint/butcher paper and put it between two sheets of glass for about 10 minutes. The moisture will be more even across the paper and you won’t risk raising the surface.
When rolling out your ink onto your slab, listen to it. You want a nice “hiss”. If it makes a sticky “splat” kind of a sound, that’s too much ink.
Finally, embrace the imperfections! It’s rare to get a relief print 100% perfect, especially with a wooden press instead of a metal one. It’s easier with an intaglio print, but then you need a totally different kind of press. Honestly, your earlier prints (before the block started to disintegrate) were beautiful.
Exquisite as always!
I think the prints look great too. You could try looking into wood engravings also as you've got the tools/set up for it already. Like a woodcut but carving into the end grain of a wood block instead of the side, you're able to catch a lot more detail than woodcut and it will last for more prints than the plastic. The best woods for it are maple, lemonwood, holly and boxwood as they have very even fine grain. You can print in the press but also by hand with a burnisher on very thin japanese paper.
You are such a perfectionist . This looks amazing !
I used to do this in Graphic Arts class. Linoleum was good but basswood is the prefered medium. If you carve something out by accident you can always glue it back in, easier with today's accelerants for CA glue. Your work is always incredible, Uri.
BTW MC Escher always used wood. I could be wrong but what I see that I don't like about your set up is that screw down press. I've never seen that used for anything but crushing apples in juice. We used the roller types in GA class & actually the prints were not good for a large number of prints as they do degrade easily. What we used to do is convert that print into a film negative then using a very powerful arc lamp that got converted into a metal lithography plate which was good for about 250 prints per side. 2 sides, 500 total. I had a blast in that class.
Uri would never have thought of that. Thank you for showing a new way of doing things 😊
This is amazing!!! You did great!
I think they came out amazingly!
You, sir, are a artist miles beyond my caliber. Everything I've seen you make on this channel has been beautiful and awe-inspiring, so don't worry if things don't go the way you planned, for that is the way of true art!!!
Saw the notification this morning n decided to wait n reward myself after the unpacking was done. Tottaly great way to end the day!
As always your explorations are grounded by humility. I’ve had a hand in the process and I’d say for your first go? It was a resounding success. It was great fun watching it happen. Just don’t be so hard on yourself.
You're so good at shading, it's incredible.
you are the best, Uri
That looks very promising, can't wait to see what's next. I still think you are a genius.
It’s always such a pleasure watching you creating art (because that’s art for me, sir)!
Try brass plates. That's another popular printing technique. Plus, you're already very skilled with brass. Give it a try!
Well done as usual. Bravo
Those prints are stunning!
as someone who takes care of a printmaking studio,, seeing him plop that stack of prints down makes me miss my studio so much. I'm so glad to see Uri try it out!! It's a great start and I cant wait to see your future printmaking endeavors!!
That is super badass Uri! Even if you feel like you failed I'm sure I'm not the only one who is super impressed. Great job!
Well done Uri. Keep up the good work and don't underestimate your talent.
They look awesome man, but I also super appreciate your dedication to the craft and desire to improve too. But yeah they look awesome, especially the table thing the hand is on looks lit
Its simply amazing
Sounds like ur over critical about ur work. Which is not necessarily bad cuz the world sees ur work in awe! When u look at ur work, u def see it can be improved, and that is what makes a skilled maker in my eyes. Great work as always. I thoroughly enjoy ur videos!
you're an excellent artist. very nice work
It Looks amazing!!!
Your videos are very good and with excellent good humor. I admire your work. A big greeting from Argentina.
For someone who isn’t trained in this field you truly produce amazing work. There’s always room for improvement no matter how many years you’ve been doing something.
Stunning!!!
They look great to me! The minor imperfections are what makes each one special.
A Monty Python-esque feeling to your print. Very nice result.
Awesome Uri !!
old skool. You rock.
Uri this is beautiful
Fan of your work, Mr. Multi-talented ❣️
These are absolutely amazing prints, I wish I could’ve picked it up as quickly as you did!
Thanks
Uri.
Your videos are worth the time for the soundtrack alone.
You can use normal sunflower/canola cooking oil to clean the ink off of your plates , they , and your brayer , will last longer than with solvents.
I think these are great! And you build your own press that works... Oh yeah, Graham (Diode Press) is amazing, I own a few of his prints.
URI, you are amazing love your videos, what is funny is my wife is from Germany over near Hamburg..my in-laws all still live there..but you remind me of my brother in law...you two look alike sound alike and have such similar personalities it amazes me...
Nice work! Diode Press is an awesome channel too. Thanks for sharing!
I love it!!! Very nice
Look, Leonardo. We’re not that hard to please. You keep crankin’ out at this level, we’ll come flockin’. Woo! Ring That Bell!
Love your content as always
Looks great.
I really enjoy the part without any background music and it is like an unintentional asmr which is amazing
now i want to make some sharp little steel tools and start PRINTING!
such precision
Yes, it's tougher than first glance. Nice job none the less.
Uri, you remind me of those old time Jewish artisans of Europe. You work is always engaging and fun.
I really love your job.
Fascinating to see how you use different media and hand tools.
It's wonderful still seeing the pigeon press still being put to use
In this fast paced age of mass production and machine manufacturing, you're like an oasis that's uncompromised. I thoroughly enjoy the content you create. Your immense talent, sense of humour and extremely endearing character, keeps drawing me back to your channel. There's a very "next door person" quality about you. It feels as if you live in my neighborhood - and I'm from New Delhi, India! Keep up the great work.
Would like to see you make something in the shape of HG Wells time machine - say a pencil sharpener..
Awesome video! I really enjoy your videos!
Brass will hold up much better, when you're ready for it, Uri. Great work! I was just telling my wife about you. You are an amazing artist and creator, mein Herr!
Very nice :)
beautiful
I like your work and tools
good luck
Hey! Your drawing abilities are great! Hands are such a hard thing to get right and it looks amazing! I dont have much experience with prints but yours look great!
Okay, I don't know much about Western print making, But I do make wooden Japanese style woods block making. I can say with any meterial, Key your blocks, on the edge of the meterial put a small notch in it(corner and edge). If you go with wood, I can give you more advice, go with a small poored medium softness wood. Maybe Mahogany(?) Also if you go with wood you won't need to worry about wierd solvents.
You know you are good in your trade when Uri gives you one of these 6:48
For a couple of weeks that is pretty good, result wise.
Thank you