There's a reason Stephen Stills referred to Judy as the "ruby throatted sparrow" in Suite Judy Blue Eyes, and you've just heard it. Always enchanting in concert, and somehow makes you feel like a long lost firend. More Judy please... Her versions of Cohen and Dylan's songs are impressive ❤
Judy Collins had a massive hit with this one back in 1969/70. The studio release is simpler with less inflection in the voice, but very beautiful. No one can sing like Judy. She had other hits too. Amazing Grace, Send in the clowns. I had a tape of her best songs until it broke, that was a great loss. The song is about the complexity of life, advice not to take things at face value. There is a lot in it.
Yes, a much better example of Judy Collins than this performance. This rendition never moved me like many of the songs that earned her fame. I am partial to Joni Mitchell’s original as well as the extraordinary cover by Keiko Necessario.
I've loved this song since I was six years old, singing with my friends as we played on the swings in the sun. I have always been a Judy Collins fan. Later in life, I lived on Kodiak Island (Alaska, USA), and I volunteered my time with the Kodiak Arts Council. I was chosen to be Ms. Collins' Assistant's Assistant, which was a thrill. Then, in my capacity as an Arts Council volunteer. I was fortunate to have the experience of standing with Ms. Collins in the wings of a darkened house. When she was ready, I gave her the mic and then stood by as she sang Amazing Grace, a capella, in that crystalline voice, silent tears running down my cheeks. When she finished, she handed the mic back to me, gliding onstage to her audience. In the darkness that is Backstage, I turned the mic off and replaced it in its stand, and then went over to sit with my friends and enjoy the backstage view. As I approached them, I was greeted with many "Are you okays?" Silly friends, don't you understand that I just stood next to a Legend? I thought to myself. It was one of the biggest thrills in my life. Thank you for the suggestion Dave Bzen, and for the reaction, Harri!
@@davebzen795 You are most welcome; I am always thankful when someone reads my words. I was standing less than two feet from her as she sang, and it was truly one of the best highlights of my life!
Judy and Joni were great friends back in the early days. Judy recorded and made this song a hit which really helped Joni's career. I agree with you that it seems as tho this is a song by an older person, looking back on their life. The funny thing is (and much to Joni's insight and talent) that Joni was in her very early 20s when she wrote it! Pure genius!
Love Judy Collins and she is not nearly as venerated as she should be! To me this has always been and always will be her song though I was aware Joni Mitchell wrote it. Shortly after Joni had written it in the late 60's Judy was the first to record it and the release of the single was a big hit for her. That's the version I grew up with and associate Judy's clear, crystalline soprano soaring over the lyrics forever with the song. Joni's version is lovely if more morose but this to me is the gold standard.
My late older sister, Judy, was fan of Collins' and Joni Mitchell. When I saw that you selected this, Dave, I immediately thought of her. Cool that Collins' mentions Joni Mitchell in this performance. Thank you, Dave and Harri, for evoking old memories.
Sorry for your loss, Neil. When things like this coincidence happens, I always feel it's a lovely message from loved ones from beyond with a hug. 😊👍✌️🎶🇨🇦
I am so sorry for the loss of your sister. Thank you for sharing that she was a fan of Judy Collins and Jodi Mitchell and that this song reconnected the bond between the two of you. May peace be with you all the days of your life. Thank you, Neal and Harri.
@@davebzen795 Before Judy passed away, we were at her apartment in Albuquerque, NM in March of '97. It was the last time that I was alone with her and she played this Joni Mitchell album. She told me that a particular song reminded her of our late father and I wish now that I could remember which one it was. Kicking myself for not writing it down. Thank you for you heartfelt words and sentiment.
I grew up listening to Judy Collins in the 60s. Amazing artist; unbelievable voice. One of my favorites is "My Father," written by her about her father. Beautiful. Try to find her albums; you'll be amazed by her range.
Try out “Suite: Judy Blue Eyes” from the first Crosby Stills and Nash. It is excellent.. The song is about her. I believe she had a relationship with Stephen Stills.
Yes, and learning to see things from different perspectives, but it's also about how the more you learn, the more you realize that you still don't know, which is perhaps the true definition of wisdom :D I also think there's a note of nostalgia for the more youthful and innocent way of seeing the world.
That's "Sweet Judy Blue Eyes" herself. Now you know who Stephen Stills was chasing. . . . You have to hear Joni Mitchell sing this - when she was young.
The singing here is probably just as good, if not better, but her original studio version featured an orchestra backing her, and the harpsichord played a central role, so this live version doesn't have that.
Sweet Judy Blue Eyes! "Both Sides Now" was a huge hit for Judy Collins back in the sixties. This live version from the seventies is subdued compared to the lively folk pop single that topped the charts back when.
I always enjoy listening to Judy Collins! I love the song too but in comparison to the album, she really adds flair and sings off key but still nice! Another favorite of mine from her is "My Father."
In 1970 I had the pleasure of seeing Judy do this, Joni Mitchell's great song at the Festival For Peace here in NYC. The show included a lot of acts including Peter, Paul, and Mary, Jimi Hendrix, The Young Rascals, Harry Belafonte, Blood Sweat and Tears, Dave Brubeck, The Cast Of Hair, Mother Earth, and Richie Havens. She did a great job, but going onstage after and before some of these acts must have been nerve wracking. Great days man.
Judy was a true star back in the late 1960’s and early to mid 1970’s. Many soothing amazing tunes. I do prefer Joni’s original though oh so slightly!Hari one song you must do by Judy is z send In The Clowns. It was the pinnacle of her career!
Al Kooper in his biography Backstage passes and Backstabbing Bastards mentions ringing Judy collins at 5.30am wanting her to hear a song he thought would suit her written by a girl he had just met, only to be confronted with a flat no by a sleep deprived Judy tired and wanting some sleep before heading to Newport for the folk festival so instead he talked her into later ringing the then unknown Joni Mitchell and taking Joni with her and then suggested if she liked the songs she heard on the way to the 67 Newport folk Festival she could use her influence as a committee member to get Joni a guest spot, and the rest they say is History.
Great folk singer songwriter from the 60's-80's. She had a lot of hits such as "Chelsea Morning" (written by Joni Mitchell), "Turn! Turn! Turn!", "Send In The Clowns", "Michael From Mountains", "Bread & Rose", "Home Again" etc.
I just pass by a downstairs neighbour and she made an innuendo reference that if a person is not well. a person may not remember things. Actually most people do because of long-term memory. When a person is depressed. he does not want to do an analysis of things involving the short-term memory. But the basic facts and impressions at that time is still cached away onto the long-term memory. The lyrics of the song. written by Joni Mitchell. shows that when she wrote the song. her short-term memory was in full play. But she need not have done the analysis there and then if she was not happy at that. She could have stored the basic facts of the song in long-term memory and do the analysis later. So we always remember our facts in long-term memory whatever our moods. This is psychology which I learn in Behavioural Science in one of my Business Administration packages.
You need to listen to, "Is That All There Is?" by Bette Midler, and the original artist's name escapes me, but Bette does a wonderful job with it...and everything else she sings.
Judy had a hit with Send In The Clowns, but there were songs on that album much better -- The Moon Is A Harsh Mistress is one of the most beautiful pieces of music you will ever hear. Song For Duke and Pirate Ships are not far behind.
This version is too different for me. I like the original version she did. When you get used to one, it's hard to take a big difference. She does a song from, I believe, her sixth album Wildflowers, called 'Michael from Mountains', another Joni Mitchell song. It's amazing, as is the whole album!
Yes. YES! The studio version has that immersive, captivating, vintage 60’s compelling cadence. The protest undertones of her style are present there, but not at all here. This dies not compare, and does not carry anywhere near the emotional impact of the original! If you never heard it, please do yourself the favor.
Love her original. Didn’t care for this version. I know I’m in the minority, but I typically prefer the studio version in most cases, particularly for first time listeners. There are exceptions, of course.
This lacks the whimsical feel of the studio version, it's also too slowed down for me. The original version had that 60s feel all over it, this version not so much.
I think it means that she's broke hearts and she's had her heart broke. She's seen it from both sides and it's still a confusing as to what makes it work
I love this song and Judy's recorded version of it is the benchmark for me .. But despite her voice still being beautiful here, I don't much care for this performance of it .. She takes far too many liberties with the original melody line, and it's just not the same song that I loved any more when she does that .. I know most people will probably disagree, but that's my opinion.
There's a reason Stephen Stills referred to Judy as the "ruby throatted sparrow" in Suite Judy Blue Eyes, and you've just heard it. Always enchanting in concert, and somehow makes you feel like a long lost firend. More Judy please... Her versions of Cohen and Dylan's songs are impressive ❤
And it seems Stephen Stills was sooooo in love with her then, Judy Blue Eyes, the lyrics tell it indeed !!
One of the best covers ever.
Judy Collins had a massive hit with this one back in 1969/70. The studio release is simpler with less inflection in the voice, but very beautiful. No one can sing like Judy. She had other hits too. Amazing Grace, Send in the clowns. I had a tape of her best songs until it broke, that was a great loss.
The song is about the complexity of life, advice not to take things at face value. There is a lot in it.
Judy Collins singing Send in the Clowns is great also. She is a phenomenal singer. Thank you
I always liked Judy Collins' version the best. Great song, great reaction, thanks Harri
Her version of Ian & Sylvia's "Someday Soon" is my favorite track by her.
I've had a crush (along with a bazillion other guys) on Judy Collins my whole life - sigh...
yay! more Joni Mitchell from here in Alberta 🇨🇦 and the beautiful Miss Sweet Judy
Suite Judy Blue Eyes!
She still has that clear strong voice all these years later. Unique talent because this was live and no autotune.
This his from 1976
Your ears will never be the same if you listen to her sing "Amazing Grace"
Oh yes!
Or Farewell to Tarwailthe
Yes, a much better example of Judy Collins than this performance. This rendition never moved me like many of the songs that earned her fame.
I am partial to Joni Mitchell’s original as well as the extraordinary cover by Keiko Necessario.
Judy performing with the Harlem Boys choir is remarkable
@@bearballin Yes! That too is wonderful.
I've loved this song since I was six years old, singing with my friends as we played on the swings in the sun. I have always been a Judy Collins fan.
Later in life, I lived on Kodiak Island (Alaska, USA), and I volunteered my time with the Kodiak Arts Council. I was chosen to be Ms. Collins' Assistant's Assistant, which was a thrill. Then, in my capacity as an Arts Council volunteer. I was fortunate to have the experience of standing with Ms. Collins in the wings of a darkened house. When she was ready, I gave her the mic and then stood by as she sang Amazing Grace, a capella, in that crystalline voice, silent tears running down my cheeks. When she finished, she handed the mic back to me, gliding onstage to her audience. In the darkness that is Backstage, I turned the mic off and replaced it in its stand, and then went over to sit with my friends and enjoy the backstage view. As I approached them, I was greeted with many "Are you okays?" Silly friends, don't you understand that I just stood next to a Legend? I thought to myself. It was one of the biggest thrills in my life. Thank you for the suggestion Dave Bzen, and for the reaction, Harri!
WendyJo - What a wonderful experience (I envy you), and thank you for sharing it. 🌹
@@davebzen795 You are most welcome; I am always thankful when someone reads my words. I was standing less than two feet from her as she sang, and it was truly one of the best highlights of my life!
The older I get the more meaning this song has.
Thank you MrBZan for a lovely song coise, 9am in Denmark, what a nice way to get into the day. 🥰🤩😇 Thank you Harri
Agnete, thank you very much.
one of my all-time favorite songs.... the lyrics, especially the last verse, it's just music magic
Another great song by her is Send In The Clowns.
Here is the absolute best version of this musical gem. Nothing against Joanie, just love the arrangements here paired with Judy's voice.
My Father always loved this song. And I do too.
Judy and Joni were great friends back in the early days. Judy recorded and made this song a hit which really helped Joni's career.
I agree with you that it seems as tho this is a song by an older person, looking back on their life. The funny thing is (and much to Joni's insight and talent) that Joni was in her very early 20s when she wrote it! Pure genius!
Agreed
That’s what’s amazing about Joni Mitchell, even as a young woman she had such amazing insights about the human condition.
Love Judy Collins and she is not nearly as venerated as she should be!
To me this has always been and always will be her song though I was aware Joni Mitchell wrote it. Shortly after Joni had written it in the late 60's Judy was the first to record it and the release of the single was a big hit for her. That's the version I grew up with and associate Judy's clear, crystalline soprano soaring over the lyrics forever with the song. Joni's version is lovely if more morose but this to me is the gold standard.
My late older sister, Judy, was fan of Collins' and Joni Mitchell. When I saw that you selected this, Dave, I immediately thought of her. Cool that Collins' mentions Joni Mitchell in this performance. Thank you, Dave and Harri, for evoking old memories.
Sorry for your loss, Neil. When things like this coincidence happens, I always feel it's a lovely message from loved ones from beyond with a hug. 😊👍✌️🎶🇨🇦
I am so sorry for the loss of your sister. Thank you for sharing that she was a fan of Judy Collins and Jodi Mitchell and that this song reconnected the bond between the two of you. May peace be with you all the days of your life. Thank you, Neal and Harri.
@@davebzen795 Excellent song Dave. Her voice is one of a kind.
@@davebzen795 Before Judy passed away, we were at her apartment in Albuquerque, NM in March of '97. It was the last time that I was alone with her and she played this Joni Mitchell album. She told me that a particular song reminded her of our late father and I wish now that I could remember which one it was. Kicking myself for not writing it down. Thank you for you heartfelt words and sentiment.
@@Cynthia... Thank you, Cynthia,
Judy Collins singing Farewell to Tarwathie along with the whales is so moving and awesome.
Im so appreciate the way you really listening to the songs you showcase. You have become my favorite❤
I agree, and welcome.
Beautiful rendition but Joni’s pierces the soul.
Mesmerized !! Dang she still has such a voice !!
I grew up listening to Judy Collins in the 60s. Amazing artist; unbelievable voice.
One of my favorites is "My Father," written by her about her father. Beautiful. Try to find her albums; you'll be amazed by her range.
No wonder Crosby-Still-Nash@Young immortalized her in Sweet Judy Blue eyes.
Suite Judy Blue Eyes..
Try out “Suite: Judy Blue Eyes” from the first Crosby Stills and Nash. It is excellent.. The song is about her. I believe she had a relationship with Stephen Stills.
Thank you for this blessing Harri!
I think it’s all about gaining wisdom….❤
Yes, and learning to see things from different perspectives, but it's also about how the more you learn, the more you realize that you still don't know, which is perhaps the true definition of wisdom :D
I also think there's a note of nostalgia for the more youthful and innocent way of seeing the world.
That's "Sweet Judy Blue Eyes" herself. Now you know who Stephen Stills was chasing. . . .
You have to hear Joni Mitchell sing this - when she was young.
Great song and performance.
Great radio bop from my childhood
Her earlier studio version was so much mor beautiful.
The singing here is probably just as good, if not better, but her original studio version featured an orchestra backing her, and the harpsichord played a central role, so this live version doesn't have that.
Sweet Judy Blue Eyes! "Both Sides Now" was a huge hit for Judy Collins back in the sixties. This live version from the seventies is subdued compared to the lively folk pop single that topped the charts back when.
She has an opera quality voice.
"Who Knows Where the Time Goes" is one of my favorite Judy songs. There are so many!
I always enjoy listening to Judy Collins! I love the song too but in comparison to the album, she really adds flair and sings off key but still nice! Another favorite of mine from her is "My Father."
In 1970 I had the pleasure of seeing Judy do this, Joni Mitchell's great song at the Festival For Peace here in NYC. The show included a lot of acts including Peter, Paul, and Mary, Jimi Hendrix, The Young Rascals, Harry Belafonte, Blood Sweat and Tears, Dave Brubeck, The Cast Of Hair, Mother Earth, and Richie Havens. She did a great job, but going onstage after and before some of these acts must have been nerve wracking. Great days man.
Judy Collins had the hit with this song, resulting in Joni Mitchell's stock rising as a songwriter and performer.
Sweet voice...
Great request Dave. This was a joy to hear and see. I’ve always preferred Judy’s version of this song. Harri is impressed as well🌺✌️
🌹Thank you Debbie.
Beautiful! ❤
Send in the Clowns!
Glen Campbell did a wonderful rendition of this song, very haunting....
You should hear the release version of this as well.
I do not want to take away from this version but I do like the record version better. It's a little more upbeat and the backing really great.
Judy was a true star back in the late 1960’s and early to mid 1970’s. Many soothing amazing tunes. I do prefer Joni’s original though oh so slightly!Hari one song you must do by Judy is z send In The Clowns. It was the pinnacle of her career!
I agree with both of your statements!
Joni Mitchell with "Circle Game" would be a good follow-up
This song is often referred as the Canadian national anthem😅
Al Kooper in his biography Backstage passes and Backstabbing Bastards mentions ringing Judy collins at 5.30am wanting her to hear a song he thought would suit her written by a girl he had just met, only to be confronted with a flat no by a sleep deprived Judy tired and wanting some sleep before heading to Newport for the folk festival so instead he talked her into later ringing the then unknown Joni Mitchell and taking Joni with her and then suggested if she liked the songs she heard on the way to the 67 Newport folk Festival she could use her influence as a committee member to get Joni a guest spot, and the rest they say is History.
Great folk singer songwriter from the 60's-80's. She had a lot of hits such as "Chelsea Morning" (written by Joni Mitchell), "Turn! Turn! Turn!", "Send In The Clowns", "Michael From Mountains", "Bread & Rose", "Home Again" etc.
I just pass by a downstairs neighbour and she made an innuendo reference that if a person is not well. a person may not remember things.
Actually most people do because of long-term memory.
When a person is depressed. he does not want to do an analysis of things involving the short-term memory. But the basic facts and impressions at that time is still cached away onto the long-term memory.
The lyrics of the song. written by Joni Mitchell. shows that when she wrote the song. her short-term memory was in full play. But she need not have done the analysis there and then if she was not happy at that. She could have stored the basic facts of the song in long-term memory and do the analysis later.
So we always remember our facts in long-term memory whatever our moods. This is psychology which I learn in Behavioural Science in one of my Business Administration packages.
Imagine this song written by a 23 year old.
You need to listen to, "Is That All There Is?" by Bette Midler, and the original artist's name escapes me, but Bette does a wonderful job with it...and everything else she sings.
Peggy Lee
Judy had a hit with Send In The Clowns, but there were songs on that album much better -- The Moon Is A Harsh Mistress is one of the most beautiful pieces of music you will ever hear. Song For Duke and Pirate Ships are not far behind.
This version is too different for me. I like the original version she did. When you get used to one, it's hard to take a big difference. She does a song from, I believe, her sixth album Wildflowers, called 'Michael from Mountains', another Joni Mitchell song. It's amazing, as is the whole album!
I felt the same way. She took so many liberties with the melody and timing it was almost a different song.
Yes. YES! The studio version has that immersive, captivating, vintage 60’s compelling cadence. The protest undertones of her style are present there, but not at all here. This dies not compare, and does not carry anywhere near the emotional impact of the original! If you never heard it, please do yourself the favor.
Love her original. Didn’t care for this version. I know I’m in the minority, but I typically prefer the studio version in most cases, particularly for first time listeners. There are exceptions, of course.
This lacks the whimsical feel of the studio version, it's also too slowed down for me. The original version had that 60s feel all over it, this version not so much.
I think it means that she's broke hearts and she's had her heart broke. She's seen it from both sides and it's still a confusing as to what makes it work
Fantistic version.
I’d like to hear a version done by Tiny Tim.
I don't know. It seems as if she is to enamored with deviating from the base melody in inventive ways. I prefer the studio version.
I love this song and Judy's recorded version of it is the benchmark for me .. But despite her voice still being beautiful here, I don't much care for this performance of it .. She takes far too many liberties with the original melody line, and it's just not the same song that I loved any more when she does that .. I know most people will probably disagree, but that's my opinion.
I agree, and some parts are practically unrecognizable. That 60s feel that enveloped the studio version is all but gone.
@@blkluv100 Spot on !
Studio version is better.
sorry but this is not in the same league as the Joni Mitchell version