Bb Blues (Jazz/Swing feel) 130 bpm : Backing Track

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ความคิดเห็น • 38

  • @ryanswiggs
    @ryanswiggs 26 วันที่ผ่านมา +1

    just to sit back and listen to this, gives you a million melodic ideas. brilliant, thank ye

  • @Kanine80yt
    @Kanine80yt ปีที่แล้ว +11

    Put it at 2x speed if you want to listen to bebop

  • @jayniambi
    @jayniambi 2 ปีที่แล้ว +6

    Great for my son! 10-10

  • @Addy-yg1ov
    @Addy-yg1ov 4 ปีที่แล้ว +6

    thank you SOOOOOOOOOOOOO much you will not belive how much i vibed with it LOVE

  • @justinjustin6451
    @justinjustin6451 ปีที่แล้ว +4

    It's been a year daddy

  • @radioheadlover09
    @radioheadlover09 3 ปีที่แล้ว +1

    Straight, No Chaser.

  • @tesser169
    @tesser169 4 ปีที่แล้ว +9

    Hello, I am a korean student studying python. Recently, I am studying pygame module to make poker games. This song is so good for background music. So, can I use your songs for my game's bgm? I won't use for profit purposes. I just plan to post some description of my code and present song's youtube link. If you don't want to permit, I will use only personally. Thank you for nice song.

    • @Nick-bn5sd
      @Nick-bn5sd 4 ปีที่แล้ว +4

      It has a creative commons license so you should be able to use it

    • @tesser169
      @tesser169 4 ปีที่แล้ว +1

      Bick Oh I think i didn’t check well thank you for reply

  • @haydenlichtman5747
    @haydenlichtman5747 ปีที่แล้ว +1

    What would be some good blues scales to play over this? I play the Alto sax.

    • @emo-sup-sock
      @emo-sup-sock 10 หลายเดือนก่อน

      all of them lol, just remember altos are tuned in Eb, so you have to play it in the tone of G on your instrument

  • @MarkJenningsBates
    @MarkJenningsBates 2 ปีที่แล้ว +1

    Fantastic tips !

  • @Stephanie9959
    @Stephanie9959 6 ปีที่แล้ว +10

    Thank you. A nice cord progression.

  • @estebanberguno4662
    @estebanberguno4662 3 ปีที่แล้ว +1

    iu ar great cords

  • @mr.fabian8471
    @mr.fabian8471 6 ปีที่แล้ว +2

    Master!!!!

  • @macacoosnofa
    @macacoosnofa 3 ปีที่แล้ว +2

    can someone please guide me on which scales i can use on each chord?

    • @felixhalvorson7610
      @felixhalvorson7610 3 ปีที่แล้ว +2

      You can play Bb minor pentatonic over the whole thing to get started, then start to play Bb mixolydian/major pentatonic on only the Bb7's and minor pentatonic over the rest. In addition to that, bring out some spice with playing altered lines (7th mode of melodic minor) anytime there is a dominant chord going to somewhere else. Best spot for that is the Cm7/F7 on last bar and the Bb7 on the 4th bar! Happy jamming (:

    • @jimolbrys5620
      @jimolbrys5620 2 ปีที่แล้ว +4

      I humbly suggest not playing scales at all and treat each chord of the progression as its own unique harmonic entity with its own characteristics and role in the progression. Think arpeggios and passing tones...focusing on the 3rd, 5th, flat 5th and flat 7th of the chords but keeping in mind that all twelve tones are available as passing tones. Think in terms of melody and motifs, call and response and repeated rhythmic patterns maybe changing one note in the pattern as the harmony changes. That should make for a more interesting and cohesive solo rather than running scales.

    • @justanothernguyen2334
      @justanothernguyen2334 2 ปีที่แล้ว +1

      @@jimolbrys5620 YES. I fell for the scale trap and didn't get better until i studied ted greene's soloing books which comprise entirely of melodic patterns for CHORD TONES instead of scales for each chord type. I didn't have anxiety of creating dissonant lines anymore since everything fit perfectly with the chord progressions

    • @jatson3989
      @jatson3989 2 ปีที่แล้ว

      im not a whole jazz wiz but i say just start off with a concert bflat not the scale just the chord tones c e g and add on some notes just try to feel the back track before you start play that helps its gonna get better if you keep playing if you make a mistake just go to the next note as fast as you can and no one will notice but just dont worry too much of the chord progression just vibe with the music your skill will improve over time

  • @sigfried90arts
    @sigfried90arts 3 ปีที่แล้ว

    Hello, why there is an Dm7b5 and g7? I don't understand. Secondary dominant?

    • @guitareimprovisation
      @guitareimprovisation  3 ปีที่แล้ว +1

      This is a Dm7b5. Yes, secondary dominant of Cm7. It's very common, check "the standard blues chord progression in jazz", or read any Aebersold on this topic. Hope that helps !

    • @sigfried90arts
      @sigfried90arts 3 ปีที่แล้ว

      @@guitareimprovisation Thank you!

  • @markhawkins443
    @markhawkins443 3 ปีที่แล้ว +1

    Very groovy! What chord is “D naught”?

    • @razzmatical
      @razzmatical 3 ปีที่แล้ว

      "D naught" is a D diminished chord, involving the notes D, F, G# (Ab), and B. :)

    • @estebanberguno4662
      @estebanberguno4662 3 ปีที่แล้ว +4

      D half diminished 1-b3-b5-b7

    • @Ack_08
      @Ack_08 2 ปีที่แล้ว +5

      THE CHORD WHERE I PUT DEE NAUHGTS IN YOUR FACE
      RAAAAHHHHHHHHHH

  • @HarmoChopin
    @HarmoChopin 6 ปีที่แล้ว +1

    Tu fais ça sous irealb ?

    • @guitareimprovisation
      @guitareimprovisation  6 ปีที่แล้ว +2

      Oula, non : tous les instruments sont enregistrés (voir description de la vidéo).

    • @HarmoChopin
      @HarmoChopin 6 ปีที่แล้ว

      Oups ! Pardon. C'est le design de la grille qui m'an fait penser à ça.

    • @guitareimprovisation
      @guitareimprovisation  6 ปีที่แล้ว +1

      Pas de soucis.

  • @turnoffautoplay
    @turnoffautoplay 2 ปีที่แล้ว +8

    High school jazz band auditions be like

  • @nadavmagira5524
    @nadavmagira5524 4 ปีที่แล้ว

    רז שלח אותכם לפה?

  • @wfrankdepriest5561
    @wfrankdepriest5561 2 ปีที่แล้ว +1

    Ron contactme