First of all, the footage of this performance is really spectacular and inspirational. The splender of the piece itself and the skillfulness of theperformance, which is beyond description and immeasurable, arewell blended From Tokyo of the Land of the Rising Sun 🇯🇵㊗️
FYI..please dont take my comments below as a criticism of the overall performance. It was magnificent . Spivakov is one of my favorite violinists, and I had the honor to meet him in the Philippines many years ago. The match with Bashmet is absolutely perfect!!! Bravo.
3:13 - that squeak! That's often what you'll get with steel strings on a small viola! Loved this performance though - and with with Sir Yehudi Menuhin conducting.... what a treat! :)
There are several wonderful performances of this great concerto on TH-cam, but this one is at another level. Gorgeous playing on superb instruments. Bravo!
Very beautiful performance. Moart loved the alo (whcich is here tuned half a tone higher) so he certainly enjoyed to write this score and most certainly to play it.
It compares favourably with an earlier version of a very young Igor playing the violin with David Oistrakh on viola also directed by Yehudi Menuhin minus the facial expressions of this version.
J'aime bien cette interprétatiion car la direction de l'orchestre n'est pas allouée à l'un ou l'auitre des deux solistes ,ce qui pourrait nuire à l'équilibre auditif et visuel de la prestation ; de plus , l'orhestre n 'est pas trop étoffé et les deux solistes sont épatants , en particulier l'altiste Yuri bshmet ,qui deviendra bientôt un des très grand .
@@innazabolotnaya6563 Это случилось с ним уже много позже написания этой вещи. Вещь написана, насколько помню, в 1781-м году, а с масонами он подружился, наверно, в 1789-м. "Волшебная флейта" - это 1791-й уже, год смерти его.
No sé cuál de los tres violoncelistas es el Dr. Osokin, pero es uno de los fundadores del "Virtuosi de Moscú", y aquí está una fotografía reciente: katarinagurska.com/profesor/alexander-osokin/
This recording appears to be available through amazon.com, where it says: Recorded at the Palais de la Musique, Strasbourg, France, 1990. If so, Menuhin would have been 74, Spivakov 46, and Bashmet 37.
Menuhin loses control of the orchestra during the intro....but I could see from the expression of the lead cellos that it wasn't going to be a problem...they know what to do without him.
I think you may be confused by Menuhin's way of conducting which may be unfamiliar to you, but the orchestra was watching him and their tempo and phrasing mostly lined up with his conducting throughout the entire introduction.
Respectfully disagree. Those players could have performed without Menuhin, and later in the performance they did indeed come together, and watched him carefully. But during the introduction he was off. Im a conductor, and perhaps for me it would be excusable, but not for those at that level. If you cant turn out a perfect performance,its time to retire gracefully.
Bashmet's playing sounds a bit outdated compared to viola players you have these days. think of Ryganov or Sabbah. He nevertheliess did a wonderful pioneering work for making the viola an instrument in its own right within the concert halls of this world :)
La plus parfaite des interprétations du Maître ...!
Невероятный, великолепный ансамбль
Best performance of this great composition i know! Uncredibble!
Magic, especially 2. movement!
BRAVI from Germany!
Просто гениально, не оторваться. Ася
First of all,
the footage of this performance is really spectacular and inspirational.
The splender of the piece itself and the skillfulness of theperformance, which is beyond description and immeasurable, arewell blended
From
Tokyo of the Land of the Rising Sun 🇯🇵㊗️
Великолепно! Благодарю!
Z największym zachwytem. Dziękuję.
FYI..please dont take my comments below as a criticism of the overall performance. It was magnificent . Spivakov is one of my favorite violinists, and I had the honor to meet him in the Philippines many years ago. The match with Bashmet is absolutely perfect!!! Bravo.
2Я ЧАСТЬ ЗВУЧИТ ИДЕАЛЬНО!!!ЛУЧШЕ НЕ СЛЫШАЛ.
Да, замечательно. Но послушай Кагана с Башметом 2ю часть, на разрыв души.
Играть с Менухиным очень волнительно! Великолепное исполнение!!!Большое спасибо всем за концерт! Из Сибири с любовью.
3:13 - that squeak! That's often what you'll get with steel strings on a small viola!
Loved this performance though - and with with Sir Yehudi Menuhin conducting.... what a treat! :)
lots of squeaks, even in the violin part
There are several wonderful performances of this great concerto on TH-cam, but this one is at another level. Gorgeous playing on superb instruments. Bravo!
Es war eine echte Mozart-Seele, die bei keinem Konzert angetroffen wurde!
This wonderful performance cheers me up a lot
Thank you very much for sharing this beautiful performance
+Cristina y Patricia You're welcome! De nada!
Your Channel is amazing. Thank you!!!
Both
Very beautiful performance. Moart loved the alo (whcich is here tuned half a tone higher) so he certainly enjoyed to write this score and most certainly to play it.
ТЕМПЫ ОТЛИЧНЫЕ!
Потрясающе...Потрясающеڰۣ✿
АЙ СЭР ИЕГУДИ!КАКОЙ ТЫ МУЗЫКАНТИЩЕ!!!!
Gorgeous viola sound!!!
handelviola pmahler
Yes -- a wonderful instrument in astonishingly capable hands, for once not overwhelmed by the violin!
Yuri Bashmet
Maravilloso
Imprescindible para mi Museo
Amazing
Grande!!!
It compares favourably with an earlier version of a very young Igor playing the violin with David Oistrakh on viola also directed by Yehudi Menuhin minus the facial expressions of this version.
Graaaand!!!
メニューインのヴァイオリンと思ってしまった。違っていたいたが、価値がある正しく整った演奏ですね。
31:55 that moment when you know it will be over soon, but you don't want it to end.
Mozart allways tells you signs of the end early :)
Increible! Lástima que poco a poco la sincronización imagen-audio falla muchísimo... :(
Patricia Buffuna -- Pero.....BRAVI TUTTI....desde Acapulco!
Сегодня этот концерт исторический. Менухин уже ушел. Спиваков с Башметом совсем молодые. Почему нет даты исполнения? Да и зал был бы интересен.
Концерт по случаю "вручения" первой Премии им. Андрея Сахарова Еленой Бонер.
Страсбург, Франция, 1988. Дворец музыки и съездов.
БРАВИССИМИ!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Vladimir Spivakov + Yuri Bashmet = chemistry 100 😍
Only too bad that Menuhin wasn’t playing too
J'aime bien cette interprétatiion car la direction de l'orchestre n'est pas allouée à l'un ou l'auitre des deux solistes ,ce qui pourrait nuire à l'équilibre auditif et visuel de la prestation ; de plus , l'orhestre n 'est pas trop étoffé et les deux solistes sont épatants , en particulier l'altiste Yuri bshmet ,qui deviendra bientôt un des très grand .
Очень хотелось бы узнать, какой это год?
1991
...Это -- Ансамбль Великолепных Музыкантов--исполнителей..(.И Скрипач своим только делом занят)....Бессмертная МУЗЫКА , а жизнь коротка..
Послушайте с Цукерманом и Перельманом... Или с Хейфецом и Примроузом.
БАШМЕТ НЕМНОГО ПОЗДНОВАТО ВСТУПАЕТ,КАК БЫ, С ОТТЯЖКОЙ.НО ЗВУЧИТ ЗДОРОВО.СПИВАКОВ-ПОТРЯСАЮЩИЙ СКРИПАЧ, ТОНЧАЙШИЙ АНСАМБЛИСТ.
Эта музыка написана не человеком! Такое ощущение, как будто сам Господь Бог его создал! Может быть Моцарт его земное воплощение был?
Моцарт к сожалению был связан с оккультистами масонами. Он это и не скрывал. Опера Волшебная флейта как раз об этом.
@@innazabolotnaya6563 Это случилось с ним уже много позже написания этой вещи. Вещь написана, насколько помню, в 1781-м году, а с масонами он подружился, наверно, в 1789-м. "Волшебная флейта" - это 1791-й уже, год смерти его.
el segundo cello es Alexander Osokin??
No sé cuál de los tres violoncelistas es el Dr. Osokin, pero es uno de los fundadores del "Virtuosi de Moscú", y aquí está una fotografía reciente:
katarinagurska.com/profesor/alexander-osokin/
ma il cielo splende di più'
date of recording??
This recording appears to be available through amazon.com, where it says: Recorded at the Palais de la Musique, Strasbourg, France, 1990. If so, Menuhin would have been 74, Spivakov 46, and Bashmet 37.
thanks!
21st
Menuhin loses control of the orchestra during the intro....but I could see from the expression of the lead cellos that it wasn't going to be a problem...they know what to do without him.
I think you may be confused by Menuhin's way of conducting which may be unfamiliar to you, but the orchestra was watching him and their tempo and phrasing mostly lined up with his conducting throughout the entire introduction.
Respectfully disagree. Those players could have performed without Menuhin, and later in the performance they did indeed come together, and watched him carefully. But during the introduction he was off. Im a conductor, and perhaps for me it would be excusable, but not for those at that level. If you cant turn out a perfect performance,its time to retire gracefully.
Bashmet's playing sounds a bit outdated compared to viola players you have these days. think of Ryganov or Sabbah. He nevertheliess did a wonderful pioneering work for making the viola an instrument in its own right within the concert halls of this world :)