Muchas gracias por la profundidad en cada review! Hoy me suscribí, seguiré aprendiendo en cada vídeo que subes. Mis consultas: 1. En tu juicio cuáles son los micrófonos al día de hoy con mejor calidad sonido con grabación interna y sin grabación interna (solo inalámbricos) por debajo de 200$? 2. Qué opinas de los nuevos FulaimX5M?
The one thing I'm surprised that doesn't exist is a actual Lav that's capable of 32bit float, not the capsules the actual Lav, I had to do a scene where the individual had to yell, and the lav (country men)as expensive as they were clipped, and even in the DJI backup recording it still burned in the distortion at that moment
Great, detailed review! I'm curious about the mono/stereo mode IF you're also using the RX microphone. With 1 transmitter and the receiver in mono/stereo, and with 2 transmitters and the receiver in mono/stereo. In Mono mode I think both transmitters are recorded on both tracks, but the RX mic is over the other 2 or the transmitters are recorded on one track (let's say right channel) and the RX on the other track (let's say left channel). I'm curious about these because if the camera man talk behind the camera, might be good to have it on a separate track and remove it in post if necessary.
Muchas gracias por la profundidad en cada review! Hoy me suscribí, seguiré aprendiendo en cada vídeo que subes.
Mis consultas:
1. En tu juicio cuáles son los micrófonos al día de hoy con mejor calidad sonido con grabación interna y sin grabación interna (solo inalámbricos) por debajo de 200$?
2. Qué opinas de los nuevos FulaimX5M?
The one thing I'm surprised that doesn't exist is a actual Lav that's capable of 32bit float, not the capsules the actual Lav, I had to do a scene where the individual had to yell, and the lav (country men)as expensive as they were clipped, and even in the DJI backup recording it still burned in the distortion at that moment
Great, detailed review! I'm curious about the mono/stereo mode IF you're also using the RX microphone. With 1 transmitter and the receiver in mono/stereo, and with 2 transmitters and the receiver in mono/stereo. In Mono mode I think both transmitters are recorded on both tracks, but the RX mic is over the other 2 or the transmitters are recorded on one track (let's say right channel) and the RX on the other track (let's say left channel). I'm curious about these because if the camera man talk behind the camera, might be good to have it on a separate track and remove it in post if necessary.
Only use the mic on the receiver if you don’t mind having that track as mono embedded in the stereo tracks.