We can tell you've been working really hard and long hours, yet your output has remained top notch. Make sure, when you're done with your book, that you give yourself a well-deserved brain and body break! :)
As a violist I am fine with touch 5 stopped harmonics but I do agree that it isn't something you should just write for any violist A violist with smaller hands may not be able to reach or find it uncomfortable
I have heard of natural harmonics on string instruments too within the context of string instrument techniques, that sometimes it is better to write a natural harmonic for a purer tone than to simply write the note an octave higher(which is what the natural harmonic achieves, 1 octave, am I right). And the natural harmonic, that's where you just barely touch the string with your finger in 1 spot to raise the pitch, right? I have never bothered using harmonics, natural or otherwise. If I get into the third octave or higher on a violin, I just write a soloistic passage in that octave and then go back to equal treatment once it goes below C6. So my string quartets sometimes end up being basically a chamber violin concerto for a short period of time.
The sound of harmonics is very different to a solo passage of the same pitch and high pitches can be achieved by a tutti easily in tune with a harmonic, if it is in a lower position (on the string). And of course a tutti sound with harmonics is very different from a natural solo sound. Also you can have divisi harmonics and play chords with lots of octave doublings in a string section.
I'm sorry, but I'm a one-man operation, and I don't have the ability or the funds for translations. All I can hope is that my book is worth it to read even if English is not the reader's first language.
We can tell you've been working really hard and long hours, yet your output has remained top notch. Make sure, when you're done with your book, that you give yourself a well-deserved brain and body break! :)
Thank you! I had always problems with harmonics!
Could you do an orchestration tip on writing for organ?
Not in this book, but I could write one in the future.
RATHER========== WE are the luckiest students in the world right now +++++++++++++
As a violist I am fine with touch 5 stopped harmonics but I do agree that it isn't something you should just write for any violist
A violist with smaller hands may not be able to reach or find it uncomfortable
1:03 it's a half step isn't it?
Thanks for catching that! Of course, I meant to say "half-step."
great tip!
I have heard of natural harmonics on string instruments too within the context of string instrument techniques, that sometimes it is better to write a natural harmonic for a purer tone than to simply write the note an octave higher(which is what the natural harmonic achieves, 1 octave, am I right). And the natural harmonic, that's where you just barely touch the string with your finger in 1 spot to raise the pitch, right? I have never bothered using harmonics, natural or otherwise. If I get into the third octave or higher on a violin, I just write a soloistic passage in that octave and then go back to equal treatment once it goes below C6. So my string quartets sometimes end up being basically a chamber violin concerto for a short period of time.
Caters Carrots Natural harmonics can occur in multiple spots, but they come out best an octave, a twelfth, and two octaves above.
The sound of harmonics is very different to a solo passage of the same pitch and high pitches can be achieved by a tutti easily in tune with a harmonic, if it is in a lower position (on the string). And of course a tutti sound with harmonics is very different from a natural solo sound. Also you can have divisi harmonics and play chords with lots of octave doublings in a string section.
Natural harmonics have an other worldly sound
Mandocello? Is that a mandolin with the range of the cello?
Yes. Google it, there are a few good mentions here and there.
Will your book be available in other languages either?
I'm sorry, but I'm a one-man operation, and I don't have the ability or the funds for translations. All I can hope is that my book is worth it to read even if English is not the reader's first language.
@@OrchestrationOnline thank you
Where abouts are you based mate? Which state?
Wellington, NZ