MOTO PERPETUO - Scriabin Sonata-Fantasy Op. 19 mvt 2 - Analysis tutorial
ฝัง
- เผยแพร่เมื่อ 28 มิ.ย. 2024
- Pianist Henrik Kilhamn takes on the second movement in Scriabin's sparkling piano sonata no. 2, Op. 19, titled "Sonata-Fantasy". It's a turbo fast Presto with a never-ending stram of notes, a Moto Perpetuo. The form is a kind of Sonata-Rondo, alternating the cascading waves with a developmental, legato section without ever losing its intensity.
0:00 Introduction
1:39 Analysis
13:06 Performance
▶ Mvt I: Andante - Analysis video: • Scriabin's SPARKLING S...
▶ Mvt I: Andante - Performance video: • Scriabin Sonata-Fantas...
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Alexander Scriabin: Piano sonata no. 2 in G# minor, Op. 19, "Sonata-Fantasy", II: Presto
Score: Peters edition, 1971. Editor: Günter Philipp
Excerpts:
Franz Schubert: Impromptu in E flat major, Op. 90 no. 2, D.899
Score: Breitkopf & Härteledition, 1888, Editor: Julius Epstein
Ludwig van Beethoven: Piano sonata no. 17 in D minor, Op. 31 no. 2 "Tempest", III: Allegretto. Score: Breitkopf und Härtel, 1862
Piano sonata no. 23 in F minor, Op. 57 "Appassionata", III: Allegro ma non troppo. Score: Breitkopf und Härtel, 1862
📄 Scores available at: imslp.org
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This guy deserves more subs
He needs more subs man
WE LOVE SCRIABIN! More Scriabin content please, I'm obsessed, he fills just about my entire solo repertoire!!!!
I just decided that I will do lots of Scriabin next year.
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nice video
Thanks!
Thank you very much!! You explain it perfectly. Know is the piece another piece in my head.
Soo helpful for the preparation of this piece! Thank you!
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Thanks, I'm happy it's useful! :)
Scriabin’s rhythmic ideas were so fascinating.
This is amazing. Those lightning fast notes are played with such clarity. You, sir, are an amazing pianist!
Can never forget Alkan's "Hands Reunited" as a molto perpetuo! Great video
That is a moto perpetuo indeed!!
The finale of Schumann's 3rd sonata too.
And another molto perpetuo from Alkan: his 39 1, 'Comme le Vent'
I find that the Moto Perpetuo feeling is actually pretty common amongst Beethoven's final movements, especially in his Piano Sonatas(though it occurs in his other works too). It's like as if the Allegro did not have enough dramatic momentum of it's own, he brings in the Moto Perpetuo(Allegro or Presto) to finish things off with sufficient drama. A very early example of it is the finale of his Piano Sonata in F minor Op. 2 no. 1
th-cam.com/video/H-PuqndNGV4/w-d-xo.html
And in all pieces with this Moto Perpetuo feeling, I have noticed 1 thing in common and it also happens to be very common amongst Prestos regardless of feel. That is an almost equal distribution of Melody and Bass across both hands. Whereas an Allegro that isn't Moto Perpetuo will usually have a very weighted distribution of both Melody and Bass, though some get close to equal anyway(Pathetique Sonata First Movement for example).
Yeah, Beethoven's final movements sure have lots of momentum pushing forward!
Oh that's so interesting how you added the two beats at the end! Is this really plausible for performance? (Because I feel those bars the same... 😁🤫)
Well, it's not very orthodox obviously. I would say it depends on the circumstances, probably not a good idea for a competition but with an audience who are not familiar with the piece it shouldn't matter as much.
I have always wanted to play this sonata in the future. Would also like to see your analysis of Scriabin Fantasy Op. 28, which I guess you played in a competition before. This has become another favorite Scriabin piece of mine recently.
I'm practicing the Fantasy op. 28 right now as a matter of fact, will try do it here soon! (but it's soooo hard...)
I love your videos! They are giving me an appreciation of classical music pieces I either never heard before (like this one) or that I've heard but not understood well. Makes me want to play them, but as this is beyond my capabilities, I'll just listen to it. I like the emotional waves and the polyrhythms.
thank you! enjoyed it a lot!
It has some similarities too with the presto from Chopin's op 35. Five accidentals, simple ending with tonic chord, ceaseless triplets, borderline tonality etc. Glorious music.
Wow! This was soooo interesting! You played it amazingly well. It seems to be a real knuckle-buster - a finger-twister. I could see that your hands were worn out at the end.
Enjoy your videos as always. :-)
Thank you Scott! :)
Excellent exposition! You could have also mentioned as an example of Moto Perpetuo the last movement of Chopin’s 2nd Sonata. You mention Scriabin’s admiration of Chopin, and I believe the last movement of Chopin’s 2nd Sonata would likely have been in Scriabin’s mind for the last movement of his own 2nd Sonata. Also appreciate in your video of the first movement the connection you made between this Sonata-Fantasy and Beethoven’s “Moonlight” (Sonata quasi una Fantasia). I programmed them together in a recital once: th-cam.com/video/CR3BZH4H7wg/w-d-xo.html. I very much appreciate your competent advocacy of this piece.
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Can you do the 3rd sonata?
I'm actually looking a bit at it now... maybe later in the future...
My least favourite Scriabin Sonata, Still a Great one.