As I see it, you can play a C major scale, including B, over the whole progression. I think you can use Bb over Dm7, Em7 and G11. I try to avoid Bb over Cmaj7. I don't like Bb over F in this case, because I hear the tonality as major. I like blues riffs over G11, then switching back to major over Cmaj7. I see this progression as mixing major and dominant tonalities.
Beautiful! I feel it in my soul!
Dang that's good... Houston good!
Great track for practicing triads. Excellent work!
Great Great Track! Thanks!
Thanks for jamming!
can I play the B note?
As I see it, you can play a C major scale, including B, over the whole progression. I think you can use Bb over Dm7, Em7 and G11. I try to avoid Bb over Cmaj7. I don't like Bb over F in this case, because I hear the tonality as major. I like blues riffs over G11, then switching back to major over Cmaj7. I see this progression as mixing major and dominant tonalities.
C lydian is fun to play and familer as well
Hadn't occurred to me. The raised 4 is a nice note choice. Thanks for suggesting.
@@HoustonGuitar yeah the major scale relates in different ways same position different keys
Very tasty, I love it.
Thank you. I plan to record more in this style.
Very nice. Thanks.
Thanks very much