Carla Fracci 1969 impressed me the most. She was brilliant, but also was her costume and that wonderful scenery. Not only a realistic water mill, but it had a turning water wheel. Fantastic.. It would be so lovely to see the rest of the ballet.
I agree...and she used the music to the most advantage. She danced so effortlessly she was able to be conscious of the story and her resulting expressive arms, face and positions was a joy to watch.
I saw Fracci and Bruhn live with ABT in 1968. She was unforgettable but it was her exquisite Act II that made her legend. Alonso was quite old in this film so it's a bit unfair to judge her technically, but you can see she has carried on the more stylised tradition of earlier years, especially in hands and portes de bra. Nunez is a great favourite of mine, a tremendous dancer, but I have to say that her prodigious technical abilities needed to be softened to do justice to the Romantic style. She danced this as powerfully as she would have danced Aurora or Sugar Plum Fairy or Odile. There was no fragility in sight. In this role, technique has to be subdued, concealed almost, to indicate the character's emotional fragility. But there's no denying that her security is a pleasure to watch.
Makarova is my favorite dancer of all time, and I saw her dance Giselle many times, but based on these Fracci and Nunez capture the innocence and joy of a young Giselle in love.
Although all the performances are absolutely beautiful, Marianela’s performance brings a delightful combination of emotion and technical perfection that sets her apart.👏❤️
I've always loved Marinela, and an added beauty about her dancing is how musical she is! All her movements match the beats of the music, and she holds her positions just long enough, with smooth transitions.
I agree that her expressiveness in this role by far exceeds the others, and is certainly a great technician. But there's also something about Carla Fracci's performance that I've always loved too! I saw that film in the theater in the early 70's, and fell in love with both Giselle and Carla Fracci! So it may just be sentiment! I would love to see a comparison of all these dancers in the Mad Scene, though! For me, there's none better than Natalia Makarova.
E' sempre innaturale con modi ed espressioni fuori contesto, sicuramente molto molto precisa (ma sono costretti a rallentarle la musica), e completamente priva di carisma.
I must agree and disagree. Carla Farci has the true essence of a classical ballerina. Marunella though technically more advanced and wonderful in every way; Carla Farci takes the cake for style.
2:44 Effortlessly and completely natural performance! Everyone could understand the bond uniting dance and music. A trully magnificent performance. Thank you mrs Carla Fracci and thanks to the uploader for picking her!
Marianela is my favorite. I don't think I've ever seen another ballerina who becomes the character the way she does. She's technically perfect and artistically perfect. 10/10
I love me some Marianela dont get me wrong but I admire her more as Myrtha , Gamzati , Black Swan . When she plays the antagonist and gives that disserning eyebrow its like you better watch out .
omfg Marienela's acting is just so so sweet and darling and a tiny bit cheeky I love how she brushes the floor with her feet and her choice of arms I swear I am about to cry
It’s my first time seeing Gisele by Alicia Alonso. Thank you for sharing. I’m amazed. It feels like she is taking to me. Its not a dance it’s an act, performance. Dancers of the past were so expressive. I guess nowadays dancers must be technically perfect and acting comes second. Natalia Osipova is not here. She is also exceptional in this role
On this scene, I 100% agree! For the Mad Scene, I go with Makarova. She truly looks like she's gone crazy! And her dancing matches the drama. For me, Makarov did for ballet what Callas did for opera.
the arms from the variations from the 1970s... They're soo much more fun and playful I am on the verge of tears I love this compilation so so much, thank you for this gem!!!
Due generazioni a confronto: Carla e Marianela uniscono grazia e delicatezza espressiva a potenza tecnica ed interpretativa! Per me il top. Meravigliose!!!
You have 5 excellent and beautiful dancers - - you have to make a tough decision - - and so you go into the specifics. I will choose Makarova - - a world famous dancer as well as a great comedienne - - too. Thank you @ DanceLine Ballet for sharing.
Alonso was 48 in this clip, Fracci, 33, Makarova 37, Bessmertova, 49, Nunez 34. I think it's worth considering where each ballerina was in not only her career but also her life. The 30 somethings are at the peak of their careers with excellent strength, stamina, and agility. Ballerinas in their late 40s are at the end of their careers after 30+ punishing years of training and dancing, as well as experiencing the reduced strength and flexibility of ageing bodies. The tempo of the music has been slowed to account for this. Marvelous all, but perhaps not fair to compare a 33 year-old dancer to a 49 year-old.
Agreed, would recommend checking out the 70s television version that exists of Bessmertnova’s Giselle while in her 30s, she’s amazing in that. Sadly, footage of younger Alonso (and Ulanova, not shown in this video) sadly is rare ro come by:(
Not only all of that, just think of the evolution of techniques which is still evolving as we learn more about injury and long time wear and tear on the body, oh and the evolution of the technology in just their shoes!
I was so lucky to see Fracci in the late 60's dance Giselle. And Makarova in the early '70's. They are my idols. I love Nunez as well. I really feel she is an innocent. Excited young girl. Beautiful dancing and musicality. I saw Alonso do a farewell performance in her late 60's, nearly totally blind. Incredible.
There’s a moment in the anime “Princess Tutu” where the top student in the class, Rue, practices dancing on one foot and it’s clear from her expression how actually difficult and painful it can be. Watching this it suddenly occurred to me the animation might’ve been a direct reference to this dance sequence in “Giselle”. I’d have to rewatch it to be certain (the entire soundtrack is public domain classical music so it’s possible). On another note, the costume design in each one is beautiful. I love seeing how each outfit captures the grace of twirling.
Good catch, maybe so… I loved Princess Tutu as a little kid and now as an older teenager who re-watched it, there’s actually many references that are very depth and you get the sense that the staff did their due diligence in the production’s different aspects. I always appreciated the tone of the show
49-летняя практически слепая Алисия Алонсо не делает себе поблажек ни в чем. Не пропущено и не упрощено ни одно па. Она делает двойные пируэты в обе стороны! Диагональ с тирбушонами просто великолепна - она прошла длинными скачками всю сцену на высоком релеве, не позволяя себе опуститься на полупальцы. Финальная диагональ с комбинацией вращений на большой скорости - как это вообще возможно сделать , не имея зрения? И при этом она потрясающе музыкальна и актерски точна. Фраччи заставляет забыть обо всем. Она говорит языком танца. настолько выразительны и в то же время естественны ее жесты и мимика. .Нуньес прекрасна. как всегда. но ее Жизель - озорная красотка, больше похожая на Китри. Макарова показалась мне манерной, Бессмертнову надо смотреть в других записях, более ранних времен. Оговорюсь, что это мое мнение, сложившееся после просмотра именно этих видео. Несомненно, все эти великолепные балерины своим творчеством вписали свое имя в энциклопедию мирового балета.
Five beautiful performances, and to me it comes down to the staging/production choices, which may not have been the dancer's choice. I like the choreography best in the Alonso excerpt, and least in the Bessmertnova--much too fast, as I could hear by the rushed and inartistic music. I was lucky enough to see Makarova dance with ABT and thought her second act incredibly beautiful and moving (closely followed by Gregory). In this excerpt, I liked Alonso and Fracci best, because they seemed closest to the original romantic-era concept of Giselle (as I understand it). Thank you so much for the compilation!
I don't and never have done ballet, but seeing these graceful dancers gave me an incredibly strong impulse to start! Tbh, I have to constantly remind myself that those are real human ankles, and not just rubber hoses capable of supporting the weight of a human; they look so cool when they bend! I can't ever imagine being able to do any of this, but I'm thankful to the YT algorithm for recommending this to me.
There are a lot of wokouts based on ballet moves which can be done by beginners. Ofc It's not the same like classic ballet but its still interesting to do. My ancles and inner thighs became much stronger.
Ну это и логично..Nunez-34, а Бессмертновой здесь 49.. Возраст в балете-никто не отменял..Только почему-то лучшей Жизели(Г. Улановой) здесь места не нашлось? Европейское лицемерие-налицо...
@@ИринаДанилова-ж9п А есть ли записи Улановой в этой вариации? Я не нашла ни одной. В фильме, снятом в Англии во время гастролей этой вариации тоже нет
Какое удовольствие смотреть прим балерин , как ни странно, но очень понравилась Алонсо, хотя танцевала она давно и проще современных исполнительниц. Что-то завораживающее есть в ее движениях.
All of the dancers were incredible, but I believe Marianela's performance was my favorite. She has the most expression, in her dance and I also much prefer the costuming in her performance as well.
It is interesting Evolution of the Variation of Giselle .And this is simple example how Ballet is changing over the years. But always was, is and will be Beauty in the ART.
Все балерины прекрасны!!!! Слово ЭВОЛЮЦИЯ здесь совершенно неуместно. Нечему здесь эволюционировать. Техника и тогда уже была великолепна. Тем более у гениальной Алонсо!! И не забывайте,что Алисия была слепа!!! И еще один момент: Жизель была больна! Об этом необходимо помнить. Поэтому резвиться,как Нуньес она не могла. Уланова-вот эталон на все времена,
Carla Fracci increíblemente acrobática, extremadamente prolija, impresionante su técnica y Performace para la época. Pero Marianela, ya superando semejantes desenvolturas técnicas, creo que capta de manera al personaje, la campesina humilde, emocionada e inocente que baila ante los personajes que se presentan inesperadamente en el pueblo. No nos anticipa la tragedia que se desarrollará luego.
My heart belongs to Nela, but this is a superb collection of videos. Would you consider posting any more of these performances? Maybe Albrecht or anything from the second act?
I have to agree! they combine beautiful technical skill with their character acting so well. The others are of course amazing but those two take it that extra step. I've been watching so much of Marianela's roles on YT recently. shes amazing
I certainly enjoyed the video. Wonderful to see so many Giselles. Nunez certainly managed to convey a girly awareness of how very beautiful she is/was. Two of my favourites of all are Diana Vishneva and Alina Cojocaru as Giselle. I think they both have better techniques than all of these except Nunez. It is wonderful to be able to prefer dancers not on the video when all of the ballerinas presented are really very good. Ballet seems to present a prodigious, almost sacred, abundance of talent and wonder.
I agree. I see many aspects of the young woman Giselle in the creation of la Alonso. Her innocence, a spiritual kindness and love that could rise from the grave, a modesty that is betrayed if legs are showing off their altitude, and a fragility that could die of heartbreak. None of the other women look like heartbreak would kill them. They look like they would turn their back on the unfaithful man and just go find another. Somehow we know that there is no other man for Alonso’s Giselle.
Замечательное исполнение у всех. Просто прелестницы. Для себя отмечаю: не люблю на ЖизелЯх юбки сильно пышные, по крайней мере в первой части. Жизель крестьянка, юбочка попроще и просто красота.
У крестьянки юбочка не должна быть пышной, только ведь ей и фуэте крутить не надо. А когда эта крестьянская простая юбочка надета на балерину, это как-то не очень эстетично.
Бессмертнова - Идеал Жизели как бы сошедшей с гравюры 19 века! Но ! В 20м веке ( кроме гения Улановой) была еще одна уникальная Жизель Золотого века Большого - Надежда Павлова! И есть эта сцена в ее исполнении - в 18 лет - это феноменально!
This maye be stupid, but only discovered Giselle as a child because of Barbie and i am so in love with it since then My biggest dream is to see it on day somewhere, i never saw real ballerinas live i hope i see them one day in Giselle Marinela is great
"Жизель" в исполнении Нуньес можно описать так: "Надо к небу поднять глаза и запрыгать ну как коза"(с) Изо всех только Алонсо и Бессмертнова (не смотря на возраст) показали балет. Остальные отработали упражнения и ушли.
Interesting. Bessmertnova dances the whole variation without giving a single look nor to the prince, nor to the mother, nor to the audience, she's dancing for herself as if she was marking in the studio. Marianela, that I love over any other dancer in many ballets, smiles way too much here, which looks unnatural and awkward. Also I don't understand the spanish-style port-de-bras in the pirouettes section, the arm on the hip it's ok but she makes it look like Paquita. Beginner mistake that you wouldn't expect from her. I am very disappointed. Fracci and Alonso are much better in acting and even in dancing. Makarova is a legend, magnificent control and acting.
keep in mind that Giselle is dancing for a different "audience" in each of these productions. Fracci is dancing and flirting with Albretch. Nuñez is clearly dancing for the royalty, so the intent of the acting must be different.
@Alice Tiezzi I have seen productions in which Giselle performs for the royalty, right after the peasant pas. In this case, she is performing for the duchess, and Albretch is not in that scene. Originally, though, Giselle performs after she is crowned as "harvest queen?" by the winemakers, who enter after the royalty has left to go hunting. By this time, Albretch has come out from hiding.
No shade to any of these dancers. But the best Giselle I have ever seen blew me away just a few months ago, and surprised me because she wasn't a dancer I've paid much attention to. Diana Vishneva.
Carla Fracci 1969 impressed me the most. She was brilliant, but also was her costume and that wonderful scenery. Not only a realistic water mill, but it had a turning water wheel. Fantastic.. It would be so lovely to see the rest of the ballet.
The full version is available on TH-cam. Just search for "Giselle Full 1967" :)
I agree...and she used the music to the most advantage. She danced so effortlessly she was able to be conscious of the story and her resulting expressive arms, face and positions was a joy to watch.
I Saw her then. She WAS Giselle.The best.
@@lauracorga9621 Thank you, I will definitely do that, 🌷
I saw Fracci and Bruhn live with ABT in 1968. She was unforgettable but it was her exquisite Act II that made her legend. Alonso was quite old in this film so it's a bit unfair to judge her technically, but you can see she has carried on the more stylised tradition of earlier years, especially in hands and portes de bra. Nunez is a great favourite of mine, a tremendous dancer, but I have to say that her prodigious technical abilities needed to be softened to do justice to the Romantic style. She danced this as powerfully as she would have danced Aurora or Sugar Plum Fairy or Odile. There was no fragility in sight. In this role, technique has to be subdued, concealed almost, to indicate the character's emotional fragility. But there's no denying that her security is a pleasure to watch.
Miss. Alonso... a magistral class of style, technique plus a best coreagraphy..and 48 years old.
Makarova is my favorite dancer of all time, and I saw her dance Giselle many times, but based on these Fracci and Nunez capture the innocence and joy of a young Giselle in love.
彼女はとても軽い！
まるで美しい羽のようだ！
Absolutely agree!
Although all the performances are absolutely beautiful, Marianela’s performance brings a delightful combination of emotion and technical perfection that sets her apart.👏❤️
I've always loved Marinela, and an added beauty about her dancing is how musical she is! All her movements match the beats of the music, and she holds her positions just long enough, with smooth transitions.
I agree that her expressiveness in this role by far exceeds the others, and is certainly a great technician. But there's also something about Carla Fracci's performance that I've always loved too! I saw that film in the theater in the early 70's, and fell in love with both Giselle and Carla Fracci! So it may just be sentiment! I would love to see a comparison of all these dancers in the Mad Scene, though! For me, there's none better than Natalia Makarova.
Marianela Nuñez is the best ballet dancer in Europe, imo. She's just amazing in everything!
E' sempre innaturale con modi ed espressioni fuori contesto, sicuramente molto molto precisa (ma sono costretti a rallentarle la musica), e completamente priva di carisma.
I must agree and disagree. Carla Farci has the true essence of a classical ballerina. Marunella though technically more advanced and wonderful in every way; Carla Farci takes the cake for style.
2:44 Effortlessly and completely natural performance!
Everyone could understand the bond uniting dance and music.
A trully magnificent performance.
Thank you mrs Carla Fracci and thanks to the uploader for picking her!
Marianela is my favorite. I don't think I've ever seen another ballerina who becomes the character the way she does. She's technically perfect and artistically perfect. 10/10
I love me some Marianela dont get me wrong but I admire her more as Myrtha , Gamzati , Black Swan . When she plays the antagonist and gives that disserning eyebrow its like you better watch out .
Those slow pointe hops at the very beginning are CRAZY!!!
And to think Alicia Alonso was pretty much blind and used the light in the stage to guide herself
Alicia Alonso must have had toes of steel! And she makes it look so dainty!
omfg Marienela's acting is just so so sweet and darling and a tiny bit cheeky I love how she brushes the floor with her feet and her choice of arms I swear I am about to cry
It’s my first time seeing Gisele by Alicia Alonso. Thank you for sharing. I’m amazed. It feels like she is taking to me. Its not a dance it’s an act, performance. Dancers of the past were so expressive. I guess nowadays dancers must be technically perfect and acting comes second.
Natalia Osipova is not here. She is also exceptional in this role
There is far less artistry in so many dancers today? Thank goodness some still remember it comes first in performance.
To me Fracci is the best!! She embodies the peasant girl perfectly and her smile is contagious.
She expressed joy.
On this scene, I 100% agree! For the Mad Scene, I go with Makarova. She truly looks like she's gone crazy! And her dancing matches the drama. For me, Makarov did for ballet what Callas did for opera.
Fracci's mad scene was incredible too. I was 9 years old when I saw her. It has stayed with me all these years. ❤❤❤
Carla Fracci performance is soooo beautiful
the arms from the variations from the 1970s... They're soo much more fun and playful I am on the verge of tears I love this compilation so so much, thank you for this gem!!!
Love marianella dancing, anything and everything , sublime acting and wonderful technique. Fantastic
Fracci wins for best dancing -- and the waterwheel wins for best stage set. That was just phenomenal!
This compilation really conveys some beautiful and talented Giselles. Each dancer made the role her own. Thank you. 💙🌼💙🌼💙
Giselle is such a beautiful ballet - beautifully danced by these ballerinas!
J'aime beaucoup Carla Fracci et Mariñela Nuñez 😍
So interesting to see the interpretations of Giselle. For me Marianela's Giselle is superb.
I totally agree with you. Here she portrays Giselle's happiness
0:05 - Alicia Alonso (1968)
1:47 - Carla Fracci (1969)
3:25 - Natalia Makarova (1977)
4:57 - Natalia Bessmertnova (1990)
6:25 - Marianela Nunez (2016)
Due generazioni a confronto: Carla e Marianela uniscono grazia e delicatezza espressiva a potenza tecnica ed interpretativa! Per me il top. Meravigliose!!!
I loved Carla I lot! She’s stunning
You have 5 excellent and beautiful dancers - - you have to make a tough decision - - and so you go into the specifics. I will choose Makarova - - a world famous dancer as well as a great comedienne - - too. Thank you @ DanceLine Ballet for sharing.
They're all beautiful. But if I have to choose, for me Carla Fracci and Marienella.
Alonso was 48 in this clip, Fracci, 33, Makarova 37, Bessmertova, 49, Nunez 34. I think it's worth considering where each ballerina was in not only her career but also her life. The 30 somethings are at the peak of their careers with excellent strength, stamina, and agility. Ballerinas in their late 40s are at the end of their careers after 30+ punishing years of training and dancing, as well as experiencing the reduced strength and flexibility of ageing bodies. The tempo of the music has been slowed to account for this. Marvelous all, but perhaps not fair to compare a 33 year-old dancer to a 49 year-old.
Agreed, would recommend checking out the 70s television version that exists of Bessmertnova’s Giselle while in her 30s, she’s amazing in that. Sadly, footage of younger Alonso (and Ulanova, not shown in this video) sadly is rare ro come by:(
Not only all of that, just think of the evolution of techniques which is still evolving as we learn more about injury and long time wear and tear on the body, oh and the evolution of the technology in just their shoes!
@@thatcoffee I can send you the entire ballet Giselle with Ulanova.
I was so lucky to see Fracci in the late 60's dance Giselle. And Makarova in the early '70's. They are my idols. I love Nunez as well. I really feel she is an innocent. Excited young girl. Beautiful dancing and musicality. I saw Alonso do a farewell performance in her late 60's, nearly totally blind. Incredible.
There’s a moment in the anime “Princess Tutu” where the top student in the class, Rue, practices dancing on one foot and it’s clear from her expression how actually difficult and painful it can be. Watching this it suddenly occurred to me the animation might’ve been a direct reference to this dance sequence in “Giselle”. I’d have to rewatch it to be certain (the entire soundtrack is public domain classical music so it’s possible). On another note, the costume design in each one is beautiful. I love seeing how each outfit captures the grace of twirling.
Good catch, maybe so… I loved Princess Tutu as a little kid and now as an older teenager who re-watched it, there’s actually many references that are very depth and you get the sense that the staff did their due diligence in the production’s different aspects. I always appreciated the tone of the show
Yes, that episode was in fact based on Giselle! It's nice to see people talking about the show, I've got to rewatch it sometime.
I love that you’re doing a “through the years” series! It’s so fascinating! I also loved seeing the film of Makarova and Bessmertnova!
49-летняя практически слепая Алисия Алонсо не делает себе поблажек ни в чем. Не пропущено и не упрощено ни одно па. Она делает двойные пируэты в обе стороны! Диагональ с тирбушонами просто великолепна - она прошла длинными скачками всю сцену на высоком релеве, не позволяя себе опуститься на полупальцы. Финальная диагональ с комбинацией вращений на большой скорости - как это вообще возможно сделать , не имея зрения? И при этом она потрясающе музыкальна и актерски точна. Фраччи заставляет забыть обо всем. Она говорит языком танца. настолько выразительны и в то же время естественны ее жесты и мимика. .Нуньес прекрасна. как всегда. но ее Жизель - озорная красотка, больше похожая на Китри. Макарова показалась мне манерной, Бессмертнову надо смотреть в других записях, более ранних времен. Оговорюсь, что это мое мнение, сложившееся после просмотра именно этих видео. Несомненно, все эти великолепные балерины своим творчеством вписали свое имя в энциклопедию мирового балета.
Fracci’s footwork is so sharp and lovely!
Alonso's balance is impeccable!!
Okay, whatever props dept. put in a freakin _whole water wheel_ in the background wins.
1:59 This stage design is awesome! WOW!
Five beautiful performances, and to me it comes down to the staging/production choices, which may not have been the dancer's choice. I like the choreography best in the Alonso excerpt, and least in the Bessmertnova--much too fast, as I could hear by the rushed and inartistic music. I was lucky enough to see Makarova dance with ABT and thought her second act incredibly beautiful and moving (closely followed by Gregory). In this excerpt, I liked Alonso and Fracci best, because they seemed closest to the original romantic-era concept of Giselle (as I understand it). Thank you so much for the compilation!
Такие сравнения оч интересны, спасибо. Бессмертнова лучшая
I don't and never have done ballet, but seeing these graceful dancers gave me an incredibly strong impulse to start! Tbh, I have to constantly remind myself that those are real human ankles, and not just rubber hoses capable of supporting the weight of a human; they look so cool when they bend! I can't ever imagine being able to do any of this, but I'm thankful to the YT algorithm for recommending this to me.
There are a lot of wokouts based on ballet moves which can be done by beginners. Ofc It's not the same like classic ballet but its still interesting to do. My ancles and inner thighs became much stronger.
Loved Carla Fracci’s version! Ingenious and lighthearted
私はカルラ・フラッチのジゼルが好きです
片足ポアントのロンドジャンプのところのニュアンスに、恋する乙女の胸の高鳴りを感じました。ああ、ここはその恋心を表したいがための振付だったんだなとあらためて気付かされました。そのあとのピケの速さにも高まった気持ちが現れてますね。
OH. my. gosh. Bessmertnova. her costume.. she looks JUST like a little songbird 😪🤗😍🤩🥰🥰🥰🥰🥰🥲🥲 I adore the way she dances this
Not hating but I didn’t think the costume was appropriate. Just me. Blessings!
@@kathymyers7279 That's right. Giselle was a simple peasant girl and would never have worn such an expensive dress
Последнее выступление самое лучшее. Очень артистично! Без слов понятно стало о чём танец!
Ну это и логично..Nunez-34, а Бессмертновой здесь 49.. Возраст в балете-никто не отменял..Только почему-то лучшей Жизели(Г. Улановой) здесь места не нашлось? Европейское лицемерие-налицо...
@@ИринаДанилова-ж9п Ого) Я думала в балете на пенсию в 35 уходят.
Согласна! Милая, немного озорная и юная девушка, наслаждающаяся своей молодостью и очарованием
@@ИринаДанилова-ж9п Вероятно потому, что великая Уланова своей легкостью (в 46!) и фантастической харизмой затмила бы всех этих звезд🌹
@@ИринаДанилова-ж9п А есть ли записи Улановой в этой вариации? Я не нашла ни одной. В фильме, снятом в Англии во время гастролей этой вариации тоже нет
Осипова! Лучшая Жизель! Она изумительно технична и потрясающе выразительна.
some people who love ballet truly understand how fluid and versatile it is!
Marianela is magnificent!✨💖
Definitely Miss Fracci❤
Какое удовольствие смотреть прим балерин , как ни странно, но очень понравилась Алонсо, хотя танцевала она давно и проще современных исполнительниц. Что-то завораживающее есть в ее движениях.
Потому что Алонсо танцует.Постепенно уходит танец и остается задирание ног шире и выше...
@@ФаузияМубаракзянова согласна с вами, не могла определить, что техничность- не значит танец, спасибо!
Carla… the best, forever ♥️♥️♥️
Marianela is stunning
All of the dancers were incredible, but I believe Marianela's performance was my favorite. She has the most expression, in her dance and I also much prefer the costuming in her performance as well.
Да, но без Улановой нельзя назвать этот список эволюцией.
Абсолютно согласна. Уланова вне списка, она неповторима, а дальше уже все показанные
Да, первое, что думаешь- где же Жизель Галины Сергеевны.
@@Matilda_Ryabinkina да, да..... Я ее ждала.
Может, побоялись сравнения🤣🤣🤣?
А почему Бессмертнову взяли 90го года (хотя всё равно хороша)? Почему не 70х годов?
Совершенно очаровали Карла Фраччи и Марионелла Нуньес ! Волшебно
Favorites too.
Галина Уланова - лучшая Жизель на все времена!!!
No sé de ballet. Todas son exquisitas en su estilo, pero la fluidez y armonía de los movimientos de Makarova me atrajeron inmediatamente.
It is interesting Evolution of the Variation of Giselle .And this is simple example how Ballet is changing over the years. But always was, is and will be Beauty in the ART.
Carla Fracci top!
Such a wonderful performance of Marianela Núñez !!!
alonso is amazing. she is also blind which makes her even more impressive
Thanks!
We're glad you enjoyed this new video of the format 🙏❤️
Fracci really impressed me.
São todas maravilhosas mas, gostei muitíssimo da interpretação de 2016
Все балерины прекрасны!!!! Слово ЭВОЛЮЦИЯ здесь совершенно неуместно. Нечему здесь эволюционировать. Техника и тогда уже была великолепна. Тем более у гениальной Алонсо!! И не забывайте,что Алисия была слепа!!! И еще один момент: Жизель была больна! Об этом необходимо помнить. Поэтому резвиться,как Нуньес она не могла. Уланова-вот эталон на все времена,
Alonso was strong!
Beautiful
Carla Fracci increíblemente acrobática, extremadamente prolija, impresionante su técnica y Performace para la época. Pero Marianela, ya superando semejantes desenvolturas técnicas, creo que capta de manera al personaje, la campesina humilde, emocionada e inocente que baila ante los personajes que se presentan inesperadamente en el pueblo. No nos anticipa la tragedia que se desarrollará luego.
Marianela is excelent but, in my opinion, nobody dances this variation like Carla Fracci. Grace combined with impeccable technique.
My heart belongs to Nela, but this is a superb collection of videos. Would you consider posting any more of these performances? Maybe Albrecht or anything from the second act?
Je crois que Théophile Gautier serait instantanément tombé amoureux de Carla Fracci.
wow. carla fracci was magnificent.
На Бессмертновой данная эволюция закончилась. С 21 века, в данном видео 2016 - другой вид : спортивный балет под музыку.
Прекрасная Жизель была Надежда Павлова
Вот , я тоже смотрю ... Конечно скажут , эти бабушки из СССР ... Но современный балет , превращается в гимнастику ...
Fracci and La Nunez are the Best. They have Charisma and personality
I have to agree! they combine beautiful technical skill with their character acting so well. The others are of course amazing but those two take it that extra step. I've been watching so much of Marianela's roles on YT recently. shes amazing
Алисия прелесть. Мариэлла великолепна. И Карла очаровательна.
This is absolutely beautiful aaaa
Наталья Бессмертнова лучшая Жизель. Сцена сумасшествия просто великолепна.
I certainly enjoyed the video. Wonderful to see so many Giselles. Nunez certainly managed to convey a girly awareness of how very beautiful she is/was. Two of my favourites of all are Diana Vishneva and Alina Cojocaru as Giselle. I think they both have better techniques than all of these except Nunez. It is wonderful to be able to prefer dancers not on the video when all of the ballerinas presented are really very good. Ballet seems to present a prodigious, almost sacred, abundance of talent and wonder.
Alicia es la mejor, su ballet es más fino, detallado y laborioso, es una joya, en segundo lugar sería Marianela y tercero Bessmertnova
tuve el paser de ver a Alonso a los 70 anos de edad bailando Giselle. INCREIBLE, pero no es igual en vivo que en video.
Alicia Alonso no se puede comparar a Marianela Núñez
I agree. I see many aspects of the young woman Giselle in the creation of la Alonso. Her innocence, a spiritual kindness and love that could rise from the grave, a modesty that is betrayed if legs are showing off their altitude, and a fragility that could die of heartbreak. None of the other women look like heartbreak would kill them. They look like they would turn their back on the unfaithful man and just go find another. Somehow we know that there is no other man for Alonso’s Giselle.
Marianela not only dances like Heaven,, she acts too.
All my favorite Giselles all together. I just missed Alessandra Ferri.
And to think even by the first one it had already been danced for over 100 years!
1) Fracci. 2) Alonso 3) ????
Nela!
Все хороши. Но несравнена Наталья Бессмертнова: элегантность, чистота движений, изящество хореографии, чувство. Не просто танец, жизнь, ее красота....
Nela, Nela,Nela!!!
Замечательное исполнение у всех. Просто прелестницы. Для себя отмечаю: не люблю на ЖизелЯх юбки сильно пышные, по крайней мере в первой части. Жизель крестьянка, юбочка попроще и просто красота.
У крестьянки юбочка не должна быть пышной, только ведь ей и фуэте крутить не надо. А когда эта крестьянская простая юбочка надета на балерину, это как-то не очень эстетично.
Нуньез, конечно самый лучший вариант. Физика отличная!
Осиповой не хватает :)
Реально! Наталья лучшая!
Beautiful ballet
Бессмертнова - Идеал Жизели как бы сошедшей с гравюры 19 века! Но ! В 20м веке ( кроме гения Улановой) была еще одна уникальная Жизель Золотого века Большого - Надежда Павлова! И есть эта сцена в ее исполнении - в 18 лет - это феноменально!
Evolution in reverse! Of the performances shown here, Alicia Alonso remains unsurpassed over the years.
Absolutely.
Лучшая Жизель современности - Наталья Осипова !!
Лучшая Жизель всех времен и народов - Галина Уланова !!!
All lovely dancers, but the costumes and set designs in the second one are incomparable.
Bellissimo vedere le ballerine che hanno preceduto i grandi di oggi (su TH-cam sono riuscita addirittura a un filmato degli anni trenta
For me, Carla Fracci.
Makarova leaps stop in mid air; Nuñez arms are poetry
Лучшая Жизель - Надежда Павлова 😇
Браво,девочки!
This maye be stupid, but only discovered Giselle as a child because of Barbie and i am so in love with it since then
My biggest dream is to see it on day somewhere, i never saw real ballerinas live i hope i see them one day in Giselle
Marinela is great
Ulanova!
Надежда Павлова
Светлана Захарова, Диана Вишнева.
Уланова вне списка. Хорошие девушки тут все, но ее нельзя сравнивать ни с кем. Она единственная
Согласна на 100 %! Трагизм никто так не передаст как Уланова.
Ulanova, Alonso, and Fontaine!
Прекрасно и у каждой своя изюминка кто то грациозней у кого то лучше фуэтэ кто то порхает бабочкой, бесподобно
Фуэте там нет
"Жизель" в исполнении Нуньес можно описать так: "Надо к небу поднять глаза и запрыгать ну как коза"(с) Изо всех только Алонсо и Бессмертнова (не смотря на возраст) показали балет. Остальные отработали упражнения и ушли.
У Нуньес руки-грабли
@@Tasha_Ig этим недугом рук "граблей-лопат" страдает большинство современных балерин, к сожалению.
Sorry, start with Spessitsiva and then work your way thru the great ones. Ulanova. Markova, Alonso,, Fracci, Makarova, Kirkland and Osipova.........
Нет Надеждьі Павловой.
Two of my all-time favourite Giselles: Alessandra Ferri and Alina Cojacaru.
Interesting. Bessmertnova dances the whole variation without giving a single look nor to the prince, nor to the mother, nor to the audience, she's dancing for herself as if she was marking in the studio. Marianela, that I love over any other dancer in many ballets, smiles way too much here, which looks unnatural and awkward. Also I don't understand the spanish-style port-de-bras in the pirouettes section, the arm on the hip it's ok but she makes it look like Paquita. Beginner mistake that you wouldn't expect from her. I am very disappointed. Fracci and Alonso are much better in acting and even in dancing. Makarova is a legend, magnificent control and acting.
A thoughtful and precise comment.
keep in mind that Giselle is dancing for a different "audience" in each of these productions. Fracci is dancing and flirting with Albretch. Nuñez is clearly dancing for the royalty, so the intent of the acting must be different.
@@dancentreofedinburg interesting. Do you have sources for these differents interpretations or is it about the feeling you get from them?
@Alice Tiezzi I have seen productions in which Giselle performs for the royalty, right after the peasant pas. In this case, she is performing for the duchess, and Albretch is not in that scene.
Originally, though, Giselle performs after she is crowned as "harvest queen?" by the winemakers, who enter after the royalty has left to go hunting. By this time, Albretch has come out from hiding.
皆んなそれぞれ個性的で良かった！
パンシェは必須じゃなかったんだ
最後もピケ あれ？って
衣装や時代、解釈 意外と大胆だったり
楽しかった💖
And then there is me, who falls to the floor over a stubbed toe.
No shade to any of these dancers. But the best Giselle I have ever seen blew me away just a few months ago, and surprised me because she wasn't a dancer I've paid much attention to. Diana Vishneva.