I’m from Rio, living in Vancouver. It is 1am now and I can’t play the piano, but can’t stop playing in my head either. Thank you. Aproveite o Brasil, tem muita musica boa por lá!
Great Jackson 5 riff to apply in the 12-bar blues, very challenging for the coordination of both hands. I'll start very slow ,and sing along. That helps a lot! Thank you Adam for this lesson!
This is GREAT! Thank you for sharing this lesson and pdf. It's really fun to play and expand! I appreciate your teaching style, video and materials production quality.
Brilliant. Have a great holiday. I learn something everytime I watch one of your videos. Excellent formula, presentation and delivery. I find it easy to watch, and am filled with the right level of confidence to try to implement the ideas whilst subtly learning theory from you aswell. Thankyou for creating your channel.
Thank you Adam - another great lesson, I love how you show it laid out so simply. As a first year beginner I can follow everything you said, however playing it…well, let’s just say ‘how low can the metronome go?’ Great for hand independence, and also I agree, super super funky. And as an aside I’ve always absolutely loved the understated but exuberant little synth riffs in the outro. A true classic
Yes, both scales have the same notes. But the context sounds different because a Cmaj scale that naturally and normally belongs in C major, is now being played over chords found in the G major scale, so now, not all of the notes from that "Cmaj" scale would normally be found in G. This causes the superimposed scale to sound a bit more , unusual? Different? Interesting? Because not all of the notes normally "belong" there.
I’m from Rio, living in Vancouver. It is 1am now and I can’t play the piano, but can’t stop playing in my head either. Thank you. Aproveite o Brasil, tem muita musica boa por lá!
Great Jackson 5 riff to apply in the 12-bar blues, very challenging for the coordination of both hands. I'll start very slow ,and sing along. That helps a lot! Thank you Adam for this lesson!
This is GREAT! Thank you for sharing this lesson and pdf. It's really fun to play and expand! I appreciate your teaching style, video and materials production quality.
You're very welcome Ted!
Great stuff! Thanks Adam.
My pleasure!
Brilliant. Have a great holiday. I learn something everytime I watch one of your videos. Excellent formula, presentation and delivery. I find it easy to watch, and am filled with the right level of confidence to try to implement the ideas whilst subtly learning theory from you aswell. Thankyou for creating your channel.
I’m so pleased! If that isn’t motivation to make more videos I don’t know what is!
It would be very nice cantaloupe island next time. Thank you so much for your teaching
Great suggestion!
🎶👍🎵🎹 good lesson 🗽 very beautiful technically
Thank you Adam - another great lesson, I love how you show it laid out so simply. As a first year beginner I can follow everything you said, however playing it…well, let’s just say ‘how low can the metronome go?’ Great for hand independence, and also I agree, super super funky. And as an aside I’ve always absolutely loved the understated but exuberant little synth riffs in the outro. A true classic
Thanks Aidan! I love those synth riffs too - I know exactly what you mean! Glad you’re enjoying the videos!
I just want to jump up and dance watching you play this. Thanks for the great lesson. I would love it if you make lesson about jazz chords.
Great suggestion!
Brilliant. I was smiling all the way through, thanks so much.
Hello ! Love this lesson :-) Enjoy Rio !
Thank you! 😃
I love funk music a lot.
Excellent
Thanks Carl!
Nice riffs! Thank you
So funky! Thanks!! Cheers for a happy vacation!
זה כל כך עוזר 👍👍👍
Great course! Talking about funk, would you consider doing one in Superstition? That would be soooo good🙏!
Great suggestion!
Oh man i am getting crazy you are a super hero.I wish i could be your student.
Hi, I am loving your lessons. Excellent.
I know that gospel music is truly funky. I'm wondering if you'll be diving into this genre. Thank you. Sonny
I’m sure I will be soon! Glad you’re enjoying the videos!!
The PDFs are great. If it helps, you may not need go to quiet so much trouble with them
Found it impossible 😂
Will definitely work on it tho 👍😎
That's cool. My son is a boogie woogie player. I'm going to send this to him, too. After I do it, of course! It's always fun to learn something new.
Awesome! Thanks!
Her name is Rio and she dances on the sand, Just like that river twisting through a dusty land. Have fun in Rio Adam.
Why is G with an F natural considered G Mixolydian rather than G7 in this context?
The overarching scale that the riff is based on is G Mixolydian (there’s an A and a C in the riff, which all suggest G Mixolydian)
What's the difference between G myxolidian and C major? Looks the same to me.
Yes, both scales have the same notes. But the context sounds different because a Cmaj scale that naturally and normally belongs in C major, is now being played over chords found in the G major scale, so now, not all of the notes from that "Cmaj" scale would normally be found in G. This causes the superimposed scale to sound a bit more , unusual? Different? Interesting? Because not all of the notes normally "belong" there.
@@davearonow65 thank you! It makes sense now.
❤❤❤❤❤👍🎹😂
Glad you enjoyed the video!
I thought the first track was the fast one 😅 I will slow down the speed of the video and have a try...😬
For those of us with misophonia, maybe not snap your fingers, please? Thank you.