Romba thanks to wow thamizha and V Chandrasekar sir! Great opportunity to connect with rasikas across film and carnatic music lovers. Namaskarams 🌹 to all. Best wishes Dr Charulatha Mani
இசைப் பயணத்தை பற்றி அருமையாக பேட்டி கொடுத்தீர்கள் நேர்காணல் அருமை அருமை பல இராகங்கழைப் பற்றிக் கூறினீர்கள் கேட்டு மகிழ்ந்தோம் வாழ்த்துக்கள் வாழ்த்துக்கள்.
I am your ardent fan Charu ji. Your ISAI PAYANAM educated many of your fans. Your demos of ragas of film songs with their equivalent Carnatic Music Krithis have ensured your expansion of your fan base. You did your PhD in Australia. Now that you are going to California, you will have more opportunity to spread music there too. Wish you join the world famous Berklee College of music as a faculty, though both the places are far away from each other. This interview, I thoroughly enjoyed. God bless you and your family.
Fantastic interview, I never knew about her but love her talent, listened to the part 1 and 2 interviews multiple times to listen to her sing. Great Artist! Thank you Ms. Charulatha and wow tamizha
Your Isai Payanam has brought tremendous respect for film music. Identifying ragas in popular movie songs has become a hobby for many enthusiasts thanks to your amazing demos.
Isai payasam is a great program. Kudos to Charulatha Ji on her performance based research and raga analysis. I 100% agree with Charulatha Ji that Ilayaraja is synonymous with Banthuvarali. I have felt the same way as she that Raja Ji has created some magical Bantuvarali based melodies and BGMs bringing its full rasa.
@@isaipayanam Dear Charulatha Ji, please do Isai Payanam programs in Boston area too. There are a lot of rasikas of classical Indian music and its application in film music. Please look up LearnQuest and their annual program in spring which you can participate. It will be wonderful to have you.
She was doing BE Mech in CEG, Anna University circa 2001 when we were in our Masters.. Seen her around.. Never knew then she'd choose music as her prime career!
Nice interview. I have attended a few isai payanam programs of Smt Mani and enjoyed very much. But the concept of explaining the cinema music based on carnatic ragas has been conducted by Sri G S Mani long before Smt Charulata
Her brief reference to old hindi film songs and their respective ragas was welcoming.Perhaps I would look forward to her full fleged " Isai payanam" with reference to old hindi film songs wich can be even titled as " Raagon mein safar" Or " Raagon ki geetmala".
Last night's Isai Payanam at Humour Club featured "Deep Jale Kahin", ‘Jaane Kahaan Gaye Woh Din’, 'Dost Dost na Raha', 'Tere mere beech mein', 'Mere Naina Sawan Bhadon', 'Rang aur noor' in Sivaranjani, 'Poocho na kaise' and 'Albela sajan aayo re' in Ahir-bhairav, 'Bhairan ho' in Dwijavanti and some other songs that have slipped my mind.
The interview highglights an important issue - the hypocrisy of the Carnatic establishment and self-appointed custodians towards film music and their utter failure in sustaining an audience for the art form. It is an open secret that the majority of the kutcheris in the grand "Music Season" are taking place in near-empty halls, and many of the singers do not even have basic vocal facility. Carnatic music has been kept alive in good measure due to the support of film music. Most Carnatic singers with good voices have sung in films. The music reality shows which are motivating youngsters to learn classical music are film-driven.
The artist here is blowing her own trumpet too much without even slightest humility one would expect anyone to have . Madam , WE grant your acccomplishmnents but dont blow it out of proportion for God `sake. Moreover your singing of film songs is terribly and identifyably carrying a carnatic style and odour which should be totaly avoided .if one wants to even sing as demonstration .A film song is a different cup of coffee , even when it is based on carnatic ragam. Leran this difference from KJ Yesudas , P Suseela and many other play back singers. The points made by ypu here are nothing unique --many others have talked about it a lot more eloquently .
Oh. Let me know about which music gets blockbuster among audience. Carnatic music or film music? Only the so called high class brahmin arrogant goons hold the banner for carnatic music. Check the views of mahaganapathim and chennai senthamizh. Carnatic music concerts are utterly irritating for most people only people like you listen and glorify it
கர்நாடகச் சங்கீதம் சிறிதும் தெரியாத எனக்கே நான்கு ராகங்களை அடையாளம் காணும் அளவுக்கு உங்களது இசைப் பயணம் மூலம் சாதித்துள்ளீர்கள் சகோதரி.
Romba thanks to wow thamizha and V Chandrasekar sir! Great opportunity to connect with rasikas across film and carnatic music lovers. Namaskarams 🌹 to all. Best wishes Dr Charulatha Mani
இளையராஜா என்ற thumb nail பார்த்துதான் பார்க்க வந்தேன். சிறப்பு!
Amazing Charulatha....இசைப் பயணம் தொடரட்டும்
இசைப் பயணத்தை பற்றி அருமையாக பேட்டி கொடுத்தீர்கள் நேர்காணல் அருமை அருமை பல இராகங்கழைப் பற்றிக் கூறினீர்கள் கேட்டு மகிழ்ந்தோம் வாழ்த்துக்கள் வாழ்த்துக்கள்.
Charu madam naan ungal isaiku naan adimai
I am your ardent fan Charu ji. Your ISAI PAYANAM educated many of your fans. Your demos of ragas of film songs with their equivalent Carnatic Music Krithis have ensured your expansion of your fan base. You did your PhD in Australia. Now that you are going to California, you will have more opportunity to spread music there too. Wish you join the world famous Berklee College of music as a faculty, though both the places are far away from each other.
This interview, I thoroughly enjoyed.
God bless you and your family.
Thank you so much 🎉
Fantastic interview, I never knew about her but love her talent, listened to the part 1 and 2 interviews multiple times to listen to her sing. Great Artist! Thank you Ms. Charulatha and wow tamizha
நேர்காணல் அருமை அருமை வாழ்த்துக்கள் வாழ்த்துக்கள்.
Nice seeing Charulatha mam after a loooong time.
Charu rocks.. Well done interview.. First time...
Positivity at its best.waiting eagerly for 10th SUNDAY EVENING AT Mylapore stay Blessed
Superb programme.I never heard her concerts, but on listening this became a fan of her. Hats off u Charulatha❤❤❤
Yes indeed a great interview. You are truly brilliant
Your Isai Payanam has brought tremendous respect for film music. Identifying ragas in popular movie songs has become a hobby for many enthusiasts thanks to your amazing demos.
Isai payasam is a great program. Kudos to Charulatha Ji on her performance based research and raga analysis. I 100% agree with Charulatha Ji that Ilayaraja is synonymous with Banthuvarali. I have felt the same way as she that Raja Ji has created some magical Bantuvarali based melodies and BGMs bringing its full rasa.
Thank you 🎉
@@isaipayanam Dear Charulatha Ji, please do Isai Payanam programs in Boston area too. There are a lot of rasikas of classical Indian music and its application in film music. Please look up LearnQuest and their annual program in spring which you can participate. It will be wonderful to have you.
Sure - I have emailed them but no response. Do link me up with anyone you might know of! Thanks again 🎉
Charulatha's blog on Raga Pantuvarali: charulathamani.blogspot.com/2011/10/ragas-journey-poignant-pantuvarali.html
She was doing BE Mech in CEG, Anna University circa 2001 when we were in our Masters.. Seen her around.. Never knew then she'd choose music as her prime career!
தமிழ் கூறும் நல்லுலகம் தந்த தங்க தாமரை சிங்கப்பெண்ணே...சிறப்பு
வாழிய பல்லாண்டு
Nice interview. I have attended a few isai payanam programs of Smt Mani and enjoyed very much. But the concept of explaining the cinema music based on carnatic ragas has been conducted by Sri G S Mani long before Smt Charulata
Wonderful journey and great accomplishments.👋👋Keep performing and make everyone happy. All the best! 👍🙏
God bless you and your family ma i am your great fan
Wow, proud of you
Her brief reference to old hindi film songs and their respective ragas was welcoming.Perhaps I would look forward to her full fleged " Isai payanam" with reference to old hindi film songs wich can be even titled as " Raagon mein safar" Or " Raagon ki geetmala".
Last night's Isai Payanam at Humour Club featured "Deep Jale Kahin", ‘Jaane Kahaan Gaye Woh Din’, 'Dost Dost na Raha', 'Tere mere beech mein', 'Mere Naina Sawan Bhadon', 'Rang aur noor' in Sivaranjani, 'Poocho na kaise' and 'Albela sajan aayo re' in Ahir-bhairav, 'Bhairan ho' in Dwijavanti and some other songs that have slipped my mind.
மன்மத லீலை பாடல் எழுதியவர் பாபாநாசம் சிவன்..
இசை G ராமநாதன்..
சூப்பர்
Excellent 🙏
Excellent program. Good anchoring
You should have mentioned the name of K V Mahadevan who created the song 'இசைத்தமிழ்..'.
Mesmerizing
🙏Amazing
Super madam
The interview highglights an important issue - the hypocrisy of the Carnatic establishment and self-appointed custodians towards film music and their utter failure in sustaining an audience for the art form. It is an open secret that the majority of the kutcheris in the grand "Music Season" are taking place in near-empty halls, and many of the singers do not even have basic vocal facility. Carnatic music has been kept alive in good measure due to the support of film music. Most Carnatic singers with good voices have sung in films. The music reality shows which are motivating youngsters to learn classical music are film-driven.
Ungal patham thottu vanunku kirane amma
Very clear explanation of the Carnatic ragas adapted for Cine songs. Kudos to Mrs Charulatha 🎉
Very nice....(only in manmatha...'enmel.....' the sangati is not near your usual melody) ... otherwise the whole interview is rocking ❤
The artist here is blowing her own trumpet too much without even slightest humility one would expect anyone to have . Madam , WE grant your acccomplishmnents but dont blow it out of proportion for God `sake. Moreover your singing of film songs is terribly and identifyably carrying a carnatic style and odour which should be totaly avoided .if one wants to even sing as demonstration .A film song is a different cup of coffee , even when it is based on carnatic ragam. Leran this difference from KJ Yesudas , P Suseela and many other play back singers. The points made by ypu here are nothing unique --many others have talked about it a lot more eloquently .
Oh. Let me know about which music gets blockbuster among audience. Carnatic music or film music? Only the so called high class brahmin arrogant goons hold the banner for carnatic music. Check the views of mahaganapathim and chennai senthamizh. Carnatic music concerts are utterly irritating for most people only people like you listen and glorify it