Well out of three names you mentioned, only two were actually good. Schwarzkopf was a stuck up, throaty, Germanic Soprano who should've taken her own advice. Jagde has the right ideas and the insight that I wished he would incorporate into his own singing.
@@mannail888 Kaufmann, as well as Domingo, are pushed up Lyrics singing repertoire that have accelerated the destruction of their voices. At least, Kaufmann has variations of "color" that can mask his deficiencies, but it doesn't do too much. Nilsson was a horrible teacher in her own right and when compared to other dramatic sopranos, wasn't a dramatic but a spinto with a great extension to sing Wagnerian roles. Jones was good until she attempted Turandot and then she threw her voice out of balance. Gobbi was shockingly good at coloratura (his "Hai gia vinta la causa" is SUPERB) and Gencer was an artist that had issues of being boring at times (a lot of her bel canto repertoire bordered on the frantic and the Verdi heroines proved she was a lyric).
@@deadwalke9588 @mannail888 3 個月前 (已編輯) Hard to believe a so-called singer whose main claim to prosperity is wall-quaking high notes, never mind those high notes were scooped up from beneath 90% of the time, not to mention skating through opera after opera without producing one single ounce of legato, (the one golden criteria that governs all kinds of singing, be it folk, jazz, cantata, r & b, pop, oratorio, stadium hard rock or even electronic dance beat/hip hop/rap), treading and thus abusing the Italian rep with a most Teutonic approach, interpretative insight as abundant as none has been held in the highest regard by generations of certain operagoers. Really ballistic, but then, Hofmannsthal once wrote: "Es sind die mehreren Dinge auf der Welt, so dass sie ein's nicht glauben tät', wenn man sie möcht' erzählen hör'n. Alleinig wer's erlebt, der glaubt daran und weiss nicht wie."
Hard to believe a so-called singer whose main claim to prosperity is wall-quaking high notes, never mind those high notes were scooped up from beneath 90% of the time, not to mention skating through opera after opera without producing one single ounce of legato, (the one golden criteria that governs all kinds of singing, be it folk, jazz, cantata, r & b, pop, oratorio, stadium hard rock or even electronic dance beat/hip hop/rap), treading and thus abusing the Italian rep with a most Teutonic/Scandinavian approach, interpretative insight as abundant as none has been held in the highest regard by generations of certain operagoers. Really ballistic, but then, Hofmannsthal once wrote: "Es sind die mehreren Dinge auf der Welt, so dass sie ein's nicht glauben tät', wenn man sie möcht' erzählen hör'n. Alleinig wer's erlebt, der glaubt daran und weiss nicht wie."
Hard to believe a so-called singer whose main claim to prosperity is wall-quaking high notes, never mind those high notes were scooped up from beneath 90% of the time, not to mention skating through opera after opera without producing one single ounce of legato, (the one golden criteria that governs all kinds of singing, be it folk, jazz, cantata, r & b, pop, oratorio, stadium hard rock or even electronic dance beat/hip hop/rap), treading and thus abusing the Italian rep with a most Teutonic/Scandinavian approach, interpretative insight as abundant as none has been held in the highest regard by generations of certain operagoers. Really ballistic, but then, Hofmannsthal once wrote: "Es sind die mehreren Dinge auf der Welt, so dass sie ein's nicht glauben tät', wenn man sie möcht' erzählen hör'n. Alleinig wer's erlebt, der glaubt daran und weiss nicht wie."
It will be great 👏👏👏👏👏🎉🎉🎉🌹🌹🌹
Amazing Masterclass !!!! Larry and Brian are the best ! Thank you so much for the oppurtunity to learn from this ! Thanks @operaforpeace @opervision !
I enjoyed this. I'm not an opera singer, but I find the techniques and interpretation interesting.
4:30 PLAN
Khayakazi Madlala is a wow
Beyond parody: this Jagde mister, conducting masterclass as if he's Schwarzkopf, Ludwig or Bergonzi..... Hard to believe lyric arts has sunk so low.
Well out of three names you mentioned, only two were actually good. Schwarzkopf was a stuck up, throaty, Germanic Soprano who should've taken her own advice. Jagde has the right ideas and the insight that I wished he would incorporate into his own singing.
@@deadwalke9588 Then, what's your take on Kaufmann, the big P, Horne, Domingo, Nilsson, Jones, Gobbi and Gencer?
@@mannail888 Kaufmann, as well as Domingo, are pushed up Lyrics singing repertoire that have accelerated the destruction of their voices. At least, Kaufmann has variations of "color" that can mask his deficiencies, but it doesn't do too much. Nilsson was a horrible teacher in her own right and when compared to other dramatic sopranos, wasn't a dramatic but a spinto with a great extension to sing Wagnerian roles.
Jones was good until she attempted Turandot and then she threw her voice out of balance. Gobbi was shockingly good at coloratura (his "Hai gia vinta la causa" is SUPERB) and Gencer was an artist that had issues of being boring at times (a lot of her bel canto repertoire bordered on the frantic and the Verdi heroines proved she was a lyric).
@@deadwalke9588
@mannail888
3 個月前 (已編輯)
Hard to believe a so-called singer whose main claim to prosperity is wall-quaking high notes, never mind those high notes were scooped up from beneath 90% of the time, not to mention skating through opera after opera without producing one single ounce of legato, (the one golden criteria that governs all kinds of singing, be it folk, jazz, cantata, r & b, pop, oratorio, stadium hard rock or even electronic dance beat/hip hop/rap), treading and thus abusing the Italian rep with a most Teutonic approach, interpretative insight as abundant as none has been held in the highest regard by generations of certain operagoers. Really ballistic, but then, Hofmannsthal once wrote: "Es sind die mehreren Dinge auf der Welt, so dass sie ein's nicht glauben tät', wenn man sie möcht' erzählen hör'n. Alleinig wer's erlebt, der glaubt daran und weiss nicht wie."
Hard to believe a so-called singer whose main claim to prosperity is wall-quaking high notes, never mind those high notes were scooped up from beneath 90% of the time, not to mention skating through opera after opera without producing one single ounce of legato, (the one golden criteria that governs all kinds of singing, be it folk, jazz, cantata, r & b, pop, oratorio, stadium hard rock or even electronic dance beat/hip hop/rap), treading and thus abusing the Italian rep with a most Teutonic/Scandinavian approach, interpretative insight as abundant as none has been held in the highest regard by generations of certain operagoers. Really ballistic, but then, Hofmannsthal once wrote: "Es sind die mehreren Dinge auf der Welt, so dass sie ein's nicht glauben tät', wenn man sie möcht' erzählen hör'n. Alleinig wer's erlebt, der glaubt daran und weiss nicht wie."
Just Cringe
Hard to believe a so-called singer whose main claim to prosperity is wall-quaking high notes, never mind those high notes were scooped up from beneath 90% of the time, not to mention skating through opera after opera without producing one single ounce of legato, (the one golden criteria that governs all kinds of singing, be it folk, jazz, cantata, r & b, pop, oratorio, stadium hard rock or even electronic dance beat/hip hop/rap), treading and thus abusing the Italian rep with a most Teutonic/Scandinavian approach, interpretative insight as abundant as none has been held in the highest regard by generations of certain operagoers. Really ballistic, but then, Hofmannsthal once wrote: "Es sind die mehreren Dinge auf der Welt, so dass sie ein's nicht glauben tät', wenn man sie möcht' erzählen hör'n. Alleinig wer's erlebt, der glaubt daran und weiss nicht wie."