Olafur Eliasson in "Berlin" - Season 9 - "Art in the Twenty-First Century" | Art21
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- เผยแพร่เมื่อ 7 มี.ค. 2023
- Art21 proudly presents an artist segment, featuring Olafur Eliasson, from the "Berlin" episode in the ninth season of the "Art in the Twenty-First Century" series.
"Berlin" premiered in September 2018 on PBS. Watch now on PBS and the PBS Video app: www.pbs.org/video/berlin-vjqxnw/
With the support of his interdisciplinary studio, Olafur Eliasson produces epic, technically sophisticated sculptures and installations, using natural elements like light, water, and air to alter viewers’ sensory perceptions. From 120 foot tall waterfalls floating above New York’s East River to chunks of arctic ice installed in a Parisian plaza, his immersive environments, public installations, and architectural projects are motivated by the belief that art has the power to make viewers think differently about the world. Expanding the role of the artist, Eliasson contemplates how art can function as a “civic muscle,” offering solutions to global problems like climate change and renewable energy.
Olafur Eliasson was born in Copenhagen, Denmark, in 1967. Learn more about the artist at:
art21.org/artist/olafur-elias...
TRANSLATIONS
Translated subtitles are generously contributed by our volunteer translation community. Visit our translation team at Amara for the full list of contributors: amara.org/videos/4SedcseK33J5...
CREDITS | Executive Producer: Tina Kukielski. Series Producer: Nick Ravich. Directors: Rafael Salazar & Ava Wiland. Producer: Ava Wiland. Editor: Thomas Niles. Director of Photography: Rafael Salazar.
Production Coordinator: Ife Adelona. Curatorial Assistant: Danielle Brock. Advising Producer: Ian Forster.
Title Sequence & Typography: Afternoon Inc. Composer: Joel Pickard. Narration: Carrie Mae Weems. Additional Photography: Rehana Esmail, Christoph Lerch, & Anne Misselwitz. Aerial Camera: Martin Paschkowski. Sound: Jaime Guijarro-Bustamante. Additional Sound: Rasmus Damsgaard, Marc Parisotto, Fokke van Saane, & Ava Wiland. Production Assistant: Flavia Barragan Clavero, Claudia Gülzow, Tim Oppermann, & Manuel Schmit.
Digital Intermediate: Blue Table Post. Post-Production Producer: Oliver Lief. Colorist: Natacha Ikoli. Re-Recording Mixer & Dialogue Editor: Rich Cutler. Additional Animation: Andy Cahill. Assistant Editor: Caroline Berler, Adam Boese, Maya Elany, & Jonah Greenstein. Technical Evaluation: Pillar To Post. Translation: Rehana Esmail & Ridwan Zebari.
Artwork Courtesy: Nathalie Djurberg & Hans Berg, Olafur Eliasson, Hiwa K, Susan Philipsz, KOW, Lisson Gallery, & Tanya Bonakdar Gallery.
Archival Materials: 47 Film / Andy Cameron; BBC Motion Gallery / Getty Images; Critical Past; Footage of Olafur Eliasson’s “Waterfall, Versailles, 2016 by Barbara Fecchio, Courtesy of Sculpture Nature; Internationale Filmfestspiele Berlin; Newsroom GmbH / Max Roehrle; NPR; Olafur Eliasson interview courtesy Public Art Fund; Pond5; SHIMURAbros; Studio Olafur Eliasson; Transit Film; & Walker Art Center / Andy Underwood.
Additional Art21 Staff: Maggie Albert, Lindsey Davis, Lolita Fierro, Joe Fusaro, & Jonathan Munar. Interns: Diane Huerta, Esther Knuth, Sunny Leerasanthanah, & Kristopher Neira. Public Relations: Sutton. Station Relations: De Shields Associates, Inc. Legal Counsel: Barbara T. Hoffman, Esq.
Special Thanks: The Art21 Board of Trustees, Leila Akhmetova, Bakir Ali, Bettina Bärnighausen, Sebastian Behmann, Finn Bergquist, Thomas Blees. Rainer Brennecke, Johanna Chromik, CityQuartier FÜNF HÖFE, De Appel, Ina Dinter, Documenta 14, Joel Draper, Caroline Eggel, Jeremy Eichenbaum , El Otmani Gym, Anna Engberg-Pedersen, Emilie Engbirk, Anna Fedotova, Guillermo F. Florez, Annie Claire Geisinger , Glasgow International Festival of Visual Art, Nora Gomez-Strauss, Marina Greiner , Felix Hallwachs, Christine Hauptsummer , Haus der Geschichte Österreich, Lauren Jack, Patricia Kamp, Wanås Konst, KPMG Deutsche Treuhand-Gesellschaft Munich, Camilla Kragelund, KW Institute for Contemporary Art, Sharron Lee, Clara Jungman Malmquist, Julia Jungman Malmquist , Marciano Art Foundation, Augustin Maurs , Eoghan McTigue, Alan Miller, Elisabeth Millqvist , Museum Frieder Burda | Salon Berlin, Nationalgalerie im Hamburger Bahnhof, Alexander Psavke, Sara Roffino, Schlossmuseum Sondershausen, Emily Skeppner, United States Holocaust Memorial Museum, Niels Van Tomme , Lucie von Eugen, Jill Vuchetich, Wanås Konst, Sven Weigel, Wolfgang Wenke, Robin Woerlen-Leikam, Michaela Zach, & Katja Zeidler.
Series Created By: Susan Dowling & Susan Sollins.
Major support for Season 9 is provided by National Endowment for the Arts, PBS, Lambent Foundation, Agnes Gund, Ford Foundation, The Andy Warhol Foundation for the Visual Arts, The Anna-Maria and Stephen Kellen Foundation, The Horace W. Goldsmith Foundation, Toby Devan Lewis, Nion McEvoy, and The Phyllis C. Wattis Foundation.
©2018 Art21, Inc.
#OlafurEliasson #Berlin #Art21 - บันเทิง
Olafur’s work switches my brain into a mode of thought and cognition that I expect from meditation (but never have achieved). It’s like I am IN and OF the world, rather than just surviving in it.
Sr, Olafur Eliasson ...Ahora muestre como una bolsa con Harina de Trigo desciende con paracaidas en el continente Africano.)(#$
Art should comfort the disturbed and disturb the comfortable.
I do not know why I didn’t know about Art21 and its seemingly fantastic programs! I am now a subscriber and can’t believe I can watch it all on PBS! 10 seasons of binging art, my brain thanks you!
Olafur is one of the greatest contemporary artists. His art makes me cry, so beautiful and meaningful it is
Great experience in Rivoli!! 💎💎
that was inspiring and amazing, i wished more people would understand that art is more and can be more then just art
Genius.
I like the idea of seeing the artworks that didn’t manifest in an interesting way. Thankful to have met Olafur outside his studio 🫡
Thank you ❤for another great video. Your channel always inspires me. I want to experiment with sculptures. So beautiful. The editing is impeccable
Sr, Olafur Eliasson ...Ahora muestre como una bolsa con Harina de Trigo desciende con paracaidas en el continente Africano.&(!
My trip by ship to see the Waterfall project remains a highlight of 2008.
Wow there are so amazing works, hope it can really impactfull and we are have a better responsible on the world we live, especially really love the ice watch project
This so cool thanks for sharing
Amazing
A real artist who does art unlike other overhyped so-called modern artists
Sr, Olafur Eliasson ...Ahora muestre como una bolsa con Harina de Trigo desciende con paracaidas en el continente Africano./$#!
He does it like many 21st centurians have done. He has a team that does the work, and he takes the credit. It's manufacturing an idea. That you have bought without checking the ingredients label
my dyslectic brain is like - oh, it is "Olafur Arnalds" video project 😅
Sr, Olafur Eliasson ...Ahora muestre como una bolsa con Harina de Trigo desciende con paracaidas en el continente Africano............
So like I think the waterfall is great in many ways. It just requires the water to be kinda clean though.
🤩🤩🤩
As a working artist, I would really like to know the economics of how he is Olafur Inc, that is how does he generate the money to fund a small corporation.
Art is expensive.
a million € a month overhead?
Sr, Olafur Eliasson ...Ahora muestre como una bolsa con Harina de Trigo desciende con paracaidas en el continente Africano./&$"
Arrêtons de rêver enfin nous voyons bien que nous n'avons plus nos yeux d enfants utilisant leurs mains d humains franchement ou va lemonde et attention de surtout ne pas transmettre ce rêve il serait déçu..... love Love lob
Art has come to an end. It is no longer an internal dialogue within itself.
It is no longer self-referential, there is no 'shock of the new' to appease,
the capitalist need for bright, sparkly newness.
Something to spend their money on, because something similar to it,
resides in their societies spaces of good taste.
Within the confines of art history... the road has come to an end.
It's now only an empty spectacle. In a meaningless, inhuman world of urban elites.
Eliasson art is for city dwellers who can never view a sunset,
without it being partially obscured by their own invasive habitats.
It is an art of pure artifice. Trying to resemble the innate impact of nature in its raw state.
A normal occurrence for many, that is now lost to the urban population.
Those that have broken contact with their past and what made them human.
Who are all part of the mechanism that is the fetishism of Capitalism and their own greed.
Sr, Olafur Eliasson ...Ahora muestre como una bolsa con Harina de Trigo desciende con paracaidas en el continente Africano.?¡(%
Are more traditional artworks a dialogue within themselves? Hearing him describe (his) art as having a civic muscle and being attached to the world, I think it's not only the past which we all come from, but the world we currently live in, and want to live in that drives his work. Do you find it contradictory?
Guess what sparky? People have been claiming it's the end of art for well over a hundred years now. As to shiny capitalist objects ever heard of the Medici's? As to trying to capture raw nature... you just described most landscape painting.
im sad now
Cultivons leffleurs
Jeg tror, at den almindelige borger bare ikke forstår forskellen mellem kunst og kultur. For ham er alt det samme. Men jeg tror at begge ting er lige så forskellige som strømper og sko.
Jeg synes også at kunne forklare det sådan her: Culture stands between man and man, whereas art stands between art and man. It doesn't make much of a difference whether art is attracted to people or people are attracted to art. It's the left side and therefor the person who dedicates himself to art, is often left by the society. The culture is the right side and when culture is between to people it's the right thing to do for society.
So ist also die Musik, die sich häufig als Ausdruck zwischen zwei Musikanten offenbart, in meinen Augen ein Stück Kultur, obwohl man sie nicht sieht, weil Mensch zu Mensch bezogen. Dagegen malt man eher nicht in der Öffentlichkeit. Versuche, das Malen in die Öffentlichkeit zu platzieren, wirken oft peinlich, zumindest komisch. Das kommt, weil das Malen nicht mit Menschen interagieren will, sondern mit einer ''Idee'', einer ''Inspiration'', einer Perspektive.
Wenn man mich persönlich fragt, was ''wichtiger'' ist, Kunst oder Kultur, dann würde ich eigentlich gerne die Kultur wählen. Das Problem, welches aber daraus fast zwangsläufig resultiert, ist, dass wir dann nur noch mit Vorhandenem handeln. Alles Neue, Unreife ist fast ausgeschlossen, weil kulturell noch nicht erprobt, noch nicht gebilligt, noch nicht eingepreist.
Art ????
It's not dogs playing poker. Sorry you're disappointed.
Sr, Olafur Eliasson ...Ahora muestre como una bolsa con Harina de Trigo desciende con paracaidas en el continente Africano./&%
Really ??? 🤣
Sr, Olafur Eliasson ...Ahora muestre como una bolsa con Harina de Trigo desciende con paracaidas en el continente Africano./%#
?????????????? ART REALLY?
Sr, Olafur Eliasson ...Ahora muestre como una bolsa con Harina de Trigo desciende con paracaidas en el continente Africano.=)&
this ice could contain deadly viruses but yeah let's put them on display that anyone could touch, stupid af
You're more likely to pick up a virus riding the subway than pristine ice.
Get some diversity on your LT. as beautiful as is boring.
Diversity in what? Race? Ethnicity? I prefer diversity in minds, thoughts, and ideas that do not necessarily come from racial or ethnic diversity. I think, when people try to diversify their teams focusing on race and/or ethnicity, they end up bringing people of the same mindset.
Sr, Olafur Eliasson ...Ahora muestre como una bolsa con Harina de Trigo desciende con paracaidas en el continente Africano..)(
Looking at art through science, math, probability(chance?), and physics can be interesting but not successful aesthetically and visually.