সম্ভবত আমার দেখা সেরা প্রেমের ছবি..প্রেমের ছবিই বললাম..আর যেভাবে দৃশ্যগুলো ধরা হয়েছে সাজানো হয়েছে আর বিশেষত পিছনে গণসংগীতের ব্যাবহার একরকম মিউজিক্যালের ঢংয়ে প্রায় অবিশ্বাস্য..এখন থেকে কিছুই শেখার নেই কারণ এ জিনিস শেখা অসম্ভব..একরাশ মুগ্ধতা শুধু..এক আলাদা নান্দনিকতা..আর হ্যা, রবীন্দ্রসঙ্গীতের সেরা ব্যাবহার বোধহয় এখানেই হয়েছে...
It is perhaps the only film by Ritwik Ghatak, which ends with an optimistic note. Here too, a brilliant use of Rabindrasangeet has been made, which adds to the surreal atmosphere of a moon_ lit night. Supriya Devi puts up a brilliant performance. So does Anil Chatterjee. And, in the ultimate analysis, the film remains a masterpiece of Bengali & Indian cinema.
Thank you so much Thomas sir ( as well as to Ashok sir ) for uploading this beautiful film of Ritwik Kumar Ghatak , one of the legendary directors of India . I was in dire search of this film for a long time . This & 'Meghe Dhaka Tara' (1960) are 2 of my favourite films of the director . Though Supriya Devi whose role as Neeta in 'Meghe Dhaka Tara' (1960) was much appreciated & remembered , I think her role as Anusuya in this film was equally good . She is my most favourite actress from Bengali Cinema . In an old interview , Supriya Devi had stated that the shooting of this film didn't take place in the conventional sense . Like suppose , Supriya Devi had gone to Darjeeling to meet her daughter ( who used to study there) & there she found him shooting for the film & all of a sudden , he asked her to come to a particular location to shoot for a particular scene . In other words , the shooting took place without any definite planning all of a sudden . In fact , Supriya Devi had also mentioned that the film didn't have any script or ready-made dialogues . This was one such instance . The whole film shooting took place in this manner . It's a pity that we lost such a talented director so soon . I appreciate your hard work & dedication for reviving these masterpieces . He was deeply affected by the partition of India , the grief of which he expressed in each of his films as a tragedy . Thank you sir for this nice input , regards . ❤🙏♥️😇
Oh, so you watch Bengali films also? A true Renaissance Man you are, Mr. Acharya. Yes, this is a very unusual film. But, then, it's the first film of Ghatak's I've seen. That was interesting what you wrote about his filming methods. I am also a fan of Supriya Choudhury's work and went looking for more of her films after working on and uploading Suno Baranari.
Many thanks for this upload. This is one of his best works and movie lovers should watch it. Now that's possible thanks to the efforts put in by you and Mr. Ashok🙏
You're welcome. It just became available again after being blocked by some criminals for a few days. In fact, seeing your comment alerted me to the fact it could be viewed. Yes, it's a fine film and an important one. Thank you for leaving your comment.
You are doing an extraordinary work. These films are mostly not available in decent print anywhere in the web. Where they are, they are mostly damaged due to the cropped aspect ratio (some decided to restore it by cropping the images from 4:3 to 16:9). You are doing great work. One small request - if you provide the year of the release of the film in the title, may be it will be better experience who wants to navigate from the long list of films. Thanks anyway.
Thank you for the kind words. Yes, almost all similar channels think that ruining the original aspect ratio improves the film. They're wrong. of course, but almost all - especially the Indian media companies - do it. As for your request - I often put the year when there is more than one film with the same name. Otherwise I don't. But since all films are in the public domain, then they're all from 1962 or earlier. There can't be that problem with this film as there's no other film with this name and this is the only version on TH-cam (for now). The criminals that used to own it filed fraudulent copyright claims on the film, but they finally had to give up the false claims. You might notice, if you search on the film, that there's only this version. The former copyright owner has lots of songs and scenes, but no complete film. Why, you might wonder? Streaming. They removed it from TH-cam so you could pay to see it on some streaming service.
thank you very much! do you think there will ever be a real restoration of this film, or at least a proper digitisation? being such a seminal work, one should think so, but I don't know..
I believe there has been, but not the source I used. For example, some of the scenes and songs from the film on another channel look good, except for the fact they ruined the aspect ratio and they have PAL speedup. Edit: I take it back. Mine was from a VCD made from a VHS tape. Maybe their was made from a DVD made from a VHS tape. Not sure. But it has the same contrast problems I had, except I fixed them, pretty much. It's too bad, though, as in my researches while working on the film some put director Ghatak on the same level as Satyajit Ray.
![Bari Thekey Paliye [Runaway] (1959) | Ritwik Ghatak | Restored](http://i.ytimg.com/vi/SWzNxJjYPuw/mqdefault.jpg)
![Bari Thekey Paliye [Runaway] (1959) | Ritwik Ghatak | Restored](/img/tr.png)
সম্ভবত আমার দেখা সেরা প্রেমের ছবি..প্রেমের ছবিই বললাম..আর যেভাবে দৃশ্যগুলো ধরা হয়েছে সাজানো হয়েছে আর বিশেষত পিছনে গণসংগীতের ব্যাবহার একরকম মিউজিক্যালের ঢংয়ে প্রায় অবিশ্বাস্য..এখন থেকে কিছুই শেখার নেই কারণ এ জিনিস শেখা অসম্ভব..একরাশ মুগ্ধতা শুধু..এক আলাদা নান্দনিকতা..আর হ্যা, রবীন্দ্রসঙ্গীতের সেরা ব্যাবহার বোধহয় এখানেই হয়েছে...
Sangeet porichalok Jyotirindra Moitra amar Baba-r apon mama.
বাহ, কোন স্মৃতি তাঁর আছে কারো কাছে? আপনার বাবা কি আছেন?@@supurnasinha2133
As long as the bengali cinema survive this kind of Bengali cinema so called Masterpiece wouldn't have faded.
RITWIK DA WAS THE 👑SOVEREIGN PARAMOUNT OF INDIAN CINEMA 👑
ওহহহ The Debabrata Biswas এর ম্যাজিক। তাঁর অভিনয় এই প্রথম চাক্ষুশ করলাম। সত্যিই তিনি all time great..
প্রনাম হে সাধক জর্জ বিশ্বাস।
It is perhaps the only film by Ritwik Ghatak, which ends with an optimistic note. Here too, a brilliant use of Rabindrasangeet has been made, which adds to the surreal atmosphere of a moon_ lit night. Supriya Devi puts up a brilliant performance. So does Anil Chatterjee. And, in the ultimate analysis, the film remains a masterpiece of Bengali & Indian cinema.
দেখুন আমার মনে হয় এটা ঋত্বিক ঘটকের শ্রেষ্ঠতম সিনেমা, 'যুক্তি তক্কো আর গপ্পো' বাদ দিলে।
কতবার যে দেখেছি.....
many many thanks for bringing this classic here...🙏
It's a master piece of Mr. Rittik Kumar Ghatak.
১৯৪৬ সালের দাঙ্গা, দেশ ভাগের স্মৃতি, পূর্ব বাংলার হিন্দুদের দেশ ত্যাগের কথা মনে করে দেয়।
অনেক কথা মনে করিয়ে দেয়, আমার দাদা ও তার পরিবার ভারত ছাড়তে বাধ্য হয়। আজ আমরা ভাগ্য চক্রে বাংলাদেশী।
অপূর্ব অসাধারণ বললেও কম বলা হয়।
Thank you so much Thomas sir ( as well as to Ashok sir ) for uploading this beautiful film of Ritwik Kumar Ghatak , one of the legendary directors of India . I was in dire search of this film for a long time . This & 'Meghe Dhaka Tara' (1960) are 2 of my favourite films of the director . Though Supriya Devi whose role as Neeta in 'Meghe Dhaka Tara' (1960) was much appreciated & remembered , I think her role as Anusuya in this film was equally good . She is my most favourite actress from Bengali Cinema . In an old interview , Supriya Devi had stated that the shooting of this film didn't take place in the conventional sense . Like suppose , Supriya Devi had gone to Darjeeling to meet her daughter ( who used to study there) & there she found him shooting for the film & all of a sudden , he asked her to come to a particular location to shoot for a particular scene . In other words , the shooting took place without any definite planning all of a sudden . In fact , Supriya Devi had also mentioned that the film didn't have any script or ready-made dialogues . This was one such instance . The whole film shooting took place in this manner . It's a pity that we lost such a talented director so soon . I appreciate your hard work & dedication for reviving these masterpieces . He was deeply affected by the partition of India , the grief of which he expressed in each of his films as a tragedy . Thank you sir for this nice input , regards . ❤🙏♥️😇
Oh, so you watch Bengali films also? A true Renaissance Man you are, Mr. Acharya. Yes, this is a very unusual film. But, then, it's the first film of Ghatak's I've seen. That was interesting what you wrote about his filming methods. I am also a fan of Supriya Choudhury's work and went looking for more of her films after working on and uploading Suno Baranari.
😊@@tommydan55
Thank you very much. For uploading one more Bengali movie on your channel. I want to watch any movie on your channel in digital version. 🙏🙏
Old is gold ai sab chobi r kono din hobe na
Many thanks for this upload. This is one of his best works and movie lovers should watch it. Now that's possible thanks to the efforts put in by you and Mr. Ashok🙏
You're welcome. It just became available again after being blocked by some criminals for a few days. In fact, seeing your comment alerted me to the fact it could be viewed. Yes, it's a fine film and an important one. Thank you for leaving your comment.
Pure cinema ❤
দারুন সুন্দর
Superb Ahead of It's time " Film
Joto bar dekhi ek i bhabe bismoi mugdha hoi,bar bar!!
Dedicated my daughter soha ajmin
FROM BANGLADESH KHULNA FIRST COMMENT
Personally, no other film touches me as much as Komal Gandhar
What a wonderful description, indeed! I entreat you to upload the first film of the trilogy, ' meghe daka taara' . Please!
Outstanding cinema...
5.40 AM. Thanks Tommydan for this gem
Wonderful 19th century.
Tokhon small pox hoto
You are doing an extraordinary work. These films are mostly not available in decent print anywhere in the web. Where they are, they are mostly damaged due to the cropped aspect ratio (some decided to restore it by cropping the images from 4:3 to 16:9). You are doing great work.
One small request - if you provide the year of the release of the film in the title, may be it will be better experience who wants to navigate from the long list of films. Thanks anyway.
Thank you for the kind words. Yes, almost all similar channels think that ruining the original aspect ratio improves the film. They're wrong. of course, but almost all - especially the Indian media companies - do it.
As for your request - I often put the year when there is more than one film with the same name. Otherwise I don't. But since all films are in the public domain, then they're all from 1962 or earlier. There can't be that problem with this film as there's no other film with this name and this is the only version on TH-cam (for now). The criminals that used to own it filed fraudulent copyright claims on the film, but they finally had to give up the false claims. You might notice, if you search on the film, that there's only this version. The former copyright owner has lots of songs and scenes, but no complete film. Why, you might wonder? Streaming. They removed it from TH-cam so you could pay to see it on some streaming service.
Masterpiece
thank you very much! do you think there will ever be a real restoration of this film, or at least a proper digitisation? being such a seminal work, one should think so, but I don't know..
I believe there has been, but not the source I used. For example, some of the scenes and songs from the film on another channel look good, except for the fact they ruined the aspect ratio and they have PAL speedup.
Edit: I take it back. Mine was from a VCD made from a VHS tape. Maybe their was made from a DVD made from a VHS tape. Not sure. But it has the same contrast problems I had, except I fixed them, pretty much.
It's too bad, though, as in my researches while working on the film some put director Ghatak on the same level as Satyajit Ray.
1:53:12 1:57:47
Bangali Tumi dhonno " Bangla Tumi Dhonno "
Hey Ishwar Amake ashirwaad Den 🙏 Guru dev Apnara ashirwaad den
বাংলা ভাগ কার জন্য
দোহাই আলী !! এর ব্যাখ্যা টা কি কেউ বলতে পারবে?
Lahore 1949 please
If you can
I wish I could, but I don't have it. I only have a single song from Lahore:
th-cam.com/video/pOSUel602pg/w-d-xo.html
কমল গান্ধার কথার মানে কারো জানা আছে কি ?
কেন জানা থাকবে না!কোমল গান্ধার(কমল নয়) অর্থ -হিন্দুস্থানি শাস্ত্রীয় সঙ্গীতের সূর।
Komol ga