I'm continuously blown away by how powerful Resolve is. Feels like every couple weeks I learn about a new feature and say to my self "WOW that's incredible".
Great video, thank you! 01:26 It’s worth mentioning that the Dialogue Separator feature isn’t easy to find. You need to click on the audio track itself (on the left side, where you can change the audio name or mute the track, etc.), and then the option for the Dialogue Separator will appear. It’s a bit of a hidden feature, which can be annoying.
Thanks so much. Yes sorry we could have mentioned that more specifically that it is a track effect not a clip effect. We appreciate you watching and commenting.
Yes, it does take a long time. But we're so happy to be able to share the best we can with everyone. Thanks for watching and thank for your kind comments.
We're a two person studio who's shot professionally for over 30 years. Budgets are always tight and we need the biggest bang for our $$$. The studio version has been one of our smartest software purchases every. 4 highly professional and capable apps integrated seamlessly into one round trip. No leaving the app at all. If your a small studio we recommend purchasing some piece of BM hardware and getting the studio version "free". We have the speed editor. For you "cheapskates" (like me) just do the math and you'll see.
Ah thanks Kaur! What a nice compliment. It's on our to do list to do a video on how they're made. All Fusion! They're not kind on our render times though... need to optimise them a little better 🤣
@@team2films Thought so... there's a lot of little details, but I think it's worth it! And yes, would love to see a video on how they're made and not only about how, but why.
I absolutely love your tutorials...specially the one you did on bleech bypass look...can you please make a tutorial on how to use film look creator? Thank you!
Blackmagic never disappoints. No, they don't get everything right (who possibly could!) but with every release, they seem to aim for being the most useful progressive solution. I love it when a new version comes out. It is really exciting!
Yeah, they really knock it out of the park and it’s realistic to acknowledge that it’s difficult to nail everything. Thanks for watching and commenting
Good video. Question - about the defocus BG feature. It seems to me using the Depthmap node+blur seems to be easier as that doesn't require creating Magic Mask explicitly and can adjust the depth for different degree of focus. What do you think?
An excellent overview of new features. I have one unresolved question: starting with Beta 1 DaVinci 19, the timeline slows down and when moving a large number of sliced parts of clips, when mounting a podcast, the timeline freezes for 5 seconds and when moving it is not visible where the clips are docked. This problem is on the company's website from the user. Why haven't we solved this important feature yet. Now this is a problem when cutting clips. It also manifests itself when copying clips and pasting them to a new location on the timeline Confirm or deny this. A very important point. Thanks
Hello, sorry, we've not experienced that issue :( If you can share a method of recreating the issue in the forums, that's super helpful for the devs. Thanks for watching. appreciate your kind comment.
Great video making me realize how much I don't know about DaVinci Resolve. 😂😂 Don't even need to honestly I'll never be that deep into editing personally.😊
That's such a great topic. We've already started a script on the topic but were waiting to get the right hardware to demonstrate it. It's definitely coming at some point, thanks so much for the suggestion and for watching our videos.
i use a dctl by Stefan ringelsch to do what the colour slice does as the other native controls solo dont give as natural results, but this looks like it adjusts other sat and density levels simultaneously to look more natural at least... but glad i never got the expensive dehancer as this film emulation looks like it does the same
I would love for Resolve to allow some Logic Pro type vibes in the fairlight window. Midi piano and VSTs, AUs and some proper audio editing for podcasts or voice overs all within resolve.
Does Fairlight have the track automatic scroll sync for multiscreen feature which is when we click on e.g track number 30 on the main screen and the secondary screen should automatically scroll highlight to the same track? Or there is the thing that I might miss out?
In some video you promised a tutorial on Ambisonics in Resolve 19, any chance of that coming? Taking eg a video from X3/X4 and combining with H2N spatial audio?
03:23 She is lovable. And the strange thing is that I don't find the placed advertisement annoying with her. Very interesting 'cause nobody hate AD's more than me on this planet🙃
yes, some things are easy, but it is difficult to adjust according to the tempo of a music clip. in the premier pro, you separate these very simple clips and you can throw them to markers
Hello, thanks so much for watching. What feature from Premiere are you talking about? There’s great techniques for cutting music. Have you seen our music editing video on TH-cam? Search our catalog and you will find it.
For the past several years I've been waiting for one superior upgrade; automatic paste attributes. Surely eventually it will occur and save me hours in editing
Thank you very much for a concise video about all new features! 👍 I can't wait to use them in new projects once I update. But before I update from Resolve Studio 18.6.6, could you please advise if I need to deactivate the license key and uninstall the old version and then do the clean install? Some say I can run the install over the old version but it can cause bugs and crashes in the new one if some files in the old version are not uninstalled properly. I will do project and library back ups before it of course.
No need to uninstall the old version. You can just install the new version :) Like you said though, it's a great idea to run backups beforehand. Thanks for watching, I hope you enjoy version 19!
I can't check right now because Resolve is rendering... but I think you can keyframe it in the Fairlight page. It's a track effect, so you need to enable the automation controls.
The Slice tool (substractive color) is it really different (or the same ?) as adding color in HSV when H & V is disabled ? or adding gain or the wheels when AT THE SAME TIME substracting .Luminance ? Very good content as usual btw ;)
It’s the same math. But the color slice tool gives you vectors and more controls like biasing density towards shadows or highlights... You don’t get that using the HSV method. Does that make sense? Thanks so much for watching.
Great breakdown. Weirdly, my Davinci only just upgraded to 19 (which I didn't know existed) today. Out of the blue and on it's own over lunch when I wasn't looking. lol. Great news, after watching this - basically none of it benefits me, because it's almost all only for Studio version. 😒
from 1:25 talking about voice control, how come the items listed there are different from mine? ( Studio edition build 70, MacOS). Mine are (From top to bottom): Volume, Pan, Voice isolation, Dialogue Leveler, Music Remixer, Pitch, Speed change, Equalizer. And that is all.
Hey @Team 2 Films I have a burning question. Every time I use the masking tool to keyframe an object out of it's background and put it into a new background (with the text now behind the object etc); once I save the file, close and then return to it, the information is lost and I have to render this magic mask over the same exact clip again and again and it is highly frustrating. Any help would be so appreciated. Thank you so much
Good evening! Could you please help me understand why, in DaVinci 19 when I add new titles to the timeline, I only get a black screen? They don’t display in real time and don’t appear on the timeline after being added. The same issue occurs with generators 🙁 All new titles and generators are not working.
I'm not entirely sure, there probably is. Features like that pick up improvements from release to release. Why do you say it was unusable though? Just curious, we've found it's incredibly usable. Thanks for watching!
@@team2films it is usable for simple things, where the background and subject are already fairly separated. but i don't think i ever encountered a situation where i could actually use magic mask without having to do sooo much after-masking myself, animating masks to mask out areas that the magic mask for some reason were part of the subject even though they were clearly not. also it was very hard to work with because it resets when you change any node before it, which is workaroundable, not to mention at least to me it caused a lot of bugs when delivering. 50% of the time my project wouldnt render because of some issue with a magic mask, without giving a proper error message btw, i had to figure out myself the crash was due to the magic mask.
I can't get on board with Resolves way of project management in a database. I want to have every project and it's associated files within a folder so I can transport, copy and back it all up. I don't want projects reliant on a database.
Fair enough, yes we understand that it might seem counterintuitive for people coming from file based systems like premiere. Database project management has some major advantages though. There are things you can do with it that are possible with file based management. I.e. collaboration. Plus you can export .drp files to backup with your files later too. Thanks for watching and commenting :)
Hi. What can I do to solve the gamma issue specific to the Mac version of DaVinci Resolve? How should the color management be set? Is setting it to REC709-A sufficient? What are the correct settings?
Hello! Thanks for watching. The short answer… It’s not something you can complexly fix. It’s also not a Resolve problem nor is it a ‘Mac version of DaVinci Resolve Problem’. Different programs will display videos differently just the same as different TVs will look different. There are colour critical devices and programs. QuickTime is not one of them.
No color sampler tool with at least 10 control points so we can color by the RGB LAB or CYMK numbers like photoshop? I don't like color correcting by scopes I do it by the numbers.
Hello, we’re not too sure what you are saying. It’s possible to show the RGB values of pixels using a colour dropper. Also scopes show numbers. It’s great to have you here, can you be a little more specific? Then maybe we can help.
@@team2films You have to be a photoshop user to understand. If you're I n photoshop you can have up to 10 points on the screen that tells the actual color of the pixels in the color space you want. So to can know what's going on in the skin tones, quarter tones, highlights shadows. Very helpful because the numbers give away the slightest hints of the wrong color which can ruin you work. And giving the perfect nu7mbers can make your work POP. .Doing it with scopes to me is asinine.Which me you're doing it by eye. And if you're NOT in a grey room you're prolly gonna mess it up due to simultaneous contrast and chromatic adaptation. You can help me by telling blackmajic to include those control points with the other colorspace valuess in the next version
@@team2films yes i know that but it's really tricky if i have 200 clips one on top of each other can i do it in some other way ? don't know if you understand me ....
Among the cool new audio features I am struggling to see why they removed the ability to hear linked audio tracks in the source tape in the cut page :(
@@team2films There´s not much detail to be had, you can try it for yourself. Auto sync audio between a sound recorder and a camera and try to play it back with the source tape
Thanks so much for watching. Yes, the key framing tools could do with some improvement, but they are still better than or as good as other NLEs like Premiere. What features are you looking for that are currently missing?
@@team2films thanks for the reply. However, I strongly disagree on keyframe implementation being as good as the tools other NLE's provide. In fact I haven't seen any software that uses keyframes that implemented it this poorly. I could reply as to how it would be better but I already made a thread on the forum with suggestions (to which a lot of ppl agreed) a couple of years ago and it's too much to write again here. You can find it on the forum if you search for threads by username (brechtboelens), if you're really interested 🙂 Cheers!
The features are simply amazing. I may have to start the switch from FCPX. I'm concerned that setting up keyboard shortcuts will be difficult, because each page has different keyboard shortcuts... it's very complicated. I also previously expressed concerns regarding the efficiency of speed ramping. I still think FCPX is superior in that regard.
Have you checked out our course? I think it would really help you make the switch. There might be some things that FCP does better... but there might be a bigger number of things that Resolve does better? A great place to start is with our free 35 minute masterclass, and the free version of Resolve. You don't need to spend a penny to work out if it's right for you. Great to have you here.
@@team2films I would agree... maybe some things FCPX does better, but a LOT more that DR does better. Please link to your 35 min "webinar"? Seems like calling it a "masterclass" is a bit of a stretch for a 35 min video, right? thank you!
title should be studio upgrade as mostly all significant features are for studio version. not resolve 19. although thanks for including small tiny bottom right text in thin font to at least inform that this particular feature set requires studio mode that was helpful .
Hi, hoping that you can help. I have a clip in the edit page all looks fine, I then go to colour page and adjust the colour, say and brightness etc, when I go back to the edit page all is still good and updated as it should be. Now the thing im finding is that when I go to the fusion page the clip colour augments have not been updated, I thought this got sorted out in 19, and all the videos seem to show that it has. If however I go to the fusion page and adjust the colour and brightened with a node the changes show up in the edit and colour page, hope you can help me with this, I and using footage from my iPhone in rec 709. I have changed the settings in the settings tab but still not doing it. many thanks
It’s all about the ‘order of operations’. Fusion adjustments happen pre-colour. So when you are in the Fusion page you won’t see colour adjustments. It’s very normal.
Can I open Davinci 19 projects with version 18?… in the beta version this was not possible. Forme important when you work together with other editors which might use 18
No sorry, you can't. Resolve 19 projects have to support features that don't exist on version 18, hence they are not backwards compatible. Ideally your other editors should upgrade. There's very few reasons not to!
Yes, but they are out of beta now. A lot of people ignore the beta releases so this is new info for them and a roundup for people who’ve already used the beta. Thanks for watching
I downloaded Studio 19, I open it up and it says Studio 19 on the spashscreen and in the corner. But i can't see any of the new features and voice isolation is gone?
I've just started using Davinci resolve 19 after a decade + of using Vegas. Vegas 17 has just been crashing & crashing, dont think it likes Windows 11 😡 Davinci is a bit of a learning curve, but I'm sure I'll get the hang of it soon 🤞 a lot more tutorial vids are in order 😉🤭
Welcome, it's great to have you here. Have you seen our masterclass for beginners starting with DaVinci Resolve? th-cam.com/video/znBHzeXpsUw/w-d-xo.html
The problem with this version (I am on 19.01 studio) is that render times are very and I mean a lot slower than 18.6. I would not recommend that 19th version , at least not yet
Sorry about that. Are you windows or Mac? If windows, you might need to update your GPU drivers. If you're having speed issues, that's a great thing to report on the official forums (if you havn't already). You might get some helpful advice on there.
@@team2films I am on windows. I have a NVIDIA 3090 that was very fast on version 18.6. I see the worst results when I apply NEAT Video. This plugin is now so slow that it is impossible to work with so I am staying with Davinci NR . Hope they fix this.
Probably the best highlight video on Davinci Resolve 19 I’ve seen so far. Thank you!!!
Thanks so much.
I'm continuously blown away by how powerful Resolve is. Feels like every couple weeks I learn about a new feature and say to my self "WOW that's incredible".
Yeah, the dev team is outstanding! No one is developing as fast and well as Blackmagic. Thanks for watching
Great video, thank you!
01:26 It’s worth mentioning that the Dialogue Separator feature isn’t easy to find. You need to click on the audio track itself (on the left side, where you can change the audio name or mute the track, etc.), and then the option for the Dialogue Separator will appear. It’s a bit of a hidden feature, which can be annoying.
Thanks so much. Yes sorry we could have mentioned that more specifically that it is a track effect not a clip effect. We appreciate you watching and commenting.
@@team2films you guys covered so much in this video, so thank you! Maybe you can make a #short explaining how to find that feature🩵
Great video and great pacing with the delivery, so easy to take in and process thanks!
Thanks so much, glad it's hitting right.
Your video's are of very high quality. It must take a huge amount of time making these. Keep up the good work!
Yes, it does take a long time. But we're so happy to be able to share the best we can with everyone. Thanks for watching and thank for your kind comments.
The new audio features are stunning! Voice isolation settings and basicly no need for music stems is nothing but awesome!
Yeah, those features are really special!
@@team2films I just installed DR19, there is no voice isolation option on my install. I had it with v.18
@@mrkumaran Did you install the studio version of Resolve or the free version?
@@team2films thanks for replying so quickly. I installed Studio. I see that it appears on some other clips, not sure if this is a glitch.
@@team2films What's odd is that this is a 5.1 clip on a 5.1 track. So I moved the clip to the stereo track and the options come back
Awesome! Super excited about the Voice Isolation tools
Thanks for watching
We're a two person studio who's shot professionally for over 30 years. Budgets are always tight and we need the biggest bang for our $$$. The studio version has been one of our smartest software purchases every. 4 highly professional and capable apps integrated seamlessly into one round trip. No leaving the app at all. If your a small studio we recommend purchasing some piece of BM hardware and getting the studio version "free". We have the speed editor. For you "cheapskates" (like me) just do the math and you'll see.
Excellent breakdown, thank you for taking the time to give us such a detailed and sophisticated breakdown! Cheers!
Always enjoy your videos. Well presented + produced and to the point :)
Thanks so much! Appreciate you saying that
Thanks for the new feature update 👍🏾
You are very welcome. Thanks for watching.
Love your videos ❤ 🎉🎉
We appreciate that, thank-you!
Great video, Leon! And I have to say, I'm so jealous of your on-screen graphics - they look amazing, yet don't draw unwanted attention!
Ah thanks Kaur! What a nice compliment. It's on our to do list to do a video on how they're made. All Fusion! They're not kind on our render times though... need to optimise them a little better 🤣
@@team2films Thought so... there's a lot of little details, but I think it's worth it!
And yes, would love to see a video on how they're made and not only about how, but why.
That was an excellent review.
I absolutely love your tutorials...specially the one you did on bleech bypass look...can you please make a tutorial on how to use film look creator? Thank you!
Thanks so much. Yes a masterclass about film emulation would be an awesome idea!
@@team2films thank you!
4:38 - nice sweater 😁😂 Great video guys!
My mum bought it for me 🥰 Thanks for watching
Great breakdown :) Thankyou! I do remember your subtractive-sat video, so am excited about the colour upgrades
Thanks so much for coming back. Appreciate having you here
This channel is my go-to page for information on Davinci Resolve. Concise and comprehensive.
Thank-you, we always appreciate your kind messages.
DR is unstoppable. I now use it from version 16 and my journey to use it was absolutely amasing.
Awesome. So good to hear :) Keep on rocking it!
Most informative video, Love you and Team 2 Films. ❤❤💖💖💝💝
Thank you so much!
You guys are super rad. Thanks.
Thanks bro!
Great video, thanks for posting. Class and intelligence, a great combination!
Thank you so much.
Excellent to the point video, thank u!
Good stuff! Thank you!
Great to have you here.
Amazing thank you for going through these amazing features!!!
Our pleasure! Thanks for watching
Thanks a lot 4 your video
You are most welcome.
Blackmagic never disappoints. No, they don't get everything right (who possibly could!) but with every release, they seem to aim for being the most useful progressive solution. I love it when a new version comes out. It is really exciting!
Yeah, they really knock it out of the park and it’s realistic to acknowledge that it’s difficult to nail everything. Thanks for watching and commenting
Superb. Team 2 Films could give tutorials on how to make TH-cam presentations, and many content creators would benefit. Thanks.
Ah thanks! That's so kind of you to say. Maybe we'll do some stuff in the future.
I've used Davinci resolve for over 6 years now. And I just bought the studio version, the new features are amazing in 19
Thank you! Helpful video👍🏻
You're welcome!
Good video. Question - about the defocus BG feature. It seems to me using the Depthmap node+blur seems to be easier as that doesn't require creating Magic Mask explicitly and can adjust the depth for different degree of focus. What do you think?
Yeah, that's a great idea. Go check out our live session from Resolve Con. Deals with that exactly: th-cam.com/video/zSO9UOGYBCw/w-d-xo.html
Thanks for the 19 feature updates explain👍
Our pleasure :)
Great video, as always! Quick question: Is there a way to see the checkerboard pattern in the video clean feed as well?
such a great breakdown
Excellent video, thank you!
You are welcome!
all great features i loved that keep it up sir wishes you all the best love♥from Pakistan
Thank-you so much :) We appreciate you watching and taking the time to comment. It's great to have you here.
wow, this update is tha bomb! back to learning......
Keep on learning!
Nice review guys!
Thanks so much
dammm your xplanations is freking awesome.
Thanks Randall!
An excellent overview of new features. I have one unresolved question: starting with Beta 1 DaVinci 19, the timeline slows down and when moving a large number of sliced parts of clips, when mounting a podcast, the timeline freezes for 5 seconds and when moving it is not visible where the clips are docked. This problem is on the company's website from the user. Why haven't we solved this important feature yet. Now this is a problem when cutting clips. It also manifests itself when copying clips and pasting them to a new location on the timeline Confirm or deny this. A very important point. Thanks
Hello, sorry, we've not experienced that issue :( If you can share a method of recreating the issue in the forums, that's super helpful for the devs.
Thanks for watching. appreciate your kind comment.
Appreciate you.
Likewise.
Brilliant, thank you 👍
You are very welcome!
Great video making me realize how much I don't know about DaVinci Resolve. 😂😂 Don't even need to honestly I'll never be that deep into editing personally.😊
Thanks so much for watching 😊
Hello, dear Leon and Natalie! Please make an episode on the channel about HDR. How to work with HDR in DaVinci Resolve Studio 19. Thank you!
That's such a great topic. We've already started a script on the topic but were waiting to get the right hardware to demonstrate it. It's definitely coming at some point, thanks so much for the suggestion and for watching our videos.
@@team2films Would definitely appreciate a HDR tutorial. Using it was very clunky in 18, would love to know how to use the new 19 features.
i use a dctl by Stefan ringelsch to do what the colour slice does as the other native controls solo dont give as natural results, but this looks like it adjusts other sat and density levels simultaneously to look more natural at least... but glad i never got the expensive dehancer as this film emulation looks like it does the same
What was that music on 9:37? Thanks!
I would love for Resolve to allow some Logic Pro type vibes in the fairlight window. Midi piano and VSTs, AUs and some proper audio editing for podcasts or voice overs all within resolve.
Fairlight supports VSTs and AU’s. No midi though.
I only come here for his chilled out voice :)
Hehe! There's so much more chill to come :) Working on a 30 minute timeline right now! Thanks for watching.
Agreed! Love the delivery of both their presenters.
Does Fairlight have the track automatic scroll sync for multiscreen feature which is when we click on e.g track number 30 on the main screen and the secondary screen should automatically scroll highlight to the same track? Or there is the thing that I might miss out?
In some video you promised a tutorial on Ambisonics in Resolve 19, any chance of that coming? Taking eg a video from X3/X4 and combining with H2N spatial audio?
So much helpful videos
Thanks so much for watching and commenting.
Great video
03:23 She is lovable. And the strange thing is that I don't find the placed advertisement annoying with her. Very interesting 'cause nobody hate AD's more than me on this planet🙃
Glad the ad reads don’t irritate too much. We’re grateful to audiio for supporting our content. Thanks for watching and commentkng
@@team2films Yes, you got well the point: She is lovable.
great video cheers guys
Thanks 👍
yes, some things are easy, but it is difficult to adjust according to the tempo of a music clip. in the premier pro, you separate these very simple clips and you can throw them to markers
Hello, thanks so much for watching. What feature from Premiere are you talking about? There’s great techniques for cutting music. Have you seen our music editing video on TH-cam? Search our catalog and you will find it.
For the past several years I've been waiting for one superior upgrade; automatic paste attributes. Surely eventually it will occur and save me hours in editing
1:26 Are those Voice Isolation features available in free version?
No, sorry. Studio only
@@team2films Got it! Thank you for responding.
Thank you very much for a concise video about all new features! 👍 I can't wait to use them in new projects once I update. But before I update from Resolve Studio 18.6.6, could you please advise if I need to deactivate the license key and uninstall the old version and then do the clean install? Some say I can run the install over the old version but it can cause bugs and crashes in the new one if some files in the old version are not uninstalled properly. I will do project and library back ups before it of course.
No need to uninstall the old version. You can just install the new version :) Like you said though, it's a great idea to run backups beforehand. Thanks for watching, I hope you enjoy version 19!
@@team2films Thank you very much for the answer. Going to BMD to download it straight away then. Keep up the good work guys! You are awesome!
Really love the music remix but, I hope they add a key framing so you can fade in/out elements in the track.
I can't check right now because Resolve is rendering... but I think you can keyframe it in the Fairlight page. It's a track effect, so you need to enable the automation controls.
So good!!
Appreciate you being here.
Thank you!
You are welcome!
The Slice tool (substractive color) is it really different (or the same ?) as adding color in HSV when H & V is disabled ? or adding gain or the wheels when AT THE SAME TIME substracting .Luminance ? Very good content as usual btw ;)
It’s the same math. But the color slice tool gives you vectors and more controls like biasing density towards shadows or highlights... You don’t get that using the HSV method.
Does that make sense? Thanks so much for watching.
@@team2films does it mean that DCTL hue shifts /color shift are no longer that special ?
Great breakdown. Weirdly, my Davinci only just upgraded to 19 (which I didn't know existed) today. Out of the blue and on it's own over lunch when I wasn't looking. lol. Great news, after watching this - basically none of it benefits me, because it's almost all only for Studio version. 😒
from 1:25 talking about voice control, how come the items listed there are different from mine? ( Studio edition build 70, MacOS). Mine are (From top to bottom): Volume, Pan, Voice isolation, Dialogue Leveler, Music Remixer, Pitch, Speed change, Equalizer. And that is all.
Dialogue leveller is a track based effect. You are looking at the clip effects in the inspector.
@@team2films Yeah found it by clicking on the audio track.:) Thank you sir.
Thanks!!
You're welcome!
Hey @Team 2 Films
I have a burning question. Every time I use the masking tool to keyframe an object out of it's background and put it into a new background (with the text now behind the object etc); once I save the file, close and then return to it, the information is lost and I have to render this magic mask over the same exact clip again and again and it is highly frustrating. Any help would be so appreciated. Thank you so much
Good evening! Could you please help me understand why, in DaVinci 19 when I add new titles to the timeline, I only get a black screen? They don’t display in real time and don’t appear on the timeline after being added. The same issue occurs with generators 🙁 All new titles and generators are not working.
終於......等了好久😂😂
Thanks for watching!
How about the iPad version of version 19.0?
It's out, check out the doc mentioned at the end if you want to know whether there will be differences on your iPad.
nice updates but will we EVER get simple rulers in Davinci? I find it amazing that its still not a feature - as far as I know
Rulers for the Fusion page?
@@team2films for the edit page, is there one for fusion? you can set them up by percentage in PP or put them wherever you want them
@@team2films maybe “guide” is a better way to put it
Ah yes, there are guides that you can turn on. There is a menu above the viewer for configuring them on the edit page.
@@team2films I cant find them... where is the menu for configuring them?
Amazing
Are any improvements made to magic mask in this version? Since it's pretty much unusable in earlier versions.
I'm not entirely sure, there probably is. Features like that pick up improvements from release to release. Why do you say it was unusable though? Just curious, we've found it's incredibly usable.
Thanks for watching!
@@team2films it is usable for simple things, where the background and subject are already fairly separated. but i don't think i ever encountered a situation where i could actually use magic mask without having to do sooo much after-masking myself, animating masks to mask out areas that the magic mask for some reason were part of the subject even though they were clearly not. also it was very hard to work with because it resets when you change any node before it, which is workaroundable, not to mention at least to me it caused a lot of bugs when delivering. 50% of the time my project wouldnt render because of some issue with a magic mask, without giving a proper error message btw, i had to figure out myself the crash was due to the magic mask.
I can't get on board with Resolves way of project management in a database. I want to have every project and it's associated files within a folder so I can transport, copy and back it all up. I don't want projects reliant on a database.
Fair enough, yes we understand that it might seem counterintuitive for people coming from file based systems like premiere. Database project management has some major advantages though. There are things you can do with it that are possible with file based management. I.e. collaboration. Plus you can export .drp files to backup with your files later too. Thanks for watching and commenting :)
2:07 that's what I looking for 2 years.
It’s so cool!
Hi. What can I do to solve the gamma issue specific to the Mac version of DaVinci Resolve? How should the color management be set? Is setting it to REC709-A sufficient? What are the correct settings?
Hello! Thanks for watching. The short answer… It’s not something you can complexly fix. It’s also not a Resolve problem nor is it a ‘Mac version of DaVinci Resolve Problem’. Different programs will display videos differently just the same as different TVs will look different. There are colour critical devices and programs. QuickTime is not one of them.
Are all these new tools available on the free version of resolve?
There is onscreen text in the video to indicate which version of Resolve the features are in. A lot of them are in Studio.
There is onscreen text in the video to indicate which version of Resolve the features are in. A lot of them are in Studio.
2:39 colorslice require studio license ?!
Oooo, did we make a mistake there?
@@team2films yesss, and also I have the audio pan tracker in Fairlight page ( free version)
@@team2filmsin Beta, it was available on the free version. Don't know really. Can anyone confirm please?
@@watzmaaname I’m using the free version : colorslice and defocus BG and audio pan teacker in the fairlight page are all available for free
@@Wajih_Yahyaoui Yes, just updated. All available. 🙌
No color sampler tool with at least 10 control points so we can color by the RGB LAB or CYMK numbers like photoshop? I don't like color correcting by scopes I do it by the numbers.
Hello, we’re not too sure what you are saying. It’s possible to show the RGB values of pixels using a colour dropper. Also scopes show numbers. It’s great to have you here, can you be a little more specific? Then maybe we can help.
@@team2films You have to be a photoshop user to understand. If you're I n photoshop you can have up to 10 points on the screen that tells the actual color of the pixels in the color space you want. So to can know what's going on in the skin tones, quarter tones, highlights shadows. Very helpful because the numbers give away the slightest hints of the wrong color which can ruin you work. And giving the perfect nu7mbers can make your work POP. .Doing it with scopes to me is asinine.Which me you're doing it by eye. And if you're NOT in a grey room you're prolly gonna mess it up due to simultaneous contrast and chromatic adaptation. You can help me by telling blackmajic to include those control points with the other colorspace valuess in the next version
Can you tell me does DRL have something similar to PluralEyes? Basically i need to sync all my footage like 2 hrs of video with audio ? :) Thanks
Yes, it can sync based on waveforms. It can sync based on timecode too
@@team2films yes i know that but it's really tricky if i have 200 clips one on top of each other can i do it in some other way ? don't know if you understand me ....
Among the cool new audio features I am struggling to see why they removed the ability to hear linked audio tracks in the source tape in the cut page :(
I'm not aware of that? Usually they work really hard to avoid feature regression. Do you have any more details?
@@team2films There´s not much detail to be had, you can try it for yourself. Auto sync audio between a sound recorder and a camera and try to play it back with the source tape
Some decent new audio features, but still no keyframe overhaul so... DR is still just a color grading tool for me (+ occasional Fusion).
Thanks so much for watching. Yes, the key framing tools could do with some improvement, but they are still better than or as good as other NLEs like Premiere. What features are you looking for that are currently missing?
@@team2films thanks for the reply. However, I strongly disagree on keyframe implementation being as good as the tools other NLE's provide. In fact I haven't seen any software that uses keyframes that implemented it this poorly.
I could reply as to how it would be better but I already made a thread on the forum with suggestions (to which a lot of ppl agreed) a couple of years ago and it's too much to write again here. You can find it on the forum if you search for threads by username (brechtboelens), if you're really interested 🙂
Cheers!
As a pro editor i've used
Avid Media Composer
Adobe Premiere
Final Cut Pro
Sony Vegas
but Davinci Resolve is the BEST of all the NLE's I think.
Yeah, it's pretty stellar. Not perfect... but no NLE is. You can't argue with the value proposition either.
The features are simply amazing. I may have to start the switch from FCPX. I'm concerned that setting up keyboard shortcuts will be difficult, because each page has different keyboard shortcuts... it's very complicated. I also previously expressed concerns regarding the efficiency of speed ramping. I still think FCPX is superior in that regard.
Have you checked out our course? I think it would really help you make the switch.
There might be some things that FCP does better... but there might be a bigger number of things that Resolve does better?
A great place to start is with our free 35 minute masterclass, and the free version of Resolve. You don't need to spend a penny to work out if it's right for you.
Great to have you here.
@@team2films I would agree... maybe some things FCPX does better, but a LOT more that DR does better. Please link to your 35 min "webinar"? Seems like calling it a "masterclass" is a bit of a stretch for a 35 min video, right? thank you!
great
title should be studio upgrade as mostly all significant features are for studio version. not resolve 19. although thanks for including small tiny bottom right text in thin font to at least inform that this particular feature set requires studio mode that was helpful .
Of these features, which ones are on the free version? Sadly, I can't afford a license yet.
There’s on screen text that shows which features need the studio license. Thanks for watching
might be a good idea to fix your subtitles when you speak about your sponsor name, so it says Audiio and not Audio
Hi, hoping that you can help. I have a clip in the edit page all looks fine, I then go to colour page and adjust the colour, say and brightness etc, when I go back to the edit page all is still good and updated as it should be. Now the thing im finding is that when I go to the fusion page the clip colour augments have not been updated, I thought this got sorted out in 19, and all the videos seem to show that it has.
If however I go to the fusion page and adjust the colour and brightened with a node the changes show up in the edit and colour page, hope you can help me with this, I and using footage from my iPhone in rec 709. I have changed the settings in the settings tab but still not doing it.
many thanks
It’s all about the ‘order of operations’. Fusion adjustments happen pre-colour. So when you are in the Fusion page you won’t see colour adjustments. It’s very normal.
@@team2films thank you for the very quick reply, This was updated in 19 tho wasn't it?
many thanks
@@stehume Colour Management was added to the fusion page. But the order of operations is still the same. Fusion first, Colour second.
I really was hoping that music remix feature was going to be like the Adobe premiere remix 🥲 I still use premiere for that feature
Ah yeah, sorry! A lot of people have commented on that. Who knows, maybe that will be a future feature!
Can I open Davinci 19 projects with version 18?… in the beta version this was not possible. Forme important when you work together with other editors which might use 18
No sorry, you can't. Resolve 19 projects have to support features that don't exist on version 18, hence they are not backwards compatible.
Ideally your other editors should upgrade. There's very few reasons not to!
@@team2films Thanks for the quick response.
Can we edit pro res raw files from Sony a7s3 and atomos ninja V in da Vinci resolve 19th version?
No sorry. No ProRes support yet.
is both of you in relatioship?
Is married.
Are these not features we've had throughout the last few beta versions of 19?
Yes, but they are out of beta now. A lot of people ignore the beta releases so this is new info for them and a roundup for people who’ve already used the beta. Thanks for watching
Hi .. Hiw does Auddiio work with client work ? Say i have a client that need a Image Filme. For his Website or TH-cam channel ?
Audiio gives you a license to use the media on behalf of your client, just the same as other library media sites. Does that answer your question?
Somewhat .. i know that with the license. But how does the client aplly it ?@@team2films
@@reedeema I'm so sorry, I'm not too sure what you mean. Where and how are they trying to 'apply' the license?
film editing Pro teacher？😂
Yes we love the team over at film editing pro. Chris is awesome.
Hi, how can I perform a back time edit in resolve 19?
Set an out point only on your source media, and then set an in and out point in your timeline.
@@team2films Thanks a million.
I downloaded Studio 19, I open it up and it says Studio 19 on the spashscreen and in the corner. But i can't see any of the new features and voice isolation is gone?
What page of the program are you look in?
Davinci continues to change the game and have tons of new features in each version that Premiere does in 5
I've just started using Davinci resolve 19 after a decade + of using Vegas. Vegas 17 has just been crashing & crashing, dont think it likes Windows 11 😡
Davinci is a bit of a learning curve, but I'm sure I'll get the hang of it soon 🤞 a lot more tutorial vids are in order 😉🤭
Welcome, it's great to have you here. Have you seen our masterclass for beginners starting with DaVinci Resolve? th-cam.com/video/znBHzeXpsUw/w-d-xo.html
The problem with this version (I am on 19.01 studio) is that render times are very and I mean a lot slower than 18.6. I would not recommend that 19th version , at least not yet
Sorry about that. Are you windows or Mac? If windows, you might need to update your GPU drivers.
If you're having speed issues, that's a great thing to report on the official forums (if you havn't already). You might get some helpful advice on there.
@@team2films I am on windows. I have a NVIDIA 3090 that was very fast on version 18.6. I see the worst results when I apply NEAT Video. This plugin is now so slow that it is impossible to work with so I am staying with Davinci NR . Hope they fix this.