You've got so many gems in Czerny book that is hardest things in the world to say: that's my favourite. I could possibly say for hundreds of Czerny pieces.... This has kind of operatic taste, exactly as a romance. For instance I can even hear anticipations of Bellini romances in "Sonnambula" or "Norma" ... I can distinctly hear a human voice singing this while piano accompanies him/her
Czerny, a master of the post-classicism of the likes of Kalkbrenner and Moscheles, here demonstrates flexibility as he writes a tune that could be mistaken for a full-fledged romantic composer like Mendelssohn or Chopin.
I would like to know how many times do you read a piece or how do you study before recording? Do you do it as Fumecri Himecri per sheet? and you join the video?
@@czeynerpianistproducercomp7155 for this piece I played it through 1 or 2 times, and then the second or third time after first-sight I made the recording. I don't stop within a recording normally. In early days I often stopped and put the things together on the PC, but I feel like the 'flow' of the interpretation totally gets lost. However, if there is a very clear ABA structure, and B for example is a very virtuosic part, I might play B separately because It would be study to play A 10 times again only to find the right B interpretation. If for example A takes 2 minutes, I saved 20 minutes. However, nowadays I often still play A again. Because I noticed that although the performance from sight reading already is often 'ok', playing it a lot of times in succession helps to properly phrase things and play it better. Czernys music often is formulaic. This helps me a lot of instantly capturing harmonic progressions, left hand figurations, dynamic changes, swells in articulation and phrasing. For example, if there are long 'leggiero' right hand runs, I struggle, because I don't encounter these things too often in the music I play. And the way the phrases end can be very different, so attention to the detail is needed. I also edited a couple of notes very slightly, but it would not have been necessary. For example in the piece yesterday, with the big jumps in the right hand, because of my laziness I edited a couple wrong notes there. The reason is, that I believe that I could without problem play it in real life without error, but it would just need more time to practice, and more concentration (I was rather tired). Since I am a bit impatient, I want to immediately have the recording normally. And since I don't really get any money (except a couple generous donations) and don't talk about it, nobody should really care anyway because it doesn't really matter.
@@PianoScoreVids Never was fortunate enough to try one, but from what I hear, they seem to be the RR of the piano VST's. The narrow mic-distance fits in well with Czerny.
You've got so many gems in Czerny book that is hardest things in the world to say: that's my favourite. I could possibly say for hundreds of Czerny pieces....
This has kind of operatic taste, exactly as a romance. For instance I can even hear anticipations of Bellini romances in "Sonnambula" or "Norma" ... I can distinctly hear a human voice singing this while piano accompanies him/her
Que lindo
Вы классно играете.
любое произведение превращается в чудо.
А главное- не калечите музыку сумашедшими темпами и трюками.
Волшебно, благо дарю Вам!
So beautiful Gamma ! But so many flats...
not easy indeed!
Perfect!!!
Czerny, a master of the post-classicism of the likes of Kalkbrenner and Moscheles, here demonstrates flexibility as he writes a tune that could be mistaken for a full-fledged romantic composer like Mendelssohn or Chopin.
This is when Schumann and Chopin bow to the great master
I studied No13 - then I accidentally skipped to the last page of 12. And then I had to record 12 first :)
@@PianoScoreVids the etude 13 Is very Hard, the left hand is really Hard more than Rachmaninov OP.16-4
I would like to know how many times do you read a piece or how do you study before recording? Do you do it as Fumecri Himecri per sheet? and you join the video?
@@czeynerpianistproducercomp7155 for this piece I played it through 1 or 2 times, and then the second or third time after first-sight I made the recording. I don't stop within a recording normally. In early days I often stopped and put the things together on the PC, but I feel like the 'flow' of the interpretation totally gets lost. However, if there is a very clear ABA structure, and B for example is a very virtuosic part, I might play B separately because It would be study to play A 10 times again only to find the right B interpretation. If for example A takes 2 minutes, I saved 20 minutes. However, nowadays I often still play A again. Because I noticed that although the performance from sight reading already is often 'ok', playing it a lot of times in succession helps to properly phrase things and play it better. Czernys music often is formulaic. This helps me a lot of instantly capturing harmonic progressions, left hand figurations, dynamic changes, swells in articulation and phrasing. For example, if there are long 'leggiero' right hand runs, I struggle, because I don't encounter these things too often in the music I play. And the way the phrases end can be very different, so attention to the detail is needed. I also edited a couple of notes very slightly, but it would not have been necessary. For example in the piece yesterday, with the big jumps in the right hand, because of my laziness I edited a couple wrong notes there. The reason is, that I believe that I could without problem play it in real life without error, but it would just need more time to practice, and more concentration (I was rather tired). Since I am a bit impatient, I want to immediately have the recording normally. And since I don't really get any money (except a couple generous donations) and don't talk about it, nobody should really care anyway because it doesn't really matter.
This is certainly one of the most beautiful pieces on gamma's channel but I wouldn't go that far lol
Amazing piece, though no. 16 is still the best in this opus, in my opinion. You might want to play it
It sounds really nice. Is this from the VSL library?
Oh yes. I think it's one of my favorite sound so far in the channel... of course it depends on the piece too
@@PianoScoreVids Never was fortunate enough to try one, but from what I hear, they seem to be the RR of the piano VST's. The narrow mic-distance fits in well with Czerny.