@@stanleye.9038 The key words are "in detail" :-) For example, now that we have separated tracks of some songs, we can see even the expert Japanese transcribers of "Beatles Scores" got many things wrong. Not badly wrong, just the _details._
@@JanPBtest Ohhhhhh ok. I was just [trying] to be funny. :-) I understand the "in detail" part. I transcribe a lot of Beatles scores (full) on computer. When I separate the parts onto their [own] tracks, I could not imagine what a time that Mr. George Martin had while sifting through reels of tape to put things together -- especially, when he, successfully, merged "Strawberry Fields Forever" from two different keys & speeds... and on a four-track, mixing console. I managed to get a hold of the musical-notation (not bab) scores (vocals, percussion, strings, horns, etc.) of all their songs.... a priceless collection that I will *never* give up .
@@stanleye.9038 Another bit I got a brand-new appreciation for is Wendy Carlos' "Switched-On Bach". Just _try_ to do what she did using, say, the Arturia emulation of the Moog modular and nothing else besides a recording machine of some kind. Without MIDI the necessary syncing of the parts must be done with a click track - it's a 100% nightmare. It took me forever to get just a 4-part bit of Monteverdi in sync, parts played live (that's what she did).
Interesting how the tambura seems to start and stop abruptly. Is it being looped or played backwards? Never noticed that before either. I agree the tambura really ties the whole song together with its hypnotic drone.
@@mrduckbutt George is the one playing the tambura. It's possible it could be looped, but I doubt it was a backward recording. To me it sounds like typical Indian Classical Music. At a guess, I'd say it's probably played as it should be. Any abrupt start and stop of the instrument might be from editing. Considering the way the Beatles messed around with trying out new or different things, effects and techniques, I suppose anything is possible.
Sgt. Pepper's Lonely Hearts Club Band 1967 00:00 Drums 03:43 Bass 07:12 Lowrey organ And Electric Guitar 10:50 Vocals 14:19 Tambura, Maracas, Piano, Acoustic Guitar And Lowrey Organ Personnel Drums (1964 Ludwig Super Classic Black Oyster Pearl): Ringo Starr Maracas: George Harrison Bass (Rickenbacker 4001S): Paul Mccartney Acoustic Guitar (Gibson J-160E): John Lennon Electric Guitar (Fender Stratocaster or Ephiphone Casino): George Harrison Piano (Steinway Baby Grand Piano): George Martin Organ (Lowrey Organ): Paul Mccartney Tamboura: George Harrison Lead Vocals: John Lennon Harmony Vocals: John Lennon, Paul Mccartney Backing Vocals: George Harrison
I Just find these Isolated Tracks absolutely amazing! They're a fascinating window into the construction of a song. Now I want to hear every Isolated Beatle song lol Thanks for uploading
Drum track is a study in warm cymbal sound recording/reproduction. One overhead mic gave them true sound with minimal phase interference. Some pics show a single Coles or STC ribbon overhead.
Yep. The bassline and the organ make the song even more dreamlike and mysterious, both adding to the clever picturebook lyrics. Add the tambura, undersea guitar and Ringo’s perfect beat and you get a true full band effort to make a perfect song ♥️
Isn't anybody surprised that so many "not necessarily brilliant" parts played together make up so much brilliance! Taken one by one, hardly any one of these tracks floors you... put them together.... Sgt Pepperm the masterpiece. !
Yes, I was struck by how sloppy, well not exactly sloopy but maybe how untight some of the instrumental tracks were. It was the first thing I noticed and was surprised by. Then there put together and end up sounding close to perfect. At the mixing stage some of the instrumental tracks ended up low in the mix or were faded in or out at critical points. The vocals are all suberb when they have to be and the tracks all work together. The engineers and George Martin deserve a round of applause for their work on this.
Again... thank you for these "Deconstructed / Isolated" tracks... a big help to my own "The Beatles" play list. Perhaps if others view it [if I ever finish the research on it] others will see the nice links that you had uploaded. :-) Regarding certain *other* channels, it was difficult trying to find decent material for the 1966 to 1970 era.
@@eddievhfan1984 That's the sound of guitar with Leslie on fast. George quickly switches the Leslie from slow to fast before the chorus begins. You can hear it clearly on the remaster th-cam.com/video/naoknj1ebqI/w-d-xo.html The guitar note dies out but George presses the string against the frets, accidentally making a faint "hammer-on" note for the chorus.
That ride cymbal in the middle section sounds amazing. And the ride in the final chorus as well. What is missing in a lot of modern "pop" music is dynamic and carefull arrangements. Apparently, starting in late 1965, Macca would overdub the bass parts last, after everything else was done. The perhaps unintended benefit of this was the fact that Macca was not actually a "just a bass player". He was a composer and singer and multi indtrumentslist. Bass being the only instrument in his repertoir that he learned *reluctantly*. Imo, thid gave him a big creative advantage. He didn't "need" to be protective or defensive about the bass parts. He could be totally free and "unattached" to the low end. It was only one part of his overall creative input. However, his ability to "do it all" could wear the others down, esp George. Peace.
Also don’t forget some of his songs like Maxwell’s Silver Hammer could really wear the others down. Imagine spending so much time on the details of a song like that. Nevertheless Macca was a perfectionist no doubt and incredibly versatile.
@@hw343434 The Beatles did over one hundred takes of George's song (IIRC) Not Guilty. I am sure that Paul became quite sick of it by the end. The difference is Paul, unlike George, never complained or talked about his annoyance to anyone who would listen. Ultimately, after all that work, George did not let them use it on Abbey Road.
He did. His first instrument (as a teen) was the piano. Go to TH-cam and look up an unreleased Beatles instrumental song from 1969: Castle of the King of the Birds. It features Paul playing organ on what sounds like the opening of Led Zeppelin's Your Time is Gonna Come, which was released later! Paul was ahead of his time in pop/rock music (once again).
That Lowry organ is one of my favorite sounds ever. It's so psychedelic and uplifting even though John insists it's only supposed to be like Alice in Wonderland
7:45 A simple little slide part like this, and then George becomes a fantastic slide player in the early 70's. This part doesn’t sound great alone, but it sits in the song like magic.
I love how sloppy John's rythym guitar is.I also spotted a mistake in the keyboard part and one on the organ track. Great sounding cymbals on this one as well.I bet the one with the rivets is a K Zildjian.
Yes and the Cymbal Sound also benefits from single miking from above rather than multiple mics which costs as we know many phase issues. Most of his drum recordings seem to have a characteristic compression on them very heavy limiting of the frequencies at the first part of the envelope on the symbols giving it kind of a muffled attack, but then the full character and warmth comes through after that, some of the old studio pics show a Coles or STC Ribbon mic overhead on drums, even warmer cymbal sound from those but maybe they were picking up too much studio leakage (And the Beatles did at times use large speaker cabinets instead of headphones in some of the early day recordings I think)
@@TiqueO6 Agreed.Though now that I listen again I don't think the ride has rivets. It's just that there is so much compression that we can hear every nuance.
@@rosemarie92123 U have me all wrong. I LOVE the little mistakes the Beatles always left in. Not every band can leave errors in and the errors make the song even greater. Calling John's guitar sloppy is a compliment. he had a looseness to his playing that made the Beatles what they were. I am a professional musician.Check out my Beatle homages on my page. I love The Beatles music.
@@Vazmusic Agree wholeheartedly. I call them sweetnesses, those little random moments that seem accidental and are clearly 'wrong' but are so perfect the song would suffer with their absence.
Vocals, definitely can hear the raised harmonics (formants?) due to the variable pitch tech they used (invented?), maybe involved rotating heads? Such a cool effect!
DLD2 Music! Because they don’t know the difference between John and George’s playing. George was a more sensitive player than John and more technical. John was more rough and ready. Just like their personalities really. I don’t think John would do the bends and slides that are being played exquisitely on the electric so it has to be George playing them. It could of course always be Paul who seems to play everything. 😁
DLD2 Music! I think you may mean aggressive or raw not gross. John was a more rhythmic player. George was restrained and light of touch and more delicate and nuanced usually. I’m Only Sleeping is a good example of John’s acoustic playing.
At 6:57 for about a second or two you can hear a very clean pick on bass guit. sound, is that the actual sound of the bass for the whole track and some kind of filtering in the isolation process was keeping us from hearing that clear sound?
If you can tell on ringos cymbals? I've been drumming for quite some time his cymbal microphones are right above the cymbol, I don't have a lot of recording equipment at the moment at my disposal like I used to? So when I record my drumming I put my phone on a stanchion above my symbol so I can do my track so it doesn't have so much phase across to the left, I can't manually at the moment phase my instruments like I want to, so I just put my phone because it has a stereo microphone just above my drum set when I want to do a whole drum track if I want to do like a whole backing track and then if I want to add different parts of my drums like my symbols and my tom-toms I just hold the mic above them single , I have a makeshift stand that I use my phasing techniques so there's not so much cross phaze, I like how some people isolate these tracks and they are so brilliantly isolated that you can tell how the microphones are placed, I know on one of the other Beatles tracks it sounds like there's a double mic on Ringo's bass drum I can't remember the track, yes Ringo was one of the best rhythm drummers I've ever heard to this day, the simplicity makes his druming actually interesting to listen to when it's isolated, I happen to find more of a favor not just to Ringo's drumming but my drumming techniques were actually not really inspired by anyone but Mitch Mitchell Ringo and Nick Mason, I like the techniques, frumious bandersnatch? A group from the late sixties out of America you should hear them the drummer is absolutely fantastic, next to king crimson, just in case anyone's looking for ideas to do isolation track videos with King crimson and the above-mentioned bands check them out but yes I like to take the second to you know explain how he did this.
George played acoustic on this one. Basic track was Paul: lowrey organ john: maracas george: 1962 Gibson j160E George H Martin: Steinway Piano George overdubbed leslie electric guitar and tambura later
Quick comment: you have a couple of attributions wrong. George played the acoustic guitar, and John shook the maracas while singing. Just nitpicking. Fantastic work separating the tracks!
DLD, another stellar episode 👏👏🙏🙏 Question: there's supposedly an acoustic guitar in 'Within You Without You', is it audible in your deconstruction? I can never hear it...
I suggest the “guitar” they say John is playing could be the chorus electric. In my ears the guitar and guitarist changes after the middle period, as they go to the chorus. Those parts are on the same track. There are photos of them rehearsing this song with both George and John playing electric guitar. I never noticed the piano pattern that goes with the bass in verses. By the way, I would like to know has George Martin ever said he plays piano on this song, where does this information come?
What I hear - 1st chorus, Mc starts phrase JL joins in "with diamonds' in unison, 2nd phrase unison, 3rd phrase with harmony Mc a 3rd above the melody. 2nd chorus, 3x with harmony. 3rd chorus, 1st phrase unison, harmony next 2 phrases. Remaining choruses are harmonized. Again, this what I believe to be hearing. One other observation - JL & McC had an amazing 'blend' when singing in unison & their ability in 'horizontal' harmony was almost flawless. In my humble opinion.
@@pcbmusic1235 I'm note sure but I think that it's Paul because John would sing more raspy in these tones and JL has a more powerful voice. Its that I recognise when they sing in unison. My Humble opinion too and my humble English.
DLD2 is it the real studio tracks or did you isolated them by yourself? Do you think we can download them and mix them for fum or there are some missing frequencies, parts that are not isolated properly etc? Thank you very much anyways, it is great to hear that!
@@johnmccarthy4134 the Arrangement is as follows. John - Piano , Vocals. Paul - Lowrey Organ, Bass, Vocals. George - Acoustic guitar, Electric guitar, tampura. Ringo - Drums, Maracas.... The basic rhythm track was recorded with John on Piano and guide vocal, Paul on Lowrey Organ, George on Acoustic guitar and Ringo on Drums... Overdubs: John - Lead Vocal. Paul - backup vocal, Bass guitar. George - Electric leslied guitar, Tampura. Ringo - Maracas.
Know what you mean. The "Paul was the Beatles" meme that has been circulating on the web and in media for the past decade is flat out wrong and tiresome.
@@tool_fighter IKR. It just gets so boring comments of people who for some reason, cannot deal with the idea of John creating a great song. John was a genius conceptualizing songs, in an abstract manner, with visual references. It’s true that George Martin, mostly and Paul as well had important input in John’s songs, but they ignore the importance of John’s imagination, which, at the end, was what led the design of the final result. John wasn’t completely satisfied with this track because he felt there were some aspects that were unfinished and decisions were taken that he didn’t approve. It’s still a pretty cool song, just not my favorite though.
@@carl_anderson9315 He also penned some of their greatest songs (and riffs) especially pre-Rubber Soul, not to mention often adding bridges to Paul's songs (think "Life is very short..." in "We Can Work It Out"). Recency Bias is part of the problem. I recall JL often coming up Number One in Greatest Male Vocalist polls until 2004 or so. Now he barely gets mentioned.
Y’all are insane… Paul has been shat on for forty years because John died, Paul is DUE a lot of appreciation especially because he was just as important to the Beatles as John was. John got all the love from 1970 until just a decade or so ago. Give it a fucking rest and let Paul (and George!) have some love for once.
I won because i Love The Beatles and Daniel Franco Jr Escutia para Presidente de Cuitzeo Del Porvenir Michoacán México el Pueblo Miajico and also Silvano Auerlos Conejo y Mauro Ramón Ballesteros Figueroa said El Profesor Daniel Franco Jr Escutia para Presidente de Morelia Michoacán México y la Esposa de x Amigo está conmigo para siempre y 84 Billones de dólares hoy
![[#2024MAMA] G-DRAGON - 무제(Untitled, 2014)+POWER+HOME SWEET HOME+뱅뱅뱅+FANTASTIC BABY | Mnet 241123 방송](http://i.ytimg.com/vi/Ox29z5Nf1Uk/mqdefault.jpg)
I spent my 20 years unplugging speakers and hard panning my stereo hoping I could hear the parts in detail. This is a dream
How do they separate the instruments. It's brilliant especially on lucy.
Twenty years...?! All you had to do was use the volume & the balance knobs. :p
@@stanleye.9038 The key words are "in detail" :-) For example, now that we have separated tracks of some songs, we can see even the expert Japanese transcribers of "Beatles Scores" got many things wrong. Not badly wrong, just the _details._
@@JanPBtest Ohhhhhh ok. I was just [trying] to be funny. :-) I understand the "in detail" part. I transcribe a lot of Beatles scores (full) on computer. When I separate the parts onto their [own] tracks, I could not imagine what a time that Mr. George Martin had while sifting through reels of tape to put things together -- especially, when he, successfully, merged "Strawberry Fields Forever" from two different keys & speeds... and on a four-track, mixing console.
I managed to get a hold of the musical-notation (not bab) scores (vocals, percussion, strings, horns, etc.) of all their songs.... a priceless collection that I will *never* give up .
@@stanleye.9038 Another bit I got a brand-new appreciation for is Wendy Carlos' "Switched-On Bach". Just _try_ to do what she did using, say, the Arturia emulation of the Moog modular and nothing else besides a recording machine of some kind. Without MIDI the necessary syncing of the parts must be done with a click track - it's a 100% nightmare. It took me forever to get just a 4-part bit of Monteverdi in sync, parts played live (that's what she did).
The organ parts by Paul are absolutely haunting and out of this world.
I can’t stop listening… fits the song perfectly!
also tambura
... I always thought it was George doing that!!!......
it's the tambura by george, really atmospheric
That tambura makes such a dreamlike, hypnotic sound, even when isolated. It's almost otherworldly.
Interesting how the tambura seems to start and stop abruptly. Is it being looped or played backwards? Never noticed that before either. I agree the tambura really ties the whole song together with its hypnotic drone.
@@mrduckbutt George is the one playing the tambura. It's possible it could be looped, but I doubt it was a backward recording. To me it sounds like typical Indian Classical Music. At a guess, I'd say it's probably played as it should be. Any abrupt start and stop of the instrument might be from editing. Considering the way the Beatles messed around with trying out new or different things, effects and techniques, I suppose anything is possible.
Ringo`s work is standalone piece again. Paul`s bass is triphop
This song is so perfect. John's voice sounds like an angel.
th-cam.com/video/7EVGRTTaNuQ/w-d-xo.html
John’s guide vocal in the drum track is so cool
John's guide vocal notes:
⬆️➡️⬇️➡️⬆️➡️⬇️
Just in case you haven't heard it, look for the Anthology version of the song
@@ajhhc I just wanted to mention that. I did not know that THAT version was the base for the final, released one.
@@SprayJuice what spray juice is that
Their VOCALS are just the best!!! It's 2020 and they still manage to make my ears so very happy...Thanks for posting...
I always loved the dreaminess of these vocals. I absolutely love the REMIXED version of this song.
Sgt. Pepper's Lonely Hearts Club Band 1967
00:00 Drums
03:43 Bass
07:12 Lowrey organ And Electric Guitar
10:50 Vocals
14:19 Tambura, Maracas, Piano, Acoustic Guitar And Lowrey Organ
Personnel
Drums (1964 Ludwig Super Classic Black Oyster Pearl): Ringo Starr
Maracas: George Harrison
Bass (Rickenbacker 4001S): Paul Mccartney
Acoustic Guitar (Gibson J-160E): John Lennon
Electric Guitar (Fender Stratocaster or Ephiphone Casino): George Harrison
Piano (Steinway Baby Grand Piano): George Martin
Organ (Lowrey Organ): Paul Mccartney
Tamboura: George Harrison
Lead Vocals: John Lennon
Harmony Vocals: John Lennon, Paul Mccartney
Backing Vocals: George Harrison
I Just find these Isolated Tracks absolutely amazing! They're a fascinating window into the construction of a song. Now I want to hear every Isolated Beatle song lol Thanks for uploading
Ohhh thanks ❤
I started to isolate revolver these days, but the video of im only spleeping and i want to tell are blocked, in a few days they will be public
@@chroma6385 the beatles songs are very very difficult to replay in youtube, the copyright is very strong
@@chroma6385 youre welcome, keep watching, i will upload more songs
@@DLD2Music Will do . I've just subscribed. I'm No. 442 :)
The vocals are majestic!
Drum track is a study in warm cymbal sound recording/reproduction. One overhead mic gave them true sound with minimal phase interference. Some pics show a single Coles or STC ribbon overhead.
true. the smack from Ringo is probably due to the DK20 under the snare
One of the best bass lines ever composed. John gets all that credit for this but it just wouldn’t be the same without maccas input into this sing
Yep. The bassline and the organ make the song even more dreamlike and mysterious, both adding to the clever picturebook lyrics. Add the tambura, undersea guitar and Ringo’s perfect beat and you get a true full band effort to make a perfect song ♥️
La guitarra eléctrica de George y el órgano de Paul le dan ese toque psicodélico a la canción, es épico!
sin olvidar la tambura, es la cereza del pastel
@@lalolucasgmz717 Sí!
The simple genius that was Ringo!
Isn't anybody surprised that so many "not necessarily brilliant" parts played together make up so much brilliance! Taken one by one, hardly any one of these tracks floors you... put them together.... Sgt Pepperm the masterpiece. !
Yes, I was struck by how sloppy, well not exactly sloopy but maybe how untight some of the instrumental tracks were. It was the first thing I noticed and was surprised by. Then there put together and end up sounding close to perfect. At the mixing stage some of the instrumental tracks ended up low in the mix or were faded in or out at critical points. The vocals are all suberb when they have to be and the tracks all work together. The engineers and George Martin deserve a round of applause for their work on this.
Just what l was thinking ,isolated it sounds very ragged and not much musically ....but great when mixed together
lo que mas me encanto de esto fue el bajo, Grande Sir Paul McCartney
The bass line of Macca is absolutely amazing!
Man, those harmonies!!
Their productions were decades ahead of their time.
As raw, these tracks are almost rough, but add the mixing process and voila...CLASSIC!
Which part of “the mix” are you talking about
Acoustic guitar reminds me of a day in the life
Absolutely stunning!!! Incredible! Amazing! Brilliant! Stupendous! Spectacular! (And every other adjective one can think of). Over the top awesome!
10:29 George's Mini Guitar Solo
No question, one of the very best channels on TH-cam...
Thanks. I love these!
I love the handclaps during the vocal to keep time.
These dudes. Could. SING!!!!!! - LISTEN TO THAT HARMONY!!!!!
wonderful bass and melody
Well I'll be dammed. There is an acoustic guitar in it. Love the way it's recorded....
How I love them
The organ and tambura sound so cool ♥️
Magic song
I feel fab, like a Beatle. Im playin it man, Im playing it! Thank you Thank you!
God they had some high ass vocals
The varispeed also helps in some cases. hehe
@@eddievhfan1984 I thought it was rubber bands ...
@@nicholaswatson8119 Hmm? Could you clarify further?
@@eddievhfan1984 I'll leave it to your imagination
@@nicholaswatson8119 I think I take your meaning. lol
This is great. Thank you. The vocals are, as always, amazing.
The guitar, wow
I love the little vocal anomalies at 12:16, 13:41, and 13:51.
Drums-0:48
Lowrey Organ and Electric guitar-8:02
Tampura, maracas, piano, acoustic guitar...-15:08
Vocals-11:33
Its Tanpura not tambura
There's only one word to say: Fantastic!
Again... thank you for these "Deconstructed / Isolated" tracks... a big help to my own "The Beatles" play list. Perhaps if others view it [if I ever finish the research on it] others will see the nice links that you had uploaded. :-)
Regarding certain *other* channels, it was difficult trying to find decent material for the 1966 to 1970 era.
During the chorus, you can hear can Paul's being doubled by (or is even doubling) organ bass. That Leslie swirl and tonewheel leakage is unmistakable.
I was thinking the bass itself was sent through a Leslie for the entire song. Unless it's leakage, you can hear the speaker rotation between phrases.
@@rusmiller816 Could be leakage, now that I think of it.
Timestamp please?
@@Kris.G 4:25
@@eddievhfan1984 That's the sound of guitar with Leslie on fast. George quickly switches the Leslie from slow to fast before the chorus begins. You can hear it clearly on the remaster th-cam.com/video/naoknj1ebqI/w-d-xo.html The guitar note dies out but George presses the string against the frets, accidentally making a faint "hammer-on" note for the chorus.
The flanging is pretty cool as well as the electric guitar mimicking the vocal during a verse... They're still ahead of the times.
Lennon was the king of timeless riffs
The intro was composed by McCartney.
@@vicentemontequin4113 it wasn't, it was Lennon's composition
@@tomasmauro2436 George Martin said that Paul improvised the intro of "Lucy In The Sky With Diamonds".
Paul's intro riff
Paul did the intro but your observation remains a fact.
Good job DLD2 - subscribed & waiting for more.
Congrats Bro! You are amazing!
Thanks ❤
16:50 wow! Amazing tune of The Beatles by 1967 "Peace and Love" ✌️
Es genial la primera imagen d john y paul
La línea de bajo está dentro de mi top 5 líneas de bajo de The Beatles
i love you. thank you
That ride cymbal in the middle section sounds amazing. And the ride in the final chorus as well. What is missing in a lot of modern "pop" music is dynamic and carefull arrangements. Apparently, starting in late 1965, Macca would overdub the bass parts last, after everything else was done. The perhaps unintended benefit of this was the fact that Macca was not actually a "just a bass player". He was a composer and singer and multi indtrumentslist. Bass being the only instrument in his repertoir that he learned *reluctantly*. Imo, thid gave him a big creative advantage. He didn't "need" to be protective or defensive about the bass parts. He could be totally free and "unattached" to the low end. It was only one part of his overall creative input. However, his ability to "do it all" could wear the others down, esp George. Peace.
Also don’t forget some of his songs like Maxwell’s Silver Hammer could really wear the others down. Imagine spending so much time on the details of a song like that. Nevertheless Macca was a perfectionist no doubt and incredibly versatile.
Today's music is just computers overdubbing each other.
@@hw343434 The Beatles did over one hundred takes of George's song (IIRC) Not Guilty. I am sure that Paul became quite sick of it by the end. The difference is Paul, unlike George, never complained or talked about his annoyance to anyone who would listen. Ultimately, after all that work, George did not let them use it on Abbey Road.
Fantastic!!!!
Paul played the organ? I wouldn't have guessed that.
yes
He did. His first instrument (as a teen) was the piano. Go to TH-cam and look up an unreleased Beatles instrumental song from 1969: Castle of the King of the Birds. It features Paul playing organ on what sounds like the opening of Led Zeppelin's Your Time is Gonna Come, which was released later! Paul was ahead of his time in pop/rock music (once again).
@@murphy6700 Oh my gosh I had no idea that song existed! Awesome! :)
9:39 Paul’s tiny little mess-up is so cute and adds character, I ain’t even mad ;)
Awesome!!
Это ШЕДЕВР!!
Thank you
Me encantan estos vídeos sigue así
That Lowry organ is one of my favorite sounds ever. It's so psychedelic and uplifting even though John insists it's only supposed to be like Alice in Wonderland
The drums are amazing
7:45 A simple little slide part like this, and then George becomes a fantastic slide player in the early 70's. This part doesn’t sound great alone, but it sits in the song like magic.
I enjoyed this one TOO MUCH!!! 😆 It's almost like I've got a Language ELSEWHERE
I'm not being Dark or Sarcastic Did we actually sound like a Band OUT THERE !?
I love how sloppy John's rythym guitar is.I also spotted a mistake in the keyboard part and one on the organ track. Great sounding cymbals on this one as well.I bet the one with the rivets is a K Zildjian.
Yes and the Cymbal Sound also benefits from single miking from above rather than multiple mics which costs as we know many phase issues. Most of his drum recordings seem to have a characteristic compression on them very heavy limiting of the frequencies at the first part of the envelope on the symbols giving it kind of a muffled attack, but then the full character and warmth comes through after that, some of the old studio pics show a Coles or STC Ribbon mic overhead on drums, even warmer cymbal sound from those but maybe they were picking up too much studio leakage (And the Beatles did at times use large speaker cabinets instead of headphones in some of the early day recordings I think)
@@TiqueO6 Agreed.Though now that I listen again I don't think the ride has rivets. It's just that there is so much compression that we can hear every nuance.
R ANY OF U GUYS MUSICIANS WITH SUPER EARS, JESUS, LETS HEAR YOUR SHIT!!!!
@@rosemarie92123 U have me all wrong. I LOVE the little mistakes the Beatles always left in. Not every band can leave errors in and the errors make the song even greater. Calling John's guitar sloppy is a compliment. he had a looseness to his playing that made the Beatles what they were. I am a professional musician.Check out my Beatle homages on my page. I love The Beatles music.
@@Vazmusic Agree wholeheartedly. I call them sweetnesses, those little random moments that seem accidental and are clearly 'wrong' but are so perfect the song would suffer with their absence.
Vocals, definitely can hear the raised harmonics (formants?) due to the variable pitch tech they used (invented?), maybe involved rotating heads? Such a cool effect!
George Harrison’s ‘watery’ guitar on this is brilliant
Sounds like George playing electric through a Leslie speaker or flanged and John on acoustic.
Well that's what I say but nobody supports me
DLD2 Music! Because they don’t know the difference between John and George’s playing. George was a more sensitive player than John and more technical. John was more rough and ready. Just like their personalities really. I don’t think John would do the bends and slides that are being played exquisitely on the electric so it has to be George playing them. It could of course always be Paul who seems to play everything. 😁
@@BigSky1 Exactly, this is George's way of playing, George was more electric, and John was more acoustic
@@BigSky1 and john was more gross with the guitar that has an example in im only sleeping
DLD2 Music! I think you may mean aggressive or raw not gross. John was a more rhythmic player. George was restrained and light of touch and more delicate and nuanced usually. I’m Only Sleeping is a good example of John’s acoustic playing.
It got NO better than this..
in lots of these decons, like this one, the bass sounds like its clipping, or the cab is reverberating, its so bizare
Yess, thanks
Aight, As a guitar person, George Harrison is using an Epiphone Casino 1965 230TD (Identified by the bass-like sound)
At 6:57 for about a second or two you can hear a very clean pick on bass guit. sound, is that the actual sound of the bass for the whole track and some kind of filtering in the isolation process was keeping us from hearing that clear sound?
it might be a filtering issue. it sounds like paul had his bridge pickup on but he no doubt recorded this with the neck only.
The bass was recorded direct into the consul
If you can tell on ringos cymbals? I've been drumming for quite some time his cymbal microphones are right above the cymbol, I don't have a lot of recording equipment at the moment at my disposal like I used to? So when I record my drumming I put my phone on a stanchion above my symbol so I can do my track so it doesn't have so much phase across to the left, I can't manually at the moment phase my instruments like I want to, so I just put my phone because it has a stereo microphone just above my drum set when I want to do a whole drum track if I want to do like a whole backing track and then if I want to add different parts of my drums like my symbols and my tom-toms I just hold the mic above them single , I have a makeshift stand that I use my phasing techniques so there's not so much cross phaze, I like how some people isolate these tracks and they are so brilliantly isolated that you can tell how the microphones are placed, I know on one of the other Beatles tracks it sounds like there's a double mic on Ringo's bass drum I can't remember the track, yes Ringo was one of the best rhythm drummers I've ever heard to this day, the simplicity makes his druming actually interesting to listen to when it's isolated, I happen to find more of a favor not just to Ringo's drumming but my drumming techniques were actually not really inspired by anyone but Mitch Mitchell Ringo and Nick Mason, I like the techniques, frumious bandersnatch? A group from the late sixties out of America you should hear them the drummer is absolutely fantastic, next to king crimson, just in case anyone's looking for ideas to do isolation track videos with King crimson and the above-mentioned bands check them out but yes I like to take the second to you know explain how he did this.
8:00 here comes George playing into the Leslie!
George played acoustic on this one. Basic track was
Paul: lowrey organ
john: maracas
george: 1962 Gibson j160E
George H Martin: Steinway Piano
George overdubbed leslie electric guitar and tambura later
And Paul overdubbed bass
Quick comment: you have a couple of attributions wrong. George played the acoustic guitar, and John shook the maracas while singing. Just nitpicking. Fantastic work separating the tracks!
maybe
Ode to joy!
DLD, another stellar episode 👏👏🙏🙏
Question: there's supposedly an acoustic guitar in 'Within You Without You', is it audible in your deconstruction? I can never hear it...
@@DLD2Music ok, good, I'm not crazy, lol... 🙏
Ringo rules!
The boys at their peak ...
Sad to see that everything but the drums and bass had to be muted 😢
I always thought John wrote that gorgeous keyboard part, I guess it could of been Paul...
John was playing Maracas
I suggest the “guitar” they say John is playing could be the chorus electric. In my ears the guitar and guitarist changes after the middle period, as they go to the chorus. Those parts are on the same track. There are photos of them rehearsing this song with both George and John playing electric guitar. I never noticed the piano pattern that goes with the bass in verses. By the way, I would like to know has George Martin ever said he plays piano on this song, where does this information come?
Some of the vocal tracks have been sung slower, and to a lower pitch, then speeded up to the original pitch.
Certain parts are muted now it seems. The lowery organ has one note and the vocals are gone completely. I really wanted to hear this separated 😢
@@JoshLooperMusic th-cam.com/video/PzO-7fvb3mA/w-d-xo.htmlsi=7toABEz9BcSxSEjS
Sure sounds like Paul is playing his Hofner bass on these tracks , but I've read that it was the Rickenbacker. Sounds more like the Hofmer to me.
Anyone know what guitar effect George was using during chorus ?
11:34 who said that part, "Lucy in the" sounds like Paul. But "Sky" sounds like. John. What do you think?
the both
@@DLD2Music It's only one of them in that part.
It’s John , you can tell by his voice , Paul’s singing backing vocals
What I hear - 1st chorus, Mc starts phrase JL joins in "with diamonds' in unison, 2nd phrase unison, 3rd phrase with harmony Mc a 3rd above the melody. 2nd chorus, 3x with harmony. 3rd chorus, 1st phrase unison, harmony next 2 phrases. Remaining choruses are harmonized. Again, this what I believe to be hearing.
One other observation - JL & McC had an amazing 'blend' when singing in unison & their ability in 'horizontal' harmony was almost flawless. In my humble opinion.
@@pcbmusic1235 I'm note sure but I think that it's Paul because John would sing more raspy in these tones and JL has a more powerful voice. Its that I recognise when they sing in unison. My Humble opinion too and my humble English.
Con esa batería puedes hacer hip hop 👌
DLD2 is it the real studio tracks or did you isolated them by yourself? Do you think we can download them and mix them for fum or there are some missing frequencies, parts that are not isolated properly etc? Thank you very much anyways, it is great to hear that!
Yes, you can. Its the real studio tracks and isolated a little too
How did you make five stems out of a four-track recording?
Almost sounds like they ran the Tambura through a Leslie, turning slowly
Thx Genius….well documented how this song was recorded
@@Oh_I_Will Just saying what it sounded like. Don't make anymore out of it than that pit breath
No son las de rockband? Por último hablas español?
sep son las de rockband, y creo que ya respondí la segunda pregunta
I like 7:12
4:27
La miniatura es el mclennon real
More clams than a New England clambake, but perfect nonetheless.
I’m not sure what this means…
en el minuto 11:34 canta Paul?
si
El que canta es John, pero Paul también era vocalista, y otro pero es que John tenia la voz más aguda y se podía confundir con Paul...
Yo tengo la misma duda... Aun no estoy seguro.... 🤔Lucy in the... Suena como Paul pero Sky suena como John... 😮.
Paul canta los coros en esta canción
@@juliocesarsolis1618 X2
a bit too isolated I guess...
The acoustic guitar is George too
no, it was john
@@DLD2Music It's George. I'll sue you.
@@franciscoarteagasanchez5197 No I'll sue you.
John’s guitar?
john in Acoustic Guitar
@DLD2 Music! According to a few authors George is acoustic and lead. For John, it just says “guitar”
what would be the guitar then?
@bober_ john plays acoustic guitar and harrison electric
@@johnmccarthy4134 the Arrangement is as follows. John - Piano , Vocals. Paul - Lowrey Organ, Bass, Vocals. George - Acoustic guitar, Electric guitar, tampura. Ringo - Drums, Maracas.... The basic rhythm track was recorded with John on Piano and guide vocal, Paul on Lowrey Organ, George on Acoustic guitar and Ringo on Drums... Overdubs: John - Lead Vocal. Paul - backup vocal, Bass guitar. George - Electric leslied guitar, Tampura. Ringo - Maracas.
Let me guess: Paul wrote, arranged, produced, sang, danced, painted, financed and choreographed this song too 🙄
I rather go to Spotify.
Know what you mean. The "Paul was the Beatles" meme that has been circulating on the web and in media for the past decade is flat out wrong and tiresome.
@@tool_fighter IKR. It just gets so boring comments of people who for some reason, cannot deal with the idea of John creating a great song. John was a genius conceptualizing songs, in an abstract manner, with visual references. It’s true that George Martin, mostly and Paul as well had important input in John’s songs, but they ignore the importance of John’s imagination, which, at the end, was what led the design of the final result. John wasn’t completely satisfied with this track because he felt there were some aspects that were unfinished and decisions were taken that he didn’t approve. It’s still a pretty cool song, just not my favorite though.
@@carl_anderson9315 He also penned some of their greatest songs (and riffs) especially pre-Rubber Soul, not to mention often adding bridges to Paul's songs (think "Life is very short..." in "We Can Work It Out"). Recency Bias is part of the problem. I recall JL often coming up Number One in Greatest Male Vocalist polls until 2004 or so. Now he barely gets mentioned.
Y’all are insane… Paul has been shat on for forty years because John died, Paul is DUE a lot of appreciation especially because he was just as important to the Beatles as John was. John got all the love from 1970 until just a decade or so ago. Give it a fucking rest and let Paul (and George!) have some love for once.
@@thesilvershining Before you were born they both got credit as a team. Do they pay people to troll all of the sites ? Hmm?
The organ melody is John's, not Paul's. There is a documentary where George Martin explains just that.
Ok then…post the name of the Documentary, genius
No it was Paul. Show proof
The one I saw, George Martin said Paul improvised the intro melody 🤷🏻♀️
You can't hear John's fantastic vocals though. So ruins it.
I won because i Love The Beatles and Daniel Franco Jr Escutia para Presidente de Cuitzeo Del Porvenir Michoacán México el Pueblo Miajico and also Silvano Auerlos Conejo y Mauro Ramón Ballesteros Figueroa said El Profesor Daniel Franco Jr Escutia para Presidente de Morelia Michoacán México y la Esposa de x Amigo está conmigo para siempre y 84 Billones de dólares hoy
Rings was more of a time-keeper than a drummer.
th-cam.com/video/7EVGRTTaNuQ/w-d-xo.html
That’s what a drummer is lol