LA CENERENTOLA by Gioachino Rossini, live from the Boboli Gardens in Florence
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- เผยแพร่เมื่อ 18 ต.ค. 2024
- LA CENERENTOLA
by Gioachino Rossini
Live from the Boboli Gardens
Florence
29 August 2020
PRESENTED BY
The New Generation Festival & The Uffizi Galleries
CAST
Angelina - “Cenerentola” SVETLINA STOYANOVA
Don Ramiro JOSH LOVELL
Dandini GURGEN BAVEYAN
Don Magnifico DANIEL MIROSŁAW
Tisbe MARVIC MONREAL
Clorinda GIORGIA PACI
Alidoro BLAISE MALABA
CREATIVE TEAM
Conductor SÁNDOR KÁROLYI
Director JEAN-ROMAIN VESPERINI
Costume Designer ANNA MARIA HEINREICH
Lightning Designer CHRISTOPHE CHAUPIN
Projection Designers ETIENNE GUIOL
ANOUAR BRISSEL
Assistant Director CLAIRE MANJARRES
Orchestra ORCHESTRA SENZASPINE
Film Director ALESSANDRO PARRELLO
Assistant Film Director PEPPE ANGILERI
d.o.p. MICHEL FRANCO
COSTUMES
Costume Designer ANNA MARIA HEINREICH
Costume Supervisor LALLY BROOME
Associate Costume Designer ZARA BOATTO
Costume Department Assistant IZU CAMPBELL-LANGE
Costume Department Assistant COSIMA ROSS
SPECIAL THANKS TO:
TIRELLI COSTUMI
MAISON POMPEI
VIBI VENEZIA FURLANE
COVERS CAST
ANTONIO MANDRILLO
ROBERTO MAIETTA
HAZAR MÜRŞITPINAR
REBECCA BARRY
ALEXANDRA LOWE
PAWEŁ TROJAK
CHORUS
LUIS AGUILAR
DANIEL BARRETT
ARCHIE BUCHANAN
ROSS FETTES
MATTHEW MCKINNEY
GONZALO ANTONIO GODOY SEPÚLVEDA
BEKIR SERBEST
KYLE PATRICK SULLIVAN
MUSIC DEPARTMENT
Head of Music JULIA LYNCH
Director Mascarade Opera Studio RALPH STREHLE
Répétiteurs HENRY WEBSDALE
KRISTINA YORGOVA
Orchestra Manager BEN KEARSLEY
Assistant Orchestra Manager VIVEK HARIA
MAKE-UP & ACCESSORIES
Hair & make-up artists CRISTINA VISCONTI
ELENA POLVANI
Jewellery and make-up artist TILLY AYRTON-GRIME
OCTOPUSSY JEWELS
BACKSTAGE
Lighting and Sound THOMAS CHINNERY
POWER RENT
Stage Manager REBECCA MOORE
Deputy Stage Manager BRYONY RELF
Assistant Stage Manager VANESSA CODUTTI
Assistant Stage Manager ALESSANDRO ROSSETTI
Assistant Stage Manager VICTORIA STEVENS
Assistant Stage Manager MARIALUISA BAFUNNO
Company Manager TESS ELLISON
Assistant Company Manager ELLIE WALKER
OPERATIONS
Head of Artistic Relations ANUSH HOVHANNISYAN
Administrator of The NGF SOPHIE HARLEY
Communications & Members Liaison MARINA WINDSOR
Administrator Mascarade Opera Studio GIULIA RAGIONIERI
Fondazione Mascarade Opera Intern GINEVRA POLI
PRODUCTION
Production Managers LORENZO CORSINI
TOMMASO CORSINI
Production Management CORSINI EVENTS
Lighting and Sound POWER RENT
Film & Live Streaming ALESSANDRO PARRELLO
WEST 46TH FILMS
Production Assistants CARLOTTA BERTINI
ALLEGRA LISTRI
TOMMASO NARDINI
PRODUCED BY
MAXIMILIAN FANE
ROGER GRANVILLE
FRANKIE PARHAM
![⭐ฮิตในTikTok!! ( มะมะมะหมูเด้ง MooDeng ) Ver. แดนซ์ ReMix BY [ ดีเจกิต รีมิกซ์ ]](http://i.ytimg.com/vi/4noyAoMa7bQ/mqdefault.jpg)
UNA TOTAL SORPRESA ESTA INESPERADA VERSIÓN DE UNA DE LAS TANTAS OBRAS MAESTRAS DE ROSSINI, CON DIRECTOR, ORQUESTA, ESCENOGRAFÍA E INTÉRPRETES DE LUJP
Stupendi tutti bravi le scene magnifiche Boboli è il luogo più adatto per tutte le opere peccato non esserci di persona visto che abito a pochi passi bravissimi
Очень,очень красивый спектакль!Яркий,как фейерверк!Прекрасная сказка!Оформление изысканно и оригинально!И музыка Дж.Россини всегда упоительна!Благодарю за предоставленное наслаждение!
Daniel Miroslaw is spectacular, in both diction and phrasing. Funniest Don Magnifico since Montarsolo and Corbelli!
Do you find him funny? I actually found him to be too serious and too angry! Also looking and acting too young to be the father of two adult girls. But I liked his singing very much.
@@johnsarkissian5519 I found his comedic timing impeccable, yes, despite a body language that was maybe a bit stiff. But then Corbelli, Dara, and Montarsolo aren't that much different
@@VladChess I agree with you about his comedic timing. On the other hand, Corbelli, Montarsolo and Dara really looked the part. They were already funny to look at. But a young and good looking man with hardly any makeup and a rather stern facial expression doesn’t look funny to me. That said, Baveyan (singing Dandini) is also young and good looking, and I have seen him in serious roles where he is fantastic, and yet here he also manages to be extremely funny. Perhaps it’s just a matter of facial expressions.
What a magnificent prodution. Even though the singers aren't superstars they are just as good. The sings and acting is outsranding. Even the orcheastra was wounderful. All I can say is, this is fantastic. Thankyou so much for posting this.
Bellissima regia bellissimi colori ❤❤❤❤❤ in sincronia e cromia con la trama e i costumi stupidi del 700
Seen this opera many times and never saw it as gloriously portrayed as this in living color!!! Also the patter is excellent!
So you've seen a film of it in black and white before?
Maravillosa, descubrí recién esta presentación y me ha encantado, maravillosa! Bravo!!
Oh! What a great voices!
Viva la gioventù! Questa edizione del capolavoro rossiniano probabilmente non passerà alla storia, ma scenografia, costumi, entusiasmo giovanile degli interpreti ne fanno uno spettacolo godibilissimo, pur in presenza di qualche imperfezione qua e là; criticabile, poi, la scelta di avere omesso la"aria di Alidoro", forse la più bella musica mai scritta per basso...
I'm still in the overture right now and I'm already flabbergasted.
Восхитительная постановка ! Понравилось все ! Спасибо за публикацию .
Belissimo, wunderschön. Eine großartiges Theater ! 😊💐
Splendida. Esecuzione in una scenografia e regia elegante come ormai raramente ci è dato goderne.Bravi!!!!!!!!!!!una CENERENTOLA. STREPITOSA!!!!!!
Thank you for posting this very nice performance, I wish Mrs Svetlina Stoyanova a bright future in the rossinian repertoire...
Visually stunning. Like seeing colour for the first time.
Ottima esecuzione !!! Bravissimi
Wonderful! I was not expecting an outdoor performance to be so good. Some amazing singing and interesting staging. I really appreciate this, especially during these frightening times when most theaters have been shuttered.
Thank you !!
I just happen to see this in my feed. Great luck. This production is mesmerizing.
Sem palavras … emocionante , belíssimo . A Cenerentola é um hino aos bons sentimentos, ao perdão, a bondade … faz bem ouvir !
A kaleidoscope of a production! I am not really a fan of back projections but in this case they were so creative and beautiful they deserved an applause all of there own. Svetlina Stoyanova is a delight, the costumes were fabulous and the lighting was better than most in house opera productions these days. Congratulations to all, and it is nice to see everyone involved fully credited. 10/10
WOW !!!!! ❤❤❤❤❤❤❤❤
El ÚNICO PROBLEMA DE ESTA MARAVILLOSA PRODUCCIÓN, ES LA ABSOLUTA AUSENCIA DE SUBTITULACIÓN. PARA MÍ ESO NO ES UNA FALTA, PUES LEO Y HABLO ITALIANO, PERO QUIZÁ LOS REALIZADORES DEBERÍAN HABERLA SUBTITULADO EN INGLÉS, FRANCÉS, ALEMÁN, ESPAÑOL U OTRO IDIOMA ACCESIBLE PARA LOS FANÁTICOS ROSSINIANOS.
I am familiar with the opera, have seen it many times, and have several recordings of it. But I'm not a native speaker of Italian, so it would have been helpful to have subtitles. But that's my only quibble. This is such a fun production, so lovely to look at. Good singing.
If you need italian subtitles: th-cam.com/video/APxK9kVZXog/w-d-xo.html
Apparently
it's based on the story of Cinderella, but the wonderfulness of thearia and the duet are an order of magnitude more awesome
FromTokyo
Stunningly beautiful.
Very good production - a visual feast and good use of projections.. bravi!!
A beautiful and stunning performance. The music was marvelous, Stoyanova’s singing was non-pareil And by the time she got to the finale, when her voice should have been giving out, it was as if she had an oxygen tank strapped to her back. Her rendering of “non più mesta,” was simply incredible. I found the lighting to be amazing, and it gave so much to the overall performance. I have seen the opera about thirty times and would rate this as one of the top three performances along with von Stade and DiDonato.
Thank you very much for this excellent produktion of La Cenetentrola.
The orchestra plays everything through the score at a very high level with ease and pleasure.
The singing skills are on a very high level. Bravo!
I especially liked the colorful videos.
Unfortunately, the sound on the left and right stereo channels was only mono for me.
Maybe something can be improved there.
Kind regards from Bonn, Germany
Absolutely bloody magnificent, such ingenuity and imagination. The orchestra is superb, the costumes are lavishly beautiful, the performances are stellar in the extreme. I have now almost run out of superlatives :-) I haven't come across this opera by Rossini, such a joyful experience, thank you to everyone involved for making my day. Cheers and stay safe to all concerned.
Beautifully done!!! Wonderful performance!1 Thank you for posting.
Gaertnerplatztheater, vielen Dank für dieses prächtige Opernhaus! Fantastisch alle! Ich danke, in der Person von Maestro Dobrovsky, die gesamte ausgezeichnete Gesellschaft.
Spettacolo fantastico!!!!
great artistic implementation
Thoroughly enjoyed this, beautiful singing.....
The Rossini Opera Festival opens its autumn season this weekend with two streamed concerts, in which I believe Svetlina Stoyanova takes part, next weekend will be the two productions of Barbiere and Viaggio a Reims, and I think she will sing Rosina there.
Thank you Elspeth. We are delighted that you enjoyed it!
@@thenewgenerationfestival5761 I also have to say that this was sheer delight to witness this marvellous comedy, so well conceived and performed.
@@steffeng40 Thank you so much for your kind words.
BRAVIIIIIIIIIII👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
Una puesta en escena realmente fantástica. Me recordó mi infancia en la cual Cachirulo (Enrique Alonso), nos deleitaba a los niños de los años 60tas (toda proporción guardada).
Amazing
wunderschön
이탈리아 작곡가 조아키노 로시니 특유의 코믹하고 유쾌한 신데렐라 오페라
현대판 영상트릭이 리믹스되어서 오묘한 감흥인것같네요
로시니 특유의 오페라부파 operabuffa 희곡 오페라의 매우 현대적인
새로운 느낌이네요 ㅋㅋ ☺
Stoyanova sang everything very lightly until the finale. Cenerentola is not a soprano role. It is supposed to be dark and lower. This essaying was pleasant but lacked the contralto demands to contrast with the extremely high tenor part. Fun production with much color and unusual mashup of historical periods. Everyone else sang well. The microphones were working however.
That's a real fairytale!
For me it's better to be realistic but did feel like it's a dream come true. I love this opera so much for that
😊
İnsentibile
Wunderba
Is there a DVD available for this performance, please ? or a download to purchase ?
Hello Ian. This recording is freely available following the opera's performances and livestream in August 2020 as part of The ReGeneration Festival. Please visit newgenerationfestival.org/ for further information.
@@thenewgenerationfestival5761 Oh brilliant, thank you so very much from all of us fans. Cheers
Body mics should be hidden in the hair/wig or a hat, not plastered onto the foreheads of singers....if a video is going to be made of a production. Also, visually the production face is too busy. Otherwise, it is fine.
Great performance too bad it is MONO
Ok. The stage designer figured out the big number at the end is connected to mechanical machinery--a hot new thing in Rossini's time. But what does it have to do with the 17th century? And why do the singers all have the Mark of the Beast on their foreheads?
It's open air. What you see are microphones
Why isn't the prince clean shaven according to the period? This anachronism drives me crazy. I figured the Italians would know better.
Театр теней вначале увертюры подготавливает зрителя к началу повествования.
Титры в конце нечёткие
¿Acaso este Alidoro no puede con “Là del ciel nell'arcano profondo”?
Vaya chasco que hayan eliminado tan sublime aria de esta representación. Me retiro en ese punto de su ausencia sin escuchar el resto del evento; ya no me interesa. Me ha resultado bochornoso.
Meu Deus! O Maestro Rossini deve estar dando voltas no túmulo. Nunca ouvi uma coisa tão pertubadoramente ruim como essa produção de La Cenerentola.