Pandit Ramdas Palsule at his best : Sawaal-Jawaab & Tabla Solo

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  • เผยแพร่เมื่อ 21 ต.ค. 2024
  • Pandit Ramdas Palsule
    Pandit Ramdas Palsule is a very familiar name to the worshippers of Hindustani music as an intellectual Tabla Player who has carved a niche for himself at a very young age. Ramdas has been recognized as one of the senior most disciples of the famous tabla maestro Pandit Suresh Talwalkar.
    Ramdas-ji being an accomplished soloist as well as a versatile accompanist has performed widely in all the eminent music festivals of India. Outside India, he has performed all over the world including countries like U.S.A., Canada, Germany, Australia, Africa and the Gulf Countries.
    His Tabla accompaniment ranges from distinguished vocalists to prominent instrumentalists and also to renowned Kathak dancers of the country. He has accompanied many artists, which includes Late Pandit Jeetendra Abhisheki, Pandit Jasraj, Pandit Shivkumar Sharma, Pandit Ulhas Kashalkar, Ustad Shahid Parvez, Ustad Sulatan Khan, Pandit Vishwamohan Bhatt, Pandit Tarun Bhattacharya, Dr. N. Rajam, Pandit Ronu Majoomdar, Mrs. Malini Rajurkar, Mrs. Veena Sahastrbuddhe, Mrs. Rohini Bhate, Mrs. Shama Bhate, and Smt. Shashwati Sen.
    Besides performances, Ramdas-ji imparts training to the younger generation of students of Tabla.
    For the Sawaal-Jawaab :
    Accompanying Mysore Nagaraj (Violin)
    "Sawaal-Jawaab" is now a part of jugalbandhi between two performing artists, or between the performing musician and his accompanying tabla player. It is both competitive and collaborative. The two participants are friendly rivals.
    "Sawaal-Jawaab" commences with one musician challenging the other by playing a short (often eight-beat) musical phrase. The rival musician is expected to reproduce, on his instrument, the same phrase, identical in every detail -- same number of beats, identical contours, same tempo, same distribution of notes, same rest places. This goes on, with new phrases being tossed at the responding rival, till a cresendo is reached. The performing tempo is accelerated many times. Now a breath-taking tihaai is executed. The "sam" is arrived at, with a big bang, and everyone is happy and applauding.

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