How to play with expression, emotion, & musicality | ✨ Captivate your listeners ✨
ฝัง
- เผยแพร่เมื่อ 4 ก.ค. 2024
- Musicality !!! It's the way to your audience's heart 🥰
This video is not just for violinists- It's for anyone who wants to play music more beautifully, with more expression, emotion, and intention. That's what playing musically is all about, and you've come to the right place.
Musicality is what makes your music come alive. It's what makes your audience feel something, and makes them drawn to your playing. It's also what makes your playing sound expressive and heartfelt.
Join me for one of my very favorite musical topics, as I lay out 3 key components of
* Musicality *
Enjoy 🌸
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* Links *
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✨ The Feel-Good Practice Planner ✨ - feelgoodpracticeplanner.ck.page
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* Other places you can find me *
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INSTAGRAM : / thefeelgoodviolinclub
WEBSITE : www.lizwrightviolin.com/
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* Credits *
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Intro/outro music : Ratatouille's Kitchen - Carmen María and Edu Espinal
Cute icons : FreePik & iconixar - เพลง
Thank you, Liz! This really helped and blessed me. And I must say you are a very expressive musician! And also your singing voice is very pleasant!
Thanks David, and thanks for being here!
another great one! thank you
Can you please play a bit longer? I am enjoying your samples. 😀Your videos are well thought, organised and so to the point! I really appreciate them. To show a commitment, we need to be thoroughly prepared and comfortable with the piece. I often feel hindered to express fully because I worry about a few difficult spots either shifting or bowing so end up a conservative playing. I could choose easy pieces but we can’t be stuck in elementary pieces? I always choose slow, romantic pieces as I struggle with fast passages. I avoid playing them even though I practise finger agility exercises and can do short fast groups like in orchestra part, it falls apart when I play a solo piece. 😩
Thanks for the feedback- I can definitely think about playing longer! I'm always trying to keep the samples short for the sake of viewer retention haha, but I appreciate that, thank you :)
With musical commitment, try to start implementing it before you necessarily think you're "ready". Start ingraining it into your playing even in the beginning stages of learning a piece, so that it's not a separate layer- you're building it in from the beginning.
And as for fast passages... I think our heads are often the problem. They can get in the way and disrupt our flow. Fast passages really require a sort of zen mindset!
Good luck and thanks again :)
The Feel-Good Violin Club Liz, thank you so much for that advice. I am watching your videos again and taking notes this time!
Thank you so much for your videos Liz I have watched them again and again! I love the way you get straight to the point and you are so friendly and reassuring ! I’m an adult beginner I’ve been playing for a year! You really helped me with my sound !! Please make more !! I also really like the snippets! Katie
Aww Katie, I’m so glad to hear all that!! Thank you so much :) I’m hoping to make lots more. Thank you for being here!
Great for suzuki violin 4 player.thaks madam
I’m a violist but I suck at phrasing
My technique is excellent but my musicality haha
I have a competition so I gotta work on it
Please make about baroque renaissance classic and... requirements and the shape of things like vibrato staccato and..
Could you please talk more about this topic? For example how should we play a piece that has been written in baroque. Or what tools do we have for this? And how much we are free and allowed to use them? Tnx. Your wonderful.
Great question, thank you! I will definitely consider making a video about this 🙏🏻
I'm waiting for it :) tnx ma'am.
I'm waiting for it :) tnx ma'am.
How can we analyse the phrase? Where should we go down or up??
Hii please make more video about this topic. I play in right way but it is not close to the music. I think it's because of musicality
Thank you! I will definitely keep this in mind
Awesome video. Thanks for these great information.
:
I think you look and sound like a Disney princess :)
Oh my gosh hahaha 🥰 Thanks 💕
best channel ever XD
Thank you so much 🥰
I want these kind of videos for piano. All there of piano content is, how to play those silly pop songs and how to fake play. I don't want quick playing tips, I want to actually know how to express myself on the keyblard and not sound mechanical
Beautiful, yes. I hear you!
Please watch the movie “The Art Of The Violin”
None of it applies to the Suzuki method.
Also the movie “From Mao to Mozart” is an
excellent informative guide.
Can I know what are the things that violinist writing on their music while they're practicing new piece ?
Sure! This can vary from player to player, also depending on the level of the player. But it’s most common to write in fingerings and bowings.
Also any reminders to yourself- things you tend to forget!
Hello very nice🌺👍💖
Whats the Name of this first Corelli piece please?
Beautiful Clean Playing!!🎵🎻❤
Thank you!! The piece is La Folia!
@@TheFeelGoodViolinClub Thanks Lovely 🌺👍😘
What is this green thing you have on your bow?
It’s a pencil grip I slide on to give the thumb some cushion
@@TheFeelGoodViolinClub what a nice idea! Ive been learning only for 3 months but already have a sore thumb 😊
The pencil grip can be nice, and I would also make sure there’s not too much tension/tightness/squeezing happening. Thanks for being here! ☺️
Excellent Suzuki style of playing! Clean focused
and controlled.
Always playing in the middle part of bow.
However, the traditional conservatory style of
playing uses the whole bow. Playing at the frog
and tip enables proper bow distribution.
If you watch the best concert violinists, they do
not use a Suzuki style of bow technique.
Most violin conservatories look down upon the
Suzuki style of playing. Russian School is the best.
I am usually concert master of many ensembles and
orchestras. Conductors always have told me that
Russian Schooled violinist make the best concert masters.
Suzuki style of playing is best for section violin in an
orchestra. Suzuki has a small controlled sound with no
personality. Suzuki players do not have a good spiccato.
A Suzuki soloist will always lose to a Russian soloist.
it would be a lot easier
to read
if only you would
stop
leaving lines randomly
between your
sentences
@Comrade Moshi if you first write a comment in your computer, then copy and paste to TH-cam, that can happen.
She plays like a teacher, not like a real violinist.
Stop harassing. I'll report you
You play well, but nothing special here.
you’re such a hater
Y do u talk crap on every vid