When summing premixed stereo stems into the binaural output, it usually ends up clipping. Is this normal? Should we compensate the output volume of each beam to avoid this?
Hi, I also noticed that but since this is the actual output of the binaural renderer of Dolby I would not care that much about it. The really important numbers are those which you get when you do loudness measurement of your song and the demo session used in this example is actually up to spec, meaning ~-18LUFS integrated and ~-1dB true peak. That's what you should be aiming at. Another thing about these two numbers is, that they may change in the future and that they are slightly different for different streamers. In the end you have to check the specs of the platforms where you want to publish. If the clipping in the meters worries you, you can always turn down the master fader a dB or so as the clipping light of the meter only shows that at some point 0dB was hit. It doesn't necessarily say that it was really over. Turning down the master fader lets you still A/B compare stereo and Atmos without a problem.
Yes, this feature is only part of the full version of the Composer. In the essential version you have to mute the channel or turn down the volume fader.
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Tolles zweite Video 👍 Die Möglichkeiten mit dem "Binaural Mode" hatte ich bisher nicht in Betrachtung gezogen. Danke für diese Anregung 👍
much much much more defined in Atmos. The perception of the postions into the environment, way more clear.
When summing premixed stereo stems into the binaural output, it usually ends up clipping. Is this normal? Should we compensate the output volume of each beam to avoid this?
Hi, I also noticed that but since this is the actual output of the binaural renderer of Dolby I would not care that much about it. The really important numbers are those which you get when you do loudness measurement of your song and the demo session used in this example is actually up to spec, meaning ~-18LUFS integrated and ~-1dB true peak. That's what you should be aiming at. Another thing about these two numbers is, that they may change in the future and that they are slightly different for different streamers. In the end you have to check the specs of the platforms where you want to publish.
If the clipping in the meters worries you, you can always turn down the master fader a dB or so as the clipping light of the meter only shows that at some point 0dB was hit. It doesn't necessarily say that it was really over. Turning down the master fader lets you still A/B compare stereo and Atmos without a problem.
Hi, when using dolby atmos composer essential in ableton live, their is no option for "mute plugins", do i just turn the aux tracks off?
Yes, this feature is only part of the full version of the Composer. In the essential version you have to mute the channel or turn down the volume fader.
@@fiedler-audioMany Thanks