Bellissima! One of the most popular operas of those times - shamefully - was not staged today, it does not exist anywhere, why? To preserve the myth, the taboo about Mozart. For the history of music and ideas: the complicated finale of the first act of Sarti's opera also served as a model for the finale of the last act of Mozart's The Marriage of Figaro. Giuseppe Sarti. The greatest success, they say, was his opera "Fra i due litiganti il terzo gode" 1782. (dramma giocoso, Libretto Le nozze di Carlo Goldoni, Prima rappr. 14 settembre 1782, Teatro Teatro alla Scala di Milano) - Later I pretendenti delusi (1782, Venice); Le nozze di Dorina (1784, Naples); And pretenders delus (1784, London); Dorina contrastata( Paris). Of course Mozar followed all that - he inserted the of the aria "E viva i litiganti!" into the final banquet of his "Don Giovanni. So amateurs can hear in Mozart's Don Giovanni: Gazzaniga, Solero, Sarti, Paisello, Handel...there is even self-plagiarism (Mozart's aria from Figaro) and what do music experts have to tell us? Nothing - they are silent.
A lovely performance of a charming piece!
❤
Bellissima! One of the most popular operas of those times - shamefully - was not staged today, it does not exist anywhere, why? To preserve the myth, the taboo about Mozart. For the history of music and ideas: the complicated finale of the first act of Sarti's opera also served as a model for the finale of the last act of Mozart's The Marriage of Figaro. Giuseppe Sarti. The greatest success, they say, was his opera "Fra i due litiganti il terzo gode" 1782. (dramma giocoso, Libretto Le nozze di Carlo Goldoni, Prima rappr. 14 settembre 1782, Teatro Teatro alla Scala di Milano) - Later I pretendenti delusi (1782, Venice); Le nozze di Dorina (1784, Naples); And pretenders delus (1784, London); Dorina contrastata( Paris). Of course Mozar followed all that - he inserted the of the aria "E viva i litiganti!" into the final banquet of his "Don Giovanni. So amateurs can hear in Mozart's Don Giovanni: Gazzaniga, Solero, Sarti, Paisello, Handel...there is even self-plagiarism (Mozart's aria from Figaro) and what do music experts have to tell us? Nothing - they are silent.
There is no plagiarism, this is quotation and self quotation, and it is very funny. It is well explained in several books about Mozart's operas.