Bravissimo come sempre. A me non importa se c'era qualche errore. Il grande compositore Beethoven aveva detto, parlando dei pianisti, che si potrebbe sempre perdonare qualche errore, qualche nota sbagliata, pero non si potrebbe mai perdonare uno che suonava senza passione. Pavarotti canta "E la solita storia del pastore" con tanta emozione e la voce e bellissima come sempre, nonostante il cosidetto "errore" a 1 minuto. Per me, Luciano Pavarotti sara sempre fra i migliori, con Corelli, Caruso, Gigli, Bjorling, di Stefano, Wunderlich, Lanza ed altri.
@@ladyhawkke7002 I agree. He was so wonderful any bad moments are minimized by the mostly wonderful moments of his singing. I saw him in Reno a few years before his death and because he seemed so fragile I feared for him and any possible inability to sing the high notes properly. I needn't have worried. The wonderful Pavarotti was a pure professional. He sang his entire range beautifully and right on each note. His years of training and practice rewarded him with a wonderful performance.
Myth. You could hit the B well without covering the G if you understood and mastered the technique (di Stefano for example didn't cover the g oftentimes) However, if sung without cover the jump into the B would sound harsh. And bel canto singing is all about smooth singing.
Technique?!?!? He was a BRILLIANT technician....in addition to the beautiful voice. He knew exactly what he was doing technically....watch his masterclass videos for a touch of insight.
In some shows if Pavarotti sang a wrong note or didnt hit the correct pitch he was booed. Its a sad commentary on humanity when we cant even accept occasional human frailty in people. Pavarotti was brilliant into his late 50's. How many other vocalists can say that?
E' la solita storia del pastore… Il povero ragazzo voleva raccontarla, e s'addormi. C'è nel sonno l'oblio. Come l'invidio! Anch'io vorrei dormir cosi, nel sonno almeno l'oblio trovar! La pace sot cercando io vò: vorrei poter tutto scordar. Ma ogni sforzo è vano... Davanti ho sempre di lei il dolce sembiante! La pace tolta è sempre a me... Perché degg'io tanto penar? Lei!... sempre mi paria at cor! Fatale vision, mi lascia! mi fai tanto male! Ahimè!
You guys have no sense to see that when he started to sing "il". He was emotional as he must experienced being poor and lost love early in his life. Don't just listen, you must see and try to feel how the singer identifies with the somg's passage.
La pequeña desconcentraciòn del comienzo no empalidece semejante perfomance.- That little mistake, don`t shade such beatifull performance of the Maestro.
Jesus Muñoz jajajaja, no se con qué autoridad o qué herramienta utilizas para medir la altura de la gente,... lo bueno Jesús es disfrutar de todos estos genios, son increíbles tanto kraus, o Pav, o Carreras, o Schipa o Volpi, Giacomini, o, o, o etc. Etc etc. cada cual en sus roles... Estas comparaciones no tienen sentido.
@@coreTenore Como que no? Si cantan una misma ópera o un aria se pueden comparar. Pavarotti por ejemplo en la Boheme no tenía rival. Pero en este aria sólo aporta su bella voz pero existen versiones mucho mejores.
EidahageFeroe Yes, that happens to the best (of human beings)! Apparently, he was not in good voice that day, either! But that neither lessens his art, nor his standing as the great tenor he was!
+Thomas K Geydan Of course, he had already become so famous that it didn't matter. But honestly, a singer of this level should NOT make a musical mistake singing such a popular aria. This is simply proof that he was very musical and had a great gift but he was not a great musician.
Zelmira Agreed! Ouch in measures 7&8. Also in measures 36,37&38, “il dol-ce sem bian-te,” the notes on “bian-te” are F#, D#, E....but he sings F#, D#, F-natural (which is incorrect), then slides to the E. He does this on other recordings as well. And the closing two measures on “Ah-i-me!,” the notes are D#, E, E. Again, he insists on singing D#, F#, E. 😞
Nessun dramma. sbaglia solo l' attacco al 0:58 anticipando. il resto va benissimo. magari gli sbagli dei tenori moderni fossero cosi. i grandi maestri sono quasi tutti morti.
I have all the respect in the world for Pavarotti and his gift, but I can't help but laugh when I watch this. He's such a ham! He's also really off his game in this video. He had a legendary voice and a robust healthy and natural technique, but underneath it all, he was really just an ordinary guy.
Search for his studio recording of this aria with the Vienna Opera Orchestra under the baton of Nicola Rescigno. There is no video image but the singing is overwhelming and faultless - flawless.
@semitar6 bruce dickinson and dio. however pavarottis voice, just wow. i mean opera is amzing and though bruce, dio, and halford all have amazing operatic voices, put them next to pavarotti and they wither in comparison
For what it's worth, that very audience reaction, is something that is both charming and disturbing about opera in general. As stuffy as opera can appear, crowds will always tell you the truth.
Good grief. Pavarotti wasn't the greatest tenor of the post Caruso era, that would be Corelli or MDM, but when he was on his game, he was very exciting to hear in person. Even Corelli almost had a nervous attack before he sang because you really never knew if the voice would behave itself. Maybe you just expect something different from the human voice than I - not sure what that would be. Pavorotti was justly famous. Aero1
E' crescente a un certo punto. Forse l'anticipo di battuta all'inizio dell'aria (il povero ragazzo..), lo ha un pò demoralizzato. Luciano poteva anche permetterselo ma fino ad un certo punto però. Preferisco Tito Schipa come colore del suono ed interpretazione assolutamente insuperabile soprattutto in questo brano.
Una voz maravillosa, pero en este aria le falta la delicadeza y la matización de otros tenores como por ejemplo Kraus. Además se equivoca en la entrada.
@@davidetenorino No tienes ni idea, todos los ignorantes dicen siempre lo mismo nasal, se llama voz in maschera. Precisamente Pavarotti no era un cantante con una técnica muy depurada, voz maravillosa pero anárquico en el canto. Con la partitura delante Pavarotti se salta indicaciones como el canto piano del comienzo. Kraus precisamente si por algo se ha caracterizado es por su técnica, pavarotti no.
@@jesusmunoz2400 Guao, qué gran experiencia. De todas maneras no estoy de acuerdo, creo que la experiencia de vida no hace al oído. Aunque me hubiera encantado escucharlos a los dos, un abrazo!
@@davidetenorino La experiencia es profundizar en el mundo de la lírica y analizar las voces y no quedarse en la superficie, en un timbre bonito. Aparte a un cantante no se le puede catalogar por una grabación de estudio o en vivo comercial, no tiene nada que ver escuchar a un cantante en vivo. Yo me he llevado muchas decepciones con muchos cantantes cuando los he escuchado en vivo. Un saludo.
Ouch in measures 7&8. Also in measures 36,37&38, “il dol-ce sem bian-te,” the notes on “bian-te” are F#, D#, E....but he sings F#, D#, F-natural (which is incorrect), then slides to the E. He does this on other recordings as well. And the closing two measures on “Ah-i-me!,” the notes are D#, E, E. Again, he insists on singing D#, F#, E. 😞
Non mi piace qui, né per senso del fraseggio, né per stile. Le licenze che vengono prese non mi sembrano avere un gusto musicale. E la linea del canto manca di sfumature.- Blas Cortés
several..... Pavarotti was a great technical singer, but cold, emotionless, like singing a very well singing gem stone... and then he became one of those poor people who only cared for making money as those of the Three Tenors that common ignorant people cite as great or even the best tenors of all times like the blind guy that can't hit a single note... modern times are so disrispectful about art and opera, where the old days have gone? pity and shame for these modern humanoid's world...
That blind guy is actually a pretty good singer. He's definitely no opera singer, but he's not some guy who can't hit a single note. Also, his passion was opera. He started out wanting to be a tenor, only to be turned away because he was blind. You can look it up. I love shitting on that guy as much as the next guy, but if you want to point fingers at the reason for the dying art that is opera today, point all ten at stage directors.....
Lo bueno, canta el sobreagudo que nadie canta. ( yo tampoco). Entró donde no debía tres veces mal,equivocó dos veces la letra, y cantó toda el aria de mezzo forte al forte. Cuando CANTÓ EN URUGUAY, cantó granada tan mal que ningún principiante lo realizó tan mal...
N
There will never be another tenor like Pavarotti!!!!!!
We have to consider that Luciano learned everything by ear, that is amazing for one of the most famous tenor in history!
Да ничего удивительного. Большинство вокалистов учат так. Тот же Корелли так учил оперы
Everybody has off days, but this guy's off day will will be greater than ten thousand of your or my best days.
And the way he handles it is just beautiful! I love it!
I realize I am pretty randomly asking but do anyone know a good website to watch newly released movies online?
@Kane Carlos Flixportal :D
@Samuel Connor Thanks, I signed up and it seems like they got a lot of movies there :) I appreciate it !!
@Kane Carlos happy to help :)
The greatest singer I will ever see in my life time.
Pavarotti irraggiungibile: la sua versione e' il giusto mix di modernità e classicità .............grazia e potenza. Bellissima
La invito ad ascoltare TITO SCHIPA e Beniamino Gigli
Miss this man so much . . . . . such passion, power and delicacy -- if God sang in a human voice - this was it.
OH GOTT, ich liebe diese Stimme.........
Bravissimo come sempre. A me non importa se c'era qualche errore. Il grande compositore Beethoven aveva detto, parlando dei pianisti, che si potrebbe sempre perdonare qualche errore, qualche nota sbagliata, pero non si potrebbe mai perdonare uno che suonava senza passione. Pavarotti canta "E la solita storia del pastore" con tanta emozione e la voce e bellissima come sempre, nonostante il cosidetto "errore" a 1 minuto. Per me, Luciano Pavarotti sara sempre fra i migliori, con Corelli, Caruso, Gigli, Bjorling, di Stefano, Wunderlich, Lanza ed altri.
Pavarotti's bad moments are much better than many nowadays tenors at their best...
I agree. And furthermore he had very few such bad moments. I still say bravo Pavarotti.
I never notice the bad moments
@@ladyhawkke7002 I agree. He was so wonderful any bad moments are minimized by the mostly wonderful moments of his singing. I saw him in Reno a few years before his death and because he seemed so fragile I feared for him and any possible inability to sing the high notes properly. I needn't have worried. The wonderful Pavarotti was a pure professional. He sang his entire range beautifully and right on each note. His years of training and practice rewarded him with a wonderful performance.
😂 So true!
3:58 perfect exemple of how a ténor should covers his passagio to go the top effortless ! The G is softly rounded so the high B is perfect
Myth. You could hit the B well without covering the G if you understood and mastered the technique (di Stefano for example didn't cover the g oftentimes) However, if sung without cover
the jump into the B would sound harsh. And bel canto singing is all about smooth singing.
Pavarotti was fantastic. I adore him.
E UNA ROMANZA CHE TOCCA IL CUORE CHIUNQUE LA CANTI !!!!!!
Technique?!?!? He was a BRILLIANT technician....in addition to the beautiful voice. He knew exactly what he was doing technically....watch his masterclass videos for a touch of insight.
you nailed it...as for the majority of other comments on here ' a little bit of knowledge is dangerous' comes to mind.
Pavarotti magnífico,pena que não está mais entre nos
Sempre será a melhor voz o melhor tenor para sempre Pavarotti ❤❤❤❤
Even when he makes mistakes he's the best!
Hey, dudes, the note wasn't false, it was in a incorrect place. He did this piece brilliant!
un des plus beaux airs du répertoire
Pure gold .
il maestro pavarotti. semplicemente favoloso.
In some shows if Pavarotti sang a wrong note or didnt hit the correct pitch he was booed. Its a sad commentary on humanity when we cant even accept occasional human frailty in people. Pavarotti was brilliant into his late 50's. How many other vocalists can say that?
semlicemente.......meraviglioso
pavarotti forever.
He was so, so...GREAT!!! that things happens jajaja BRAVO MAESTRO!!!
Eterno y grandísimo. Te amo
Il megliore!!!!
Happy to see that even great tenors can make mistakes too!!!
It helps me to know this....
E' la solita storia del pastore…
Il povero ragazzo
voleva raccontarla, e s'addormi.
C'è nel sonno l'oblio.
Come l'invidio!
Anch'io vorrei dormir cosi,
nel sonno almeno l'oblio trovar!
La pace sot cercando io vò:
vorrei poter tutto scordar.
Ma ogni sforzo è vano... Davanti
ho sempre di lei il dolce sembiante!
La pace tolta è sempre a me...
Perché degg'io tanto penar?
Lei!... sempre mi paria at cor!
Fatale vision, mi lascia!
mi fai tanto male!
Ahimè!
Sublime....
Nessuno si è accorto che ha sbagliato l'attacco al min 1:00 esatto :) ma a lui si poteva perdonare tutto R.I.P Big Luciano
Te adoro mi niño santo ❤️❤️❤️❤️❤️❤️❤️
You guys have no sense to see that when he started to sing "il". He was emotional as he must experienced being poor and lost love early in his life. Don't just listen, you must see and try to feel how the singer identifies with the somg's passage.
I think je forgot rhythm.
He started sing earlier than orchestra so .. he did again with well - expression lol
I love this so much
boah...the best voise ever...ever... ich durfte sie erleben!
Bravo Pavarotti ♥♥
To be an artist is, by far, more difficult than to be critic.
Ele cometeu um pequeno erro no início, mas que em nada desmerece a boa apresentação desse gigante da música e do canto.
Finally someone who understand something! Indeed!
Bravo!
I agree with you at some point. Opera singers are not masters in musicality, but we are masters of technique. We own the grand technique.
for me..justthe best and Basta:))..o bellissima
Karaoq55
Luciano! pese a la metida de pata por la linea olvidada, por lejos, segis siendo el mejor!!!!!
En esta aria y otras muchas no.
Kraus es muy superior en este aria.
❣️🤗
The best
La pequeña desconcentraciòn del comienzo no empalidece semejante perfomance.-
That little mistake, don`t shade such beatifull performance of the Maestro.
No me gusta como canta esta aria. Plana, sin matizar. Después de escuchar a Kraus en esta pieza, Pavarotti no está a la altura
Jesus Muñoz jajajaja, no se con qué autoridad o qué herramienta utilizas para medir la altura de la gente,... lo bueno Jesús es disfrutar de todos estos genios, son increíbles tanto kraus, o Pav, o Carreras, o Schipa o Volpi, Giacomini, o, o, o etc. Etc etc. cada cual en sus roles...
Estas comparaciones no tienen sentido.
@@coreTenore Como que no? Si cantan una misma ópera o un aria se pueden comparar. Pavarotti por ejemplo en la Boheme no tenía rival. Pero en este aria sólo aporta su bella voz pero existen versiones mucho mejores.
@@coreTenore Con la misma autoridad que tu das tu opinión sobre la ejecución del aria.
Jesus Muñoz bueno, 🤪....que tengas un buen fin de semana, saludos!!!
publicidad???????????????, dios mio que comentario tan ignorante :S ...... , RIP Maestro de Maestros , la mejor voz de todos los tiempos
Does anyone know what happened at 1:00? :P. It almost looks like he came in a bit earlier but covered it by acting :D :D
EidahageFeroe haha he got the wrong cue
EidahageFeroe Yes, that happens to the best (of human beings)! Apparently, he was not in good voice that day, either! But that neither lessens his art, nor his standing as the great tenor he was!
+Thomas K Geydan Of course, he had already become so famous that it didn't matter. But honestly, a singer of this level should NOT make a musical mistake singing such a popular aria. This is simply proof that he was very musical and had a great gift but he was not a great musician.
hahaha
Zelmira Agreed!
Ouch in measures 7&8. Also in measures 36,37&38, “il dol-ce sem bian-te,” the notes on “bian-te” are F#, D#, E....but he sings F#, D#, F-natural (which is incorrect), then slides to the E. He does this on other recordings as well.
And the closing two measures on “Ah-i-me!,” the notes are D#, E, E. Again, he insists on singing D#, F#, E. 😞
it's totally opposite. his technique was one of the best.
Nessun dramma. sbaglia solo l' attacco al 0:58 anticipando. il resto va benissimo. magari gli sbagli dei tenori moderni fossero cosi. i grandi maestri sono quasi tutti morti.
Tenete presente che qui siamo a 2 mesi prima della sua morte e già non stava bene
@@salvatoredangelo9153 è molto prima
la “perfezione” è dei mediocri non per il genio ...anche Michelangelo sbagliava, l’errore è sublime ❤️
DESCONCENTRADO NO MAS EL GUATON.. AL EMPEZAR .. PERO SALVÓ CON CARITA DE SENTIMIENTO.. LO DEMAS ES COMO UN PLATO DE TALLARINES PARA ÉL.
I have all the respect in the world for Pavarotti and his gift, but I can't help but laugh when I watch this. He's such a ham! He's also really off his game in this video. He had a legendary voice and a robust healthy and natural technique, but underneath it all, he was really just an ordinary guy.
At the end of the aria, Pavarotti seems to confuse "L'Arlesiana" with "Cavalleria rusticana"...
La la laaaaaa
Ora canta con gli angeli. Il piu grande da Caruso.
파파로티시여 나에게 용기를 주소서!
I bet all of those who say he ain´t in his prime in this video would do much better than him...
가사를 많이 햇갈려한 우리 빠센세
Yep I thought the same thing.
Search for his studio recording of this aria with the Vienna Opera Orchestra under the baton of Nicola Rescigno. There is no video image but the singing is overwhelming and faultless - flawless.
@semitar6 bruce dickinson and dio. however pavarottis voice, just wow. i mean opera is amzing and though bruce, dio, and halford all have amazing operatic voices, put them next to pavarotti and they wither in comparison
For what it's worth, that very audience reaction, is something that is both charming and disturbing about opera in general. As stuffy as opera can appear, crowds will always tell you the truth.
틀려도 잘하는 귀여운 로티형
Senza cuore. Senza un legato, Senza un fraseggio. Una pronuncia che sembra quella della Lattanzi : "Come l'INEVIDIO". Bah.
El maestro se equivoco en 3:34 y se olvido la linea? de todos modos lo maximo de lo maximo
You an see what he thinks about it at 4:30. :D
@semitar6 Domingo!
Oops... :-)
Got his words wrong at the end, too.
Tenor please!...
rob333c me gustaria verte intentar cantar como el, que como es de pensarse, no puedes.
Good grief. Pavarotti wasn't the greatest tenor of the post Caruso era, that would be Corelli or MDM, but when he was on his game, he was very exciting to hear in person. Even Corelli almost had a nervous attack before he sang because you really never knew if the voice would behave itself. Maybe you just expect something different from the human voice than I - not sure what that would be. Pavorotti was justly famous. Aero1
Esta canción es el Lamento di Federico y solo alguien superó a Pavarotti que fue Mario Lanza
Obviously they don't know anything about him but the start judging
From what year...? Anyone...?
1991
Pavarotti es mi tenor favorito, de lejos!!!!, pero esta cancion la interpreta mejor Kraus, este ultimo es soberbio en el Lamento de Federico.
If you have any nolege of singing and quality of voice, no one is near Björling in this piece!
I feel like he's on the verge on having a laugh after each of his lyric/entry mistakes.
hahaha Pavarotti has to make something wrong to start acting dramaticly XD 1:01
E' crescente a un certo punto. Forse l'anticipo di battuta all'inizio dell'aria (il povero ragazzo..), lo ha un pò demoralizzato. Luciano poteva anche permetterselo ma fino ad un certo punto però. Preferisco Tito Schipa come colore del suono ed interpretazione assolutamente insuperabile soprattutto in questo brano.
De entrada con su pañuelito.. Afirmando la calavera.. Desconcertado... Parece que no tenía COREGA.. Pero libró... Pilón.. Jajaja..
oops...!
@maxhansendk Thers are more wonderful Tenores......but only Fritz Wunderlich can with him....
Una voz maravillosa, pero en este aria le falta la delicadeza y la matización de otros tenores como por ejemplo Kraus. Además se equivoca en la entrada.
Si, pero Kraus es nasal. Pavarotti lo sobrepasa en técnica e interpretación.
@@davidetenorino No tienes ni idea, todos los ignorantes dicen siempre lo mismo nasal, se llama voz in maschera. Precisamente Pavarotti no era un cantante con una técnica muy depurada, voz maravillosa pero anárquico en el canto. Con la partitura delante Pavarotti se salta indicaciones como el canto piano del comienzo. Kraus precisamente si por algo se ha caracterizado es por su técnica, pavarotti no.
@@davidetenorino Eres muy joven, yo he escuchado a los dos en vivo y en técnica Kraus sobrepasa a Pavarotti por goleada
@@jesusmunoz2400 Guao, qué gran experiencia. De todas maneras no estoy de acuerdo, creo que la experiencia de vida no hace al oído. Aunque me hubiera encantado escucharlos a los dos, un abrazo!
@@davidetenorino La experiencia es profundizar en el mundo de la lírica y analizar las voces y no quedarse en la superficie, en un timbre bonito. Aparte a un cantante no se le puede catalogar por una grabación de estudio o en vivo comercial, no tiene nada que ver escuchar a un cantante en vivo. Yo me he llevado muchas decepciones con muchos cantantes cuando los he escuchado en vivo. Un saludo.
and it's obvious that you're one too!
3:35 what happened?
Ouch in measures 7&8. Also in measures 36,37&38, “il dol-ce sem bian-te,” the notes on “bian-te” are F#, D#, E....but he sings F#, D#, F-natural (which is incorrect), then slides to the E. He does this on other recordings as well.
And the closing two measures on “Ah-i-me!,” the notes are D#, E, E. Again, he insists on singing D#, F#, E. 😞
He hit a high E, not a F-natural for me. And closing is just interpretation. But yeah m7&8...
Dejen de vender humo y escuchen el maestro!
Sino, suban algo ustedes, fantasmas.
Non mi piace qui, né per senso del fraseggio, né per stile. Le licenze che vengono prese non mi sembrano avere un gusto musicale. E la linea del canto manca di sfumature.- Blas Cortés
several..... Pavarotti was a great technical singer, but cold, emotionless, like singing a very well singing gem stone... and then he became one of those poor people who only cared for making money as those of the Three Tenors that common ignorant people cite as great or even the best tenors of all times like the blind guy that can't hit a single note... modern times are so disrispectful about art and opera, where the old days have gone? pity and shame for these modern humanoid's world...
That blind guy is actually a pretty good singer. He's definitely no opera singer, but he's not some guy who can't hit a single note. Also, his passion was opera. He started out wanting to be a tenor, only to be turned away because he was blind. You can look it up. I love shitting on that guy as much as the next guy, but if you want to point fingers at the reason for the dying art that is opera today, point all ten at stage directors.....
no way! Gigli was good for his time, he's no Pavarotti!
Anybody can do such a mistake. Specialy having big health problems.
Lo bueno, canta el sobreagudo que nadie canta. ( yo tampoco). Entró donde no debía tres veces mal,equivocó dos veces la letra, y cantó toda el aria de mezzo forte al forte. Cuando CANTÓ EN URUGUAY, cantó granada tan mal que ningún principiante lo realizó tan mal...
No le va nada este aria. Pavarotti era un tenor con una voz de natura prodigiosa pero anárquico cantando. Le falta estilo en muchas óperas.
He made a mistake lol at 1:01 he entered too early
Да все поняли это ...но выкрутился он мастерски!))
Gigli was better than Pavarotti !
A great voice but not a great musician! That musical error at the start should have been avoided!
...oops, that's what happens when you don't read music.