00:00 Introduction: Background, general structure of work 03:20 Various arrangements of Pictures at an Exhibition (Ravel, Tomita, Emerson, Lake & Palmer) 04:43 Original solo piano version the greatest? 05:16 Wide range of themes; Social commentary 08:35 Mysticism 11:56 Conclusion --Performance 12:50 Promenade 14:14 Gnomus (The Gnome) 16:44 (Promenade) 17:33 Il vecchio castello (The Old Castle) 21:44 (Promenade) 22:11 Tuileries: Dispute d'enfants après jeux (Tuileries: Children Quarreling After Play) 23:11 Bydlo (The Ox-cart) 26:06 (Promenade) 26:50 Ballets des poussins dans leurs coques (Ballet of the Unhatched Chicks) 27:58 "Samuel" Goldenberg und "Schmuÿle" 30:17 Promenade 31:41 Limoges. Le marché: La grande nouvelle (Limoges. The Market: The Great News) 33:09 Catacombae: Sepulcrum romanum (Catacombs: Roman Tomb) - con mortuis in lingua mortua (With the Dead in a Dead Language) 37:00 La cabane sur des pattes de poule: Baba-Jaga (The Hut on Hen's Legs: Baba-Yaga) 40:16 La grande porte dans la capitale de Kiev (The Bogatyr Gates in the Capital in Kiev)
So lucky to have you as my instructor. Bravo as always, Dr. Yui! Always an honor to watch and listen to you perform. I must say, the 'Ox-Cart' was truly captivating. Something about the walking left hand is really, really special. Can't explain why - almost like a brain working over-time into the ground!
The original version for piano is not well written for piano and is vapid. The fact that the piece was not popular until Ravel's orchestration in the 1920's supports this contention. The piano version by Horowitz (1951) combines Mussorgsky's compositional genius with Horowitz's far superior knowledge of the piano to create the ultimate realization of the work. Please learn and perform the Horowitz version.
00:00 Introduction: Background, general structure of work
03:20 Various arrangements of Pictures at an Exhibition (Ravel, Tomita, Emerson, Lake & Palmer)
04:43 Original solo piano version the greatest?
05:16 Wide range of themes; Social commentary
08:35 Mysticism
11:56 Conclusion
--Performance
12:50 Promenade
14:14 Gnomus (The Gnome)
16:44 (Promenade)
17:33 Il vecchio castello (The Old Castle)
21:44 (Promenade)
22:11 Tuileries: Dispute d'enfants après jeux (Tuileries: Children Quarreling After Play)
23:11 Bydlo (The Ox-cart)
26:06 (Promenade)
26:50 Ballets des poussins dans leurs coques (Ballet of the Unhatched Chicks)
27:58 "Samuel" Goldenberg und "Schmuÿle"
30:17 Promenade
31:41 Limoges. Le marché: La grande nouvelle (Limoges. The Market: The Great News)
33:09 Catacombae: Sepulcrum romanum (Catacombs: Roman Tomb) - con mortuis in lingua mortua (With the Dead in a Dead Language)
37:00 La cabane sur des pattes de poule: Baba-Jaga (The Hut on Hen's Legs: Baba-Yaga)
40:16 La grande porte dans la capitale de Kiev (The Bogatyr Gates in the Capital in Kiev)
So lucky to have you as my instructor. Bravo as always, Dr. Yui! Always an honor to watch and listen to you perform. I must say, the 'Ox-Cart' was truly captivating. Something about the walking left hand is really, really special. Can't explain why - almost like a brain working over-time into the ground!
Thank you, Steve! Yes, I love Bydlo as well.
What an incredible explanation and performance!
I really enjoyed your explanation of Pictures of an Exhibition…. Learned a lot from this…
Thank you, canonguy1!
Fantastic, Lisa! 👏🏻
Thank you, Jon!
The original version for piano is not well written for piano and is vapid. The fact that the piece was not popular until Ravel's orchestration in the 1920's supports this contention. The piano version by Horowitz (1951) combines Mussorgsky's compositional genius with Horowitz's far superior knowledge of the piano to create the ultimate realization of the work. Please learn and perform the Horowitz version.
I love this so much 😁♥️♥️