🎵 OVERWHELMED BY MUSIC DISTRIBUTION CHOICES? 🎵 You’re not alone! In this video, I’m diving into the pros and cons of DistroKid-including their recent price hike 📈-and comparing them with other platforms like Symphonic, TuneCore, and CD Baby. 💡 Whether you’re just starting out or looking for long-term solutions, I’ve got insights to help you make the best choice for your music career. And if you’re producing music videos, don’t miss info on DistroVid for video distribution! 🎥 👉 Watch now for all the details, and don’t forget to LIKE, COMMENT, and SUBSCRIBE! 🌟 #MusicDistribution #DistroKid #IndieArtists #MusicTips
Hey, I need to change from DistroKid- I use them because I have my own Records Label so I need that Copyright Section for my Brand. But, DistroKid like has me banned or something & they won’t tell me why or fix it. They’re garbage. They’re saying “Invalid Release Date” every time I try to release my music. The Release Date is Nov. 4, 2024. I’ve had one of my other Artists try & they’re able to release with no problems. I’m the “only” person experiencing this issue. So- I need to move because them Scam, Fraud ass Criminals won’t fix it. Who can I go to that will let me put my Record Label as the Label Name like with DistroKid? 🤨
@@sieh79 Thank you so much! 😊 My goal with this review was just to share my personal roadmap as an indie artist and give insight based on my own experiences navigating these platforms. I’m really glad it could help! 🙌🏽 If there’s anything else you’d like to hear about, feel free to drop a comment. Here’s to making the indie journey a little smoother! 🎶🚀
Great question! LANDR is an excellent option for indie artists who want more than just distribution. While DistroKid and TuneCore focus heavily on distribution, LANDR offers a full suite of tools tailored for music creation and promotion. For $19/month, you get unlimited music distribution, AI mastering, access to royalty-free sample libraries, plugins, collaboration tools, and even a marketplace for connecting with professionals. The value is clear if you’re looking for an all-in-one solution to cover production, distribution, and professional services without juggling multiple subscriptions. That said, LANDR might not be the best fit if you’re only after distribution and prefer to mix and master your tracks manually or use other specialized tools. Ultimately, LANDR is a solid choice if you’re an artist or producer wanting a comprehensive toolset at an affordable price. It simplifies the process and helps indie musicians focus more on their art. Hope that helps!
@@BigMucci That’s awesome. I’ve heard really good things about folks who use Tunecore’s mid-tier plan. Glad to have another data point for first-hand experiences. And well wishes for your new single!
@digitalxkai Hi @digitalxkai, awesome question! If you’re looking to monetize your sounds when people use them in their videos, music licensing is a great way to go. Here are a couple of options to get you started: 1. Songtradr: This platform allows you to license your music for use in videos, ads, and even in-store playlists. You can sign up for free to list your music, but their Pro membership ($49/year) gives you access to pitch more songs to higher-paying opportunities and even includes free distribution to Spotify and Apple Music. Keep in mind it’s competitive, so success might depend on the quality and uniqueness of your tracks. Vocal-heavy music often does well here! 2. TuneCore Sync Licensing: If you’re already distributing through TuneCore, you can opt into their sync licensing program. They pitch your songs to music supervisors for movies, TV, and ads. They take a 50% commission for successful sync deals, which some artists find worth it since pitching sync deals independently can be time-consuming and costly. 3. DIY Licensing via Shopify: If you want to have full control over licensing, you can set up a Shopify store to sell licenses directly to content creators. This lets you create custom pricing and licensing terms for your sounds. It’s a great option if you want to manage the process yourself and keep more of the revenue. Hope this helps! 😊
@@Fjayjizzo Can you tell us about your personal experience (what was your issue about) and what the hang ups were? This would provide more insight to the team on what they can expect in a similar instance. Thanks for tuning 📺 in to the channel!
@@ceespinz yeah, that’s true for many distribution services. Granted, DistroKid does have the leave a legacy optional add-on, but one would have to pay 💰 It’s best to understand the terms of service for any provider before you sign-up and see what’s important to your strategy, your wallet, and the long term publication of your intellectual property.
@@sieh79 Hey @sieh79, I totally get where you’re coming from-choosing a distribution platform as a first-time user can be a bit overwhelming! 😅 I actually think LANDR is a solid option too, even though I didn’t dive into it in this video. It might be worth covering in the future! When it comes to picking the right platform, I think it really comes down to the business model you’re most comfortable with. Some platforms take a share of royalties, while others have a one-time fee, so the question is: which model fits best with where you’re at in your indie journey? There’s also the matter of ease of use and whether you’re looking for a “set it and forget it” approach or something more flexible, where you could start with one platform and potentially switch later as your needs evolve. I’d love to know-what’s the biggest consideration for you in comparing all these options? Is there something specific that’s holding you back or that you’re looking for in a distributor? Let me know, and I’ll do my best to help! 😊
@geryahdinglemusic I'm more of a set it forget it. Because I'm so brand new online... I do have a lot of unreleased studio quality songs that I want to release slowly. One time payment or yearly I don't mind as long transparency is transparent lol.. too many horror story from all distributors. I'm literally 6months into this research and still no where closer than I was 6 months ago. I'm just very afraid of my music going through a lot of hoops and unexpected legal issues that requires endless emails and chasing invisible people. I'm very simple and laid back.
I've been trying to decide for months. So far, I keep landing on Symphonic, but it's not written in stone yet. Like some others, they have a high rating on Trustpilot.
🎵 OVERWHELMED BY MUSIC DISTRIBUTION CHOICES? 🎵 You’re not alone! In this video, I’m diving into the pros and cons of DistroKid-including their recent price hike 📈-and comparing them with other platforms like Symphonic, TuneCore, and CD Baby.
💡 Whether you’re just starting out or looking for long-term solutions, I’ve got insights to help you make the best choice for your music career. And if you’re producing music videos, don’t miss info on DistroVid for video distribution! 🎥
👉 Watch now for all the details, and don’t forget to LIKE, COMMENT, and SUBSCRIBE! 🌟
#MusicDistribution #DistroKid #IndieArtists #MusicTips
Hey, I need to change from DistroKid- I use them because I have my own Records Label so I need that Copyright Section for my Brand. But, DistroKid like has me banned or something & they won’t tell me why or fix it. They’re garbage. They’re saying “Invalid Release Date” every time I try to release my music. The Release Date is Nov. 4, 2024. I’ve had one of my other Artists try & they’re able to release with no problems. I’m the “only” person experiencing this issue. So- I need to move because them Scam, Fraud ass Criminals won’t fix it. Who can I go to that will let me put my Record Label as the Label Name like with DistroKid? 🤨
Yours is a Better review than most others reviews on yt.
@@sieh79 Thank you so much! 😊 My goal with this review was just to share my personal roadmap as an indie artist and give insight based on my own experiences navigating these platforms. I’m really glad it could help! 🙌🏽 If there’s anything else you’d like to hear about, feel free to drop a comment. Here’s to making the indie journey a little smoother! 🎶🚀
What about landr? What do you think?
Great question! LANDR is an excellent option for indie artists who want more than just distribution. While DistroKid and TuneCore focus heavily on distribution, LANDR offers a full suite of tools tailored for music creation and promotion. For $19/month, you get unlimited music distribution, AI mastering, access to royalty-free sample libraries, plugins, collaboration tools, and even a marketplace for connecting with professionals.
The value is clear if you’re looking for an all-in-one solution to cover production, distribution, and professional services without juggling multiple subscriptions. That said, LANDR might not be the best fit if you’re only after distribution and prefer to mix and master your tracks manually or use other specialized tools.
Ultimately, LANDR is a solid choice if you’re an artist or producer wanting a comprehensive toolset at an affordable price. It simplifies the process and helps indie musicians focus more on their art. Hope that helps!
What do you think of toolost??
I have not heard of that service. Anything to highlight from your experience with them in comparison with the other providers?
Tunecore is the best for me. I have Reverbnation, CD Baby, Distrokid and Tunecore. I might try United Masters on my next Maxi Single. But not sure.
@@BigMucci That’s awesome. I’ve heard really good things about folks who use Tunecore’s mid-tier plan. Glad to have another data point for first-hand experiences. And well wishes for your new single!
I want to make money when people use my sounds for their videos. Can Tunecore do that? Sorry I'm new to this
@digitalxkai Hi @digitalxkai, awesome question! If you’re looking to monetize your sounds when people use them in their videos, music licensing is a great way to go. Here are a couple of options to get you started:
1. Songtradr: This platform allows you to license your music for use in videos, ads, and even in-store playlists. You can sign up for free to list your music, but their Pro membership ($49/year) gives you access to pitch more songs to higher-paying opportunities and even includes free distribution to Spotify and Apple Music. Keep in mind it’s competitive, so success might depend on the quality and uniqueness of your tracks. Vocal-heavy music often does well here!
2. TuneCore Sync Licensing: If you’re already distributing through TuneCore, you can opt into their sync licensing program. They pitch your songs to music supervisors for movies, TV, and ads. They take a 50% commission for successful sync deals, which some artists find worth it since pitching sync deals independently can be time-consuming and costly.
3. DIY Licensing via Shopify: If you want to have full control over licensing, you can set up a Shopify store to sell licenses directly to content creators. This lets you create custom pricing and licensing terms for your sounds. It’s a great option if you want to manage the process yourself and keep more of the revenue.
Hope this helps! 😊
United masters is the worst
Customer service is crap on Distrokid
@@Fjayjizzo Can you tell us about your personal experience (what was your issue about) and what the hang ups were? This would provide more insight to the team on what they can expect in a similar instance. Thanks for tuning 📺 in to the channel!
I've been trying to decide which distributor to use and I've read this a lot in my Google searches.
Stop paying your distrokid subscription, your music will be taken off all streaming services
@@ceespinz yeah, that’s true for many distribution services. Granted, DistroKid does have the leave a legacy optional add-on, but one would have to pay 💰 It’s best to understand the terms of service for any provider before you sign-up and see what’s important to your strategy, your wallet, and the long term publication of your intellectual property.
Mine hasn’t lol…
Im torn between cdbaby diskro landr and symphonic for a first time user 😢
@@sieh79 Hey @sieh79, I totally get where you’re coming from-choosing a distribution platform as a first-time user can be a bit overwhelming! 😅 I actually think LANDR is a solid option too, even though I didn’t dive into it in this video. It might be worth covering in the future!
When it comes to picking the right platform, I think it really comes down to the business model you’re most comfortable with. Some platforms take a share of royalties, while others have a one-time fee, so the question is: which model fits best with where you’re at in your indie journey? There’s also the matter of ease of use and whether you’re looking for a “set it and forget it” approach or something more flexible, where you could start with one platform and potentially switch later as your needs evolve.
I’d love to know-what’s the biggest consideration for you in comparing all these options? Is there something specific that’s holding you back or that you’re looking for in a distributor? Let me know, and I’ll do my best to help! 😊
@geryahdinglemusic I'm more of a set it forget it. Because I'm so brand new online... I do have a lot of unreleased studio quality songs that I want to release slowly. One time payment or yearly I don't mind as long transparency is transparent lol.. too many horror story from all distributors. I'm literally 6months into this research and still no where closer than I was 6 months ago.
I'm just very afraid of my music going through a lot of hoops and unexpected legal issues that requires endless emails and chasing invisible people. I'm very simple and laid back.
I've been trying to decide for months. So far, I keep landing on Symphonic, but it's not written in stone yet. Like some others, they have a high rating on Trustpilot.
Don’t use united masters, worst company
Good to hear your perspective. Anything specific you can highlight that made you not enjoy your experience to share with the community?
I'm looking towards symphonic
That’s great. It really has a lot of included features.