What are Performance Royalties and Performance Rights Organizations?
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- เผยแพร่เมื่อ 29 ก.ย. 2024
- A "performance royalty" is owed to the songwriter and publisher of a particular song whenever that composition is “broadcast” or performed “in public.”
Performance Rights Organizations collect license fees from music users by issuing licenses, and then pay songwriters and publishers in the form of performance royalties for any performance of their composition.
Sesac, Licensing, Music Industry, Music Publishing, Ascap, soundexchange, entertainment law, harry fox agency, sync licensing, performing rights organization
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This is a very useful video... Now we understand what is the diff b/n music publishers and record labels.. Thanks a lot ! :)
Glad it was helpful!
Are performance royalties paid to the songwriter and publisher 10 cents per play or has it gone down over the years? I thought it used to pay that.
Thanks a lot for the video, I've watched almost all videos from your channel as well as from other channels and articles. I think I got some general picture of how the legal / financial part of making music works, but I think I still have some gaps which I can't quite fill based on the information I discovered, I'll try to list my concerns below (sorry for a long comment), but it may be an idea for a next video though :)
I understood that there are basically always 2 types of copyrights, which is basically the "basis" (or "starting point") for all other concepts:
1. Copyright for music (belongs composer / songwriter).
2. Copyright for master recording (belongs the performer).
Hence, if everything is done by a single person, they all belong to the same person. Apart from that, these rights may be assigned / given to either a publisher (he takes that 1st type of copyrightt) or a label (he takes the 2nd type of a copyright).
Next, there are 3 types of royalties that can be paid:
1. Mechanical Royalties.
2. Performance Royalties.
3. Sync Royalties.
Based on all these information I have following questions, the answer on which I could not fully find by my self unfortunately:
1. Is there a clear relation between royalties and the underlying type of the "copyright"? I.e. Are both composer and performer receive all 3 types of royalties (50/50)?
2. In a video which explains mechanical royalties, it was told that the responsible organizations for paying royalties are Harry Fox Agency, Loudr etc or publishers (which affiliate with the agencies like Harry Fox Agency). But what about distributors? If I for instance use TuneCore or DistroKid (or whatever other distributor) the mechanical royalties from streaming platforms are then collected by them, although distributors are not publishers, right? (i.e. they also don't earn any sort of "mechanical rights", if such term exists).
3. Are there "mechanical rights" or "publishing rights"? I just heard this term used by other people, but I'm not sure if it was correct as it seems like there are "mechanical royalties", but not such thing as a "mechanical right". Or am I wrong?
4. Spotify in their video "How Royalties Work" explain that there are 2 types of royalties they pay: "Publishing Royalties" and "Recording Royalties". This is very confusing, because it does not match with the list of 3 types of royalties which I understood from the series of videos on your channel. Are Spotify referring to something different? Or do they just mean some sub-types of royalties? As far as I understood, both types of royalties they mention fall under the "Mechanical Royalties" category, right? But the most confusing thing is that their lawyer tells that "you can get paid these royalties everyone someone performs your work, be it on a service like Spotify or on a football game or in a bar; and if someone else wants to record your song, you can get publishing royalties on that too"
Can songwriters/composer forbid a singer from singing their songs commercially at concerts/cafes even though they have paid royalties to a collective management agency / PRO (performance right organization like ASCAP or BMI?
Do singers have to ask permission from the songwriter/composer before using their songs commercially even though they have paid royalties to the collective management agency/ PRO (performance right organization like ASCAP/BMI) ?
What kind of royalties are paid to owners of Master Records (i.e. Record Labels or independent Producers)?
Hi CBass2401, owners of Master Records are paid digital performance royalties, but not from the PRO's (PRO's only pay performance royalties to Songwriters and Publishers). Master owners should register with SoundExchange in order to collect digital performance royalties.
SoundExchange collects royalties from:
-Non-interactive webcasters;
-Satellite and Digital Cable TV,;
-Satellite Radio Services
@@TheModernMusician Thank you!
Are the master rights quarterly payments also like performance royalties?
I'm a little confused and was wondering if anyone can help me. If a song is created by a band trio, do all three members of the band sign up with ASCAP or BMI? Or should all three members have their own publishing company? For example, my band has three independently released albums in the last decade, but they're all registered under the singer's publishing company he made up called Resonant Music. I never questioned it as I told him it was ok to put under his since I didn't have one and wasn't sure how it worked. Is there anything wrong in this situation? Should all three of us (drummer and bassist as well) have created our own "publishing companies" and also registered the same songs under ours? Or should we all just use the one company "Resonant Music"? Does it allow you to split up between multiple people even if you use one single company name on ASCAP or BMI? All of our releases are through Tunecore which pays to one account anyway which we all share. So far our band has made very little in streams or sales so there hasn't been any kind of issue at all. Please someone help me with this if you happen to know this type of situation! Thank you for your time!
How do you report your non interactive webcasts to sound exchange for master recording
You’re great!!! You simple and clear presentation is just awesome
Thank you so much 🙂
Very useful foundational information 👍
Arduous task > publisher >> #lol 😆