McCoy Tyner & His Trio - Have You Met Miss Jones? - 8/15/1998 - Newport Jazz Festival (Official)
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- เผยแพร่เมื่อ 22 ก.ย. 2014
- McCoy Tyner & His Trio - Have You Met Miss Jones?
Recorded Live: 8/15/1998 - Newport Jazz Festival - Newport, RI
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McCoy treated this Miss Jones here very rough indeed, bordering on assault.
Ha, lucky those chord changes didn't press charges.
he he i hope the solo didn't put him in the jury
Forget assault, that was womanslaughter
Yes, this is how jazz should not be played. When you want to know what's bad - listen to Tyner. Have You Met miss Jones is a love song, and Tyner plays it like a herd of elephants running.. that's not jazz that I want to listen to. I want Bud Powell, Duke Ellington, Charlie Parker, Hank Jones...
@@NikolaSaskovic An absolute unstoppable force of nature is what he is. Appreciate it for what it is.
This is the absolute definition of virtuosity.
RIP McCoy Tyner.
McCoy demonstrated why he was a bandleader. One of tye great players. The sax player paid his dues. He worked hard, awsome!!
ha, you got me! by the way you phrased it I imagined "some" sax player, a new kid on the block type, but lo and behold...I love these kind of surprises.
Man! this is both fat and muscular....so many smooth notes powered by such drive behind them....my first introduction to McCoy Tyner at the piano. I'm very old but very much in love! Thanks!!
If you have listened to the latest john coltraine´s albums you ve´already kwon him ;)
Musical reverence for this man! Genius!
The still living master-man McCoy! His style,
fooling around those cords! A great Michael@ Coltrane sound!
Addio McCoy,hai raggiunto John,Elvin e Jimmy.Mitico quartetto!!!
The double bass player seems to have everything under control despite the chaos
Man can blow. Damn
That left hand. McCoy Tuner is playing different styles of jazz. There is some stride. He displays his typical 4th voicings. A virtuoso performance.
Great manual dexterity
RIPMcCoy Tyner.
The "Master" at work!!
The best left hand in Jazz . Still has the dexterity as when he was with Coltrane.
A genious !!!!
Virtuosity is all I can say
Have you met Impressions?
CRAZY Good!
Well first, let me get this off my chest - why can't the people who so kindly upload these videos do one little thing more (some do, bless them): add a personnel list. Please. Double please with sugar on it. One cannot, sometimes, recognize individual musicians by sight and sound alone, especially if he/she {the musician) is from elsewhere or is new. Or if one(like me) who is someone who doesn't read the jazz magazines very often and doesn't have a television. It's SO frustrating to hear someone whose work was fascinating, stimulating, and wonderful, and then not to be able to find him/her anywhere.
Rant for the day.I'm extremely grateful, though, to Jazz on MV for letting us hear and see this video. Sometimes I think McCoy Tyner can raise the dead! And it's not just energy, it's clarity, complexity, and beauty all combined, at least for me. Wow!
+Carol McAlpine It's McCoy Tyner on piano, Michael Brecker on tenor saxophone, Avery Sharpe on bass, and Aaron Scott on drums.
Well said!!!
Carol McAlpine because you can’t hear them anyway! Who cares!
@@kbkesq It is a disrespect for those people whose names are not mentioned!
grandioso
Only the first 5 minutes or so are have you met miss jones
10:43 Brecker plays the lick
Non bisogna essere troppo bravi !!!
e soprattutto avere un buon paio di occhiali antigravità
One of the best drum solo's I ever heard
Brecker is a beast
Rip mike and mc coy, who are the bassist and drummer.?
tonalidad? no hay tonalidad, solo queda McCoy y las 88 teclas
What's the second song?
Afro blue by Coltrane
Are you sure? It sounds nothing like afro blue.
Impressions by John Coltrane
Can anyone breakdown how MCoy solos? Specifically what scales?
no scales, 4th
4ths and superimposing foreign triads and extensions over everything, a true master
Sure
That's like asking which alphabet Shakespeare used.
A treat for the ears, despite the ill fitting shades
Was this guy on speed? So fast his drummer could`nt keep up. The whole piece sounded like a milk truck crash.
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Sounds like a machine spanking the keys. McCoy is the worst player in McCoy style 😅😂😂😂
An obviously fantastically talented musician but this rendition of a beautiful tune like this is a travesty to say the least. It borders on the contemporary style of jazz which makes it extremely difficult to pick out the original tune if you did not know it very well. Sorry but a total misrepresentation of a much loved tune.
Jazz Tunes or any other tunes are just material! You can and should do with them whatever you like, in particular if you are a first league musician and are capable to invent something new that is meaningful. This interpretation does not do any harm to the original, it is something new, that moves the tune into a parallel universe if you will. If you don't like it then pick the Robby Williams version. I like both of them, vor very, very different reasons.
I think that after the 1563rd time performing any number some tend to load on the embellishments, to keep it relevant ...
The real tradition of this music has always been innovation. McCoy recorded this song in his second album as a leader (Reaching Fourth) and, in fact, it was a little less aggressive and a little more bopish, but that's just make it more beautiful.. to see a master's evolution and always reinventing himself. It's ok not to like it, but you may caught yourself trapped in a nostalgic and very stiff jazz vision. The fact that someone urges to rigidly hear Stella By Starlight with same harmony, form and melody from 60 years ago is a little concerning. Like Wayne Shorter said when asked about what jazz was:'I dare you.'. McCoy was responsible for a whole new way of playing jazz piano. We should cherish such mastery and courage. Aside from his signature quartal and far out pentatonic/triadic sound, you can clearly hear Fats, Earl Hines and Monk. He was also very respected by Oscar Peterson and Hank Jones. Pianists like Chick and Herbie simply adored McCoy, and you can hear that on their early albums.
It's a nice little tune, not a sacred hymnal or liturgy. Let the man fuck with it as he pleases.