Drew, Thank You for sharing your wisdom through this channel. At the age of 72, I have been using both of my X-32's in the studio and for live performances for the last 10 or so years and have learned a lot of information that you have shared. Thank You again and God Bless You for being the person you are.
I have a XR18 and didnt manage to have a good reverb in the software so I just send the fx on 1 aux channel out to an external classic fx from 80s and have the return on 2 channel in so I can do a lot of hands on when mixing live. But I will not give up testing settings to make the similar sound in the built in fx. Very good Video! Thanks a lot!👍😁
As always, very informative video. I am using a X-32 for a traditional congregation and we have a 10 vocal choir and a vox leader, a digital piano (Yamaha 90-sx) and Shure SM58 mics (wired and wireless as well). There is also a sax and an electro-acoustic guitar for some times. My set up is simple and the service takes places in a chapel that was built for a choir (I get the effects from the room itself, which I can't control). I've been watching your videos since the beginning, mostly for the X-32. It's not the sharpest knife in the drawer, but it is definitely a great tool for many setups. Thank you for sharing your experience and for explaining what's going on and why (most important).
Good content again, I love that you're zooming in now to where you're pointing, nice to see the improvement here. One suggestion or addition I can see being beneficial for folks like me are annotations that further zoom in a bit more to those sections or you can pull them out post-production. Some work but def possible. Thanks again for the offering here.
Wow, it is really hard to be this technical but also this creatively talented! Love your mix effects, great job. Thank you for your content, when I’ve been on new gigs or gear, your videos usually pop up in my searches!
Interesting thing about stereo sends and returns - if u have enough free buses u can unlink your delay return. So ull have 1 stereo send to the FX unit and 2 mono returns. I like to setup 1 delay for long notes, like 1/2. And have it in and out under my finger for a dramatic places of the song. And second for short like 3/8, or use it as a slapback.
@DrewBrashler Surprised you’re still sending the Delay to the LR - AND feeding it into your Reverb. Wouldn’t it make more sense to just unassign the Delay Return from the LR and assign it to the Reverb Return? Then, you can just utilize the Delay Return to set your level into the Reverb? Am I missing something, here? This is how it was explained to me recently that feeding delay to reverb is great but need to remove the delay from LR and route to the Verb instead.
Drew thanks brother I want you to make a video about every thing should do to have nice kick and bass together in a live mixing What effects and eq should use for them and polarity for bass
Hi Drew. Thanks for your videos. I have a question. I would like to add a delay on the lead vocal that comes into play only when the singer has finished the phrase so that the delay is high and fills only when he stops singing. I heard this at a live concert. It was truly beautiful. How can you do this with X32? 
Please make a Video for ringing Out Monitors and PA. And explain please how to do it best. I saw your Video on ringing Out a Monitor, but I need a little Bit more information.
Thank you! Does Beringer rack X32 has same features as your X32?After buying mixer I will buy some preser bundle from your website, but you don't have contact info there.
Hey Drew. In one of your last videos you talked about using the USB card for virtual soundcheck. I did that last weekend (with Waves Tracks Live). Everything went fine recording wise. But when i checked back to listen to the recording in multi-out mode and switched the x32 Rack back to "Play" - input (card 1-8, 9-16........) the incoming signals on all 32 channels were incredibly hot. Even tho i didn't touch the digital trim on these inputs. The output levels on Waves Tracks Live are at +0db. (Haven't touched the software mixer either). Any idea what might have happened here? Couldn't really troubleshoot as the band was about to start playing the gig.
Drew, Thank You for sharing your wisdom through this channel. At the age of 72, I have been using both of my X-32's in the studio and for live performances for the last 10 or so years and have learned a lot of information that you have shared. Thank You again and God Bless You for being the person you are.
Thank you, brother, for all your training videos! You're a blessing to us!
Drew Stach-ler, the Stachemaster of Sound. You dropped this 👑
More like Drew STACHE-ler! You’re my hero 👏🏻 I’m no audio engineer, but I can run sound on my gigs thanks to your presets and videos!
Same! Thank you so much! Keep up the great work!
Tried those today and it sounded so good! Thanks man
I have a XR18 and didnt manage to have a good reverb in the software so I just send the fx on 1 aux channel out to an external classic fx from 80s and have the return on 2 channel in so I can do a lot of hands on when mixing live. But I will not give up testing settings to make the similar sound in the built in fx. Very good Video! Thanks a lot!👍😁
As always, very informative video. I am using a X-32 for a traditional congregation and we have a 10 vocal choir and a vox leader, a digital piano (Yamaha 90-sx) and Shure SM58 mics (wired and wireless as well). There is also a sax and an electro-acoustic guitar for some times.
My set up is simple and the service takes places in a chapel that was built for a choir (I get the effects from the room itself, which I can't control). I've been watching your videos since the beginning, mostly for the X-32. It's not the sharpest knife in the drawer, but it is definitely a great tool for many setups.
Thank you for sharing your experience and for explaining what's going on and why (most important).
This is sooo good. Hard to come by simple explanations showing how to use a single effect with all parameters AND demonstrating it audibly.
Good content again, I love that you're zooming in now to where you're pointing, nice to see the improvement here. One suggestion or addition I can see being beneficial for folks like me are annotations that further zoom in a bit more to those sections or you can pull them out post-production. Some work but def possible. Thanks again for the offering here.
Thanks for sharing. I used your combination last sunday and I really loved it. God Bless U
Wow, it is really hard to be this technical but also this creatively talented! Love your mix effects, great job. Thank you for your content, when I’ve been on new gigs or gear, your videos usually pop up in my searches!
This was a very EXCELLENT video!!!!! Thank you for going over the detailed settings and various levels for these Vox FX!!!!
Always wondering how to cascade delay back into the reverb!!! Geez, who knew it was that simple!!!
Extremely helpful! Was very informative, would be interested to see videos on the X-Touch for those who have the rack version of the X32
Im going down to my X32 & make sure mines set up like this tutorial
Great info Drew 😊
U bless mi alot with your videos
I was never able to find a good video on this, thank you so much Drew!
Thank you soo much for this video, its a deeper dive of explanation into Effects, Reverbs & Delay helps
Solidify my understanding. Cheers!!!
Interesting thing about stereo sends and returns - if u have enough free buses u can unlink your delay return. So ull have 1 stereo send to the FX unit and 2 mono returns.
I like to setup 1 delay for long notes, like 1/2. And have it in and out under my finger for a dramatic places of the song.
And second for short like 3/8, or use it as a slapback.
@DrewBrashler
Surprised you’re still sending the Delay to the LR - AND feeding it into your Reverb. Wouldn’t it make more sense to just unassign the Delay Return from the LR and assign it to the Reverb Return? Then, you can just utilize the Delay Return to set your level into the Reverb? Am I missing something, here? This is how it was explained to me recently that feeding delay to reverb is great but need to remove the delay from LR and route to the Verb instead.
So you only want to hear the reverb off of the delay? That would be like taking a vocal out of the LR just to hear its reverb return.
More content on making the most out of the X32 with fx and techniques please!
You really kill it !
From Russia with love. Спасибо за ваше видео. Они очень помогли.
I just wanted to say thanks!!
Another great video! Thanks for sharing your knowledge!
This was really helpful 🙏
Drew thanks brother
I want you to make a video about every thing should do to have nice kick and bass together in a live mixing
What effects and eq should use for them and polarity for bass
AWESOME
Thoughts on Hall Vs Plate reverb for live vocals? In an untreated room?
You grew a stache😃!
Hi Drew. Thanks for your videos. I have a question. I would like to add a delay on the lead vocal that comes into play only when the singer has finished the phrase so that the delay is high and fills only when he stops singing. I heard this at a live concert. It was truly beautiful. How can you do this with X32?

Is this the same for the M32?
Please make a Video for ringing Out Monitors and PA. And explain please how to do it best. I saw your Video on ringing Out a Monitor, but I need a little Bit more information.
PLEASE make more Wing videos!
Is the multitrack recording awailable. Would be good to practise on
Thank you!
Does Beringer rack X32 has same features as your X32?After buying mixer I will buy some preser bundle from your website, but you don't have contact info there.
Hey Drew. In one of your last videos you talked about using the USB card for virtual soundcheck.
I did that last weekend (with Waves Tracks Live). Everything went fine recording wise. But when i checked back to listen to the recording in multi-out mode and switched the x32 Rack back to "Play" - input (card 1-8, 9-16........) the incoming signals on all 32 channels were incredibly hot. Even tho i didn't touch the digital trim on these inputs.
The output levels on Waves Tracks Live are at +0db. (Haven't touched the software mixer either).
Any idea what might have happened here? Couldn't really troubleshoot as the band was about to start playing the gig.
What do you think, vintage room is better for vocal than plate reverb? If yes, what do you feel, why? Or it just personal preferences?
Still waiting this kind of video on Presonus studiolive III mixer
You can just recreate the same settings in any mixer
No to the mustache