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- เผยแพร่เมื่อ 5 ก.พ. 2025
- i also added just the video of me playing , at the end
She was a french composer and concert pianist (1857-1944).
Chaminade experimented in composition as a young child, composing pieces for her cats, dogs and dolls.
In 1869, she performed some of her music for Georges Bizet, who was impressed with her talents.
In 1878, Chaminade gave a salon performance under the auspices of her professor, Le Couppey, consisting entirely of her compositions. This performance marked the beginning of her emergence as a composer and became the archetype for the concerts she gave for the rest of her career in which she only performed her own works. Her Concertino, Op. 107, is an important work in the flute repertoire.
During the 1870s and 1880s several of her works were programmed by the prestigious Société nationale de musique. She toured France several times in her early years. In 1892, she debuted in England, where her work was popular. Isidor Philipp, head of the piano department at the Conservatoire de Paris, championed her works.
Chaminade married a music publisher from Marseille, Louis-Mathieu Carbonel, in 1901. Due to his advanced age, this was rumored to be a convenience and Chaminade prescribed strict marriage conditions - they were to live separately, Carbonel in Marseille, and she near Paris, and their marriage was to remain platonic. Carbonel died in 1907 from a lung disease. Chaminade never remarried.
In 1908, she performed concerts in twelve cities in the United States.Her compositions were tremendous favorites with the American public, and such pieces as the Scarf Dance or the Ballet No. 1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was elected a Chevalier of the National Order of the Legion of Honour (French: Ordre national de la Légion d'honneur), a first for a female composer. In London in November 1901, she made gramophone recordings of seven of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors, though they have been reissued on compact disk. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on 13 April 1944, where she was first buried.
Chaminade's sister married Moritz Moszkowski, also a well-known composer and pianist like Cécile.
Chaminade affiliated herself with nationalist composers such as Camille Saint-Saëns and Charles Gounod. Her musical style was rooted in both Romantic and French tradition throughout her career and her music has been described as tuneful, highly accessible and mildly chromatic.
In describing her own style, Chaminade wrote, "I am essentially of the Romantic school, as all my work shows."
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Thanks for listening :-)
I want to congratulate you on your wonderful interpretation of Cécile Chaminade's Gavotte No. 4, Op. 149. Your performance conveys the elegance and rhythm of the piece with such delicacy, especially highlighting the precision in the dynamic changes and the fluidity of the ornamentations. Every phrase sounds so natural and graceful, which truly reflects your deep understanding of the work.
Thank you so much for sharing this beautiful interpretation. It’s been a real pleasure to hear how you capture the essence of the piece and express it so thoughtfully and expressively. Thank you for offering us this musical gift!
Brilliant and Enthralling.....Worthy of the Giant Schumann himself......BRAVO from Acapulco!
Ooh, love the new score and hands style!
Bravo ! Julian excelente a tua interpretação, parabéns ! Muito bonita esta composição, obrigada por compartilhar esta maravilha que eu ainda não conhecia . Um abraço do Brasil
Very complex Bachian score. Love Bach, love this. Thank you!
VERY BEAUTİFUL 👍🎶🧚♀️
Шикарно! ❤
Excellent work 👍😊
Even more impressive is how you can turn the "page" on your iPad, haha!! Beautiful piece!
Im such a fan of you.
Is this a new virtual piano instrument? Sounds fantastic!
Superb! 🤩You could give concerts in venues ! Do you ever give recitals?
@@surfinia2 thank you, but No right now No concerts
reminds me of that mel bonis pavane
When bro sleeps though
@@secondthought2 pff
@PianoScoreVids 6h of less? Just curious
@@secondthought2 I sleep more than enough
@ good for you !
It is of course a personal matter, but for me it is no improvement to see you playing because it distracts from the score (which is only one line now) it distracts from really listening, from being and living in the music while listening. As it is now, it makes me very nervous and I will not listen to it till the end.
@@sjaakjansen2220 let's agree to respectfully disagree ..I love seeing the way pianists move their hands plus I love sightreading, so I personally appreciate this format.
@@sjaakjansen2220 in reality it's the same for me as for you, it's confusing to me. I think a compromise will be to sprinkle these kind of videos in when I feel like it. it's also much more work for me
@@PianoScoreVids I know you were asked to show the playing hands also, and you satisfied this request. And yes, that means far more work for you to make the production. Of course I respect that. And I like your approach as a compromise to show the hands or not show them as you feel guided to do so. Yes, the feeling is decisive.