This is simple amazing😍You are obviously very skilled and talented! I will definitely be checking out your other videos after this wonderful performance!!!!
I am glad to hear that my performance made you feel something deep. I have also written down the name of the venue. Thank you very much for your comment and support!!
@@ryankish6370 Thanks for your comment. Yes it was recorded in an old chapel in Germany. I tried Stevens grip for 2 years, but at the end, I felt that the traditional grip was more comfortable for me.
Thank you for your interest in my version of Chaconne. It is unfortunately not published, but I used an original score for violin, and only added a few notes.
Das freut mich sehr! The mallets, I am using for this piece, are SP706 from Korogi and one sample bass mallet, which will be published from Pearl/Adams Japan.
How come this arrangement has the arpeggios going into sextuplets so soon? Is it not possible to keep it as written? (not asking as an accusation, wondering if I should learn it that way or as written)
3 ปีที่แล้ว +3
if you listen to various performances of this piece, you can hear that every artist interprets these arpeggios in their own way. But i believe that it has to have a reason (for me it was a certain voicing that determined my approach to these sextuplets). So if you can perform them as they are written, great. But if not, it is very interesting to search for ways to play such passages. Eventually it's up to you.
Thank you for watching my video and commenting on it. The reason why I wanted to learn this piece was because of the debut Album by Nanae Mimura, my teacher. Her performances have been always so inspirational, and of course I heard her debut CD so many time, in which "Chaconne" was also recorded. I probably should have listened to recordings by violinists or even other instrumentalists, but I just followed how she performed. (Since then I have not changed how I interpretate the arpeggio sections.) But I have heard so many players playing this arpeggio sections differently, and I do enjoy all of it. I hope you will find a good way, with which you are satisfied. Enjoy!
@@FumitoNunoya Excellent. I meant to also write that this is probably my favorite performance of this piece. I have been practicing ever since (but I have to do it up an octave because I only have a 4.3). Thank you for uploading such a fantastic video.
最高！
Every single note has a meaning ! Wonderful playing , bravo maestro !
What a beautiful compliment... Thank you, Marinos!
This is simple amazing😍You are obviously very skilled and talented! I will definitely be checking out your other videos after this wonderful performance!!!!
Thank you very much!
wonderful! very good performance
Oh, thank you very much!
Amazing playing as always!
Thank you very much for your comment. You are always so sweet!
Well done!
I feel something deep in our mind.
I appreciate if you write down a name of place of performing.
I am glad to hear that my performance made you feel something deep. I have also written down the name of the venue. Thank you very much for your comment and support!!
hi guys
I love the acoustics. Was the recording in a chapel?
But ya need to learn Stevens grip lol.
@@ryankish6370 Thanks for your comment. Yes it was recorded in an old chapel in Germany. I tried Stevens grip for 2 years, but at the end, I felt that the traditional grip was more comfortable for me.
アルペジオがすごい
Is this transcription available for purchase?
Thank you for your interest in my version of Chaconne. It is unfortunately not published, but I used an original score for violin, and only added a few notes.
Wunderschön! This performance is so great! Btw may i ask what mallet are you using?
Das freut mich sehr! The mallets, I am using for this piece, are SP706 from Korogi and one sample bass mallet, which will be published from Pearl/Adams Japan.
👏👏👏👏👏👏素晴らしいです‼️バッハ大好きです。マリンバの音も大好きです。生で聴きたいです。普段はどこかのオケに所属されているんですか？ソロの演奏家ですか？生徒に教えているんですか？大学の教授？プロのマリンバリストでいらっしゃるのですよね？
こちらでもコメントありがとうございます。バッハもマリンバの音もお好きとのことで、僕の動画を見つけてくださったのですね。僕は今、教授ではないのですが講師としてドイツの音楽大学で教えています。マリンバ奏者としてオーケストラに所属することは出来ないので、ソロや室内楽など演奏会を中心に演奏活動をしていますよ。
@@FumitoNunoya こちらこそこちらでもお返事ありがとうございます😃演奏家の皆さんに尊敬しています。探求と表現への努力や強い意志等々、人間性が音に出ると思っています。音楽で育ち生きていくのは苦労でしょうが幸せでしょうね。これからも素敵な演奏を期待しています😃
How come this arrangement has the arpeggios going into sextuplets so soon? Is it not possible to keep it as written?
(not asking as an accusation, wondering if I should learn it that way or as written)
if you listen to various performances of this piece, you can hear that every artist interprets these arpeggios in their own way. But i believe that it has to have a reason (for me it was a certain voicing that determined my approach to these sextuplets). So if you can perform them as they are written, great. But if not, it is very interesting to search for ways to play such passages. Eventually it's up to you.
Thank you for watching my video and commenting on it. The reason why I wanted to learn this piece was because of the debut Album by Nanae Mimura, my teacher. Her performances have been always so inspirational, and of course I heard her debut CD so many time, in which "Chaconne" was also recorded. I probably should have listened to recordings by violinists or even other instrumentalists, but I just followed how she performed. (Since then I have not changed how I interpretate the arpeggio sections.)
But I have heard so many players playing this arpeggio sections differently, and I do enjoy all of it. I hope you will find a good way, with which you are satisfied. Enjoy!
Dear Augustas, I am happy to read your comment and to know that we are on the same page :) Thank you.
Dear Maestro, thank You ennormously for Your reply! :) It is an honour to receive it!
@@FumitoNunoya Excellent. I meant to also write that this is probably my favorite performance of this piece. I have been practicing ever since (but I have to do it up an octave because I only have a 4.3). Thank you for uploading such a fantastic video.