The Piano Sight Reading Tricks That Make Reading Music 100% Easier
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- เผยแพร่เมื่อ 25 พ.ย. 2020
- There's a much better way to read music than Every Good Boy Deserves Fun, and every good piano student deserves to know about it!
In this video I explain the concept of intervallic reading in music, which is how the best sight readers do it, often without realising.
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Fascinating!!
YOUR RED DOTS INDICATING SPOKEN PIANO NOTES :GBDFACE do not correspond to YOUR SPOKEN correct piano notes - HOW MISLEADING FOR ANY LEARNER! I’D say fix this or wipe the website, because it’s teaching WRONG to a learner.
Well I won't be! Would be a waste of my time at my time of life !
@@jameshyde1501 k
@@qiangyong2909 uhh.. I commented on this upload? I can't remember.
Lifelong pianist of some accomplishment, strong ear musician/improviser, decent reader…barely passable sight reader. 5 min. in, feel like I’m being given the keys to the kingdom. Your quiet clarity is powerful-a great teacher!
I'm in the same boat. Thank you so much Leah! I am about to Google your studio to see if you offer online training
Same, accomplished ear 👂player, sight reading is painful at best, but suddenly find it necessary to learn it quickly. Am in panic mode currently. 😱😱😱
Same!
"Keys to the kingdom"? Was the pun intended? Hilarious! (You must be St. Peter by the way).
I think that a third skill involved is having a knowledge of the keyboard topography in your hands so you don't have to look down to play. Many people can read notes and intervals on page but struggle with sightreading because they don't trust or know the keyboard well enough to not look down.
That’s a great point, Rob, thanks. I address that in this video but it would have been a good addition here too: th-cam.com/video/uWCV2NMc9y8/w-d-xo.html
The course I've been using for a year makes sure you have what you so helpfully call 'keyboard topography' with hundreds of hours of improvising, without looking down, in 24 keys before a simplified notation gets us started in thinking in vertical dots. Then, when we start on the staff, we're writing mentally as we improvise. Kind of like writing in English before learning shorthand. The mnemonic in this video is helpful, but as you say, Rob, in order to play without looking up and down constantly, you have to know the keyboard very well via proprioception.
That sounds like an interesting course, can I ask you for the name of it? I also get my students to improvise on a few notes at a time to build awareness of where they are, but that sounds like it really takes it to a new level! 😃
@@LeCheileMusic It's Phil Best's Play Piano Fluently. He has ingeniously designed materials for guiding our hands to know where everything is. And, as you mention in the video linked under Rob's reply, rhythm is the foundation. He makes it simple, but as he always says, it isn't easy. And you don't get to play pieces you like from sheet music while you're working on this. I'd been using Alfred's All-in-One for two years and was just not satisfied with laboriously decoding the page, when I googled Play Piano Fluently and found the course. It's only meant for adults. But any level.
@@lshwadchuck5643 Thanks, I'll check it out!
I'm a piano teacher and I teach my students the exact same thing. Once you can see intervals and chords shapes piano can be just as easy as it is to read words. Sight reading is a great skill to have. Awesome video!
My aunt who was a professional pianist told me "look at the music - the keys don't move."
Good advice, I like it! 😁
Never heard that before thanks! I will never take my eyes off the page again. (or try not to)
@@ddslahsddslahs6690 seriously good advice
Suggestions for fellow viewers: Schumann’s Album for the Young has several great pieces for sight reading practice. Some nice ones to start with: nos. 1, 3 & 5 (all C maj), Chorale. All simple, but highly musical… & beautiful. Another great piece to sight read is Bach’s famous Prelude in C-you get a lot of musical “bang for your buck” because essentially every measure in the piece is repeated. And while you were playing the repetition, you can read ahead to the next measure. It is also heartbreakingly beautiful music.
This is sooo much easier than how I was taught. I would have actually practiced and not been tortured waiting to just go play football outside. Thanks for taking what seemed so hard and making it easy.
Wow! Every once in a while you find a gem on TH-cam. This is definitely a gem. Thanks so much. My sight reading is already improving. Why didn’t I know this before. How lucky are your students to have you as a teacher. Wish I’d started learning with you. Thanks so much for sharing. I really am impressed.
Thank you, that’s so nice to hear 😊🎶
Your pedagogy is effective , Inigualable and Incomparable with others ; because it is simply,easy and it really works for youngest pianists.
@@williampena5885 yeah b/c it isn't pedagogy but proper didactics :)
So an odd number interval looks even on the staff whereas an even number interval looks odd on the staff. Very useful to know.
Thank you!! Two more things that have helped me: 1. The "ACE" method. The bottom three spaces on the bass clef are ACE. The top three spaces on the treble clef are ACE. And the line between the clefs are ACE. (That C is the Middle C). They make a nice, symmetrical pattern on the clefs. (I am a visual person, so I can imagine them these without calculating them.) Then you can quickly deduce the notes around them. 2. For intervals: if both notes are on the same thing, meaning both are on a space or a line, then you know the interval is an odd number: a 3rd, a 5th, a 7th. If the interval notes are on different things, for example, one is on a line and one is on a space, then you know the interval is an even number: a 2nd, a 4th, a 6th, or an octave. I know you said this, but this is just a little more clarification. Thank you very much for this very helpful tutorial.
Love this, Jane - I've actually started using ACE with my students! 🤩
@@LeCheileMusic still to watch the video but i use ACE-G for bass spaces. Simplifies the time than using the mnemonic all cows eat grass. Then i use ACE-G for the upper treble ledger lines. And FACE for the lower bass ledger lines. I can remember most notes now all the way down to the lowest bass note to the highest treble.
For ledger spaces. I always keep the adjacent notes separate. Trebles upper G, and the Bass’ lower F. And then remember that the spaces are sort of mirrored in comparison. So the treble ledger spaces are B,D,F,A and the lower bass ledgers are D,B,G,E. Just remember one starts with B and the other stars D. When i was first learning my ledger spaces, i just remembered that the treble started with B then D. And bass was D then B.
Then when i got a bit better i recognised that the ledger lines are only an octave in range. So the first ledger space for the bass is F and the last ledger Line is F. I had to use an app to get the gist of it. Like it would be calling cards and you would press the note on a keyboard. Done it to the point where it felt as instinctive as reading words. Now im using a sight reading book called sight reading and harmony by bach scholar. I really want to improve my sight reading the most. Cause it makes learning new peices so mich easier, then next ill try and improve on recognising chords and chord progressions.
confused I will now stick wit GIBIDY FACE it makes more sense to me.
I started to learn the piano over 40 years ago. My ear was good, my music reading was truly awful. I staggered on for a decade or so, murdering Joplin, Chopin, Debussy and many more, until I could get no further with muscle memory and playing by ear alone. I’ve just chanced on this absolute gem of a tutorial. I WISH someone had explained it to me like this….. I’m going to have another go! Thank you so much.
Great to hear, John, thanks and good luck! 😊
I love your videos. Probably something you already know but I just realized to help identify notes not on the staff are the threes ACE’s. Above the treble staff first three spaces from bottom to top are A C E. Below the bass staff the three spaces are A C E. And between the staffs are on lines are A C (middle C) and E. Helps me quickly identify those notes not on the staff lines. Thank you so much.
The cheque's in the post....
Wow! I played piano for a few years before eventually losing interest due to not being able to read music very well. I was a self taught "every good boy does fine, all cows eat grass" kinda guy and even tried rote memorization of the notes. I spent countless hours slowly deciphering and memorizing some great songs but my inability to read faster really cut down on my enjoyment and what I could play. So I recently decided, I'm taking up piano again but this time I'm doing whatever it takes to become a "good" site reader. I stumbled across your video a couple days ago and have to say - I am officially a GBDFACE convert LOL! Two days of using your tricks has made me feel like I've supercharged my site reading quest! Thank you! 😃
I am pretty sure you just healed my sight reading. Wow. (Guitarist).
That’s wonderful to hear! 😊👍🎶
I've always done the interval reading part easily, but am bad at identifying notes. This was helpful, so thanks.
Excellent! Like someone else already said: I learned more in these few minutes than in several months. Thank you for a clear and simplified explanation!
Glad it was helpful!
@@LeCheileMusic Could You clarify the "ledger lines" between the G & F staffs. I think I've got it, but are the Treb/Bass staffs closer(on paper) with very few graduations between them?
I second that
Great video and it makes reading a lot easier. Other few things which should be mentioned is:
1) take a note of which scale you in by looking at the key markers at the beginning of the 1st bar, and to make sure it is not a minor scale, check for frequently sharps and flatted notes.
2) scan also through the music to look for scale changes (modulations) and try to remember from and to scales the music goes. It often modulates back to beginning scale.
3) know how to play ALL the scales, majors, minors and chromatics in both hands!!
This is imperative for playing any classical era pieces, they often has large passages of scales in them, but it helps with fingering and sight reading too.
Yes I hated learning it and found playing all of them highly tedious, but you train your hands to be in the right spot when you start the piece, so then you don't have to worry about fingering, nor need to worry about which notes to sharpen/flatten, your hand will do that automatically as you move through the notes.
When you see on the staff say a D, you don't need to think if they mean a D flat, D or D sharp, you know which it is!.
I once played Beethovens' Sonata in E in front of my examiner in the wrong key, because I put my hand in the wrong spot by accident out of nervousness, to be told by the examiner, I have to do it over, I played in the wrong key!
I don't know if people realise this, I think many don't.
You can play any song in a major key in any other major key, similarly for minor key songs.
It all depends on which note you started on where you placed you hand. The rest of the song is about distances (intervals) and the beat.
Right. It’s called transposing. Good post!
I have been teaching myself piano and have been doing these things naturally as obvious shortcuts. But I have been so worried that I'm not actually learning to "sight read" because I'm cheating the process in some way. To have a teacher recommend these shortcuts makes me feel a million times better about my process!
74 years old at the moment-taught myself to play the right hand years ago to practice my choir music. Taught myself guitar (Paul Simon), and played flute from age 9. Suddenly, I decided I wanted to play Moonlight Sonata before it just got too late. I’ve got a stack of books, but your one You Tube lesson made more sense than anything. I’m now more excited to really dig in and become a two-hand pianist. Thank you!
Good luck! 🥰
I'm a guitar player and loved this breakdown, especially chord recognition. 🎹 The piano is precise when playing notes on the staff but the guitar can have several places the same note can be played. That makes sight reading a little more challenging!🎸😉
Thank you! I have been struggling with sight reading for years, and this is genius! Makes me see so much more clearly without stopping every two seconds to figure out the note on the page!
Great stuff! When you say “I’ve got your back”, it sounds so genuine and heartfelt!
In less than 20 min into your video, I was sight reading with so much ease, you are truly wonderful. If only I had this lesson early in life:) but I am elated now still. I actually played from the score the first four measures "correctly" of Bach's Goldberg Variations "Aria". At 57, I have never achieved simply looking at the music and playing directly from the score itself until now, thank you again!!!
Best sight reading lesson I have come across. Thank you.
Music teaching has come a long way. I wish our neighborhood piano teachers had these digital resources available like piano marvel, etc...😊
I especially like your clarity of instruction. Thank you for these sight reading tips.
Learned a lot in 20 minutes, you are an awesome teacher. Thank you very much.
I really appreciate the way you teach to read both clefs as one, you are genius.
Absolutely brilliant lesson!! THANK YOU!
An excellent tutorial, it has improved my sight reading 100% more! Thank you so much!
Left : GBD FACE
Right : FACE GBD
Intervals
2nd
3rd
4th
5th - 7 semitones
6th
7th - normally @ the end of music
Octaves
Key and sharps
Holy moly, none of my piano teachers taught me this. Extremely helpful. Cheers from Jacksonville, fl
3 minutes in and this is already far more helpful than any other guide or tutorial ive seen!
this is the simplest and most effective tutorial I've seen, thanks a lot
Yes! I always teach my students to not waste time reading each note.
Esp for beginners that mostly stay in pentascale widths just changing hand positions, we can easily just say "skip a finger" for "line to line/ space to space"
then after reveal that those moments are called 3rds.. reveal you are actually skipping one note within the regular scale. etc.
Gives students lots of independence if you you can explain it well enough :)
I want to say this has been an AMAZING lesson. You have NO idea how much this has helped me!
Got it. Thanks , takes a ton of stress out of it. A more relaxed way of seeing .
4:00 Interval recognition (GBD)(FACE): 5:30 Bass clef; 5:55 Trebble clef 👍
7:30 Intervals: 8:18 2nd=steps; 10:05 3rd=skips; 11:26 4th (skip 2); 12:30 5th (skip3); 14:12 6th 7th 8th.
Great tips. I would also recommend to people to study harmony. If you can identify the chords as you play the music it makes things so much simpler. For example if you know it’s a C chord you know the notes will be based on CEG.
Your videos are so incredibly helpful. Thank you!!
So glad I found you. This interval training has been most helpful in learning notes& position especially the left hand. The left hand has always been holding me back.Thank you for being on you tube.
I agree 100% - I was taught note identification when I was 8 or 9 and how to read the instructions but little else was explained. I wish my teachers had told me about pattern recognition.
1. Note and symbol recognition.
2. Interval and other pattern recognition.
3. This system was made for performing musicians and not for teaching so it’s not your fault that you can’t see the music in the notes.
Learned more in 20 minutes then I did after a year of weekly ear training/theory classes. Honestly bless you, this has helped me so much omg
Delighted to help! 😊🎶
Awww this makes so easy for sign reading! Thank you so much!!!❤️
Thank you! This is the most helpful piano lesson I have seen on TH-cam.
Thank you. After many years you gave me hope. I will subscribe. You’re a good teacher
Welcome aboard - thanks for subscribing!
Been playing piano for a year and your intro described my peril of note reading. Having learned the usual mnemonics it is painfully slow. Have never heard of GBD FACE. It does look intuitively better , just need to learn how to apply it at speed. Well explained. Thank you
I have had piano lessons in the past and it was exactly as you said. I was taught note identification, but not interval recognition. This helps a ton!!! Thank you so much!
Very well done, I love the way that you explain things and break it down. Notes and intervals, with emphasis on understanding intervals. It makes a lot of sense, I have looked at other videos but this is the best one and really hones in on her concept. Thank you
Wonderful explanation,wish I had this approach in my formative years,keep up the great videos.
Thanks Rossco! 😊
Just wonderful trick, method or whatever is called. Thank you so much.
Most welcome 😊
Thank you for the best explanation!
Oh my goodness! What a wonderful lesson! Thank you!
I have been struggling with reading sheet music since a while now but I'm sure this technique will definately speed up my playing. I'm so glad that I came across your channel. Beautifully explained. It's a blessing for self taught students like me to gain knowledge from experienced teachers like you. Thank you again. Hope to see more music theory + techniques based videos on your channel.
Thanks so much, Abhijit, that’s great to hear! Yes, I have lots more planned for the coming months 😊
The key skill is to be able to read music as effortlessly as reading a newspaper, and to train your hands and fingers to process this into motion on the keyboard. All without thinking about it all. Great piano virtuosos have this skill. It is a worthy goal to aim for.😁❤️🎹
That’s it exactly, Tom. It’s worth doing as much sight reading as possible to achieve this. 😊
Thank you so very much! You taught me more in 20 minutes, then I have learnt in 2 years! Thank you so much. Best wishes in 2023!
Wow, I just started learning to read music and this makes a lot of sense. Especially the intervals thing.
Thanks for this quick lesson. In the past doing my private lessons with a private teacher, I always got stuck reading both staffs together (vertically) as I got into harder classical type music. I could never get comfortable in seeing all the notes and keep pace in playing the songs. Another words, I would always make mistakes or repeat myself. Also knowing where my hands playing together were on the keyboard.
I knew the notes and intervals, but above was always my stumbling block or plateau of getting any better. I also played popular music and did playing by ear. All in all it was a nice learning experience. I started playing piano as an adult - age late 30's - then on for many years. in the past as a young kid played Trombone and stopped when I reached High School. I took up Guitar and still play the instrument from time to time. I am now retired.
Take care.
You emphasize important concepts. As a church musician who has had to sight read a great deal (as a choral accompanist), I would urge that one's ability to read rhythm and keep up with the pulse is the MOST IMPORTANT key to good sight reading. You can drop notes right and left, but so long as you keep with the director and the choir, all will end relatively well. If you lose the beat, then EVERYTHING is wrong!
Yes indeed, very true. I cover that in my video in rhythm.
I'm so glad this was in my recommended. Thank you.
The light just went on. THANKYOU.
Wow!! Your the best. I have watched this video and took screen shots of your slides and already as a beginner I understand it really well. your awesome a big thank you for your time. I have subscribed and are looking forward to more of your tutorials.
Thank you!
This is actually amazing! I started self-teaching in October of 2020, and struggled to read sheet music for almost all of that time. I tried, but none of it ever made any sense to me. It was faster for me to use my ears and figure out what I was trying to play through experimentation. In using my ears, I actually discovered intervals pretty quickly, as identifying intervals is what allowed me to rapidly learn bits and pieces of music by ear. For example, I may not know what key the music is in, I may not know exactly what the notes are, but if I hear what sounds like a Pefect 5th, then I know exactly how to play that no matter where I start on the piano.
I did eventually start taking real lessons a few months ago, and in that time I have learned quite a lot about sightreading. I actually managed to learn more about it than I thought I did. I pretty quickly noticed the relationship between the lines/spaces and how they corresponded to the piano. At first bass and treble being notated differently made no sense to me, until my teacher told me to imagine an invisible middle C connecting both clefs together.
Then it just instantly made sense to me: bass and treble _are the entire piano._ For example, the lowest possible note in the bass clef is going to be the lowest possible note on the piano. The highest possible note in treble is going to be the highest possible note on the piano. Of course, these notes and their respective octaves will be notated _outside_ of the staff using additional ledger lines or spaces, but the point still stands. And smack dab in the middle is, well, middle C.
Once I made this connection it made the sight reading _much easier._ If I saw an F in bass clef and saw something right above it, I just instantly knew it was a G. If I saw an A in bass cleff and saw a note 3 steps below that, I knew that was an F. Instead of thinking of the anagrams (every good boy does fine, all cows eat grass, etc) I imagined the entire piano and just knew exactly how to read what I was looking at.
I still struggle to read chords, but super simple sheets for things like Christmas songs or nursery rhymes are no longer challenging. They are super easy and I can read them. I read them slowly, I work through it slowly, but I can tell exactly what the sheet music is telling me to do which I could not do previously. The point is, once you can look at a sequence of notes and just _know_ instantly what it is telling you to do, it just gets easier and easier to develop your sight reading for more complicated notation.
I remember when my teacher was explaining intervals to me, I said "Oh, I know what that is, it's a Major 3rd", then she spat out random intervals and told me to play some of them. I got all of them right, and then when I made the connection about how the clefs _are_ the piano, I was like "wait, so this is how people sight read really well right? They're just looking at the gaps _between_ the notes?" I was surprised to learn that I was right about that.
Wonderful! 🥰🤩
GBD FACE - my BASS learnings just intensified! Thank you.
BRILLIANT! Absolutely brilliant, thank you!
gosh... thank you. I'm a complete beginner, but I get it.
Excellent way to make sight reading a way of moving through the music in a relative way rather have to recognise each of the individual notes. Even if you knew every note, that’s still not enough when reading chords. Thinking in terms of intervals and where you were one note (or two) before is so much more intuitive.
The GBD FACE patterns across the entire staff/keyboard was something new for me. Keeps it’s simple!
I’d like to add one suggestion. Learn to play the piano without looking at the keyboard. FEEL your way around (often by moving relative from where you happen to be), but practice being able to feel out any note on the keyboard without looking (shut your eyes!)
This means that when you read music, your eyes are always on the score and you never have to look down, and then lose your place in the music (or lose the sense of where’re you’re going or have been relatively)!
:)
This is hands down one of the most useful videos on the topic I have seen. Thank you.
Thanks for sharing. Definately your explanation is simply to understand. Great teacher!
GBD FACE might be the most useful way to sightread, Im trying a few landmark systems but GBD FACE helps with easily recognising both clefs
Amazing tutorial! Have been working hard recently to undo the bad habit my childhood piano teacher instilled in me with those mnemonics! But breaking down the intervals like this is a revelation - thank you so much!
Delighted to help!
One of the best piano tutorials, hands down. I love this.
I've just started (yet again) learn the piano and sight reading has always been an issue, as you stated. Thank you.
I've been singing most of my life, and I've gotten really good at sight-singing. I guess my main issues are that I simply am not accustomed to two hands and sight-reading multiple notes at the same time. I just have to work on my facility on the keyboard. Bass clef is also relatively new to me (always reading treble clef for my voice range), so sometimes I'll recognize the note a hair later than I would for treble clef.
I honestly think of all the mnemonic devices I’ve ever heard taught to students to remember the notes on the grand staff, “jibidy face” and “face jibidy” is the most straight forward and easy to remember I have ever encountered. I’ve tried to think up better mnemonics and never came up with something so simple and easy to quickly remember. Thanks and I look forward to sharing that tip! :)
Excellent! 12:21 using 4ths for inverted chords with the left hand. Very good point. Excellent.
I keep coming back to this lesson because its SO AWESOME 🎉🎉🎉THANK YOU SO MUCH 🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉
MORE BEAUTIFUL LESSONS PLEASE 🙏 🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉
I know a lot of people find sight reading very difficult. I’ve never had a problem sight reading beginner to intermediate piano music and I put it down to playing the recorder at junior school before starting piano lessons at age 10. I gave up the piano 5 years later and returned to it in my 60’s a couple of years ago, I could still sight read but my technique is not good. Luckily I have a very patient teacher. Thank you for all your videos.
You’re welcome, best of luck 🎶😊
This lesson is simply amazing, thank you. I tried for years to get faster at sight reading music but in twenty mins I'm already seeing improvement. Why isn't this being taught by other teachers, it's so much easier that Every good boy does fine. Thanks again.
Fantastic, delighted to help! Thank you also for your kind donation, greatly appreciated 🙂
Thank you for this great lession.
Looking forward more wonderful training sessions with you.
Yessss, Very Helpful!!! THANK UOU😍🙏🙏🙏
Thank you so much! Going on 68 and only took a year and a half or two of Piano in elementary school. I recently picked up the Harp which I love but I’m struggling reading notes. You have clarified for me in the span of this video exactly what I need to go forward! Thank you for taking time to publish this!
Good luck with the harp. Took up the concert harp when young. Made a lot of noise with the 7 pedals!
@@georgebuendia3491 …the harp makes very beautiful music ,just depends on if you make music or noise , sounds like you need practice if your a noise maker lol.
Wow! I'm a drummer that went to music school, always struggled with reading pitched music. This was a huge help. Thanks!!!
Hi how are you? My piano music stand might benefit you, please check it out. Thank you Norman.
I'm just past early beginner and you've confirmed what I've intuitively been doing, and I thought I was getting lazy. I've subscribed.
Thank you sooooo much for this! This was the most helpful video for reading music I’ve ever come across
That was fantastic! I was reading intervals looking for patterns as I also use patterns in website design. Just starting out with piano and didn't see the GBD FACE but know in the g and f clefs gives me an anchor and I think I can do this - was giving up.
That’s great, Jill, so glad I could help - and if you’re good at spotting patterns in general, you’ll love studying music. When you’re ready, have a look at my video called The Most Useful Music Theory You Never Knew You Needed; it’ll give another way to understand patterns in music. Happy practicing! 😊
'A 'g' that got out of hand.' 😂
It’s a very helpful video. I appreciate how you simplified this method, so it’s clear and practical. Thank you very much
Thank you so much. This helps so
much with the frustration.
I was laughing when you went on about the sentences 😂.. I absolutely detest those sentences and advice my students to never rely on them. This is very useful Jibidy Face 😂😂😂 Brilliant!
Thank you for emphasizing reading by interval. As a pianist and teacher, I know that this is incredibly important. Thanks for explaining it in a very clear and helpful way!
You're very welcome!
I’m loving this! Thank you.
Brilliantly explained. Thanks.
Did you download your free piano practice workbook yet? 🤩 Get it here: mailchi.mp/bccb1e32807f/practice-workbook-giveaway
@Hector Marshall You are welcome xD
Where to download the workbook.
Hi Lala, if you look in the description info below the video, you’ll find the link there.
I clicked on the link and put my email id, some 5 hours back. Not yet recd the work book. Waiting ma'am
@@taraanamusichutoxitavadia2260 Sorry to hear that! If you email me directly at leahmurphyu@gmail.com, I’ll send it to you by return.
What would be really helpful are tips for reading both staves at the same time. This is something that I just cannot crack.
I feel your pain - piano is particularly difficult in this respect because there can be so many notes happening at the same time! What can help if you’re just sightreading through something is to look for left hand patterns before you start playing (or indeed right hand patterns) to take some of the brain work out of it while you’re actually playing. Also, as I always tell my students, if it’s hard you’re possibly going too fast, so don’t be afraid to slow things right down. Finally, look for material that feels relatively easy to work on alongside the challenging stuff - think of it as brain training; the more you read at different levels, including easy levels, the more neural networks for recognition are being laid down in the brain and it gradually gets easier. Bet you’ve already come a long way from when you started! Hope this is some help. 😊
@@LeCheileMusic Thanks for the tips. It certainly is brain training. Just a couple of simple hands together sight-reading exercises and I'm mentally drained.
@@LeCheileMusic I agree that practising very slowly certainly helps.
@@LeCheileMusic - What I do is to practice the right hand a bit first, and then the left hand, and only later put the two together. Of course that wouldn't be any good if one had to play a new piece for a listener and get it right first time, but that's not what I'm aiming for.
@@Astronist Absolutely - hands separate practice is essential in the early stages of learning a piece :-)
Thank you, I’m learning the piano accordion and this has been very useful.
Interval recognition has helped me reading music with my bass as well as piano. Thanks for the study / skill aid.
I’m curious to know: do you already use interval/pattern recognition to sightread or is this a new approach for you?
I'm partly self-taught; my teaching was all about identifying the individual notes. I think I expected recognition of intervals and chords etc. to happen more or less unconsciously with practice. Breaking chords down into intervals never occurred to me - instead I tried to directly recognize the whole chord, which I could do more or less for guitar, but it's less easy with piano which has two staves and more complex and unpredictable chords. I think your interval method will be very helpful, thanks a million!
@@gerardvila4685 Thanks Gerard, yes, I must say I spent a long time focusing just on note recognition too - I think maybe I would have essentially reached a point of unconsciously recognising intervals, but I might still be waiting, so I’m very glad I actively learned about it 😁 I’ve also seen what a difference it’s made to my students, so I make sure they get lots of experience of both methods now, and I really want all music students to know about it! 😊
Very helpful! I’m self taught and this is so much better for recognition! I’m starting practicing this now. Thanks!
I had the good fortune to be exposed to interval reading early in my piano journey. I agree with you that it is a real transformative skill. I is rather handy to help recognize the root of inverted chords.
I already know interval pattern recognition
That GBDFACE thing just blew my mind why isn’t that a universally taught thing😵
That's jibidy face to you sir
It doesn’t help me at all as it simply adds an additional layer as a thought process...
@@BoninBrighton I agree, just as bad as before , every good boy deserves fudge and all that nonsense
@@victornewman508 I'm not convinced about that either. I think certain patterns will help some people to memorize the notes, and others will suit others. I have come to realise that I make progress on this aspect more by focusing on an individual note and making myself read it (working it out at first by the usual tricks), and over time, it gets added to the list of notes I just know on sight without all the working out. I mean, it was probably about a week from starting piano lessons I knew what middle C looked like. The others are all just different positions, so you can approach it like that, learning each note as its own little hieroglyph. Certain pieces will help hammer home a note into my brain if they use a particular note a lot. Flash card apps popping up random ones to read aren't bad either, but it's really when I focus on one that it goes in best.
Great explanation and a revelation , will put this into practice with my sight reading on guitar. Thank you .
Wow this is so so helpful I can literally read the sheet music now after 11 months learning the piano with fuzzy ideas about reading music. Thank you so much!