Nightcore (Queen) - Made In Heaven (1995): 04. Mother Love

Made in Heaven is the fifteenth and final studio album by the British rock band Queen, released on 6 November 1995 by Parlophone Records in the United Kingdom and by Hollywood Records in the United States. It was the band's first and only release after the death of lead singer Freddie Mercury in 1991. Following Mercury's death, guitarist Brian May, drummer Roger Taylor, and bass guitarist John Deacon worked with vocal and piano parts that Mercury recorded before his death, adding new instrumentation to the recordings. Both stages of recording, before and after Mercury's death, were completed at the band's studio in Montreux, Switzerland. The album debuted at number 1 in the UK, where it went quadruple platinum selling 1.2 million copies. 500,000 copies were shipped in the United States.
"Mother Love"
"Mother Love" was the final song co-written by Mercury and May, and was also Mercury's last vocal performance. Mercury's vocals for "Mother Love" were recorded 13-16 May 1991. On his website, May discussed the writing process he and Mercury had (writing both separately and together, and conscious of the nature of the song and the lyrics). Upon reaching the final verse, Mercury told May that he had to go and "have a rest", but that he would return later and finish it. After that, Mercury never made it back to the studio, and thus May sang the last verse on the track.
The song features a sample of the vocal improvisation from Queen's famous 12 July 1986 concert at Wembley Stadium, and a sample from the intro of the studio version of "One Vision" and "Tie Your Mother Down". It also features a sample from a cover of "Goin' Back", a song written by Carole King and Gerry Goffin, for which Mercury had provided lead vocals in 1972. The cover was released as a B-side to "I Can Hear Music", a Ronettes cover, by Larry Lurex (a pseudonym of Mercury's), not long before the release of Queen's debut album. The sound bursts between the sing along and the "Goin' Back" sample are apparently a few milliseconds of every Queen track ever recorded, put together, and then rapidly sped through a tape machine. At the very end of the song, a baby is heard crying.

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