Even people that aren’t pro can tell, that’s the beauty of it, it unites people from all corners of the art world and non artistic people who just appreciate good visuals, that to me puts this show on another level. Especially given the type of audience Netflix usually has which is more general, thank you for watching Nelson!
Wow, that looks so stunning! I already enjoyed the BW Film 'Vivement Dimanche' by François Truffaut in honour of Alfred Hitchcock. The criticism about the pace is typically US. The US pace was very well parodied 1988 by Rick Mayall in the episode 'California here we come' of The New Statesman, as the Hollywood producer that invited him to his party only had an attention span of 30 seconds. European films, especially art films, tend to have a slower pace.
I've watched Ripley twice already, and I'm watching it for a 3rd time now. Each time I watch it I discover something new. As everyone is saying here in the comments, the series is a photography masterclass. I was blown away from the very first scene, and kept talking and talking about it to anyone who would listen. A masterpiece. I envied the man who went around Italy and New York looking for places and frames to shoot from. Amazing.
The images in this series are versatile enough to be featured in multiple photography exhibitions. I literally had to pause and admire numerous frames. Thanks for giving it the recognition it deserves!
A brilliant bit of filming where every scene is lit and posed not just as a fleeting piece of video but as if it was a photograph to be seen in its own right. The black and white isolates the action so that there are no colourful distractions. So, apart from the acting and the plot, this is worth watching for the photography alone.
The cinematography is superb , the mood , the styling so carefully thought out - what is not mentioned is that this book written in the 1950 s is the first book of this genre written about a sociopathic personality ( just finished the book ) so the way this has been created is so on point am sure it will win many awards
Absolutely love the Ripley series and YES, PLEASE Tatiana, please make a video about Caravaggio! I also love him and want to learn how to use his Chiaroscuso style in photography. Thank you!
This is a lesson on black and white and composition, absolutely stunning and should be mandatory viewing for all students in the arts, also film makers definitely need to benchmark this masterpiece as an example of outstanding set up of lighting ,how some of the takes were lit what lens were used etc are worthy of discussion.
Sensational cinematography that was a pleasure to watch. I almost want to watch it again without sound. As far as the pace of the film - I feel it perfectly matched the deliberate pace of Tom's transition into Dickie. Modern viewers tend to be too eager for fast action. Ripley, on the other hand, required the viewer to be involved and to pay attention. Thanks for this video, and for the Nosforatu reference. I missed that.
for all the ppl that have told me, 'i just don't get what your doing', i have been vindicated! 8 episodes of ripley is better than most photography courses...blown away
Not only is the show a master class in lighting and set design, but as someone who’s read Highsmith’s novels and screenplays (e.g. Hitchcock’s Strangers on a Train), and seen the prior versions of the Ripley saga, I believe this by far best captures the tension and spirit of her tightly crafted fiction (Highsmith wrote a treatise called. Plotting Suspense Fiction). Not only the choice of B&W, but Italy and New York in the early 60s are brilliant mise-en-scene (even though 1961 is a few years after the original story - a great choice because Italy was becoming a style capital, including cars (great shot of a Ferrari in front of a hotel, btw).
I actually bought the copy of the book so I could start reading the series! Thanks for your comment I agree with what you said and cheers for watching!
@@TatianaHopper and thank you for the reference to Murnau’s Nosferatu- I’d missed that. I actually have more credentials as a vampire scholar than a photographer. Btw Herzog’s Nosferatu is also a beautifully shot and composed film, albeit in color.
Even if you don't care about the story and acting etc (which is great anyway) this is indeed an excellent series for photographers. Every frame is a picture !!!
I was riveted and binged right through, starting on the day it was released a month or so ago! The photography was incredible in all shots indoors and out. The references to Caravaggio and Leica seal the deal, that this is a film that's as much about writing with light as it is the the story it tells, superb in all aspects.
Ripley is a magnificent work of art from a visual point of view. I'm surprised you didn't mention the incredible dynamic range of the photography, it's truely unbelivable, in every frame we can find from pure black to pure white with all possible shades of gray and there is never, never any underexposed or overexposed area. How it was achieved is a great mistery to me. Thanks for this video on this beautiful movie!
I had / have the same experience ! The story sometimes 'interferes' with the viewing and it's enjoyment of it.! Now waiting for the book with it's pictures and scenes !
Brava. Agree with everything you pointed out about Ripley. Have to say, I find it interesting (and amusing) that the director and DP used B&W because they "did not want to create a pretty travelogue," yet that is exactly what they did, but with much thought provoking weight. Also, maybe it was just me, but I felt en Escher-ness in most of the staircase, elevator, and hallway scenes.
@@paulred158 I have read that the intention was always black and white but Netflix (after Showtime passed it over) had in the contract that a colour version had to be produced, so the black and white is, as you wrote, post production.
@@ArtDecoArtNouveau yes , we did all of our vfx shots in colour and got very exacting notes about colour from the client. Regardless it’s one of the most visually stunning shows in years and is a masterpiece on many levels.
Discovered Ripley because of this video! Just finished watching it this past week and WOW, a visual masterpiece! It inspired a "follow the light" styled shoot that my friend and I played with all day on Sunday. Thank you for creating such informative and beautiful videos, the work that you put out here is incredible and what my soul has needed. I put on a new video on every morning while I get ready just to learn a little but more than the day before. Seriously, thank you!
When I watched it I was blown away by the film noir look and fantastic staging of scenes, the lighting etc. the Director of Photographer should be credited to the max
The photography references in Ripley are cool. He uses Dickie's Leica III and Dickie's girlfriend is a photographer. In once scene, Ripley uses the Leica with a collapsible lens and in another he is in a photography store. In addition, a photograph plays a key role in the end.
The only problem I have is I've watched the Alain Delon Version (Purple Noon 1960) which is just a legendary cinematic piece. His portrayal of the character was legendary & can't be matched to the point where the novel's author said: "I truly loved how Delon mastered every single aspect about the character exactly how I imagined him while writing, & ended the quote saying I hope no on ever try to re-create the movie, because no one will be able to match the mastery Delon brought to the screen". Of course the novel is so great so hollywood did a remake called The Talented Mr. Ripley 1999 as you said & now this TV Show Ripley 2024! Many film critics say that although the author Patricia Highsmith sadly passed in 1995, still they say she was lucky that she never saw the other movies after she saw Delon portrayal of her character. May she Rest in Peace! I never saw any of the remakes! But after watching your video I think I will watch the show as I'm a photographer & cinematographer too! I loved your video! BTW, if anyone never seen Purple Noon 1960, I highly recommend it! It is a master piece in acting, directing, cinematography, locations, fashion & style. Also, It is one of my favorite movies when it comes to COLOR GRADING + AMAZING SOUNND TRACK by a master too Nino Rota (Who composed many epic film scores like 'The God Father' & many other films).
@@mid90s75 Hahah yeah because truly Purple Noon with Alain Delon's charisma and acting is something that just can't be matched! ! BTW actually while I watching her video & was still in the middle of it I started writing the comment (I was saying on it the same thing above but also I was saying "I recommend you watch Purple Noon because it is the best) then I watched the rest of the video and I said oh she knows the movie .. so I deleted the first comment & wrote this one & changed the part "I recommend YOU watch.." to "I recommend EVERYONE to watch..."!
Noir is thematic. It also is visual in how shots are framed. The subject many times is in the right foreground and conflicted characters are sometimes seen through “bars”. Bars from shadow or thru windows.
Many thanks for this review. Being myself a B&W photographer I enjoyed this series - just finished the last episode. A masterpiece! It is not just the use of B&W as you point out. The light settings, angles and specific moments - actually I would right away buy a book with the key shots of this series. My favorite being the cat ;-) besides the elevator. What a character. Please keep on your work. Greetings from France
Yeah absolutely although I did mention angles and lighting techniques but didn’t want to take too much time with it because there’s so much to talk about ahah loved the cat shot too! Thanks so much watching, greetings to France!
@@TatianaHopper About the cat I love the unique licence about color in the show. The little footprints blood that the cat leaves on those eternal stairs. I Thought what that means.Just to make visible this little detail?
@@TatianaHopperOn the press tour for Ferrari, Michael Mann and his DP Erik Messerschmidt frequently referenced Caravaggio as an influence on their approach in various interviews.
I was set not to like this; just had that uncomfortable feeling with the way it's adapted. But wow, was I in for a surprise. It's magnificent. The way every single frame is a work of art guarantees that this series will be the recipient of numerous awards. I had the same initial feeling about "Road to Perdition" and left the theater convinced I didn't like the movie but I kept thinking about it as the weeks passed. I asked myself later, if I didn't like it why am I still thinking about it? It was the cinematography of Conrad Hall. Every frame was a work of art. I watched it twice more. Absolutely anything I can see by Ripley's cinematographer (and Boogie Nights) Robert Elswit will be a must see. The play off Caravaggio's "noir" use of light contrasts blend beautifully into the overall effect.
As a hobbyist photographer who enjoys shooting black-and-white, I found Ripley to be both inspiring and educational. I kept pausing just to stare at the screen and study the lighting and composition.
I appreciate your channel Tatiana ! Your explanations are clear, it is so important as photographer to understand how and why we shoot ! Thank you for your work
2:45 The episodes weren't actually shot in B&W, to "keep more options". They didn't want to be committed to B&W should they, or the producers, decided on a safer traditional TV show. In my view, it makes the whole color grading process all the more impressive.
I’ve been recommending Ripley to all my photographer friends too. Easily some of the best cinematography I’ve ever seen. And it’s despicable that the DP’s name was never mentioned in the credits. Preparation for some of the scenes must have taken days or even weeks to get just right. The cast must have spent a LOT of time in their trailers. Incredible series that I will go back to time and time again.
I guess it most definitely took a long time to prepare and shoot, location scouting alone it possibly took ages but it was all worth it in my eyes. Thanks for watching!
Yes on the deep dive on Caravaggio! I find great works of art extremely influential in how I approach lighting when given the opportunity and time. I haven’t seen Ripley yet but am excited to watch it, thanks for the recommendation.
Dear Tatiana, thanks a lot for your thoughts and outstanding presentation of the series. I totally agree that this movie is photographed so well!!! I think with lighting and mood all in b&w works so well together with slowness of the film and the absence of dialogs for ~10 minutes or more. This makes it really shine and transport the mood so perfect - although one has to get into it. But if you do so, you are torn into, i believe. However, I think Ripley is not a true "Doppelgänger" as if so he would need to look like Dicky (at least this is the German meaning of it). Ripley is copieing Dicky's behavior and rather has taken over his identity, and that way Ripley is doing something that is more known today through the internet: he has stolen his identity, although today there is no need to murder someone to do so. Thanks again, and please keep moving triggering us.
Great análisis you’ve made, and please yes, could you make another video of Ripley with more in deep analysis regarding photography techniques, for instance. thanks !!
This is terrific Tatiana. Interesting you mention German Expressionist Cinema. Many German Expressionist film makers ended up in Hollywood making Film Noir films, Fritz Lang being among the most famous.
Thank you for recommending this movie. I wouldn't have watched it just because is black and white, and I prefer color, in general. The cinematography is amazing.
For me the most inspiring video media that could have most of its film frames printed and presented as fine art is the 2024 film Cabrini. I was surprised with the composition and use of shadows/light in many scenes. Even some simple sequences that would of normally have been done simpler, but the director chose to do a behind and elevated shot of two people talking in a grass field to show the vast expanse of the scene and invoke more emotion of the characters struggles. And the scenes using the lantern light and light filtering in from doorways was just simply the most beautiful cinema scenes i have maybe seen.
Hi! I haven’t watched it and to be honest never even heard of it so that’s amazing because I’ll be adding it to my watchlist! Than you so much for watching and sharing!
@@TatianaHopper There is actually a TH-cam video showing the first 19 minutes of the film that can give one an idea. Just search for "Cabrini | The First 19 Minutes | Angel Studios". And enjoy. And the actual accomplishments of Cabrini the women and what she did after she came to America is just crazy especially when you consider her heath was bad and she was in her 30's already.
Tatiana, you couldn't have said it better. Ripley is a masterpiece. I really like Minghella's version, although some criticize how they portray Matt Damon's character, for me, he nails it. In fact, it's Damon's best performance. The rest of the main cast was also well suited, I'm talking about Jude Law, Gwyneth Paltrow, and the ineffable Philip Seymour Hoffman. But the Steven Zaillian Ripley is on another level. Every shot is meticulously planned and in itself is a photographic image that, in most cases, whether intentionally by its author or in our imagination, refers to classics not only of cinema and photography but even of literature. As an example, the scenes of Tom's murder of Dickie on the boat transported me to Hemingway's novel, The Old Man and the Sea. I also believe that all the characters are unbeatable, not just the main ones, all of them. I have read some criticism of Eliot Sumner portraying Freddie Miles; for me, he is better than the one played by Philip Seymour Hoffman, his appearances are short but his character is deliciously despicable. A masterpiece.
Yes I agree with you that everything is so meticulously planned on Ripley and really good reference The Old Man and the Sea. To me it also reminded me of Steinbeck’s The Pearl. In my humble opinion I think the whole cast was very good and the actors were very fitting from Elliot to the actor who played the inspector. I thought they all did really well. Thanks for watching!
... one of the VERY FEW series worth watching from scenario and aesthetic point of view ... WHAT A MASTERPIECE !!! THANK YOU for your analysis and inSIGHTs ... (btw: "Doppelgänger" = literally "double goer")
Great review, Tatiana. Not only an awesome series but a brilliant take on the movie (haven't read the book yet). And I couldn't help but think about how beautifully and creatively the movie was shot while I was watching. The entire time, I might add. It seems they took their time with it and in doing so, created a modern masterpiece.
Cheers! In my own photography I first focussed on gear and spend hell of money with not much improvement. Then I made orientation on films I love especially from Tarantino and Stanley Kubrick and also some street photographers like Mullins I really like and I found my own style also using film simulations which reminded me to my beginnings when I first started my own photography journey back then in the 90s using a Canon AE1. This made my own photography better and gave me more creativity and also character to my photos and helped me to find my own style. I even made a short TH-cam film. xD
"...given spot in a space..." What did you say right after that? I couldn't make it out. It was around the 4:21 mark. Just need the first part of the next sentence. Thanks!
Literally any random shot from the series is a a master shot! And I think the filmmakers did intend to convey to the viewer their homage to the art of photography, notice the repeated references to photographs, films (Marge purchasing a roll of Agfa), and the prominent display of the cameras: Marge’s plastic Kodak vs. Dickie’s opulent Leica. Speaking of which, they used an Alexa LF camera to film the series, but does anyone know which lenses were used? And yes, I’d like to watch your video on Caravaggio!!
Great review! It is one of the most beautifully filmed shows I have ever seen. As to rhythm, I think we are so used to fast cuts - especially in Hollywood movies - that any shot longer than about 2.5 seconds now seems slow. This series was paced more like a 1940s or 1950s film; entirely appropriate given its film noir styling.
He didn’t want to “make a pretty travelog.” Well, they didn’t, they made a beautiful one. The absence of color in favor of super rich textures, inky black shadows,and excellent composition made for something that, for me, is visually stunning as well as interesting. I also noticed, is the absence of camera movement (or at least very little of it, I’m about 3 or 4 episodes in, so I might be wrong). That’s not a bad thing. It’s actually kind of a bold choice. It adds to the noir aspect of the story with its slow-burn pace style. You feel like you’re going along with Ripley’s developing scam.
Good video you did here. There's a lot to say about tv series. For example, in the 1999 film 'The Talented Mr. Ripley', star Matt Damon looked like the 'guy or neighbor next door'. Someone you would naively invite into your home, a wolf in sheep's clothing. As with Jack Nicholson in 'The Shining', Andrew Scott looks sinister from the beginning of the series. As for 'Ripley's' cinematography, director Steven Zaillian and cinematographer Robert Elswit must have been influenced by such films as; 'Touch Of Evil', 'Psycho' (not the remake), 'The Good German' and 'The Third Man' in order to capture the period look of 'Ripley'. You should study the prints of Russian photographer Aleksandr Rodchenko, encouraging artists and photographers to create an image from a different perspective, from above, from below, through a window or a wine glass. To break away from the rifleman's viewpoint many photographers and painters often take. Keep up the good work.
Brilliantly put together episode, Tatiana! I am enjoying watching Ripley and I love the black & white aesthetics that the filmmakers went with, there is so much to take in when the distraction of colour is taken away. Put me down for an episode of Caravaggio, per cortesia!
The pictures in this series blew me away...and I've shot B&W since 1969. The quality of the cinematography in this series is reminiscent of Doctor Zhivago from 1965...I know...not B&W, but none the less mind blowing imagery. I very much hope that creator Steven Zaillian, and cinematographer Robert Elswit are recognized for their outstanding achievement. I plan on watching it again....
Ok. I loved this video and your views on the way it has been filmed. As I person that does not watch many movies, I am intrigued by this series and may actually give it a watch. I love the lighting and shadows, and that it’s in black and white. The angles and framing look very powerful and your images of them are a lesson in framing that would help any photographer with their art. This is one of my favorites. Thank you for presenting it so well and your insights. I will definitely be watching this one again. Take care my friend. 🙏✌️❤️
Thank you so much Joe! Definitely if you have the chance give it a watch, honestly a great source of learning. Hope you’re doing well, take care my friend! 🤍
Your videos are such a breeze of fresh air in this TH-cam world where all have the same style of making videos. PLEASE do make the video on Caravaggio, I’d love to know more about his technique and what you have to say ❤
I had a feeling you'll talk about this show sooner or later. Personally wished it had more camera movements cause for me the static compositions got a tad bit repetitive. Also the clinically sharp sensor and look didn't help but other than that it's still pretty good. For other tv shows with great visuals better call saul comes to mind...and the knick, the sopranos, mad men, the young and new pope, my brilliant friend, the little drummer girl
Always learn so ugh from your videos, and this one was great as well.Looking forward to watching Ridley with an eye towards your discussion. Thank you!
This is very much what compelled me to watch the show, especially the comments about the symbolism. One thing I thought was interesting was the chosen Picasso piece in the beginning being a semi formless abstract of a guitar player. A formless abstraction of a person is very much parallel to the character state of Tom in the scenes the painting is present. I do think these choices were very intentional. I think for people that love black and white cinematography or amazing performances this is the best thing on Netflix right now. Morose and creepy as it may be.
Great video. And what a series! As you pointed out it's encouraging to see Netflix venturing into more artistic territory. Looking forward to the Caravaggio video :)
Thank you for your comments. You say that you were pleased to see “that Netflix is embracing different and highly styalised content like this”. The series was made by Showtime and Netflix picked it up for a song when Paramount took over Showtime. And yes it is brilliant in every way.
That explains it! Still the fact that Netflix picked it up and aired it is a very good point. I wish they could do more or pick up more content like this, it’s always positive!
📌 What other series would you recommend me and others? Thank you all for watching and supporting the channel!
Ingmar Bergman's films
Would love more about Film Noir :)
This will be a really different recommendation, but please check out The Last Emperor (1987) and also films of Tarkovsky :)
i know this is very far from the normal artist view but can you make a review of the new japanese movie Godzilla Minus One? i think its worth it!
Tarantino and Stanley Kubrick movies have been very inspiring for me personally.
I was just blown away by the cinematography. Every frame was a lesson in composition.
100%! Thanks for watching!
I had to edit my answer as I initially used the exact same words as you 😎.
Ive been a Pro for 35 years and I can tell you every single frame is a masterpiece
Even people that aren’t pro can tell, that’s the beauty of it, it unites people from all corners of the art world and non artistic people who just appreciate good visuals, that to me puts this show on another level. Especially given the type of audience Netflix usually has which is more general, thank you for watching Nelson!
@@TatianaHopper For sure. 100% - Thanks for replying - and thanks for posting your tribute film - good stuff
Thank you for taking your time to watch it 🙏🏻
Every. Single. Frame.
Wow, that looks so stunning! I already enjoyed the BW Film 'Vivement Dimanche' by François Truffaut in honour of Alfred Hitchcock.
The criticism about the pace is typically US. The US pace was very well parodied 1988 by Rick Mayall in the episode 'California here we come' of The New Statesman, as the Hollywood producer that invited him to his party only had an attention span of 30 seconds.
European films, especially art films, tend to have a slower pace.
I've watched Ripley twice already, and I'm watching it for a 3rd time now. Each time I watch it I discover something new. As everyone is saying here in the comments, the series is a photography masterclass. I was blown away from the very first scene, and kept talking and talking about it to anyone who would listen. A masterpiece. I envied the man who went around Italy and New York looking for places and frames to shoot from. Amazing.
I couldn't agree more! It's the best thing I've seen in, well, ever. It has it all.
The images in this series are versatile enough to be featured in multiple photography exhibitions. I literally had to pause and admire numerous frames. Thanks for giving it the recognition it deserves!
A brilliant bit of filming where every scene is lit and posed not just as a fleeting piece of video but as if it was a photograph to be seen in its own right. The black and white isolates the action so that there are no colourful distractions. So, apart from the acting and the plot, this is worth watching for the photography alone.
The cinematography is superb , the mood , the styling so carefully thought out - what is not mentioned is that this book written in the 1950 s is the first book of this genre written about a sociopathic personality ( just finished the book ) so the way this has been created is so on point am sure it will win many awards
Interesting, thanks for your comment !
Absolutely love the Ripley series and YES, PLEASE Tatiana, please make a video about Caravaggio! I also love him and want to learn how to use his Chiaroscuso style in photography. Thank you!
Perfect, another vote for Caravaggio, thanks for watching Antonio!
I am the journalist in Palermo that shoot the flash ! 8 seconds of glory in two scenes.
No way! Happy for you!
Have to say, those used flash bulbs just discarded onto the street upset the litter hater in me....Thank goodness Metz flashheads came along....
Ripely is a visual masterpiece, every shot carefully crafted and put together. I couldn’t stop watching it. If you haven’t seen it yet, watch it.
Yes exactly as soon as I watched it I definitely wanted to see where it would go because visually it was so beautiful
@@TatianaHopper Agreed. Thank you for the amazing breakdown.
This is a lesson on black and white and composition, absolutely stunning and should be mandatory viewing for all students in the arts, also film makers definitely need to benchmark this masterpiece
as an example of outstanding set up of lighting ,how some of the takes were lit what lens were used etc are worthy of discussion.
Sensational cinematography that was a pleasure to watch. I almost want to watch it again without sound. As far as the pace of the film - I feel it perfectly matched the deliberate pace of Tom's transition into Dickie. Modern viewers tend to be too eager for fast action. Ripley, on the other hand, required the viewer to be involved and to pay attention. Thanks for this video, and for the Nosforatu reference. I missed that.
They absolutely nailed this series. Not only superbly shot but incredibly well acted. 10/10 from me.
for all the ppl that have told me, 'i just don't get what your doing', i have been vindicated! 8 episodes of ripley is better than most photography courses...blown away
Not only is the show a master class in lighting and set design, but as someone who’s read Highsmith’s novels and screenplays (e.g. Hitchcock’s Strangers on a Train), and seen the prior versions of the Ripley saga, I believe this by far best captures the tension and spirit of her tightly crafted fiction (Highsmith wrote a treatise called. Plotting Suspense Fiction). Not only the choice of B&W, but Italy and New York in the early 60s are brilliant mise-en-scene (even though 1961 is a few years after the original story - a great choice because Italy was becoming a style capital, including cars (great shot of a Ferrari in front of a hotel, btw).
I actually bought the copy of the book so I could start reading the series! Thanks for your comment I agree with what you said and cheers for watching!
@@TatianaHopper and thank you for the reference to Murnau’s Nosferatu- I’d missed that. I actually have more credentials as a vampire scholar than a photographer. Btw Herzog’s Nosferatu is also a beautifully shot and composed film, albeit in color.
Yes I watched it! I liked it although Klaus Kinski is super creepy more than Max Schreck was in the original! In my opinion of course.
Even if you don't care about the story and acting etc (which is great anyway) this is indeed an excellent series for photographers. Every frame is a picture !!!
Agreed! Every frame is a picture should’ve been the title, thank you for watching!
So glad you highlighted this Mini-Series. I hit pause hundreds of times to take in the framing, composition and beautiful black and white.
Same! I loved Ripley hope the filmmakers can work on more projects with this quality!
I was riveted and binged right through, starting on the day it was released a month or so ago! The photography was incredible in all shots indoors and out. The references to Caravaggio and Leica seal the deal, that this is a film that's as much about writing with light as it is the the story it tells, superb in all aspects.
Ripley is a magnificent work of art from a visual point of view. I'm surprised you didn't mention the incredible dynamic range of the photography, it's truely unbelivable, in every frame we can find from pure black to pure white with all possible shades of gray and there is never, never any underexposed or overexposed area. How it was achieved is a great mistery to me. Thanks for this video on this beautiful movie!
Thank you so much Lorenzo for the added info and for watching, peace ✌🏻
It was shot on an Arri Alexa LF = Large Format. 14 stop dynamic range
@@agylub I thought it was even higher, anyhow images are truely astonishing. Thanks so much!
Do you think HDR is possible in taking movies and if it was used?
@@lorenzo.n they used a 14 stop dynamic range camera - that is HDR
Entirely agree. I fell in love with every scene in this series.
Same! Thanks for watching Rachel!
I loved the cinematography so much I kept forgetting about the story. It’s stunning! ❤
I had / have the same experience ! The story sometimes 'interferes' with the viewing and it's enjoyment of it.! Now waiting for the book with it's pictures and scenes !
Brava. Agree with everything you pointed out about Ripley. Have to say, I find it interesting (and amusing) that the director and DP used B&W because they "did not want to create a pretty travelogue," yet that is exactly what they did, but with much thought provoking weight. Also, maybe it was just me, but I felt en Escher-ness in most of the staircase, elevator, and hallway scenes.
Actually Ripley was shot in colour, the decision to go black and white was made during post production.
@@paulred158 I have read that the intention was always black and white but Netflix (after Showtime passed it over) had in the contract that a colour version had to be produced, so the black and white is, as you wrote, post production.
@@ArtDecoArtNouveau yes , we did all of our vfx shots in colour and got very exacting notes about colour from the client. Regardless it’s one of the most visually stunning shows in years and is a masterpiece on many levels.
That show is one of the best I've ever seen. It's a free masterclass of cinematography. Thank youbaouxh for that video, Tatiana
Agreed, it’s a free masterclass indeed!
I've told every photographer i work with to watch this - its incredible.
Robert Elswit put his heart, soul and mind in every frame of the series. Thank you for this pure art❤
Discovered Ripley because of this video! Just finished watching it this past week and WOW, a visual masterpiece! It inspired a "follow the light" styled shoot that my friend and I played with all day on Sunday. Thank you for creating such informative and beautiful videos, the work that you put out here is incredible and what my soul has needed. I put on a new video on every morning while I get ready just to learn a little but more than the day before. Seriously, thank you!
When I watched it I was blown away by the film noir look and fantastic staging of scenes, the lighting etc. the Director of Photographer should be credited to the max
💯 thank you for watching!
he actually won the best cinematography oscar for There Will Be Blood
The photography references in Ripley are cool. He uses Dickie's Leica III and Dickie's girlfriend is a photographer. In once scene, Ripley uses the Leica with a collapsible lens and in another he is in a photography store. In addition, a photograph plays a key role in the end.
💯
Thank you for the hint. The camera work is exceptional.
"Attention, sparks and banging noises." (Rainman Ray)
Thanks!
Thank you so much Bruce!
The only problem I have is I've watched the Alain Delon Version (Purple Noon 1960) which is just a legendary cinematic piece. His portrayal of the character was legendary & can't be matched to the point where the novel's author said: "I truly loved how Delon mastered every single aspect about the character exactly how I imagined him while writing, & ended the quote saying I hope no on ever try to re-create the movie, because no one will be able to match the mastery Delon brought to the screen".
Of course the novel is so great so hollywood did a remake called The Talented Mr. Ripley 1999 as you said & now this TV Show Ripley 2024! Many film critics say that although the author Patricia Highsmith sadly passed in 1995, still they say she was lucky that she never saw the other movies after she saw Delon portrayal of her character. May she Rest in Peace!
I never saw any of the remakes! But after watching your video I think I will watch the show as I'm a photographer & cinematographer too! I loved your video!
BTW, if anyone never seen Purple Noon 1960, I highly recommend it! It is a master piece in acting, directing, cinematography, locations, fashion & style. Also, It is one of my favorite movies when it comes to COLOR GRADING + AMAZING SOUNND TRACK by a master too Nino Rota (Who composed many epic film scores like 'The God Father' & many other films).
She literally recommended that same movie in the end and said it was her favourite 😂
@@mid90s75 Hahah yeah because truly Purple Noon with Alain Delon's charisma and acting is something that just can't be matched! ! BTW actually while I watching her video & was still in the middle of it I started writing the comment (I was saying on it the same thing above but also I was saying "I recommend you watch Purple Noon because it is the best) then I watched the rest of the video and I said oh she knows the movie .. so I deleted the first comment & wrote this one & changed the part "I recommend YOU watch.." to "I recommend EVERYONE to watch..."!
Noir is thematic. It also is visual in how shots are framed. The subject many times is in the right foreground and conflicted characters are sometimes seen through “bars”. Bars from
shadow or thru windows.
Agree. The cinematography is incredible
Many thanks for this review. Being myself a B&W photographer I enjoyed this series - just finished the last episode. A masterpiece! It is not just the use of B&W as you point out. The light settings, angles and specific moments - actually I would right away buy a book with the key shots of this series. My favorite being the cat ;-) besides the elevator. What a character. Please keep on your work. Greetings from France
I too would buy that book! Content with screenshots for now.
Yeah absolutely although I did mention angles and lighting techniques but didn’t want to take too much time with it because there’s so much to talk about ahah loved the cat shot too! Thanks so much watching, greetings to France!
@@TatianaHopper About the cat I love the unique licence about color in the show. The little footprints blood that the cat leaves on those eternal stairs. I Thought what that means.Just to make visible this little detail?
You’re so good at analyzing, teaching and storytelling. I love this stuff.
Ripley was so great! And I’d love a Caravaggio video. “La luce, sempre la luce!”
Agreed! Yes I’ll probably work on a Caravaggio video soon!
@@TatianaHopperOn the press tour for Ferrari, Michael Mann and his DP Erik Messerschmidt frequently referenced Caravaggio as an influence on their approach in various interviews.
I was set not to like this; just had that uncomfortable feeling with the way it's adapted. But wow, was I in for a surprise. It's magnificent. The way every single frame is a work of art guarantees that this series will be the recipient of numerous awards. I had the same initial feeling about "Road to Perdition" and left the theater convinced I didn't like the movie but I kept thinking about it as the weeks passed. I asked myself later, if I didn't like it why am I still thinking about it? It was the cinematography of Conrad Hall. Every frame was a work of art. I watched it twice more. Absolutely anything I can see by Ripley's cinematographer (and Boogie Nights) Robert Elswit will be a must see. The play off Caravaggio's "noir" use of light contrasts blend beautifully into the overall effect.
As a hobbyist photographer who enjoys shooting black-and-white, I found Ripley to be both inspiring and educational. I kept pausing just to stare at the screen and study the lighting and composition.
Same I paused a lot just to look at details and take it all in, thanks for watching!
I appreciate your channel Tatiana ! Your explanations are clear, it is so important as photographer to understand how and why we shoot ! Thank you for your work
Thank you for your comment Rob!
2:45 The episodes weren't actually shot in B&W, to "keep more options".
They didn't want to be committed to B&W should they, or the producers, decided on a safer traditional TV show.
In my view, it makes the whole color grading process all the more impressive.
Yes I was just telling a friend how impressive cinematically, visually this series was! So much of the shots are amazing and could be high art stills.
Agreed!
I’ve been recommending Ripley to all my photographer friends too. Easily some of the best cinematography I’ve ever seen. And it’s despicable that the DP’s name was never mentioned in the credits. Preparation for some of the scenes must have taken days or even weeks to get just right. The cast must have spent a LOT of time in their trailers. Incredible series that I will go back to time and time again.
I guess it most definitely took a long time to prepare and shoot, location scouting alone it possibly took ages but it was all worth it in my eyes. Thanks for watching!
Yes on the deep dive on Caravaggio! I find great works of art extremely influential in how I approach lighting when given the opportunity and time. I haven’t seen Ripley yet but am excited to watch it, thanks for the recommendation.
Dear Tatiana,
thanks a lot for your thoughts and outstanding presentation of the series. I totally agree that this movie is photographed so well!!!
I think with lighting and mood all in b&w works so well together with slowness of the film and the absence of dialogs for ~10 minutes or more. This makes it really shine and transport the mood so perfect - although one has to get into it. But if you do so, you are torn into, i believe. However, I think Ripley is not a true "Doppelgänger" as if so he would need to look like Dicky (at least this is the German meaning of it). Ripley is copieing Dicky's behavior and rather has taken over his identity, and that way Ripley is doing something that is more known today through the internet: he has stolen his identity, although today there is no need to murder someone to do so.
Thanks again, and please keep moving triggering us.
Seriously awaiting the coffee table book of the cinematography culled by the DP!
Great análisis you’ve made, and please yes, could you make another video of Ripley with more in deep analysis regarding photography techniques, for instance. thanks !!
As a keen black & white photographer I couldn’t agree more also enjoyed the fact that some of it was in Italian 🇮🇹
Caravaggio video hell yeah! 👍🏻
Let’s do it then! ✌🏻
Excellent presentation. I’ll be watching that series!
Thank you Dennis, definitely do it :)
Great analysis - thanks for posting!
Caravaggio? Yes! Most definitely!
This is terrific Tatiana. Interesting you mention German Expressionist Cinema. Many German Expressionist film makers ended up in Hollywood making Film Noir films, Fritz Lang being among the most famous.
Absolutely agree. Amazing show. Writing, photography ... it has everything. It looks amazing. And definitely make a Caravaggio video, please.
Will do Andrew thanks for watching & leaving your feedback!
Thank you for recommending this movie. I wouldn't have watched it just because is black and white, and I prefer color, in general. The cinematography is amazing.
Absolutely. Fabulous cinematography. Each frame was a great learning.
Agreed!
Yes. Beautifully photographed.
Thank you so much for highlighting this series which I believe is a masterpiece in composition, lighting, texture, and of course black and white.
Thank you for your comment Nancy!
For me the most inspiring video media that could have most of its film frames printed and presented as fine art is the 2024 film Cabrini. I was surprised with the composition and use of shadows/light in many scenes. Even some simple sequences that would of normally have been done simpler, but the director chose to do a behind and elevated shot of two people talking in a grass field to show the vast expanse of the scene and invoke more emotion of the characters struggles. And the scenes using the lantern light and light filtering in from doorways was just simply the most beautiful cinema scenes i have maybe seen.
Hi! I haven’t watched it and to be honest never even heard of it so that’s amazing because I’ll be adding it to my watchlist! Than you so much for watching and sharing!
@@TatianaHopper There is actually a TH-cam video showing the first 19 minutes of the film that can give one an idea. Just search for "Cabrini | The First 19 Minutes | Angel Studios". And enjoy. And the actual accomplishments of Cabrini the women and what she did after she came to America is just crazy especially when you consider her heath was bad and she was in her 30's already.
Will watch it over the weekend, thanks for the beautiful analysis!
Tatiana, you couldn't have said it better.
Ripley is a masterpiece.
I really like Minghella's version, although some criticize how they portray Matt Damon's character, for me, he nails it. In fact, it's Damon's best performance. The rest of the main cast was also well suited, I'm talking about Jude Law, Gwyneth Paltrow, and the ineffable Philip Seymour Hoffman.
But the Steven Zaillian Ripley is on another level.
Every shot is meticulously planned and in itself is a photographic image that, in most cases, whether intentionally by its author or in our imagination, refers to classics not only of cinema and photography but even of literature. As an example, the scenes of Tom's murder of Dickie on the boat transported me to Hemingway's novel, The Old Man and the Sea.
I also believe that all the characters are unbeatable, not just the main ones, all of them. I have read some criticism of Eliot Sumner portraying Freddie Miles; for me, he is better than the one played by Philip Seymour Hoffman, his appearances are short but his character is deliciously despicable.
A masterpiece.
Yes I agree with you that everything is so meticulously planned on Ripley and really good reference The Old Man and the Sea. To me it also reminded me of Steinbeck’s The Pearl.
In my humble opinion I think the whole cast was very good and the actors were very fitting from Elliot to the actor who played the inspector. I thought they all did really well. Thanks for watching!
Watched Ripley! Simply wow stuff! Thanks for the heads up on this one!
Thank you for watching Greg!
Looks awesome. Thanks for this recommendation.
Thanks for watching!
... one of the VERY FEW series worth watching from scenario and aesthetic point of view ... WHAT A MASTERPIECE !!! THANK YOU for your analysis and inSIGHTs ... (btw: "Doppelgänger" = literally "double goer")
Everything about this series was brilliant
Great review, Tatiana. Not only an awesome series but a brilliant take on the movie (haven't read the book yet). And I couldn't help but think about how beautifully and creatively the movie was shot while I was watching. The entire time, I might add. It seems they took their time with it and in doing so, created a modern masterpiece.
Yes I agree, they took their time and made a great series! Thanks for watching 🙏🏻
Cheers! In my own photography I first focussed on gear and spend hell of money with not much improvement. Then I made orientation on films I love especially from Tarantino and Stanley Kubrick and also some street photographers like Mullins I really like and I found my own style also using film simulations which reminded me to my beginnings when I first started my own photography journey back then in the 90s using a Canon AE1. This made my own photography better and gave me more creativity and also character to my photos and helped me to find my own style. I even made a short TH-cam film. xD
Yeah it's so beautiful. The stone steps to the house knocked my socks off.
I enjoyed your discussion of this totally engrossing series which has so many marvelous aspects to it.
Absolutely stunning show.. looking forward to watching it again at some point
I’ll probably rewatch it too at some point!
"...given spot in a space..." What did you say right after that? I couldn't make it out. It was around the 4:21 mark. Just need the first part of the next sentence. Thanks!
Literally any random shot from the series is a a master shot! And I think the filmmakers did intend to convey to the viewer their homage to the art of photography, notice the repeated references to photographs, films (Marge purchasing a roll of Agfa), and the prominent display of the cameras: Marge’s plastic Kodak vs. Dickie’s opulent Leica. Speaking of which, they used an Alexa LF camera to film the series, but does anyone know which lenses were used? And yes, I’d like to watch your video on Caravaggio!!
Great review! It is one of the most beautifully filmed shows I have ever seen. As to rhythm, I think we are so used to fast cuts - especially in Hollywood movies - that any shot longer than about 2.5 seconds now seems slow. This series was paced more like a 1940s or 1950s film; entirely appropriate given its film noir styling.
I agree with your points, especially with pace being similar to 40s or 50s movies.
He didn’t want to “make a pretty travelog.” Well, they didn’t, they made a beautiful one. The absence of color in favor of super rich textures, inky black shadows,and excellent composition made for something that, for me, is visually stunning as well as interesting. I also noticed, is the absence of camera movement (or at least very little of it, I’m about 3 or 4 episodes in, so I might be wrong). That’s not a bad thing. It’s actually kind of a bold choice. It adds to the noir aspect of the story with its slow-burn pace style. You feel like you’re going along with Ripley’s developing scam.
Genius of photography (BBC) maybe 15 years old but still brilliant. Great content as usual
Will look it up, thank you so much 🤝🏻
It's from the 80s
@@canturgan no it’s not, 2007 it was released
Your analysis is brilliant and most succinct, made only more so by the excellence of the series itself. well done!
when I watched this movie it made me see the impact B&W can have!
Good video you did here. There's a lot to say about tv series. For example, in the 1999 film 'The Talented Mr. Ripley', star Matt Damon looked like the 'guy or neighbor next door'. Someone you would naively invite into your home, a wolf in sheep's clothing. As with Jack Nicholson in 'The Shining', Andrew Scott looks sinister from the beginning of the series. As for 'Ripley's' cinematography, director Steven Zaillian and cinematographer Robert Elswit must have been influenced by such films as; 'Touch Of Evil', 'Psycho' (not the remake), 'The Good German' and 'The Third Man' in order to capture the period look of 'Ripley'. You should study the prints of Russian photographer Aleksandr Rodchenko, encouraging artists and photographers to create an image from a different perspective, from above, from below, through a window or a wine glass. To break away from the rifleman's viewpoint many photographers and painters often take. Keep up the good work.
Love the parallels made between Caravaggio and Ripley in the series. Both intensely talented and equally disturbed.
Agreed! You out perfectly talented and disturbed!
Ripley is a masterpiece every shot is a study in itself the detail its a instant classic its noir which i grew up watching !!!
Agreed!
Brilliantly put together episode, Tatiana! I am enjoying watching Ripley and I love the black & white aesthetics that the filmmakers went with, there is so much to take in when the distraction of colour is taken away. Put me down for an episode of Caravaggio, per cortesia!
I agree with your takes Sebastian, thank you for watching and yes another vote for Caravaggio! :)
The pictures in this series blew me away...and I've shot B&W since 1969. The quality of the cinematography in this series is reminiscent of Doctor Zhivago from 1965...I know...not B&W, but none the less mind blowing imagery. I very much hope that creator Steven Zaillian, and cinematographer Robert Elswit are recognized for their outstanding achievement. I plan on watching it again....
I have watched it and I agree; it’s a learning experience for photographers.
Thank you!
Ok. I loved this video and your views on the way it has been filmed. As I person that does not watch many movies, I am intrigued by this series and may actually give it a watch. I love the lighting and shadows, and that it’s in black and white. The angles and framing look very powerful and your images of them are a lesson in framing that would help any photographer with their art. This is one of my favorites. Thank you for presenting it so well and your insights. I will definitely be watching this one again. Take care my friend. 🙏✌️❤️
Thank you so much Joe! Definitely if you have the chance give it a watch, honestly a great source of learning. Hope you’re doing well, take care my friend! 🤍
Hands down on the cinematography on Ripley is incredible just outstanding i've watched it 1/half times and view it again lol
Your videos are such a breeze of fresh air in this TH-cam world where all have the same style of making videos. PLEASE do make the video on Caravaggio, I’d love to know more about his technique and what you have to say ❤
Perfect I’m looking forward for a video on Caravaggio! Thank you for watching and for the feedback 🙏🏻
Doing black and white in Italy is certainly a choice, BUT it's still so freaking beautiful.
I had a feeling you'll talk about this show sooner or later. Personally wished it had more camera movements cause for me the static compositions got a tad bit repetitive. Also the clinically sharp sensor and look didn't help but other than that it's still pretty good. For other tv shows with great visuals better call saul comes to mind...and the knick, the sopranos, mad men, the young and new pope, my brilliant friend, the little drummer girl
Always learn so ugh from your videos, and this one was great as well.Looking forward to watching Ridley with an eye towards your discussion. Thank you!
Thank you for watching Jeffrey!
Gotta say, I love those curtains coming down😎
Yes, do please make a video about Caravaggio and how his artwork can be used to teach photographers how to improve their craft.
It’s already up, check out the latest video on the channel :)
Yes, Tatiana please make a video about Caravaggio !!!!
Will do! 🙏🏻
What an absolutely fantastic video, loved it thoroughly 👏
Thank you so much 🤝🏻
This is very much what compelled me to watch the show, especially the comments about the symbolism. One thing I thought was interesting was the chosen Picasso piece in the beginning being a semi formless abstract of a guitar player. A formless abstraction of a person is very much parallel to the character state of Tom in the scenes the painting is present. I do think these choices were very intentional. I think for people that love black and white cinematography or amazing performances this is the best thing on Netflix right now. Morose and creepy as it may be.
Started working on the same video/topic last week😵
Great video. And what a series! As you pointed out it's encouraging to see Netflix venturing into more artistic territory. Looking forward to the Caravaggio video :)
Quite right, it is a masterclass in monochrome cinematography.
Absolutely!
I did notice some really great compositions in watching this show.
Fantastic video!! Great job! Can someone tell me what the song at the end is called?
Stunning visuals.. Thanks a lot for this. ❤❤❤
Thanks for watching!
Thank you for your comments. You say that you were pleased to see “that Netflix is embracing different and highly styalised content like this”. The series was made by Showtime and Netflix picked it up for a song when Paramount took over Showtime. And yes it is brilliant in every way.
That explains it! Still the fact that Netflix picked it up and aired it is a very good point. I wish they could do more or pick up more content like this, it’s always positive!
Wonderful Tatiana ! 🥰 Keep up the good work !
Thank you so much! 🙏🏻