Raag Khamaj - Bandish - Kaisi Bani Chavi Tumhari - Voice Note

Raag Khamaj is a prominent raga in Indian classical music, belonging to the Khamaj Thaat. Known for its light and romantic nature, it is often associated with semi-classical styles like Thumri, Tappa, and Bhajan. Its mood ranges from playful and tender to deeply expressive, making it versatile and widely appreciated in both classical and light music.
Key Features of Raag Khamaj:
Thaat: Khamaj
Type: Audav-Sampurna (Pentatonic in Aroha and Heptatonic in Avroha)
Jaati: Audav-Sampurna
Vadi (Dominant note): Gandhar (G)
Samvadi (Sub-dominant note): Nishad (N)
Time of Performance: Night (Second Prahar: 9 PM-12 AM)
Mood: Romantic, Shringar Rasa (sensual and expressive of beauty)
Aroha and Avroha:
Aroha (Ascent):
S G M P N S'
(Shuddha Nishad in the ascent)
Avroha (Descent):
S' N D P M G R S
(Komal Nishad in the descent)
Key Characteristics:
Komal Nishad (N) is used in the descent, adding a touch of pathos and depth.
Shuddha Nishad (N) in the ascent gives it a lighter and playful feel.
Often, the raga is ornamented with meends (glides), gamakas (oscillations), and other embellishments to evoke its emotive quality.
Popular Phrases:
Typical melodic movements like G M P N S' and S' N D P M G R S are characteristic of the raga.
The interplay of Shuddha and Komal Nishad is a distinctive hallmark.
Suitable Bandishes & Compositions:
Raag Khamaj is often heard in:
Semi-classical compositions like Thumris and Bhajans.
Light classical forms like Dadra and Kajri.
Folk-inspired songs and even film music.