YES The Gates Of Delirium YESSHOWS | REACTION
ฝัง
- เผยแพร่เมื่อ 14 ต.ค. 2024
- Spirit Of Earth MUSIC:
SPOTIFY: open.spotify.c...
APPLE MUSIC / ITUNES: / spirit-of-earth
MERCH STORE : my-store-cf98d...
MAILING ADDRESS:
Justin & Camilla Panariello
1536 Rio De Janeiro Ave
BOX #201
Punta Gorda, FL 33983
My Wife's TH-cam Channel: / kafeteriafood
===================================
You can support the channel DIRECTLY by donating below. Thank you!
$ Paypal: paypal.me/JPBa...
$ Venmo: @Justin-Panariello
$ CashApp: cash.app/$JPBASS8
!!! $25 Per Song Donation Request MINIMUM !!!
!!! $40 Per GOOD COVER BAD COVER Donation Request MINIMUM !!!
===================================
AMAZON WISHLISTS
Justin's List: www.amazon.com...
Camilla's List: www.amazon.com...
MY BASS GEAR (amazon affiliate links)
-1974 Fender Jazz Bass
-Michael Tobias Design 535
-Fender Aerodyne Jazz Bass: amzn.to/3pjYlbC
-Hofner Ignition Pro Club Bass: amzn.to/3ITQHfn
-Hipshot BT3 Bass Xtender Tuner: amzn.to/32ncvzA
-Ampeg V-4B Bass Amplifier Head: amzn.to/3yNJSaS
-Empirical Labs EL8 Distressor Audio Compressor: amzn.to/3ql5nMe
-Korg PC1 Pitchclip Chromatic Tuner: amzn.to/3pkbam9
-String Swing Guitar Wall Hanger: amzn.to/3FleLWJ
-Roland Go:Mixer Pro-X: amzn.to/3EjR13V
-Radial Pro DI Passive Direct Box: amzn.to/3eiRs3M
-Canare GS6 25ft Neutrik Gold Plated Instrument Cable: amzn.to/3JbyXwr
-Fender STEALTH String Retainer: amzn.to/3Fol7V6
-Hipshot HB7 Bass Guitar Tuners for MIM Fender Bass, Black: amzn.to/3Eka1PC
-Dunlop Big Stubby 3.0mm Guitar Picks (2 dozen): amzn.to/3H2SgGr
I'm a professional bass player.
Email JPANReadsEmail@gmail.com for inquiries!
I'm humbled to have had some really cool musical experiences including
Writing and producing for Earth, Wind & Fire (2013 Sony release 'Now Then & Forever')
Playing 'Not Fade Away' on stage with Bob Weir (of Grateful Dead) and Lukas Nelson (Promise of the Real)
Playing with legendary drummer Gregg Bissonette (of Ringo Starr's All Starr Band, David Lee Roth)
Playing with Santana percussionist Karl Perazzo
Opening for incredible artists including The Chainsmokers, Robin Thicke, G-Eazy, The Wailers, Snoop Dogg, Warren G, Tony Bennett, Dickey Betts (Allman Brothers), Kevin Hart (actor/comedian), Flo Rida, Daughtry
Playing for International Pop artists Shadmehr Aghili (Persian Pop), Smiley (Romanian Pop)
Playing 'Knocking On Heaven's Door' on stage with PGA Legend John Daly
Playing incredible events including PGA Masters, Phoenix Open, Farmers Insurance Open, NCAA Final Four Lacrosse, TELUS Ski & Snowboarding Festival, US Snow Boarding Open, WheelsUp SuperBowl50 PreGame Party, WheelsUp SuperBowl52 PreGame Party, WheelsUp SuperBowl53 PreGame Party
Playing shows for companies including Facebook, RedBull, Oakley, DW Drums, Harley Davidson, Bose Corp, Northrup Grumman, Dunkin Donuts, Allstate, The Jimmy Fund, Make-A-Wish Foundation, The Boston Red Sox
Playing incredible venues including TD Garden (Home of Boston Celtics & Boston Bruins), Lincoln Financial Field (Home of Philadelphia Eagles), Microsoft Theater (LA), Planet Hollywood LIVE (Las Vegas), The Music Center at Strathmore (MD), SMU McFarlin Auditorium (Dallas), Verizon Theater at Grand Prairie (Dallas), EPCOR Center for the Performing Arts (Calgary), Chan Centre for the Performing Arts (Vancouver), Theatre St Denis (Montreal), Tweeter Center (MA), LiveWire (Scottsdale)
Played over 3000 live shows and counting….
![[UNCUT]“ฅนตื่นธรรม”ปะทะ“หมอปลา-ปู่มหามุนี-อั๋นโอกิ”สะเทือนกระทรวงเวทมนตร์ Iคนดังนั่งเคลียร์I10 ตค.67](http://i.ytimg.com/vi/peMD_SAkwNc/mqdefault.jpg)
This is a great, monstrous, epic piece of music. It doesn't get much better than this. I knew you would enjoy this, dude! The sound quality is much improved over the original recording on _Relayer._ You hear every nuance here. And listen to the that thunderous applause at the end! I'm sure everybody were on their feet as well. Awesome reaction, JP!
@@TheReaperMan275 👍😎
This is the Yes song I play to Rush fans to shut them up 😄
But seriously, people forget just how huge Yes were in 1976 (when this live GOD was recorded), and regards their playing, I think that 1976 tour was 'peak' Yes. When hearing the studio Relayer version of Gates, some folk dismiss (particularly the 'battle' section) as a 'good jam'. What the Yesshows live version reveals is that GOD wasn't a 'good jam session' but was a composition composed to be played throughout as it was on Relayer. This live version is incredible.
Cheers Justin. Nice one 👍
good luck getting rush fans to shut up...most of them are deaf
I think they are playig faster than the recording. You should check out the symphonic live version, It's epic.
ANYWAY I never had a problem with the studio and love his scratchier Live version, too. THIS IS GENIUS. SEEING IT LIVE (TRIPPING) WAS UNBELIEVABLE
With all due respect to this performance, Howe went thru his Telecaster phase that I'm not just crazy about. All said, thanks for airing this rare takes!
the horror of the battle resolves in a hope for peace
I think Gates of delirium might have been ahead of its time. Yes the recording is better here, but all these years later you can fully appreciate what these guys were doing. Putting this album out after tales was a big contrast. Plus, when it came out it wasn't made clear that with this piece they were actually going to depict war through music. Not exactly a subject that would want to Make You dance. In retrospect, and with the understanding of what they were trying to accomplish, this piece , and the execution of it , really is remarkable.
ir's amusical exploration of violence, malice and evil. The chaaotic sequences are a battlefield, and then the aftermath after all the blood has been spilled
And on the topic of "Wouldn't it be great if Yes released this entire show?", here's the Cobo Hall set list:
1. Apocalypse (instrumental section from "And You And I")
2. Siberian Khatru
3. I've Seen All Good People
4. The Gates of Delirium
5. Long Distance Runaround
6. Patrick Moraz solo
7. Clap
8. Jon' harp solo
9. Heart of the Sunrise
10. Ritual
11. Roundabout
Ritual on Yesshows is from the same gig.
I agree. Better quality recording. Love it.
An epic masterpiece for sure, better recording and certainly you can tell each band member is getting such a thrill out of playing it.
YES!!! The greatest band there ever was or will ever be!🤩
👍⭐️😎
Agree Justin..the best of this album. Steve..fantastic abuse of telecaster
Drummer white...fantastic
Sounded better than I remembered - can I have my record back - :o -- no worries, if I wanted to listen to this I still have a remastered cd of it. Speaking of which, with your typical remastered & expanded cd reissues they normal add a plethora of extra tracks -- that usually have little value and are not needed, but here was a chance to put in something really worth adding like a live version of Sound Chaser and To Be Over. But of course NO. Anyway, I hope now you will agree that TGoD is shoulder to shoulder with Yes' other great works like CttE, Awaken, Heart of the Sunrise, some of Tales... Thanks Justin. P.S. I still prefer the atmosphere that the studio recording has of this track. With the live recording you're enjoying the virtuosity of the musicians, with the studio recording you're transported to some far away wonderful place.
GOD is a masterpiece and YES playing it live is just PHENOMENAL!!!👍☮️😎
100% ❤❤
@@mattleppard1964 👍⭐️⭐️⭐️😎
I cry every time 🙏👑🙏
🤩
@@lesblatnyak5947👍😎
Yes! I knew there was no way you couldn’t dig this. It’s magnificent! Also looking forward to Ritual.
YES, the greatest show on earth. God said, "Let there be music."
🎶🙏👑🙏🎶
🤩
👍☮️😎
Great song. I wish the whole album sounded this good.
How[e] the fuck did humans produce this music.. live????
Lol 😂 1976 "cocaine tempo" 😮🤣
Not only is the recording quality better here, but I think the mix is actually better than the studio version on Relayer.
I legit believe that Squire's bass sounds better here than on the original studio recording, which is crazy. Sure, this is missing the balance of the backing vocals, and some of the crazy percussion and sound effects during the "battle" scene", but in certain ways I've always considered it superior to the original.
Got to see it performed twice. Once at the masterwork's tour and then at the Royal affair tour.
Both performances were spectacular
Glorious!!
This is a real showcase performance of this song. Jon's voice overall sounds less high pitched than in earlier years. I think he must have expended a lot of hard work and time training his voice to consciously pitch down slightly. He has to be commended for that, can't be easy without going out of tune. But they are all awesome here.
That said, the most enjoyable performance for me, along with Ritual and Close to Edge (the Big Three trilogy), is off the Yes Symphonic 2001 concert with orchestra. That whole concert has it all from performance, sound and visuals to make it an excellent experience.
I know some will disagree but I recommend rejoining the Yes journey after Anderson and Howe rejoined and look at the Trevor Rabin era as a separate aside journey for another time. Not that Rabin is not a good guitarist but a his forte is as a straight rock guitarist with all the tricks. He's spectacular but somehow it doesn't really suit Yes's more jazz/classical leaning style and ethos. Just my opinion. I think the Yes purists might agree though.
"Whoooooo!"
Always vying for my favorite Yes song spot. This or Close to the Edge. Live is just 😎❤ This performance is on fire.
👍⭐️⭐️⭐️😎
Imagine being at the show - wow!
Amazing! Of course it’s the best recording, it was recorded in Detroit😉
They definitely pulled it off well. My best friend was at the show and said the bass wasn't as loud as Chris mixed it but it was a great show.
It's Incredible how these guys can remember all the parts playing these pieces Live.
I'm a musician and a Songwriter and i can't remember my own lyrics.
I can't remember sh*t these days.🤣
Much less This.
The 3CD box set The Word Is Live (1970-1988), released in 2005, includes two other tracks from this concert in Detroit on August 17, 1976: “Siberian Khatru” and “Sound Chaser” (with “Apocalypse” as intro to “Siberian Khatru”).😉
Great box set!👍😎
@@jeffschielka7845 Yep, and finally a 3CD live box set with Yes is almost too little when you consider the material that exists in the vaults! It could even have led to a quadruple or quintuple CD box set!
@@a.k.1740 There was a 4 cd box set years prior.👍😎
@@jeffschielka7845 Yep, Yesyears box set mainly focused on their studio work (apart from a pair of tracks on the BBC in 69/70, their live Beatles cover of ‘I'm Down’ on 17 June 1976 and three tracks recorded live in Houston in 1988).
As a rule, Yes in the 70's usually *always* came off better in a live setting. Re: the 'way better recording', I wonder if this show was recorded by a pro team for an FM broadcast, rather than Yes' usual blundering live crew. Cobo Hall IS one of Yes' better known 70's bootlegs. It does also benefitting from missing that 50 tons of metallic percussion, fuzz and other "atmosphere". Patrick and Alan definitely benefit, although Steve still has a pretty dry, shrill tone on his Tele. That's probably my one complaint about this track. But yeah, many fans consider this to be the definitive version of this song. And good news, JP -- "Ritual" from this album taken from the same show. 😎
Steve Wilson remixed the classic albums a few years back and the were all good, especially Relayer but really it would have made more sense if he had remixed Yesshows and Yessongs. I'm sure both of those records could sound fantastic if he remixed them. All the performances are great and deserve a remix (Gates and Ritual notwhithstanding)
I actuallly prefer the original vinyl. The remixes were too smooth
@@mattleppard1964 👍😎
Why is it we care so much about other people liking what we like? You enjoy it and that's all that matters😅😊
@@AlanWeisssaltz I’ve always found that listening to great music with a music fan is double the reward it is when done alone.
@@mattleppard1964 fact
This complex music is not easy to play and this is an awesome live version of it. I wish they had this on video. I suggest doing The Keys to Ascention album. It's mostly live versions with a good new song "That, That Is" which is really good. And I especially like the live version of "The Revealing Science of God" on it.
I knew you'd like it better if only you'd listen to Gates again. Observation: I think sometimes when you've done YES reactions & have read that there were complaints some of the band members voiced about the recording your mind zeros in on that criticism & that's what you're constantly listening for is those imperfections. When I listen to the original recording, I never ask myself "how this could have been done better* since I'm locked in on how Chris Squire is guiding the mood throughout the journey
I think listening to these Chris Squire-mixed live recordings says a lot about the influence Chris had on Eddy Offord when he was mixing YES' recordings during their Uber Classic Period (The Yes Album, Fragile, Close To The Edge). Eddy once said that the key to his results was giving the musicians what they wanted to hear. Heck, we already know from Bruford how much time Chis spent at the soundboard. I think it might be fair to say that the mix on those three amazing albums essentially satisfied the ear of Chris Squire, who not only wanted to hear his own contributions in the mix, but he also had a sense of placement of all the contributors against his bass line (most especially with Bruford's drumming)
I dunno what happened when Gates was recorded, cuz it sounds as if Chris might have under-participated in the mixing of the song, perhaps in deference to the other outstanding musicians in the band, having become shy about his former domination of the band's final output
OK so Relayer or this album is another one I don't have and I might have heard this song once or twice. Unbelievable. Long great jam. Rock Gods.
Ty for reaction sir. I really feel the Keys live albums sound great, but not greatest renditions, etc. I like Yes studio tracks for the cleaner mix. Want everyone well-placed. 😊 To add, that's how a pedal steel should be played.
"Not Potato..."
a departure for them, and for Jon. Usually all about light. Not this one, until the final parts
😎
Manginifent band
I can't think of a satisfactory reason as to why GoD and Ritual come across so much better on this album than the other tracks. One thing is that the choices from 1977/78 don't really come across well live for me. Parallels is the nearest to being a great live track, but GFTO, TAAW, Wonderous Stories and Don't Kill the Whale just aren't meaty enough on stage, sounding feeble by comparison. Maybe it's the recording quality of those tracks or maybe it's just because they're not 'epics' that they just lack impact. The studio versions are all wonderful, so what went wrong? If the album had started with Parallels then included Awaken and On the Silent Wings of Freedom (both taken from 1977) with maybe Turn of the Century from 1977 plus the two epics it would have been a much better album. Having said that, Squire had a go at it when nobody else was interested in making the effort and eventually it was the record company who said 'well we have to put something out to make some cash, what do we have?" and this was all they had lying around.
😅😂😂😂
The whole album has different source material and Squire had to work with what he had.
Why is it we care about other people liking what we like if you like it that's all that matters😊😊
totally agree
@@JustinPanarielloThis song is really appropriate right now as we are currently approaching the real gates of delirium in Israel. Gates was inspired by the novel War And Peace, but it is about the battle of Armageddon at the end of world war three.
@@charleswagner2984 the gates of the western wall?
@@AlanWeisssaltz If you believe the prophecies in Revelation, the location of Armageddon is in "the valley of Mageddo." in northern Israel near Lebanon.
Second 😎
YUCK ! Howe's that for a different perspective? 😝
I can't stand this version of that song, Cowboy Steve completely ruins this masterpiece by ad-libbing and pussyfooting through his solos to the point I have to shut it off. Over the years I noticed that about him, it became increasingly problematic, his penchant for improvisation, rather than sticking to the script so to speak, often veered way too far off course, while every other band mate is busting their asses, there's Howe sliding and sneaking around his hard parts, and smiling at you like
"isn't it GREAT?!"
Umm NO BRO not so much.
A little creativity is perfectly fine don't get me wrong, but like I said, he's gotten away with murdering these excellent compositions way too much. Another reason I finally strolled away from the live performances over the years. He was once my number one guitar muse but he became a grumpy bitter old cuss,, and barked at me once when I stopped him to say Hi and Thank You for the music. My Dad called him pickle puss when I took him to see Yes In concert LoL I'll never forget that 😅
I love the legacy of Steves gift, but the story turned sour. Ask Jon 😉
Very sad what age does to us all eventually. Some morph into completely different people 😢
Maybe Veganism and Sobriety affected him
Bro EAT A STEAK
SMOKE A DOOBIE !
Mellow Out man 😝✌️
Steve is just a very intense character always has been
drugs rot your brain and make you talk nonsense, I suggest you stop before its too late
the worst version wich was to find.
Really--there is YES and then everyone else.