The Saxophonist Adam Hutcheson is nailing the changes, he crafted his solo very well with great bebop motives, rhythmic variation, flawless timing and he built it up until the end! Bravo. He evidently has great influences by the masters like Phil Woods and others
Your play of this classic is so damn good I’ll be all over the WEB looking for others whom have done it just because your rendition of the set has struck a cord in my memories of beautiful class music😎🤣😎😎👌🏾🍀
Absolutely one of the best renditions of this I have ever heard and I’ve heard every one of them Where are you guys from anyway; it’s so gratifying to know people are still aware of this
Fantastic stuff! I find the audience response at the end of each solo a lttle restrained. I would be trying to clinb on stage and high five the soloist! (This is why I am banned from many jazz clubs.)
Very good. But I once heard it performed by Kurt Cobain, Tina Turner and Elton John at a charity event. Slash of Guns and Roses was on a guitar he set fire to on stage. It was the best cover I've ever heard of it. The event manager overheard afterwards Elton say 'That's the greatest guitar playing, Slash' Slash replied, 'Gee Mr John, thankyu sow much. I always do me best'
Awesome!! Mr. Davidian, I am an aspiring jazz pianist, and I feel that I’m hitting a plateau with my ability to improvise, and I really want to be able to create soaring melodies when I solo. I can hear in my head what I want to play, but I don’t know how to play what I hear. Do you have any tips for getting better at this?
If the sax player should play less notes and choosing "the right note on the right place " he should sound way better. That is what Toots always did.Please, many notes is not ART ,it is a way to show that your inspiration has limits, I 'm sorry.
The Saxophonist Adam Hutcheson is nailing the changes, he crafted his solo very well with great bebop motives, rhythmic variation, flawless timing and he built it up until the end! Bravo. He evidently had great influence by the masters Phil Woods and others
Well, this is valid for saxophone players in general. The instrument supports fast licks and scales and most players want to show that they have been in the shed and done their homework 😅 In this case I agree to the other comment: It's a great solo in all aspects. I do not understand your comment about the sax solo, because you do not say the same about the piano solo. Without having counted the notes per minute I would say that there is no difference. Both play quite modern interpretations of the tune, I like it.
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Met Toots a few times in the mid 80s on eastern Long Island. A kind, gentle man.
I love 4 over 3 played in perfection
The Saxophonist Adam Hutcheson is nailing the changes, he crafted his solo very well with great bebop motives, rhythmic variation, flawless timing and he built it up until the end! Bravo. He evidently has great influences by the masters like Phil Woods and others
Your play of this classic is so damn good I’ll be all over the WEB looking for others whom have done it just because your rendition of the set has struck a cord in my memories of beautiful class music😎🤣😎😎👌🏾🍀
Bravi!
Smokin hot!
What a wonderful performance. Loveeeee it!!!😍😍😍😍
One of the greatest jazz hits of all time!
Quartet is on point. 100% pro
Wonderful song.
Love the time feel in Joe D’s playing…
amazing sounds
It's a wonderful performance.
Absolutely one of the best renditions of this I have ever heard and I’ve heard every one of them
Where are you guys from anyway; it’s so gratifying to know people are still aware of this
Excellent very well put class n jazz in one
Fantastic stuff! I find the audience response at the end of each solo a lttle restrained. I would be trying to clinb on stage and high five the soloist! (This is why I am banned from many jazz clubs.)
Very good. But I once heard it performed by Kurt Cobain, Tina Turner and Elton John at a charity event. Slash of Guns and Roses was on a guitar he set fire to on stage. It was the best cover I've ever heard of it. The event manager overheard afterwards Elton say 'That's the greatest guitar playing, Slash' Slash replied, 'Gee Mr John, thankyu sow much. I always do me best'
Awesome!! Mr. Davidian, I am an aspiring jazz pianist, and I feel that I’m hitting a plateau with my ability to improvise, and I really want to be able to create soaring melodies when I solo. I can hear in my head what I want to play, but I don’t know how to play what I hear. Do you have any tips for getting better at this?
Sublime ! Excellent , Bravo !
Practice scales, fast, thats really all you need!
Well tell us something like what city? US Canada Europe? Anyway nice except Perhaps your technique plays you a bit. I'm 11th thumbs up.
Took me 2 seconds to look it up….
If the sax player should play less notes and choosing "the right note on the right place " he should sound way better. That is what Toots always did.Please, many notes is not ART ,it is a way to show that your inspiration has limits, I 'm sorry.
🤣🤣🤣🤣🤣🤣
The Saxophonist Adam Hutcheson is nailing the changes, he crafted his solo very well with great bebop motives, rhythmic variation, flawless timing and he built it up until the end! Bravo. He evidently had great influence by the masters Phil Woods and others
Well, this is valid for saxophone players in general. The instrument supports fast licks and scales and most players want to show that they have been in the shed and done their homework 😅
In this case I agree to the other comment: It's a great solo in all aspects.
I do not understand your comment about the sax solo, because you do not say the same about the piano solo. Without having counted the notes per minute I would say that there is no difference.
Both play quite modern interpretations of the tune, I like it.