Yeh on my screen I think it was only the final image I actually saw it but even then it wasn’t consistent. I uploaded a video with grain and I think I’ll just try without next time. Just not sure if I can nail the settings right
good idea bro, helpful indeed. 35mm (KD P400 Ptra - subtle but nice) wouldn't push it more than the (Super 16 (KD P400 Ptra) Personal choice of course but ill have a play around and adjust the KD P400 preset and see what the happy medium looks like. Thanks for sharing
Glad it’s been helpful. If I’m doing grain on something that won’t live online and will therefore be higher quality I like the super 35 presets but after doing this test I think one needs to be in the 16mm range for TH-cam distribution.
@@FilmResolved yeah after watching I did some tests myself if seems that you have to go the 16 for it to come through. Best grain plug in I have ever used though :) Do you use it as a color grading tool on a node sometimes? just to had some filmic contrast etc?
@@Sirfunkymonkey Yep, I often use it on a node at the end of my tree with roughly 25-33% strength for both chroma and luma and grain ot taste if I am using grain. It has become my go to for grain over the built-in in Resolve and I will often have a FC-Nitrate node just for grain and no additional colour. It's just a great way of adding a little something to my grade when I need quick turn over which as a videographer is almost always!
I've watched a few tutorials from Qazi and Aram K and they do love their grain. I'm a bit confused, and this is probably from a viewpoint of ignorance in the subject, however I try my best to get as good an image as possible by removing noise from my little TH-cam projects. I then find it counter intuitive to reintroduce grain to emulate analogue filmstock.
@@FilmResolved I'm probably coming at this from a position of ignorance and inexperience of not knowing or recognising the difference between noise and grain from an esthetic viewpoint.
Yeh on my screen I think it was only the final image I actually saw it but even then it wasn’t consistent. I uploaded a video with grain and I think I’ll just try without next time. Just not sure if I can nail the settings right
good idea bro, helpful indeed. 35mm (KD P400 Ptra - subtle but nice) wouldn't push it more than the (Super 16 (KD P400 Ptra) Personal choice of course but ill have a play around and adjust the KD P400 preset and see what the happy medium looks like. Thanks for sharing
Glad it’s been helpful. If I’m doing grain on something that won’t live online and will therefore be higher quality I like the super 35 presets but after doing this test I think one needs to be in the 16mm range for TH-cam distribution.
@@FilmResolved yeah after watching I did some tests myself if seems that you have to go the 16 for it to come through. Best grain plug in I have ever used though :) Do you use it as a color grading tool on a node sometimes? just to had some filmic contrast etc?
@@Sirfunkymonkey Yep, I often use it on a node at the end of my tree with roughly 25-33% strength for both chroma and luma and grain ot taste if I am using grain. It has become my go to for grain over the built-in in Resolve and I will often have a FC-Nitrate node just for grain and no additional colour. It's just a great way of adding a little something to my grade when I need quick turn over which as a videographer is almost always!
@@FilmResolved Absolutely man, its a massive time saver and provides that little something :)
I've watched a few tutorials from Qazi and Aram K and they do love their grain. I'm a bit confused, and this is probably from a viewpoint of ignorance in the subject, however I try my best to get as good an image as possible by removing noise from my little TH-cam projects. I then find it counter intuitive to reintroduce grain to emulate analogue filmstock.
There’s a big difference between the look of digital noise and film grain. Like anything it’s just personal preference at the end of the day.
@@FilmResolved I'm probably coming at this from a position of ignorance and inexperience of not knowing or recognising the difference between noise and grain from an esthetic viewpoint.